Anger

Anger (2016)

8.9
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Ratings: 8.9/10 from 7 users
Reviews: 1 users

A man brutally murders a married couple and leaves behind the words "Ikari" ("Anger") written with their blood. The killer undergoes plastic surgery and flees.

At 3 different locations in Japan, a male stranger appear. People there suspect that the stranger might be the murderer.

At a fishing harbor in Chiba, Yohei Maki (Ken Watanabe) works at the harbor and he has a daughter, Aiko (Aoi Miyazaki). Aiko begins to date Tetsuya read moreTashiro (Kenichi Matsuyama). Yohei begins to suspect that his daughter's boyfriend might be the killer, because he is using a fake name.

In downtown Tokyo, gay male Yuma Fujita (Satoshi Tsumabuki) works at an advertising agency. He meets Naoto Onishi (Gou Ayano) and they begin to live together. While getting Naoto to open his mind, Yuma begins to suspect Naoto as the killer.

In Okinawa, Izumi Komiya (Suzu Hirose) and her mother move to an isolated island there. One day, she takes a walk and meets Shingo Tanaka (Mirai Moriyama). The young is backpacking alone. Izumi gets close to Shingo, but Shingo asks Izumi to not to tell others about him.

  • Native title:

    怒り
  • Also Known as:

    Rage; Ikari

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Jianne
4 people found this review helpful
Other reviews by this user
Nov 17, 2016
  • Overall 8.5
  • Story 7.5
  • Acting/Cast 10
  • Music 10
  • Rewatch Value 7.0
Lee Sang-il's "Rage" (or Anger, Ikari, whatever you wanna call it) might seem like a murder mystery to you, but it isn't really. While the film's narrative does center around a mysterious bloody murder, the ultimate message is not about finding who the murderer is but rather stories on trust and connection among its characters.

With a talented and star-studded ensemble of some of Japan's most famous names, it's no surprise that read more Rage shines. Ken Watanabe needs no introductions, the male leads: Go Ayano, Matsuyama Kenichi, Tsumabuki Satoshi and Moriyama Mirai who all have already made names for themselves. Aoi Miyazaki, who's been in the industry since she was four. And the up and coming, Hirose Suzu. I also want to mention the relatively unknown Takara Sakumoto who makes his debut here as an actor to watch out for.

I'll tell you why Rage is a very raw film -- it depicts Japanese rigidity. I don't say that to provide a negative interpretation but there is a lot of suppressed emotions in the society. Hence, these suppressed emotions are bottled up, be it sadness, be it anger, be it loneliness—whichever. The need for catharsis is just too high and I think Rage perfectly depicted that need and gave these characters that chance.

As I watch this film, I too, want to scream, I too want to have a tantrum, I too, want to throw things—I want to release bottled-up feelings. Lee knows how to build-up these emotions that echoes the characters' as much as he builds up the narrative. He knows how to give you the "feels" combined with Ryuichi Sakamoto's score that's just filled with too much dramatic tension, you too, would want to explode.

There are two overlaying narratives in the film, all of which were very cleverly linked not only by the murder and that the three men emerge as potential suspects but are also connected through dialogue, through visuals and through sound. The sound is really the one, to me, pushes the plot. The sounds emit the emotions, emit the passion and emit everything. Lee connects visuals from Tokyo, from Chiba and from Okinawa together with the dialogues and the sound. I think it's a very refreshing way to do so and it makes the three narrative feel balanced.

These narratives, on their own are unique but still keeps the underlying theme of trust and connection. Go and Satoshi's narrative touches on their sexuality. It is very refreshing to see an aloof, almost-silent Go that contrasts with Satoshi's fearless and enthusiastic nature. Miyazaki, Watanabe and Kenichi's narrative touches on acceptance and of family. The lonely, almost weird Kenichi forms a connection with Miyazaki, who has just been rescued by Watanabe (her father) from an abusive sex work. Suzu, Mirai and Sakumoto brings us to Okinawa, of a simpler life, of youth and of curiosity but to me is really the one that resonated with me the most.

If you really want to know who the murderer is, I'd say look at the narrative that's filled with the most rage. Look at which narrative makes you feel the angriest, the one that filled you most with rage and you will have your answer. By the second hour of the film, where it's filled with tears and screaming and throwing, you'd know. The reveal isn't what matters, it's their stories that do. Lee knows how to juggle the three narratives that three of the suspects are all likely to be the killer.

The plot does, disintegrates into a cornucopia of crying, weeping, wailing and just a lot of those (all three narratives stitched together too) so it does overwhelm and to itself, an overexcess portrayal of the characters and their narratives. But nevertheless, very very very impressive performances from the cast.

All I have to critique is probably the lack of a backbone for the killer himself. There is an ongoing question of where the rage comes from. Is it simply from surpassed emotions? Is it simply from being laughed at his pitiful state? Or is it from being pitied? We are never given a straight answer so we can only interpret.

The visuals are stunning. The opening shot of a bird's eye view of Tokyo, to the clear waters of Okinawa to the colorful houses of Chiba—it's beautiful. The visuals are great transitions and there is never the lack of varying colors to depict the scene's mood.

Finally, I just want to say that I will never look at Hirose Suzu the same again. I'm only commenting on her the most because her films are the one I've seen the most. I used to say how Suzu knows how to act, she can cry but there is blankness in it (compared to the way Fumi Nikaido tries) but seeing her, in a very very very mature role, I'm taking back what I said—Suzu deserves all the spotlight she's getting. And with such roles, it's no doubt, she can do more.

Also, Takara Sakumoto making his debut here impresses.

Ultimately, the film is about trust and connection. No, it doesn't tell you who to trust and stuff but it does tell you how it feels when someone you trusts betrays you or someone you choose not to trust just decides to leave.
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Comments (13)

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  • Reply
    plasticineman 9 days ago

    still waiting for english subtitles.

  • Reply
    jagasthesecond Feb 6, 2017

    where can i watch?

  • Reply
    plasticineman Oct 6, 2016

    does anyone know where I'll be able to watch it?

  • Reply
    Erica Sep 26, 2016

    really good show!

  • Reply
    biniBningPunkista Aug 18, 2016

    whoa... this has a mind boggling premise.

  • Reply
    KateJehlickova Jul 14, 2016

    Does anybody know where to watch this? Thank you in advance.

  • Reply
    Hana-zfa Apr 15, 2016

    omg.. omg.. OMG!!

  • Reply
    DragonAlien Sep 15, 2015

    Oh my, what is this? This miracle? So many brilliance in one movie, actors, idea, plot, magnificent and splendid! ♥

  • Reply
    Simplifica Aug 24, 2015

    this is like ....
    justice league of japan A-lists? XD

  • Reply
    realdeal Aug 22, 2015 - edited

    all of them are not just good capable actors but great actors with A+ japanese actors and actresses with exception i think with suzu hirose but she is young and she is not bad and she is cute LOL.

    watanabe..no need for introductions

    tsubamuki, moriyama, matsuyama, ayano gou these 4 guys alone can do blockbuster films.

    and there's aoi miyazai...the underrated chizuru ikewaki....the veteran pierre taki....the up and coming takahata mitsuki....takahiro miura who is a great capable actor.


    WHAT A CAST!!!

Details

  • Country:

    Japan
  • Type:

    Movie
  • Release Date:

    Sep 17, 2016

Statistics

  • Score:

    8.9 (scored by 7 users)
  • Ranked:

    #13861
  • Popularity:

    #2739

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