Reviews

Suffering! It's not a happy story but It doesn't mean it's not a good and important one

So I just watched the movie here in Brazil on 2020 São Paulo International Film Festival and Jeez I don't know what to say, I should paid attention in the plot cuz I spent almost the whole movie thinking that Birdy was straight (it's not a spoiler since it's in the synopsis). I have liked it but this movie is just sadness and pain, I know it's based on a true story and what a drama story. The acting, photography, scenes, screenplay, everything so beautiful and well made. I can tell that I yelled and suffered a lot. Damn it! I was hoping for a kinda happy love story after all but it's okay tho. It's not a BL, It's a LGBTQ+ movie. I think it should win a lot of awards, I gave it 10 stars cuz made me suffer and I like that feeling when I'm watching movies but at the same time I don't hahaha I'm weird. I really like Taiwan, I wish I could go there someday.

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Is there really a monster or is it just us?

Μonster is being advertised as a Hirokazu Koreeda film and indeed it is directed -splendidly as always- by him. However, the man behind the script is Sakamoto Yuji, the person that wrote Soredemo, Ikite Yuku (Still, Life Goes On) and if you have seen that series, then you know that Monster is not going to be just a good film, but it will stay with you for a while.

I don't think I can explain how good this movie is and honestly I don't want to try nor I should. If you are by chance reading this, let me tell you that it is better to watch this film, without knowing anything about it. Don't watch the trailers, don't read the synopsis, don't even read what kind of awards it earned.

As stated before, directing is magnificent, acting is great from all of the cast involved, with two astounding performances by the two younger actors, portraying Yori and Minato. The music, composed by Sakamoto Ryuichi is heartbreakingly beautiful and it feels so sad and hopeful at the same time.

The plot is magnificently written from beginning to end. Even if at first you may feel that some scenes last too long, they are not just there for the atmosphere. They are important and that is the beauty of the film. Nothing is there just to exist, just to lengthen the movie, just to make the audience feel melancholic, just to make it feel more cinematic. It needs to be there, because it wouldn't work otherwise.

Without giving away anything of importance, I will just say that every detail matters, every character is vital and realistically written. Everyone is so flawedly human, you can't really hate or love them. They are just important, they matter, because they exist. They are so real it kind of makes you ache for the beauty, complexity and ugliness of human nature.

It is a film that is character-driven, slow paced and it truly shows the power of perspective. It deals with so many subjects in a very delicate manner that doesn't feel forced nor preachy. I can't thank myself enough for watching this on the big screen.

I understood how truly beautiful this movie was, when I couldn't stop thinking about it hours after watching it and when I ended up crying with all the little details that have such a huge impact and importance.

Many times, with all these critically acclaimed films, I feel like I am getting forced to like them, to overanalyse them, to convince myself that they are something better than what they actually are -or maybe I don't have the ability to fully understand them-. This is not the case here, though. This is truly an exquisite film. It is better than I ever expected. It is one of those movies that you get to discover something new with every watch. It needs to be watched, because at the end of the day we are all humans and this is a film about us.

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(There are heavy spoilers ahead for those who haven't watched it, since this is a review mainly about the details of the plot.)

Burning is the type of film that has multiple themes but still manages to bring them out clearly through layers of symbolism. Recurring themes are sprinkled throughout the run time, and seemingly unimportant details become essential to the appreciation of this work. The slow-paced, character-driven plotline may be a turn-off for certain viewers, but rewards those who are patient and attentive to details. In this review, I will try to unfold all the themes that I have observed throughout the story.

Theme #1: Fact vs Imagination
A recurring theme in the story is what is real and what not. This is first mentioned through Haemi's depiction of an imaginary tangerine, peeled and consumed between her fingers. "Rather than imagining its existence, you forget about its non-existence... and naturally your mouth waters", she says. Another instance is Haemi's cat Boil, which Haemi tells Lee Jong Soo to feed while she is gone. The cat is never seen in the apartment despite Jong Soo's frequent visits. This could be a reference to the "Schrödinger's Cat", a quantum thought experiment in which a cat is simultaneously dead and alive, until it has been observed. Another reference of this is when Ben says he is "here and there, at home and out travelling, in Korea and in Africa". Haemi also talks about falling into a well at the age of 7, feeling disappointed that Jong Soo doesn't remember him saving her at the time. After further enquiries, Haemi's family claims that there was never a well at their place, while Jong Soo's mother remembers the well having existed. Was there ever a well? Or was it all made up by Haemi? The dual nature of existence expands further to the actions of the main characters -- whether there was truly a greenhouse that Ben burnt down, why Haemi suddenly vanished, and whether Ben was the culprit behind Haemi's disappearance. Did Haemi run away to escape from her debt, commit suicide because of her existential depression, or was she really killed? Near the end, Jong Soo calls Ben's new cat "Boil", and the cat runs into his arms. We never know if this is a mere coincidence, or if Ben killed Haemi and adopted her cat. These events highlight the ambiguity and uncertainty of life, that we can never be sure about what we seem to know, and everything is up for interpretation and our own belief.

Theme #2: Presence vs Absence
Another theme is an unsettling tension caused by the desire for something and the lack thereof. The absence of Haemi and the lust that Jong Soo has for her, the absence of a mother figure in Jong Soo's life and his loneliness as a person living a solitary life in a rural area carrying the weight of his father's prosecution on his shoulders, the absence of the cat that is believed to exist, and the phone calls that remain silent regardless of anticipation. This unsettling tension is evident even to the audience, whose questions about the plot are never answered. Jong Soo fails to find enough evidence to prove that Ben killed Haemi, and it leaves us hanging forever even after the credits roll. Our emotions become one with Jong Soo, and we become Jong Soo himself -- we want to search for truth, to be certain that we know something, to the point we start to believe what we want to believe just for the sake of filling that void in our minds. The movie ends without answering any of our questions, because the essence of this movie is not what the truth is, it's how we and the main character react to not knowing the truth. Something is off, but we don't know what exactly is wrong. It's always the absence of something that makes our skin crawl. We keep answering that anonymous phone calls hoping that someone will say something, so that we can know the "who", "what" and "why", and every time they aren't answered, we feel more impatient and curious, and "burn" with the growing desire of receiving a response -- this brings us to the next theme that we will explore.

Theme #3: Burning
The title of the movie is "Burning", so there are plenty of "burning" symbolisms sprinkled throughout. The burning bonfire of the "Great Hunger" dance depicting Haemi's desperate search for the meaning of life, the burning greenhouses suggesting Ben's unruly and destructive tendencies, the burning clothes of Jong Soo's mother representing the desire to sever ties and erase memories, the burning scene of the crime when Jong Soo kills Ben representing his hatred, and the burning lust and passion that Jong Soo has for Haemi that is never satisfied after Haemi drifts apart from him and eventually disappears from his life. Even the audience experiences a burning sensation of wanting to unravel the mysteries but is unable to -- resembling a slowly burning pot that never gets to boil.

Theme #4: Working class vs The "Gatsby"
There is an apparent gap of living between Jong Soo/Haemi and Ben/Ben's female friends. While Jong Soo is unable to earn a living as a creative writer and Haemi is struggling to make ends meet with all that endless debt, Ben lives a worry-free life cooking pasta at home and blurring the line between "fun" and "work". Jong Soo cannot do anything but frown when he realizes that he has lost his love to a man in a speeding Porche. The way Ben yawns and his friends laugh is almost humiliating sometimes, even though they try to cover up their lack of interest and degrading attitude behind their noble facades. To Ben, people's possessions (and probably people too) are only toys to him, things that can disappear without a trace without drawing any attention from the police, because they are too insignificant to be concerned about. The haunting thing about this is how true it is. When Haemi disappears, nobody seems to notice or care at all, because losing one lonely and ordinary girl does not matter at all to the world. Regardless of whether Ben murdered her, the indifference of the world towards a girl's disappearance is brutal enough, and shows how frail a person's life is if they are a nobody.

Theme #5: The clash of characters
It was brought up multiple times that Jong Soo's "occupation" is a creative writer, yet we never see him writing except in two distinctive scenes. Jong Soo spends most of his time managing his father's farm, passing the time at home, feeding Haemi's unobservable cat, and satisfying his sexual desires. The only piece of writing we see from him is the petition he writes for his father who is being convicted, implying that rather than using his writing skills for creative production, he can only use them to solve his real-life issues. One of the possible reasons could be that he is incapable of writing, because he is merely a mindless empty shell stuck in his past. He resonates with Faulkner's work, because he thinks it resembles his own life (his past), but he has no other thoughts aside from this past, nor does he have enough connection with the outer world to come up with any story for a novel. Due to having a broken family and lacking maternal love he is unable to properly interact with the world and enjoy life, but deep inside he longs for a connection, and tries to address this loneliness through touching himself. He is only surviving, but not living. Haemi, on the other hand, is drowning in debts but living her life in complete spontaneity. She is free-spirited and always has her head in the clouds, as if she is drunk. She smiles at one moment, and suddenly bursts into tears in another. She dances wildly, strips herself naked, without social schema ever crossing her mind. Haemi may seem insane, but she could be the most sane character in the story -- the only character that is truly living, that knows what is real and what is not, and contemplates about life's meaning. Despite having plastic surgery, she is more raw and authentic than those who live wearing a mask. And this is what Jong Soo likes about her, but what Ben finds boring. The three characters have different personalities and backgrounds, which ignites interesting sparks in their encounters.

Theme #6: Gender roles
The movie briefly touches on topics of toxic masculinity and female oppression in society. Quoting from Haemi's friend, "there is no country for women", women are often subject to scrutiny and harsh standards. "You're ugly", "Only prostitutes take off their clothes like that in front of men", Jong Soo is the typical traditional male who applies the scrutiny of appearance and behaviour. To Jong Soo, Haemi is the target of his sexual fantasies, the serrogate of a mother figure, and just an "ugly" girl that he doesn't remember from his past but a smoking love interest after her physical transformation. Ben takes on the role of playboys in society, those who pretend to respect and treasure women because "women like that are interesting", but actually see women as objects of possession, and to the extreme in this case, "trophies" that can be collected.

There could be more themes in this movie waiting to be discovered, but the above is my take on its more easily accessible themes. Burning is a masterpiece when it comes to having multiple themes perfectly woven together and presented through a single sit-through. It is a hidden gem among the countless fast-paced Korean films of this era, as it manages to go against the tides to adopt a more relaxed pace of story-telling, and such attempt was highly successful.

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I am speechless. I can't even express how I feel. This whole movie was a mind game, and I thoroughly enjoyed it. So many events, so many lives, but one purpose. I wish to write something as dark and meaningful like this someday.

I doubted that I would like this movie at first. The dialogue in the first scene was long. But I came to understand it was important. I don't regret the stubbornness I had to sit through that particular scene. Then came the confessions. Just...wow! What a brilliant scheme! This was a really clever one.

The music was very good and it achieved the desired effect. Even added an artistic tinge.

The characters were very well portrayed. I even sympathized with the worst of them (psycho kid). Had a conflicting sense of hating the things he did and feeling sorry for his situation.

I hold great admiration to the writer of this movie. Thank you, this actually had everything I ever wanted to see in a movie. It leaves a deep impression that I won't be able to shake off anytime soon.

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Ok ! Well , writing the first review for this movie I feel a bit nervous .. but here we go :
First of all , watching this movie be prepared to see any kind of obscenity and odium could be found in society ! in other words , this is an extremely bitter social melodrama with a very sharp and harsh way of protesting to the current problems of -not only Korean- but also the world's teens and youth !
I've read somewhere that director of this movie , has made it after seeing a CCTV video of a young boy crying before killing himself ! Knowing the fact that this story has a high chance of being a true one , gave me an special unforgettable feeling while watching this movie.
The best thing about the story is that it's not specifically for Gay people or any other special group of human beings , I think It's the story we all can relate !
We all can feel how much we've changed during our puberty and some of us have changed so much that looking back at our childhood , It's very hard for us to recognize if we're the same person or not !
Actors are amazing ! It was really interesting for me to see how this older actors could greatly transfer the feelings of being a teen that you can hardly believe they're in their 20's !
Background music was good and dramatic ...
And the ending ... Wow ! that's when you want to stand up and clap in tears ! (which I did :D)
anyways , this is surly one of the best and moving social movies I've ever seen !
I'm sure it will stuck in my mind for a long long time ... I've already seen it 2 times in one day cause at the first time I was really in a SHOCK seeing that much violence , that I could hadly get the massage of movie !
I'm glad that It was choosen by the international film festivals as well , It's great to see how Korean Cinema Industry is getting more and more known by the world , and I think this movie a MUST SEE for all people !

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Sweet, Sexy, Submissive, Consensual ... slightly complicated too

This movie has a little bit of everything, fun informative beautifully shot and will have you thinking a lot of thoughts at once while still managing to make your heart flutter thinking oooh they are so sweet,.. and awch that must hurt but ohhh so sweet.

Knowing very little about the subject I found myself intrigued by both the plot and the informative scenes here and there making this not only fun and pretty for the eye but also a source of learning.

I love how this shows deals with the extremely important issue consent as well as shows the difference between consensual acts of dominance as well as non-consensual ones with the main focus being on consent, acceptance and growing together.

The characters in this movie are complex, lovable (most), there are PLENTY of pets (human and non human), lots of humor and not a single annoying character in sight. So what do I say a rom-com done right, that I may just re-watch with my husband for some inspiration, or just for fun ;)


I would say this is probably the funnest rom-com movie I have seen so far, so I strongly recommend people to watch it.

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Watch this ALONE & WITH HEADPHONES

HONESTLY, WHAT IN THE BDSM did I just watch.

There were some really harsh moments - actually the entire movie was extremely HARDCORE. I had to pause it many times just to ask myself "Really What are you watching", but obviously I kept watching to finish.

The story started off very weird and gave no insight into what was actually taking place, but as the story progressed some pieces were put together and it made a little bit more sense. They tackled a lot of demons one battle in life, especially when they lose a loved one. The psychosis and trauma that occurs during this movie are eye-opening.

The acting is superb, I will give them that! They really get into their roles, but again WHAT AM I WATCHING. I was still confused even after watching the entire movie.

******disclaimer - I gave it such a low rating because:**********
1. I would never watch it again
2. there really wasn't an OST
3. It was very raw... a little too hardcore for me in the beginning

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WARNING:
Keep in mind, "The Man From Nowhere" has considerably more blood, gore, and violence than most movies. It didn't bother me, but if you have a weak tolerance to these things, then this movie may not be very pleasant for you.

Originally, I was looking for a movie to watch to kill some time.
I kept scrolling down and down but nothing really caught my eye. "Sunny" sounded ok, and "The Man From Nowhere" was even better; still not quite what I wanted, but the options were starting to get pretty slim; and since it was ranked #2, I decided to trust the statistics.
Now I feel EXTREMELY guilty that I was so hesitant to watch this movie. I should not have taken it so lightly.

In the beginning I kept thinking how this movie reminded me of the Hollywood movie "Taken". They both have a lot of fast-paced action, a sense of justice, a feeling of wanting to protect something important, and a seriously kick-ass hero to dish it out. :)
(though in my personal interest, Won Bin is quite a bit more attractive than Liam Neeson;))

I loved the little girl~! I couldn't help it. She was adorable ^^
More than that, this movie would be nothing without her.

Won Bin did an incredible job. I haven't seen very many Korean movies, but I honestly believe he could be the best actor in Korea, and one of the best in the world.
Amazing, I'm telling you, amazing.

This movie made me laugh, and made me cry. That's not something you can do easily in action movies:)

Now, I think I'm going to go watch it again :D

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There was not a thing to dislike about this movie! It was HILARIOUS. There were serious parts thrown in, but regardless.. overall a MUST WATCH. Both parties had something to gain from faking their marriage - It isn't really one of those contract marriages we see a lot in Kdrama land, but instead something beneficial for both parties - Seo-young & Hyo-Jin Can adopt a baby, and Minsoo can hide being gay from his parents. The moral of the story hits home - BE WHO YOU ARE. The awkward scenes MADE this movie. I didn't really recognize the actors/actresses, but BOY OH BOY were they good. This movie was a hoot. Had me laughing until tears came out, and crying until nothing was left. Definitely one of the best movies I've ever seen - Plus, one of the best examples that melodrama & comedy CAN go hand in hand!

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"This is my love story".

The movie opens up with this declaration, uttered in background narration by the main character while he's scorned and targeted by a players-filled basketball court. And it isn't only the rival team watching him with contempt: his own teammates are shouting the loudest.

"This is my love story", repeats Sugihara while he escapes from the police or is beaten by his father.

The contrast between the narration and the scene shown on screen gives us the key to the reading of the whole film, which is about finding ones place between love and hate, belonging and distancing, caring and detachment.

It's the story of a young man who has to show the world he doesn't give a dime while inside he's yearning for a sense of belonging.



GO is a wonderfully dramatic movie, one that deals with a cruel reality of discrimination. It's the journey of a guy who struggles to find his place on the planet. But don't be fooled by the surface: the director highlights the Japanese prejudices and the Korean stubborn obtuseness in equal measure. To each their own share.

And in the middle of this, there's Sugihara, who looks like a Japanese, talks like a Japanese, was born in Japan and is not recognized as one. His part is superbly acted: Yosuke Kubozuka is so convincing one can't help falling for him despite his murderous glances and his rebellious spirit.



So how is this a love story?

It is such on multiple levels: there's love for the friends, love for a father shown with fists, love for a country - or 2 - and love for a girl.

The music fits the pace beautifully, never overpowering the scenes.



Overall an emotion-filled movie, superb in acting, direction, plot and photography.

To be avoided if you're looking for a light watch. A must if you like thought-provoking films.

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This is a fascinating movie. I am surprised I am the first person to add it to my drama list. At first the movie started off a bit cheesy and I even thought about quiting it but I am glad I didin't because after about 30 minutes the viewers see the other side of First Time. I love how it managed to be both heartwarming and dramatic. Normally, movies about sick people are depressing to watch and it takes a lot of time for me to force myself to watch them. However, First Time is quite unique, because even though it is about a sick person, it does not revolve around a hospital. Also, it was very colorful, the decoration crew did an awesome job. The only complaint I have about this movie is that the main heroine's fantasies were painted in almost-chibis. I don't think these drawings suited the movie.

The acting was very good. I especially enjoyed the main couple's and Jiang Shan's (Shiqiao's mother) performance in the movie.

I love the soundtrack, most of the songs were created for this movie. I especially love the ending song, too bad I can't find it for download yet :(.

Overall, this was a very enjoyable movie. I`m glad I decided to watch it.

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I really enjoyed this movie. Having been a fan of the Mulan Diseny movies as a kid, I reaally wanted to watch this.

The casting was exellent, as well as the acting, can't complain about it. The music played during th emovie was very moving and really enhances the feeling you get from watching a particular scene.
The story line is great, even though we all know it, however, having watched the Disney movie, I anticipated a happier ending than that, and was slightly disapointed, screaming in my head "It's NOT FAIR", but anyway, that would be the only thing I don't like about it.
Overall, the movie was fantastic and a must watch in my opinion, and I would easily re-watch this, to pay more attention on the details the second time around.

GREAT MOVIE!!

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One of my favourite movies of 2023!

I usually don't write reviews, but for this one, I couldn't resist!

I went to watch this at the Japanese film festival in Toronto a couple of weeks ago, and I was very pleasantly surprised! As a fan of Snow Man and Meguro Ren, my expectations were honestly pretty high. Because of this, I was preparing myself to be a bit let down, but somehow, he's done it again!

STORY:

As soon as the movie was announced, I immediately went to read the manga. Seeing as the manga isn't completed yet, the movie did a great job with pacing and making sure the ending was both satisfying, yet ambiguous. They had to cut out a couple of details, such as Kaya's husband having feelings for Miyo and vice versa, but it didn't really hinder the story much, so I don't really mind it.

Throughout the movie, Kiyoka and Miyo have some really cute moments with each other, with patient Kiyoka slowly encouraging Miyo to come out of her shell, and Miyo learning to express herself. One of the best scenes in the movie is when Miyo was kidnapped and being tortured to give up Kiyoka; refusing to do so, and Kiyoka literally BURNING DOWN THE ENTIRE ESTATE TO FIND HER. It really shows how much their relationship developed. And although there wasn't a dramatic "I love you" confession scene, or a kiss, this is one of the rare times that I thought it wasn't necessary. While you could tell that the main genre wasn't romance, the movie did a good job balancing it with the action and historical elements.

If I had to have one "complaint", I would have enjoyed this as a drama! There is so much lore and questions left unanswered that a 12-16 episode drama would definitely have me hooked.

ACTING/CAST:

Since fantasy was a first for Meme, I was curious as to how he'd do. The result? Honestly, pretty good! He seemed to have completely immersed himself in the role, and he managed to play the cold but secretly warm-hearted Kiyoka pretty well! Seeing that the manga version of Kiyoka had more delicate and soft features, I was worried that the movie version would not provide that big of a "gap moe". Again, I was thankfully proven very wrong.

I was familiar with Imada Mio from Hana Nochi Hare, but that's about it. She definitely had a BIG transformation in both character and style from that drama to this, and it definitely shows her range as an actress. She looked really cute in the traditional clothing, and I found myself really believing she was Miyo, rather than an actress playing her.

MUSIC: (may be biased)

Having listened to Tapestry by Snow Man beforehand, I thought it was a great match for the overall "feel" of the movie. Unfortunately, it only played at the very end of the movie, but I was still very excited to hear Snow Man playing at an actual theatre in Canada for the first time. The other soundtracks for the movie were all fine for me; no complaints here.

REWATCH VALUE:

Yes. Just a yes. If a sequel does come out, you'll definitely catch me watching this again in preparation for it. Here's to hoping more Japanese films play internationally!

OVERALL: 9.8/10

TL;DR: Whether you know of Imada Mio and/or Meguro Ren or not, I whole-heartedly recommend you check this out. You won't regret it.

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To think that The Attorney was Yang Woo Seok’s directional debut is a bit hard to believe. It feels as if one of South Korea’s veteran directors made this one.

This film is one of 2013’s most critically acclaimed films domestically and that doesn’t surprise me a bit. You see, The Attorney is based on the real-life story of the ex-president Roh Moo Hyun’s early years, when he used to be an attorney and human rights activist. It also takes a controversial case from 1981 as its main focus. This film is neither a legal thriller nor a courtroom drama. It doesn’t focus on a desperate attorney trying to win a case or someone trying to prove his innocence; it’s more like a serious depiction of the social and political status in South Korea back in the days. Something low-keyed but contains greater value.

The emotions and reactions throughout the film were quite penetrating. You’ve got to give director Yang Woo Seok credit for what he did with the storytelling, he didn’t only direct this film but he also wrote it himself creating a respectable piece. He didn’t use anything that’s high-profiled because basic elements and some emotions-play were more than enough to deliver great developments and captivating events.

Without doubt, no one can deny Song Kang Ho’s astonishing acting skills, he’s able to grab any character and make you feel it throughout. It was impressive how he delivered Song’s character, every emotion and every facial expression were too involving. It’s not for naught that Kang Ho ahjussi is one of the fewest critically acclaimed actors in and outside South Korea. The rest of the cast delivered so well, the director knew how to pick his actors because a little exaggerated acting would’ve blown everything into thin air but gladly, none of that happened here.

Considering the fact that this film was set in the late 70’s and the beginning of the 80’s, the cinematography felt fitting but not more than the music, it had an important part to make you connect to the characters and events.

Watch this if:
-You like films that are based on true-life events and characters.
-You like to watch an interesting film about politics in South Korea 30 years ago.
-You like Song Kang Ho; this is one of his better performances.

Do not watch if:
-You’re not into romance-free films with somewhat slow development.
-You’re looking for something light or thriller-like.

The Attorney is an interesting film that concentrates on political and social issues in South Korea back in the 80’s. It’s absolutely a success for the newbie director Yang Woo Seok and a wonderful introduction to follow his work in the future.

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