A mother lives quietly with her twenty-eight-year-old son, Do Joon, providing herbs and acupuncture to neighbours. One day, a girl is brutally murdered, and Do Joon is charged with the killing. Now, it's his mother's call whether to prove him innocent or to leave him imprisoned. (Source: Pusan International Film Festival) Edit Translation
- English
- Português (Brasil)
- Deutsch
- Español
- Native Title: 마더
- Also Known As: Madeo
- Screenwriter & Director: Bong Joon Ho
- Screenwriter: Park Eun Kyo
- Genres: Thriller, Mystery, Life
Where to Watch Mother
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Cast & Credits
- Kim Hye JaHye JaMain Role
- Won Bin Main Role
- Jin GooJin TaeSupport Role
- Yoon Je MoonJe MoonSupport Role
- Jeon Mi SeonMi SeonSupport Role
- Chun Woo HeeMi NaSupport Role
Reviews
It has a touching story but somewhere they lack in something, it could have been an absolute masterpiece but somewhere and somehow they missed the right spot in their story.
The acting was very good and convincing, I felt anger, despair and sadness. The acting did fit in the way that they made this movie, their work with their camera's, the positions, the emotions, the characters and the music. I woulnd't call it unique but it is different it is not the same as most of the movies.
This movie isn't giving it all away, it makes you wonder and think also in the ending of the movie. The 'dilemma' of this mother is really understandable and somehow it isn't. It is a movie that could give yourself a conflict "what would I have done in this situation?" you might ask yourself in this movie, and because of this they scored alot of points in this movie i.m.o.
Watch this if you like movies that won't give you an immediate answer.
Skip this movie if you want an easy movie that give you all the information and ends without you left thinking about it.
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Kim Hye-ja displays a reverse Oedipus complex, protective of her son. Bong's attention to detail is prevalent, using Kim's acupuncture needles as symbolism for males' genitals to reserve the male-female role. Do joon (Won Bin) also highlights a complicated male-female relationship when the murdered girl questions his masculinity, resembling when his friend questions if he has even been with a woman and replies in an outburst.
Much more daring in its use of violence compared to Bong’s similar films like Memories of Murder, Bong’s signature dark aesthetics and gritty tones is a plus in the film’s overall mood. Brutally endearing and heartfelt performances fill this feature.
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