Reviews

Re. missing children: highly topical, soundly researched, superbly directed and masterfully acted

"Bring Me Home" is a KMovie full of raw reality and emotional impact that disturbingly brings you closer to present day human abyss.

Perhaps it would be appropriate to describe this KMovie as a fine study in the nexus between humanity and inhumanity, with the scales being tipped by human compassion. Life becomes barren, cruel, brutal and hopeless when this compassion no longer finds a place among people. But it makes a difference whether a soul has already left the human body and only a cold shell remains, which already lacks any human compassion. Or whether a soul is deeply injured and has only withdrawn far from a dazed body, but at the decisive moment, when human compassion seizes this body and reaches the soul, unexpected energies are mobilized and thus in a kind of holy anger fighting their way out of the pull of gloomy abysses. ...It is compassion that makes a difference in human dignity.

In any case, it is appropriate to describe this KMovie as a highly topical, soundly researched, superbly directed and masterfully acted study about the subject of missing children, or child abduction and child abuse in South Korea.

Howsoever I describe it, the bottom line is the same: "Bring me Back" is a thriller about (in)human abysses. The KMovie unfolds its haunting power through an almost brutal, unimpressed realism, holding up a merciless mirror to a society that seems indifferent to the disappearance of children. "Bring me Back" is a family drama. But it is also rigorous social criticism that explains the particular drama of one (of an alarmingly large number) of South Korean families as a disturbing general social disaster.

Yoo Jae-myung surpasses himself here as dishonest, repellent policeman without shame or sense of duty. Also fantastic: Lee Young-ae. She has already proven herself as an avenging angel in the KMovie "Sympathy for Lady Vengeance". At that time it was about vigilantism as a concept based on principle and planned for a long time. Here it's more of a reflex in the heat of the moment.

Heavy. Gloomy. Still recommendable.

P.S.
Actually, in 2020 (the movie is from 2019) there was a nationwide campaign in South Korea. At that time, 661 children had been missing for more than a year, 638 of them for more than five years. So that they are not forgotten, their faces have now been printed on a wide parcel tape, which is used by the South Korean Post and larger shipping services and can also be used privately. The faces were digitally edited and adjusted to look as they could possibly look today. The central information about their case was also printed on it. (However, I do not know whether this has contributed to the clarification of individual cases yet.)



---------------------------------- SIDE NOTE: --- Missing children in South Korea ---

Human trafficking is not a specifically South Korean issue. However, the continent of Asia is the undisputed leader with 7 countries among the 11 countries with the most victims worldwide. One might not expect South Korea to be at the forefront, but human trafficking is an alarmingly profitable business here, and the trend is expanding - regardless of whether it involves women and children who are exported or imported from abroad, or as Transit country for human traffickers from China or Russia. This is largely beneath the public radar. Public officials are often involved or bribed. In addition, most of the victims here are under the age of 16. This means that they are initially treated 'only' as runaways - this was the case in 80 percent of the solved cases. Thus, the police and authorities are not primarily in charge, but the parents. If the children are among the remaining 20 percent - the kidnapped or abandoned - then unfortunately they are unlucky that they are not searched for with the necessary vigor. At the same time, these minors are among the weakest and most defenseless members of society. They have neither voice, nor life experience, nor strength to really oppose the perpetrators. This makes them easy prey for a lucrative business.

In South Korea, over 99 percent of missing children are found within the first two days. That sounds like a lot. However, for the 1 percent of families who do not find their child during this time span, a nightmare begins that has already driven many parents to even commit suicide. It has been proven that the pain, the struggle with guilt and hope, does not stop in the years and decades that follow.

A figure from 2016: of around 38,000 missing persons reports, half were minors who turned up again within the famous 48 hours. 285 of these missing persons cases could not be cleared up. Among long-term missing minors (according to a 2014 case study), 65 percent were later found dead, and 46 percent of resolved child kidnapping cases revealed they were victims of physical sexual violence.

The statute of limitations marks another problem. As a result, parents often devote their lives to searching on their own, far beyond their means, since no one else will. They however can´t help but keep searching and hoping. They are more likely to lose their job, their social life, their health, or their own life. A 2006 study found that 40 percent of parents who missed their child for years or decades lost their job and spent an average total of around $500,000 in the search. (By now, that sum is likely to be a lot higher.) This includes the money that had to be paid to the number of false informants, or the travel expenses to travel to a potential location where a tip sent the parents. More than once, someone played a prank. Such cases are well documented. But there are also (fortunately) case histories of donors and supporters.

In South Korea, the legal activities relating to missing minors have been tightened again and again in recent years. But the results are still not what one might wish for. A government study from 2021 identifies acute further needs in all areas: from prevention to investigation and prosecution to officials training. Between 2015 and 2020, South Korean women and children were trafficked in increasing numbers. There are always accomplices among public officials, in particular the cooperation between human traffickers and police officers is criticized, which robs the victims of any last hope of help. By the way, in this context, fishing industry on the coasts is also expressly mentioned as a crime scene. Numerous cases of human trafficking and exploitation of workers whose working and living conditions are sometimes disastrous are documented.

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Really bad and disappointing.

My rating of this movie is 0.5/10 but when you write a review your rating must be between 1 and 10.

Before this movie was released, with each trailer for it, my expectations were getting bigger. In the end, I did not see it until 2022 and I am very disappointed.

The acting was sometimes good and sometimes average. Far too many scenes with the camera shaking. There were so many of them that I started to wonder if it was really on purpose. A lot of scenes with close-ups on the faces of the characters. Some of them looked strange. I really think there should be fewer scenes like this.

The plot idea itself was really good, but the execution was very poor. The whole thing was terribly boring and tiring for me.

The last twenty minutes is the best done part of this movie, but when you watch it you are so tired of the rest of the movie that it is not easy to appreciate it.

Rei is supposed to be in love, but since high school she has shown a great desire to have sex with Nanae. It has been mentioned too many times for me.

Some things really feel like lesbophobia.

I really didn't like this movie. I hate it.

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This is the movie that made me fall in love with Shu Qi. I have seen this movie multiples times and have loved it ever sense my first time.

The first action sequence is superb. Shu Qi hanging from a ceiling while killing the bad guys was awesome the first time I saw it and now. Really great fight choreography and action scenes. Loved the car chase thru the city and the shoot out in the car garage. It's a really good story too. The CGI doesnt hold up but eveything else is still great!

I loved this bad ass female cast too. Karen Mok and Zhao Wei round it out very nicely. I always recommend this movie to people who love actions movies and who have never seen Shu Qi.

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"If you keep on believing, the dream that you dream will come true." -Cinderella

Two of my favorite Chinese actresses, Zhou Dong Yu and Zanilia Zhao starred in The Palace. More Cinderella fairytale than actual historical tale but entertaining nonetheless.

Chen Xiang and Liu Li came to the palace as 13 year-old girls to serve as maids and became fast friends. Chen Xiang lost her earring in an abandoned garden on her first day, think Chekov's gun or Cinderella's slipper. Quickly fast forwarded 7 years, the two turned into Dong Yu and Zanilia, now twenty-year-olds still prone to giggling and screaming. Each had their dreams of winding up with a handsome prince no matter how remote the possibility. But in fairytales even remote possibilities can become reality. Chen Xiang met the 13th Prince once again in the abandoned garden only this time she wore a scarf over her face as they had a chaste memorable time. Liu Li, uh, banged into the nefarious 9th Prince. Before you could say mistaken identity the 13th Prince and Liu Li were to be married. Chen Xiang found herself becoming her friend's servant while Liu Li turned into a wicked stepsister to keep their secret.

Chen Xiang was the childlike, virginal, self-sacrificing heroine complete with a repertoire of giggles and screams. Liu Li with her lusty desires for sex and power went from fast friend to Fast Times at Ridgemont High turning evil at the drop of her clothes. There was never much of a reason for Chen Xiang to keep her secret other than to be the traditional martyr and long suffering heroine. I wasn't crazy about the portrayal of the young women. In this fairytale all women were considered pretty much alike and were designed to please men in order to have any security, which given the times probably wasn't too far off the mark. There was no shortage of examples of what happened to maids or concubines who failed to please. The fact that the 13th Prince couldn't tell them apart reinforced their interchangeable nature.

The costumes and sets were luxurious, with mood fitting lighting and exquisite cinematography. Every shot was beautifully framed. No pumpkin coach or mice, but there was a stunning CGI dragon and lots of luminescent butterflies. The actors were cornered into stereotypical roles but still managed to bring their characters to life.

Once the movie got past the giggling, so much giggling, it became more enjoyable for me, even when it dipped into melodrama and political intrigue. Being a fairytale all that mattered was the romance and Chen Xiang winning the Prince's heart through her kind and selfless acts. But it was a Chinese fairytale so that meant being able to avoid being beheaded, beaten to death or exiled in the process.


9/5/22

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I thought the story was very interesting. A King grooming young men to serve him while he falls in love with one of those young men which ultimately leads to his downfall and both of their deaths.

This is the first thing I've watched with the main cast and Joo Jin Mo was fantastic as the King. He offereed his favorite general and lover to his Queen so that she would produce an heir and this sets in motion the tragic Shakespearean aftermath that follows.

Hong Lim, the King's favorite beds the Queen at the King's request. He does so reluctantly at first but then he starts to have feeling for the Queen, be its lust or love (bad idea). The Queen being touched by a man for the first time experiences that euphoria you get from sex and intimacy which she wasn't getting from her husband falls for Hong Lim. Everyone behaves poorly and the King's jealously is his ultimate undoing.

Overall, a good movie. I gave 7/10. It was almost an 8 but while I thought the first 80 minutes were well done, the last half of the movie was a bit too sloppy.

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Not only is The Roundup a superior sequel to The Outlaws, it may be the strongest Ma Deong-seok movie yet!

PROS
+ High-energy plot pacing with many satisfying action and pursuit scenes
+ The added "globetrotting" gives the film a refreshing adventurous element
+ A sense of urgency is present adds a nice amount of tension to the thrilling plot
+ The casting and acting are top-tier (especially from the villain character)
+ MDS is as cool as ever and he has some kinetic and memorable fights
+ Even the sound direction adds to the action with each punch resonating a powerful "whoop" that shakes the room

CONS
- There is A LOT of blood and guts for an action movie with so few guns (maybe the future sequel could add more guns)
- Do not expect to be moved emotionally or anything, this is simply a highly concentrated action thriller with no drama

How many times do you get to see a movie that seems like it was made just for you? The Roundup is an excellent action/thriller that is easily recommendable to anyone that enjoys the genre.

Make sure you watch The Outlaws before The Roundup. While it is nowhere as action-packed or exciting, it does a better job establishing the characters present in this movie.

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I've come across some pretty horrible Korean movies and was trying to stay away from such but I saw a preview on top bad a** action scenes from Korean movies and seen a few snippets of this movie and it peaked my interest. I love love love action movies that involve some sort of fighting so yeah, I had to watch this.

I was a bit skittish about it but in the end I overly enjoyed the main two characters. Their chemistry was truly awesome. I think it was because there was no sappy romance in this anywhere. That usually kills the vibe for me.

There are a few take-aways from this such as how the main ML came to become a private investigator. I don't even know why they had this subject in the movie because he didn't really do any type of PI work. He just so happened to mysteriously know who to go to when he was working with who he thought was another private investigator. There was also a snippet of his life. One minute he's a PI but then we learn he had top notch skills in the military?? I wanted to see more of that.

The main female had no back story either. All we knew was that she was a sacrificial newbie for undercover work for the NSI.

There's one character who always seems useless to me whenever I see him in a drama: Kim Tae Hoon. How does this guy get cast in anything?? It's like his roles are just filler roles. It makes me think that when he auditions for something they will just put something in it for him to just fill that empty space they need to fill.

As I said, I usually try to say away from Korean movies because of how they're done but this is the second movie that I could re-watch.

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Not bad!

The main reason why i watched this movie was Kim Sung Kyu. I'm a really big fan of him and i was mainly curious about him. This movie was a little dissapointing for me i liked the first one more, but it wasn't bad!

Positive/liked:
-Byun Yo Han's performance...oh my gosh!! He was amazing and he definitely deserves an award for playing Wakizaka this good. This role made me love him more <3
-Kim Sung Kyu was good as i expected, such a talented man i love him.
-The cinematography was amazing
-The battle scenes were really good!!
-I'd like to mention the outfits as well, Kim Hyang Gi's hair...wow!

Negative/Disliked:
-Not giving enough screentime to Ok Taec Yeon and Kim Hyang Gi
-Park Hae Il's performance as Yi Sun Shin was really weak in my opinion
-Little bit mess script/story.

Overall a good historical movie, if you would like to get to know the famous korean admiral Yi Sun Shin's story, start with this movie then watch the Roaring Currents.

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Excellent Movie

As someone who never read the book (honestly, I didn't even know there was a book to begin with), I really enjoyed this movie!

One night, I was looking for a movie to watch while I did my routine nightly walk on the treadmill and stumbled across this movie on iQiyi. I will start off by saying I had zero expectations and boy, did this movie exceed my expectations!

I felt the most important thing to mention is that there was a background story, and an ending that will tie up all the loose strings nicely. All of your questions will be answered (well, most of them anyway) and you will walk away extremely satisfied with the ending, which is something I can't say about a lot of movies lol.

I've never seen the main actor or actress before but I thought they were both extremely well-casted and were excellent in their roles. The main actor reminds me of Ron Ng (an actor from HK). The lead roles both had amazing control of their facial expressions and I could tell what emotions they were feeling in the scene just by looking at their face. The action/fight scenes were all really well-done too. I'll be on the lookout for more dramas and movies from these two, that's for sure!

Overall, I would highly, highly recommend this movie!! It won't disappoint and the story will keep you at the edge of your seat.

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"If you don't change it yourself, one day it'll change you"

The only things special about Special ID were Donnie Yen and the bone crunching fights. The story retread most of the gangster clichés and struggled to be consistent.

Donnie Yen played Chen Zi Long, a deep undercover police officer. He's ready to go back to active duty but as always he's required to do one more job. He's trying to bring down Boss Xiong (Ngai Sing) but along comes his old buddy Sunny (Andy On) who has acquired his own gang and gone bonkers evil. Then much to his chagrin he's partnered with a mainland cop, Fang Jing (Jing Tian). Throw in a super tight relationship with his mom that takes up a lot of air time and Chen is afraid that he is close to having his cover blown which would put his mama in danger.

Special ID started out as a gritty gangland drama but then seemed to lose focus. The relationship between Chen and Fang seemed especially confusing as it went back and forth trying to decide if it was going to be a buddy cop adventure or a romance or antagonistic work friends. Without explanation, a lot of time was invested in Chen's relationship with his mother. The movie had a real identity crisis that never quite resolved itself. Thankfully, plot is not the priority in a movie like this. Donnie went all out for his fight choreography. His fight with Ken Lo was brutal and showed that Ken still has it, watch for him to go into the splits! As often happens, one fight multiplied and the next thing you know Donnie was fighting a knife wielding gang. His final fight with Andy mixed in some MMA grappling along with his martial arts, mostly it was a vicious no holds barred fight to the death. Bruce Law's car chase choreography was brilliant. While Fang Jing seemed out of place at times, the car chase with her and Sunny wrestling inside and outside a Land Rover at full speed was death defying and amazingly shot.

Donnie did an excellent job as the battle weary undercover cop, even when his character was passively dragged from one place to the next. Andy's Sunny wasn't very well drawn but he made for a serviceable Baddie. Jing Tian seemed far too slight to be the badass she was supposed to play, but made the most of the female sidekick role with all it's cringey dialogue. It was good to see old timer Ken Lo showing off some of his Muy Thai and Taekwondo moves early in the movie.

As I stated, there wasn't anything creative or consistent about the story but that's not usually the draw to a Donnie Yen movie anyway. The fights were deliciously creative and consistently good showing that Donnie is a master at what he does best. I just wish the story had been stronger so that I could have rated this higher.



9/4/22

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