Let's start with the story, One Spring Night tells a tale of two people who fell in love despite the whole world telling them not to. They tugged at my heartstrings with their beautiful, mischevious relationship that not only had to bear the weight of internal struggles but also had to face the societal pressures that came along with being Korean. It's as much a social drama as it is a romance story, so please go into it keeping that in mind. The cultural differences will make some decisions hard to understand but all of them make perfect sense, regardless. Jeong In and Ji Ho's slow burn romance coupled with extremely lovable side characters, realistic and fleshed out "antagonists" (though I'm not sure if I want to call them that because they weren't inherently evil, just handicapped by their circumstances, upbringing and morals). All in all, OSN offers what most dramas tend to lack these days: authenticity. It makes you feel like you're there with the characters and you grow fond of them. A beautiful, minimalist love story.
The acting is so extremely well done that I don't even feel like I'm watching Jung Hae In or Han Jimin (or any of the actors for that matter). Everyone, EVERYONE, did a brilliant job of internalizing the characters. From the minor characters to the major ones, all of them gave a very natural performance that made me think that the characters were people that could actually exist IRL. I would also like to applaud the writing and directing. There are plenty of scenes whose artistic value could be seen even through my inexperienced eyes. The drama is a treat to watch.
I also really, really loved the music. It fit really well with the setting of the scenes. Best of all, I feel like the OST wasn't used to manipulate the mood of the show which gave it an even more authentic feel. It complimented the scenes and wasn't distracting at all. They do have limited songs playing in the background but tbh I didn't mind that at all. I'll think of OSN when I listen to We Could Still Be Happy haha.
I want to add that another reason why this drama is so special is because of its exceptional secondary characters. All of them feel like you could be friends with them. They're flawed yet extremely raw and realistic. They aren't caricatures or used as a plot device to further our main couple's story but instead they power through struggles of their own. They're all very different from each other but equally endearing. This show deserves an award for creating characters like them.
Anyway, I really loved this drama and it has become one of my favourite dramas of all time!
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The story seems simple and full of tropes: amnesia, chaebols, cinderella-like characters, car crashes, etc. but none of them felt melodramatic at all-especially when those cliches would usually spell out melodrama in other dramas. The drama's anchor is on the chemistry between Seo In Guk and Nam Ji Hyun and the drama knows its strengths so it focuses on that. The progression of their relationship is organic, genuine, honest, and just full of cuteness! The story isn't fast in the sense that things are always happening but the continuous character growth in the relationships is what will keep you watching. You become invested in all the characters and grow to love them- all of them. That was the draw for me.
I love this drama and its Cinderella feel. It's such an easy watch but not boring- and that's so hard to achieve, having light cuteness that's balanced by heartfelt moments
I really liked the OST especially Tiger Moth by Monsta;it's still playing on repeat.
I recommend SKL, completely if you like:
-cuteness overload, in a good way
-a well-done rom-com (actually hilarious and romantic at the same time)
-no melodrama because the writer defies all the cliches you think will happen
Shopping King Louis is one of the most pure, innocent, and heart-warming dramas I've watched in a long time. I sincerely recommend this to y'all especially if you need a little bit of Louis to lift up your spirits!
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I liked how it leapt right into the story, with the introduction of the two main characters. Then we got to meet supporting characters, whose stories interested me also. The chemistry between Ling and Qi Luo was amazing, and I love how their relationship slowly developed. I really enjoyed the little things that made the characters endearing to me, like when Ling annoys Qi Luo in class, trying to get her attention. The relationship develops at a realistic pace, with the facades and defences of each slowly disappearing, and their true natures and vulnerabilities revealed.
I became emotionally invested in these characters, and to me that is a sign of good acting and writing. I cried several times throughout, and just when I thought surely nothing else could possibly happen to these people, something did. But there was still that sense of hope, that they could overcome everything with each other's support.
So, an emotional roller-coaster, but well worth watching, and just as good to re-watch.
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Surprisingly good and cute! worth a try!!
The ML improved SO FREAKING MUCH since PYHOMS. His visuals, acting, chemistry with the FL has improved A LOT so give it a try, you won't regret. I fell in love with the entire cast. The story progresses really well and I'm glad I didn't skip this. I didn't fast forward any scenes but instead I rewatched (which I almost never do). the story doens't get draggy or boring anywhere.The FL isn't the typical damsel in distress but quite a strong one for a big change from her previous works. The leads have a sizzling chemistry and not to mention the second leads too! They have an interesting story. The actors portray their roles perfectly. I don't know how I'll be able to move on from this! Their smiles are so damn freaking contagious OML I can't stop smiling. The second couple have a really good story pace and not simply rushed just because they had to be together for the sake of being together. I wish they had an entire drama for themselves!
In short, you'll get hooked up when you smell the chemistry between all the actors and not to mention the kisses :,-) honestly this drama set the bar high for cutesy rom-coms xo.
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1This review may contain spoilers
BL that manages to be more than BL in some ways
In a nutshell:The story is interesting though some may bemoan the way the series doesn’t seem to have a major conflict or point of tension for quite a few episodes. However, the series never feels slow or boring to me. There is a lot to love about this series because it doesn’t always tell the story in an in-your-face manner. But this could well be its weakness too. For example, if it had emphasized how one of the main characters’ (Pharm) incomplete recollection of his previous life early could pose a problem to their relationship, the tension and suspense built could have maintained the interest of more viewers.
In a coconut shell:
The series starts with the tragic double suicide of Korn/In, certainly not the lighthearted schoolboys-fall-in-love stuff that is so common in BL (though the characters are students). The double suicide is the result of parental objections to their relationship because of their sexual orientation, a rather serious consequence compared to popular BL series that treat the topic of objecting parents less seriously (e.g. Together with Me: The Next Chapter in which the parents change their minds, and Dark Blue Kiss in which the parents are surprisingly open-minded). The seriousness in tone, though not all that persistent, makes it different from a lot of BL that focus on the couples’ relationship without such a strong regard for the society in which the story is set). Where the Dean/Pharm story is concerned, the use of common BL tropes (like a “straight” guy falling in love with another guy) is rather sparing. This may be a good thing, but the side couple (WinTeam) may appeal to BL fans more and may be more conventionally BL.
In the parts of the story that use common BL tropes, the series does become more like BL and somewhat less realistic. The inclusion of a BL fangirl of sorts (Manaow) and the way Dean’s swimming team do not seem to bat an eyelid when their captain brings his boyfriend with him on a team outing are where BL fans find themselves in familiar terrain, though we can guess how often that happens in real life in Thailand. Interestingly, these elements seem to be used to contrast past and present, making a point about how increased openness towards homosexuality in society makes a huge difference for same-sex couples and even the two fathers who live in regret after their sons’ deaths. The society in the Dean/Pharm parts of the story feels much less oppressive that the atmosphere in the Korn/In story. We can see this from the minor characters’ behaviours: whereas Pharm’s friends accept and encourage his relationship with Dean, In’s good friend only quietly feels happy for him when he sees In together with Korn. Such subtle touches make the story rather interesting and worth re-watching.
There doesn’t seem to be a rush to bring the plot to new heights of tension. There is neither an excessive preoccupation with kissing and sex scenes nor an aversion to them. Although a number of viewers seem to find UWMA to be rather slow-moving or that it’s not clear where the story is going, I have a different opinion. In fact, the story is fairly well-paced, with the flashbacks seldom being unnatural as they show the parallels between the previous lives and the present lives. I suppose one thing that frustrates some viewers is the way the Dean/Pharm storyline doesn’t seem to have any obvious conflict for a large part of the series, which may give the impression that it is going nowhere. However, I like the way events are foreshadowed and how the characters slowly recall and come to terms with their past lives. As I watched each episode on a YouTube playlist, I get to the last part before I know it (it’s quite a different experience when it comes to series like I Am Your King Season 2).
Another aspect of the series that I like is how Dean and Pharm have different personalities from their past lives. The differences are more subtle in Dean, who seems calmer but also more determined to make his relationship work out than Korn. As for Pharm, while he’s clearly attracted to and in love with Dean, he does not rush into the relationship. As a really good cook, Pharm is set apart from In who cannot cook to save his life. This difference isn’t merely superficial for the patience and skill with which he cooks indicates a different personality. Both Dean and Pharm seem to have “learnt” something from their previous lives. The dynamics of their relationship are somewhat different too. While we see more passion between Korn and In, we see more tenderness between Dean and Pharm. The interplay between the parallels and differences indirectly creates suspense: will the couple finally have a happy ending, or will history repeat itself? Most of the time, the story seems geared towards a happy ending but there is foreshadowing of a problem to come, especially in a scene where a monk reminds the couple of the importance of forgiveness. In the end, we see that Dean/Pharm must reconcile with the people in their past lives and settle their unfinished business before moving on as themselves in their present lives. It seems paradoxical in the end, but it makes sense: Dean and Pharm have acquired new identities and cannot be living in the shadows of Korn and In forever, so while accepting that they are reincarnations of Korn and In, they must still be able detach themselves from their past lives. (An interesting scene in the last episode with Dean and Pharm dreaming of Korn and In as third parties and not as themselves for once shows that they have finally managed to move on as Dean and Pharm, not reincarnations of Korn and In.)
I also love WinTeam in this series although it often looks like the WinTeam scenes are a teaser/test for a possible Season 2 which will focus on them. I would love to watch a Season 2 with WinTeam as the focus though even with the same production team, I believe a Season 2 with WinTeam will be enjoyable in a rather different way. If this series doesn’t appeal to you, you could still give Season 2 a chance if it is made.
Edit: After considering why I've been feeling that something is a little lacking in this series despite my love for it, I realize that there isn't that much on how the characters fall in love. For Dean and Pharm, each immediately feels like the other is the one on first sight because of their past lives, so we can only look to Korn and In. But while we can see the depth of Korn and In's love, we don't see enough of what makes their love so strong. Our involvement in their story would be stronger if there had been a bit more showing Korn and In's love for each other.
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A timeless love story with no beginning and no end.
An Ancient Love Song is a beautiful, haunting and timeless love story with no beginning and no end. The fresh storytelling approach fits Graham Greene's description of a story as something one arbitrarily chooses that moment of experience from which to look back or from which to look ahead.Shen Buyan is a professor and popular chronicler of the life of the wicked demon queen of Nancheng that lived thousands of years ago. She is reviled by history for killing a virtuous prime minister and living an extravagant life. Shen Buyan comes into possession of a mysterious jade artefact under an ancient wishing tree that sends him back in time. He discovers that all is not what he expected it to be. He meets the badass Lu Yuan and she moves him so much he wants to change her life and tries desperately to put a stop to a treasonous plot. The story told from Shen Buyan's perspective is in reverse chronological order. Each time he travels to the past, he goes back further in time. Thus the first time he meets Lu Yuan is when she loves him most. And the first time Lu Yuan meets Shen Buyan is when he loves her most.
The plot design is innovative and invites multiple rewatches. The first time I watched it in the order the production intended but you can really start anywhere as the story is a continuum that can be started at any point and can be watched forwards and backwards. Shen Buyan and Lu Yuan are star crossed lovers 有缘无分 destined to meet across time and space but not fated to be together. But because it is a love story that has no beginning in many ways it also does not end. Their enchanted love affair spans thousands of years. Surely that has to be enough.
I cannot praise enough this impressive low budget production that punches above its weight and originates from a fan made video. It is clearly a passion project that the entire cast and production team put a lot of heart into and it shows. It is anchored by the spectacular Zhang Yaqin from Love in Between. She is gorgeous and baddass here too and effortlessly and convincingly transforms from the 36 to the 18 year old Lu Yuan. Shen Buyan is played by Guo Jianan, a bit of a cute newbie actor that takes awhile to get into character but he gets pretty good by the end. The young cast overall delivers charismatic and empathetic performances. The villain role is especialy well done by a young actor with great screen presence and gravitas.
This is a must watch drama that I enthusiastically rate 8.5/10 overall with a story by itself that is worthy of at least 9.0.
PS - Be sure to catch the special, told from the FL's point of view.
https://www.youtube.com/watch?v=rYPDTcUwJqQ&t=71s
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Crash Landing on My Heart.
“If you give up on waiting, the pain of loss will kill you. That’s why I wait.” —Captain Ri.Most people who have watched the entire series love CLOY, which is one of KDrama’s finest, especially for its fascinating strong woman lead and the equally strong, gentle man who loves and protects her. But also for some of the following points:
1. The writer, Park Ji-eun, who also gave us “You Who Came from the Stars,” is one of the best, knowing how to balance drama, comedy, themes, and closure while keeping her audience intrigued and in love with her characters. The director, Lee Jeong-hyo, who has worked on many series and movies, kept everything focused and carefully paced so that the series steadily evolved each week.
2. The cast is one of the best I’ve seen with immensely beautiful and talented leads, warm, hilarious village ajummas, and Capt. Ri’s delightful squad, dubbed “the ducklings”—all of whom became a family for one another and for the viewers.
3. Themes varying from the pain of losing family, being abandoned and becoming a street orphan, all the way to the belief in a Zen appreciation for patience and waiting; also kindness, protection, sacrifice, and unconditional love. The themes drive the plot, and the cast brings everything to life, making us impatient for each weekend to finally roll around so we can see what happens next to our beloved characters—whether love, laughter, danger, and heartbreak, we got on that train with them.
4. A great story that keeps the reader interested, a love story whose premise was there from the beginning and revealed brilliantly in the steady epilogues. But also the comedy of the sidekicks—and the horror of the bad guy consumed with envy and jealousy that destroys innocence and beauty, making this the classical struggle between good and evil embraced by every generation since time.
5. The touching, beautiful OST, which many fans have downloaded. The piano piece “Song for My Brother” leaves me in tears every time.
6. A wealthy, beautiful but hurt SK woman who learns to love herself as well as others, who can be hilarious and sassy, yet who finds strength in loving and protecting the most amazing man—Capt. Ri.
7. A beautiful man, a pianist who becomes a NK army officer, a quiet philosopher and tomato plant caretaker with a “low voice”—the kindest man I believe I’ve ever seen in any narrative—who adores the hurt woman, knows who she is, finds her, protects her, and loves her no matter what evil, what danger threatens them. Yes, he sounds too good to be true. . . . .but he’s not. The whole world is in love with Capt. Ri because Hyun Bin developed him and made us believe that such a man can exist.
8. Talented Hyun Bin and Son Ye Jin, who wanted to work together again after “The Negotiation” and gave us “the gift” of “Crash Landing on You.” Thank you from our hearts. And congratulations on the many awards the CLOY team have won and for the love you found in one another. You blessed those of us who love you and this series.
—A J McAninch
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This review may contain spoilers
MORE THAN JUST A LOVE STORY. ATOTS is GMMTV's nearly impeccable BL Series! --- 9.9/10
This series is a great way to start the year 2021. This series surpasses all my expectations in almost every aspects of this show. This series is exceptional when it comes to chemistry, acting, OST and especially the message they wanted to imply.STORYLINE / MORALS
• ATOTS' storyline is so unique in the BL world. It's a game changer from the usual university-themed Y series we used to see in this genre. I am not actually a fan of slow paced series, but ATOTS is an exemption. The story is not so fast, and it results to more appreciation of every scenes. The last scene on episode 9 will be more perfect tho if they gave us a kiss (as per the novel's basis as well), but it was still okay due to their powerful scene execution.THE ENDING WAS SOOO GOOD. My eyes are sheding tears while smiling.
• What I love the most in this series is how they showed the contrast among social classes, and making the viewers learn how to value their lives. Showing the difference between people in the higher and lower class of the society results to realizations and understanding among its members. A rich boy realizing how happy living in a simple life in the village; however, if villagers have their choice will they choose to stay where they are? -- it's reality vs. practicality question. Khama's words of wisdoms tell us more about the message that this show wanted to imply.
ACTING / CASTING
• Their acting is so natural and effective, but I want to give a special commendation to Mix Sahaphap. He is a rookie actor, but the way he acts feels like he is doing acting for decades. The emotions was delivered properly, and it transcends from my computer screen. Meanwhile, I don't think anyone is more fit for the character of Phupha rather than Earth. Earth's expressive eyes and effective line delivery is what he made me impressed.
• This show proves that the chemistry among the actors is efficient enough rather than showing too much skinship. EarthMix's chemistry is overflowing, it's similar to fizz when you open a soda can.
• I would also love to commend the other casts in this series, they gave justice to the characters they are potraying. Tul and Longtae being the best friends of the year, the adorable kids in the village, the other forest rangers, Mr. Khama and of course Dr. Nam -- all of them are worthy to remember.
OSTs / Other Aspects
• Who wasn't attached to the sound of the flute? This show managed to put all the musics in the right timing without being too excessive. The OSTs are all pleasant to ears, and I love how they chooses Aye and Earth to sung some of its OSTs.
• The scenery and the village itself was so beautiful, and it becomes more attractive because of their amazing cinematography. It's obvious that they ensure to give their best for the benefits of the audience in this aspect.
Overall, I think this is my most favorite BL series from GMMTV along with He's Coming To Me & TOL. Kuddos to all the teams behind this show, and especially to the director. P Aof never disappointed me in the series he made.???
PS. The 0.1 minus is for Phupha's beard...kidding?
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A delightful gem worth savouring
Every year without fail, at least one C-drama historical that’s underrated and under-the-radar but utterly deserving of praise, would somehow make its appearance in dramaland. This year’s gem, undoubtedly for me, is The Imperial Coroner.If you love the detective genre in ancient historical settings, you’d love this. This drama bears a close resemblance to Miss Truth, Maiden Holmes, Ancient Detective and Young Blood, among the recent productions of this genre. Furthermore, there are other compelling reasons I’ve enjoyed this show immensely.
Why I Love It
The Tang Dynasty in which the drama is set in. Among all the ancient dynasties, this one is my favoured time period, particularly during the early to mid-Tang, because of the vibrant and thriving era of peace and economic prosperity, along with the burgeoning appreciation for fine arts and fashion. This is reflected in the bustling cosmopolitan city of Chang’an with the integration of myriads of cultures, when international trade was at its peak. This year seems to be the season of Tang with a number of dramas set in this timeline already released, notably The Long Ballad, Court Lady and Weaving a Tale of Love.
The production values of this drama. Although reportedly being low on budget, the overall quality isn’t hampered and it shows, because the money is spent on all the right places. Sometimes a drama is big budget because of the fees involved in casting big name stars. There are no A-list superstars involved here, which is just as well because what we get in return are decent cinematography, art direction, set designs (courtesy of Hengdian World Studios), action choreography, engaging direction and brisk pacing of the storytelling, as well as the blossoming talents of a young cast.
Speaking of the cast, for fans of Young Blood we get to see Su Xiao Tong again, this time in the lead role of the titular character. This young woman is worthy of top billing for this show because we get to see her showcase her expanding range in carrying this show through her character of Chu Chu. The rest of the cast are equally promising, with Wang Zi Qi’s characterization of the male lead Xiao Jin Yu particularly convincing. The supporting cast comprising Zhao Yao Ke, Yang Ting Dong, and Wang Yan Bin provide a very respectable account of their respective portrayals as members of the band of friends and team of investigators.
One of the more pleasing aspects of this production is the projection of visual designs and art. Its opening title sequence is one of the few I’ve seen that does not spoil any scenes from the show. It uses two versions, all of which feature conceptual art with a dramatic original score (as opposed to having an opening theme song). Throughout the drama, scenes of medical examination are accompanied by visual aid in the form of diagrams and title cards that provide concise explanation of the technical terms. Additionally, numerous visual representations of crime scene reenactment are added for the benefit of viewers.
The captivating plot about a gifted female coroner who works for the Imperial court in solving crimes is quite cleverly conceived. Based on the novel The Story of the Imperial Gift (御赐小仵作) by Qingxian Ya Tou (清闲丫头), the story fuses factual history with fiction, alongside some rather serious fictional dramatization. Real-life characters such as Emperor Xuanzong and the infamously powerful Eunuch faction, in addition to the Tang administrative system of the Judicial Ministry and the Censorate all form part of the overarching conspiracy that drives the story of this drama.
In comparison with some of the previously mentioned productions that are similar in nature, I honestly do think The Imperial Coroner is slightly better in terms of the execution and the storytelling. The chemistry and interactions between the various characters are more organic and positive, as opposed to some of the toxicity present in the messy love triangle and the rather “misogynistic” traits portrayed by the ML, in Miss Truth. The story progression here is much more engaging while the plotline is considerably more elaborate, in addition to the consistent writing of the FL character, when compared to Maiden Holmes. The depiction of the camaraderie between the main characters are a joy to watch and reminiscent of the gang in Young Blood and Ancient Detective.
Overall
The Imperial Coroner truly is a delightful watch that has pleasantly surprised not only me but many viewers as well, for most of the reasons mentioned earlier and perhaps some others as well. It may not be an epic masterpiece but it certainly holds its own against some of the big budget and highly anticipated C-historical productions that have been released this year. With only 36 episodes, it won’t take too much viewing time to savour this drama.
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Cinematographic Political Military Drama — But Beware Love Triangles and Second Half!
I honestly cannot stop thinking about and watching this show - not only because of the great production value, but also because of the themes, the dynamics amongst the cast members, and also because of the great chemistry between the main leads!I'd highly recommend having a watch if you like these tropes:
♡ Lead Falls for Girl First: Xu Kai + Bai Lu are well known for their romance in The Legends, but interestingly Xu Kai's character Gu Yanzheng has a lot of traits that we usually associate with second leads in dramas. Gu Yanzheng clearly falls for Xie Xiang first and constantly tries to pursue her while also protecting her - even if Xie Xiang is always annoyed by him and bickers with him. Gu Yanzheng also has a troublemaking, playboy, childish personality, but deep inside he has not yet experienced his first love yet and is still very inexperienced, which makes their relationship much cuter!
♡ Great Cast Chemistry: You will feel deeply for all the students of the military academy, and all of their interesting stories and backgrounds. The drama really emphasizes the role of brotherhood, friendship, loyalty, and patriotism.
♡ Interesting Political Context: The drama is set during WWI, and takes place in a period when Japanese victories & their growing sphere of influence resulted in ambitious desires to encroach upon Chinese sovereignty. How the students face this and the actions they take, especially after having suffered from Japanese attacks, is a central part of this drama.
♡ Slow Burn Romance: In terms of actual romance, romantic fluffy scenes are interspersed between serious military training and events. The first half is very fluffy and adorable in terms of romance, while the second half almost eliminates most of the romantic parts. However, I personally feel that this makes the romance even stronger because of how deeply you can see the characters care for each other, and also because of how the life or death situations make them stronger together. The romance comes as a result of their strong brotherhood, friendship, and camaraderie, and continues to develop as they work together in turbulent political times.
♡ Crossdressing Well Done: Xie Xiang really knows how to fight, and works really hard to not only meet the expectations that people have of her but even surpass the skills of her peers. I also like how Bai Lu did a great job acting as an actual boy (even if skinnier or smaller) and how her reasons for doing so were meaningful. You can also see her physical capabilities improve as well, and she is very smart - when situations go wrong, she is out there holding a gun and fighting, not just passively sitting there or waiting to be protected.
♡ Loveable Side Characters and Interesting Villains: You will love a lot of the side characters, such as Xie Xiang's friends, and you will get invested into love rivals and their stories as well. In addition, the relationship between the teachers and students is also very endearing. I won't go into spoilers, but the main villain is also interesting and has very complex motivations that I think adds to the suspense and intensity of the drama.
♡ Little Filler: There's not a lot of filler in the drama - every episode I had to continue and keep watching because it was so intense, and there's something happening that's important in every episode (as well as cute moments every episode too!)
However, there are also some things you might not like about the drama:
♥ It is a Military/Patriotic Drama: There is a lot of patriotism and nationalism in this drama. I've heard that scenes also had to be cut from the drama and filled with more "patriotic" scenes because of the current ban on Chinese dramas due to the 70th anniversary of the PRC. I personally liked this aspect because it was integrated in a way that showed just how deeply the characters loved their country, and how they were willing to risk their lives for this, but some people might be thrown off by this and also see it as veering on propaganda.
♥ Angst-Heavy Last 10 Episodes: As a shift from the lighthearted, even almost fluffy beginning and middle of the drama, all the angst seems to culminate and intensify in the last stretch of the drama. Some characters also suddenly lose a lot of screen time without explanation, while others suddenly gain a lot more (I think this is partly due to pacing issues, with the director even mentioning feeling sorry that there was a lot of content cut out in the final edits.) You can really tell that the drama attempted to shift from almost romantic comedy to intense patriotic wartime drama, which is something that might seem jarring and unsatisfying. I will also warn - there are NO KISS SCENES in this drama between our main couple, and so while it is a "happy ending" it may not be what everyone is wanting or expecting.
♥ Love Triangles: There are a lot of love triangles and love relationships in this drama. Without spoiling anything, I will say that this is one of the dramas where if the posters didn't really advertise our main ship, I would be really confused about who exactly Xie Xiang will get together with in the first half of the drama. There are also some cinematographic and script choices that seemed to put emphasis towards one couple, but then switch to focus on the other part of the love triangle in the next episode. If you are interested in what the love triangles are (please be warned of some spoilers here) the main one is #1) Gu Yanzheng ~ Xie Xiang ~ Shen Junshan. However, there is also #2) Shen Tingbai ~ Qu Manting ~ Gu Yanzheng and #3) Xianrong ~ Shen Junshan ~ Xie Xiang. I will warn beforehand about this because Shen Junshan also plays quite big of a role, and this can lead to a lot of confusions or dissatisfaction with the romance. What I will say is that Gu Yanzheng only loves Xie Xiang and never loves anyone else for those who are really looking to see more Xu Kai and Bai Lu moments.
I'd recommend you watch this if you liked dramas that have romance BUT also have social/political tension in them. The drama is also very high quality and the sets, clothing design, and general atmosphere of the drama are very well done and true to the Republican era of that period. If you really want something with a great romance, interesting plot line, but also delves into some of the history and social themes of that period, I'd highly recommend you pick this up to binge watch. You definitely won't be able to put it down!
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This review may contain spoilers
A deeply flawed drama with absolutely phenomenal acting, gorgeous sets, elaborate costumes, layered characters bogged down by inconsistent pacing, questionable editing and unsatisfying scripting, especially towards the end. I love this drama a hell lot, followed it from its initial broadcast which I've never done for cdramas. After watching the making of documentaries, I deeply appreciated what this team tried to do, but its flaws are also so apparent and hard to overcome that I don't know how to recommend this to anyone, but I still want to so I'm going to try.The plot is actually about princes' power struggle with sprinkles of romance, the focus is on Ning Yi, Feng Zhiwei plays second fiddle to him, do not come in looking for romance, you will probably be disappointed. Their interactions were actually pretty jarring compared to the rest of drama due to its different tone. It was super restrained, there were no real kiss here, I'm serious! There were just scenes hotter and cuter than kisses. I do like what's shown of their romance, it's nice to have an OTP who understand each other on a fundamental level and have similar ambitions, even if they disagree when it comes to methods. It meant they don't really go through misunderstandings, until the drama crashed and burned in the last 10 episodes, but I digress. It's lovely to have a drama that cared so much about details and trusted the audience enough to interpret things that's half said, the schemes were fun since everyone, including multiple antagonists who were smart, so it was always multiple parties trying to further their own agenda and screw up lead to unexpected circumstances. The protagonists weren't infallible either, they disagreed and sometimes they end up doing things that would seem unwise to the audience. This drama doesn't really play by the books.
The thing is, the first half of the show, up to ep 45 is fairly steady, packed with lots of information in each episodes. Then Minhai arc got shaved off probably 75% because of NRTA*, which ugh but can't be helped, we can make out important things that happened (it's all in the dialogues) but that's a pretty bad viewing experience. It returned to normal with some explosive acting, Jinshi arc was relatively simple because scriptwriters couldn't really touch it but I think it was mostly fine, Dayue arc got probably 30% cut, but it was mostly still there. Then came the last arc, which I'll just say features a lot of sudden appearance, sudden deaths, sudden misunderstandings (which will get cleared up, no worries! but it sure as hell shouldn't have happened) I suspect that the ending was a very rushed rewrite (which would explain all the plot holes) and the pacing was 3x of the earlier episodes, making everyone who stuck around for 60 episodes fairly confused. The events and character motivations do make sense if you analyse it and fill in the gaps, but they needed more lead up, foreshadowing and detailing that it was so good at before. Never have I, after watching 70 episodes, wanted to have more episodes so the story wouldn't feel so jarring. I honestly think when they edited it, they should have repaced the drama, if latter arcs were cut due to main plot not popping out, this is NOT how you pop it out.
Ning Yi, as a protagonist is one of most layered character I've seen. He is a gifted manipulator, but also someone who care deeply for people close to him because of his childhood. He can be ruthless to his brothers. childish and awkward with Zhiwei, utterly broken when it comes to his mum. He deeply wants a father-son relationship with the emperor but they sort of can't, as being an emperor means being on guard even against your son. He's pretty morally grey, but some of his lines were dubbed over due to NRTA (most notably, end of crown prince arc and the ending). Chen Kun did an astounding job playing Ning Yi, I was quite bemused by his overacting in the first episode. which I know can put off people, it's just Ning Yi likes to be on the edge and taunt people. I was also not a huge fan of his long hair look, but it did signify Ning Yi's carefree attitude. Chen Kun can definitely overact at times, rather like stage acting, but he's also very good at microexpressions and small gestures that just make some scenes so much more real.
Feng Zhiwei is the female lead that I love through and through, even if I'm somewhat disappointed with how they wrote her. To make her more realistic (compared to how OP she was in novel), she was made into a smart but bit naive and impulsive girl who gets dragged into power struggle for the throne and had to grow. That's fine, except Minhai arc was basically her time to show her abilities is equal to Ning Yi got cut (because the main plot doesn't pop? political reasons? idk). Jinshi and Dayue both had limited time and significant changes, so while she wasn't helpless, she was still partially damseled to prop up Ning Yi more, who honestly doesn't need more focus. I know the romance is linked to the plot but it's just badly plotted. I do appreciate that FZW is more straightforward, so she tends to lead the romance. I LOVED Ni Ni who portrayed her, she's gorgeous as a man AND a woman, and neither looked jarring. She had some of the best crying scenes I've seen and had wonderful chemistry with her co-actors. I shipped the otp so hard and was deep in otp hell for a long time after this drama.
My other favourite character is probably the emperor, who was the smartest I've seen in recent years. Emperors in these kind of dramas are usually overly suspicious or useless, and he's neither. He's not a good father or even a good husband, and I'm pretty sure he's sort of an antagonist but that doesn't stop him from being a complicated person. Thanks Ni Do Hong, I'd watch all your scenes all day long. Headmaster Xin had great chemistry with Ning Yi, they shared the same goal but had very different methods and priorities making their scenes a blast to watch. The various princes all had their shining moments too!
It's such a shame most of the people around FZW's characterisations weren't as layered. Her mum was rather conflicted between reviving the kingdom and having her live peacefully, but she was one of the big reason the OTP didn't proceed as well so it's somewhat hard to like her. Her brother is kind of an idiot but had a few nice scenes that I really liked. Gu Nanyi had awesome lines and decent character development, but we weren't show how that happened. I'm actively mad about how they cut out Hua Qiong, who was originally promoted as a main character, and reduced to essentially cameos. Her scenes were largely in Minhai arc, she appeared later and played pivotal role as a best friend and in a scheme then was promptly written out of the story, excuse me?! There wasn't even mourning for her? Helian Zheng actively seemed like he was in a different drama just because of his behaviour and he literally couldn't follow along what Zhiwei is thinking, good as comic relief I guess. I suppose he could also be used as a contrast against Ning Yi, but they also hastily wrote him out of the plot.
Honestly, I think they were too ambitious when they wanted to fuse power struggle + romance, where the OTP can go head to head, they lost their balance. The romance and anything involving the female lead had noticeably more plot holes and was weaker. They also tried to make it more realistic but still fuse in book characters, I love them a lot and would have liked to see a realistic version of them, but I'm in the minority. They should have cut their loses and fused more characters or plot lines. Jinshi is honestly not really needed as an arc, FZW could have gone elsewhere. If it was for uniting the kingdoms, the drama didn't really accomplish that either (whereas the novel managed to establish an alliance there). Dayue had very nice characterisation moments, but it wasn't plotted that well, they could have written other scenes to get the idea across.
I must emphasis this was recorded live while filming, which is super rare in recent years in historical cdramas due to noise pollution, accents and actors' acting. The drama usually have ambience sounds as bgm, and only play its insert songs during important moments. The sets and costumes are exquisite, I did spent fair amount of time just staring at them. I loved the use of go/weiqi, the tea pouring, the small differences in manners in different countries. I'm a little mixed about the dialogue, I have been taken out of the drama by some rather modern words, but it also quote a lot of classical Chinese, some rather cleverly (like when FZW became imperial adviser) , some I had to look up but got its meanings through context, some were just plain wrong. I appreciate the attempt but they could definitely have made it flow better, rather than feeling like they just dropped it into the drama to look well studied.
Despite all of its issues, I still loved this a lot and will probably rewatch it just for acting and characterisation, which is something I basically never do, as someone who largely care about plot. I deeply wish the female characters played bigger roles as they had likely intended before, but even as is, I still love them because they are different and varied, and they are allowed to be flawed, to make mistakes, just as male characters are. I would love to see more effort in fusing more serious elements with romance because that's much closer to life than just fluffy fun times or only serious business time.
P.S: *NRTA is the government agency that all cdramas have to go through, this drama went through it at least twice and they also had people come in half way through filming to check on their progress, and part of the script were rewritten on set. Historical dramas, especially ones that go on prime time slot (this one is, the only other one this year is Ashes of Love) are subjected to stricter scrutinisation, this year have gotten even tighter. Main characters can't be overly dark which is why some of Ning Yi (and maybe Zhiwei?)'s lines were dubbed over.
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ACTING/CAST: These guys were quite cute and they did a good job.
MUSIC: After watching this again, the music is very good.
REWATCH VALUE: Yes. I already rewatched it with a friend. So hilarious.
OVERALL: Want something funny to watch? This is great. I hope they continue this series.
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If I have to describe this drama in one word, I'd say it's "nostalgic". It does seem like an obvious choice since it's a story about past life, but making a mere viewer like me constantly feel warm and comforted by the characters and the bond between them is not something other past life stories can easily do. This is the product of seamless writing, talented cast and their acting, mesmerizing music and phenomenal cinematography. This drama is at the very top of productions of its kind, it will stay there for a long time, and it has possibly exceeded the standard value of other genres as well.
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The story, for me, sums up into a beautiful story about destiny and camaraderie that surpasses the boundary of time. Instead of being something completely new, it surely makes a lot of new choices in characteristics, settings and storyline.
You will experience this simple concept of love and friendship on two timelines: one is back in 1930s Kyungsung (Old Seoul) when Korea was under Japanese rule, and one is in present time Seoul. Although the present time is their main timeline and their past is shown as their recollection, both timelines have their own weight and are laid out equally well.
The main characters are this story's forte. In the present time, we have a bestselling writer who appears snobbish at first but opens up into a very thoughtful person, a ghostwriter who can look both like a caring gentleman and a lonely lost puppy at the same time, and lastly, a fan who is strong, caring and rather very respectful for someone entitled "number one fan". They really are a bunch of good qualities which you can't help but fall for.
These three characters are then tasked with a mission to find out what truly happened in their past lives that makes things the way they are in present time. As they recall past events together, they develop a strong bond just as how they did in the past – if not even stronger because now they also have a chance to learn things about each other they previously didn't know.
At the same time, their past timeline is where the political genre comes in. It's not heavy on politics at all, I can assure you. It rather weaves this setting into the main message very nicely because here our main characters share their passion in fighting against the Japanese for liberation. It's rather super romantic, I must say. "To protect the love I couldn't protect in my past life. To meet again in a liberated homeland and love freely." – This quote says it all.
Other than that, this story gives you a good laugh. Side characters are as three-dimensional as the main ones, and many of them will surely grow on you. Also, this could be because I'm Korean, but even their dialogues and choice of action are three-dimensional. Every word they speak, everything they do, has a good reference and reason behind it. The constant mention of supernatural beings is witty, and how they involve famous quotes, poems and authors really fits with the plot. I can't praise this drama's writer enough for her super well-done research. There's really no plot hole or boring/dragging moments.
And, oh, did I mention? The said writer is Jin Soo Wan, the amazing writer behind Moon Embracing the Sun and MDL users' all-time favorite Kill Me, Heal Me.
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For the cast, I have seen almost every single one of them in their past works, and they still didn't remind me of their other characters at all, which is always important. They were so alive in their roles. I specifically want to praise our leading cast Yoo Ah In, Im Soo Jung and Go Gyung Pyo who had to take on two roles each for their separated present and past characters. They all nailed it. Additionally, Kwak Shi Yang who portrayed the antagonist deserves extreme compliments. The fact that he made me utterly hate his entire being proves that his acting was marvelous. That is an A+ for someone who's been in the industry for merely 3 years.
Another thing I fell in love with was the music. This drama's OSTs are gems – not only because we have golden voices like Baek Yerin and SG Wannabe but because the lyrics were written according to the storyline. The music cues are planned out so well that it's almost cunning. They appear at every right moment to add meaning to what we're seeing on screen, and often times they call for tears. In other words, they are not just background music but part of the storytelling itself. Don’t ever forget to read the meaning of those songs, and you’ll be in awe.
Likewise, the cinematography, the costumes, sets and their props are also impeccable. "Visually stunning" describes this entire production. This is one of those few dramas that you can pause at any moment and get a beautifully-composed still image. Present day Seoul and 1930s also have a clear line between them – both done beautifully from a lot of research. The color is graded in a cozy lukewarm tone and will make you feel like watching a beautiful independent movie on a big screen.
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Romantic, evocative, delicate, sentimental, homely.
“Nostalgic” it is. Nostalgic really sums up everything.
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Witnessing how this drama played out every week felt just like witnessing a piece of art. I never thought I'd have a chance to give straight 10s on a review, but this drama felt like an exception from the very beginning, and it never disappointed me until the end. If this isn't enough to make you decide to watch, I don't know what else will.
I don't think I'll be able to get over this drama in a very long time. This drama is my home.
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I seldom write reviews for dramas, but I felt that this drama was worth my time to recommend it to others. Frankly, I went into this drama without high expectations because the plot summary sounded a bit funny at first. However, this drama proved me wrong and turned out to be one of the best rom-coms I have ever watched. I found myself waiting desperately for each Wednesday and Thursday to come, so that I could immediately tune in for the latest episode. And, more so, I found myself laughing and crying along with the characters.
This is a drama for people who like simple romance, without much salt and pepper, just pure unsophisticated interactions between two individuals in their home space as they gradually fall in love. This is also a drama for people who like to focus on main leads and don’t care much about side characters and their subplots, because all the side characters in this drama are purely for the development of the leads.
Story 8.5/10
The story is about a man called Kim Min Kyu (Yoo Seung Ho) who, due to childhood trauma, developed a rare illness that causes him to be allergic to humans (as in REAL skin allergy!) and he has since then lived all by himself for 15 years. Doctor Hong Baek Gyun (Uhm Ki Joon) gets Min Kyu to test out his newly invented robot, but due to unexpected circumstances, Jo Ji Ah (Chae Soo Bin) was sent in in place of the robot, and there begins their cohabitation life where Min Kyu slowly opens his heart and learns to trust people again. The story focuses on the two main leads and their daily interactions, keeping the story simple and linear. However, that does not make it boring, as seeing their relationship grow in real time was what I enjoyed most in the process. AND THEY WERE JUST TOO CUTE. Although this is a rom-com, it does have a melo downturn in the second half, so be prepared for some angst.
The reason why I deducted marks from the story, is because the pacing was a bit off in the last several episodes. Sometimes they would deliberately drag the plot for an episode to end in a cliffhanger. This took a toll on the plot development, causing the ending to be too rushed because there were many things left to resolve. However, the chemistry between the characters will still keep you anticipating for the next episode.
The story is not without clichés or plotholes, and while you may judge the realisticity of the story by asking “hey, how is it possible for him to not know how to distinguish between robot and human??”, I would say it depends on what you expect from watching this drama. Since this is a sci-fi/fantasy rom-com, its main goal is to present a funny, light-hearted story that does not necessarily have to follow the principles of reality, as long as it is internally consistent and effectively delivers what it wants to deliver. And I think this drama did an excellent job at telling a beautiful story about how bonds are formed, and how love could make you recognize a person’s soul no matter how they may change. As long as you overlook the basic assumptions that the story is founded upon, it is an enjoyable story.
Cast 10/10
Cast was well chosen and fit their roles A LOT – one of the major reasons this drama was well-received is because of the likable cast that keeps us wanting for more.
First of all, Yoo Seung Ho gave a stellar performance as usual. When he cries, you just can’t help but want to cry with him. His emotions felt so genuine and real, that his agony transcended through the screen. From happiness, to disbelief, and ultimately to despair, the transition of his feelings was like that of a real person. Imo, he delivered well the struggles and inner conflict of a character who fell in love with a robot.
Chae Soo Bin’s doll-like appearance and figure makes for a believable robot, and she did an amazing job portraying three personalities (a human, a robot, and a human pretending to be a robot) and they all feel different. On top of that, she had amazing chemistry with Seung Ho. Their adorable interactions were a major leverage to the story, and I don’t think any other pair would have spiked the same type of cuteness-overloaded, star-struck chemistry as they did.
I loved how the Santa Maria research team and the leads were like a real family that cared for each other wholeheartedly. Every member had distinct personalities that made them memorable. As for the villains, they were mainly there to establish the bond between the two leads (and to showcase Aji 3’s intelligence). I was looking forward to the push-pull brotherhood tension between Min Kyu and Yoo Cheol, but sadly it wasn’t developed. I wish the love lines of the side characters were talked about more as well.
Overall, the characters could have been explored in more detail, but since I happen to not be the type of audience who likes side characters and side stories, I am already satisfied enough with my devotion to the two leads. In terms of casting, they all fit their roles very well and I will always remember them as these roles.
Message 10/10
I liked how they made a contrast between characters who think using logic (i.e. the scientists, Aji 3) and characters who think using feelings (i.e. Ji Ah). it shows that emotional intelligence is also a type of intelligence and, although it is often left unseen, it is a quality that’s not inferior to logic. The deeper message – human emotions is something that cannot be mimicked using logic, it is something that can only be felt by humans.
I would say the main selling point of this drama is the sincerity of emotions that the characters share and the heartwarming message. I was definitely touched by the genuine emotions of Ji Ah. She made me understand that sometimes things don’t have to be practical or logical to be meaningful. It’s the heart of a human that makes them transcend robots, and the heart of a human that can make a seemingly useless object become meaningful.
OST 8/10
There’s not much to say about the OST. All the songs match well with the sweet atmosphere of the drama.
Overall 9/10
I can’t say this drama has the best plot, but the chemistry between the characters and the heartfelt messages made up for it. Overall, it’s a drama with sincere characters that are able to touch people’s hearts using their dialogue. The chemistry, characters, atmosphere, and Yoo Seung Ho’s expressive acting have made it work.
It’s been a long time since I’ve been so invested in a drama. This drama reminds me of why I started liking Korean dramas, and I’m certainly glad I didn’t judge a book by its cover and gave it a try. This is one of the dramas that I will always remember even after a long time. It has a special place in my heart.
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