Reviews

Story: In all honesty, I wasn't expecting much going into this. The description given made it seem like the main role was getting plastic surgery for the sole purpose of getting the guy. It was really about much more than that.
After finally being pushed to her limit, and after more than one failed suicide attempt, she does the last thing she feels she can do to live a happy life. The story following the surgery is about her journey to accepting her new self while not completely forgetting her old self.

Acting/Cast: I loved the acting and the cast.

Kim Ah Joong did an amazing job of portraying an overweight person, and an amazing job of portraying the skinny person she becomes. In most shows/movies like that, the girl is instantly 500% more confident, while Kim Ah Joong still had to get used to people not gawking at her for being the "ugly, fat chick." Even little things, like learning to walk in heels, were a joy to watch.

I'm still unsure about Joo Jin Mo's character. He seemed to have two different opinions depending on who he was with, so I wasn't really sure what think about him. I suppose, if I ignore the fact that his character confused me, I can easily say his acting was amazing.

Music: Loved the music throughout the movie.

Rewatch Value: I could definitely see myself rewatching this movie often. Definitely. The last 10 minutes or so of the movie (mostly the speech in particular) had me bawling. Just full-on bawling.

Overall: Overall, even though I loved the movie, I had to give it an 8.
While the character herself makes it known that the surgery is for herself, and not for anybody else, it doesn't erase the fact that, ultimately, this was a movie about a person who's life becomes better only after becoming pretty in society's eye. It's just not the type of message I enjoy seeing in the media.

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Wow! Just wow! I watch A LOT of films and the more you see the more you realize how difficult it is for filmmakers to create something that sticks out from the crowd.

This, my friends, stuck out from the crowd. This is the type of movie I like to watch and someday hope to make. This film was absolutely amazing from start to finish! A true art film, slightly similar in tone and mood to one of the best art house films of all time, In The Mood for Love.

I did not know what to expect going in. I was half-terrified that this was going to be some gut - wrenching tragedy that will haunt me for days, but it wasn't. Not in the least. Instead it was one of the most beautiful renditions of love I've ever seen materialize on film in a very long time.

The leads do not speak a word of dialogue, but it was neither missed nor needed. Everything that's important was beautifully communicated with a meaningful glance or a tender act. The chemistry between the leads was undeniable. I never grew tired of being in their world, in fact I wanted to get lost in it.

More than anything, though, I loved the message that I interpreted from it.

A lot can be said about life and how we get through our own personal struggles. The audience might not be entirely sure what is real or imagined, but at the end of the day it doesn't matter. What matters is that as human beings we need these moments of reprieve, real or imagined, to get through life. They add meaning to our existence and give us the strength to carry on in the face of adversary. I just love it.

I also loved the ending - bittersweet, but not in a sad, haunting sort of way. In a very positive, hopeful, uplifting sort of way. It's been a couple of days since I saw the film and it still brings a smile to my face just remembering it.

I can't praise it enough. Everything about it was just perfectly rendered: the atmosphere, the setting, the acting, the score! I've been listening to the lovely, evocative music of Natasha Atlas ever since I saw this film. Kim Ki-duk, by this effort alone, has not only cemented himself as a director to watch for me, but also one that is likely to influence my own work as a filmmaker. This was a perfect 10. I'm sure I'll be re-watching for this for years to come.

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I'm still amazed I don't know what is this black magic because I came to watch this movie by chance and the plot wasn't something amazing to catch my attention but here it goes my review:
STORY
Like I said before the plot is very typical for japanese dramas and the yankee or problematic kids it's a theme that's very present in japanese dramas or movies but this movie wasn't about a problematic child it was something more.
ACTING/CAST
Seriously the main actress Arimura Kasumi really impressed me because I watched strobe edege (movie that I hated...yeah I'm weird and don't kill me thanks) but this movie really proved me wrong and showed me that she's a great actress and that I should be checking more of her works.
Yoshida You was incredible as Sayaka's mom she made me cry at least 2 times, well actually I was a sea of tears maybe because I'm very sensitive lol she really stood out for me in this movie and I'll make sure to check out more of her movies or dramas.
Of course we can't forget Ito Atsushi as that positive teacher that more of one we would have liked to have when we were in high school, he did a great job being this optimistic, kind and inspirational teacher, great job.
MUSIC
Actually I like some of the music here and there was a song by Masquerade that I really liked (and I know that because I searched it with shazam lol) the music fits pretty well with the movie and you may discover some good music
REWATCH VALUE
10/10 nothing more to say about it for me at least.
OVERALL
A great movie that you need to watch, it was a story that can happen in real life and shows you the importance of a good role model or you don't even need that just with someone that believes in you like Sayaka's mom, it really touched me. If you're sensitive like me maybe you'll cry but I cried and laughed with this amazing movie so after this long review YOU NEED TO WATCH THIS!

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“One Day” announces the birth of a new genre,

I had to think for a couple of days before writing this review because I had to sort out my feelings and thoughts so I could form them into words. Sadly though, mission is not accomplished. No matter how hard I thought about it, it is really hard to put this movie into words. It is a movie that you need to “sense” not “read” about. Thanks to director Lee Yoon-Ki, who is known as an emotional delicate director, the movie had so much charm and beauty added to the already beautiful story.

'One Day' is a healing-fantasy movie about two wounded people, it depicts the story of a man and a spirit with a similar pain and scar who meet each other ‘one day’. One of the reasons I labeled this movie as a new genre is because even though there was no love story going on between the two, the story was very much about ‘love’. It was fascinating to me that loneliness, emptiness, anxiety, and lack of heart of two people could be healed without the ‘I love you, I don’t love you’ format. I can’t even begin to express how captivated I was by the fact that this movie healed wounds without "love" between Kang Soo and Mi So. With all the sorrow in disguise it still managed to be a refreshing new genre.

One of the modest yet profound messages in the movie is when it suggests that a ‘blind’ person should be referred to as ‘blind’ person and not ‘impaired’ (it made a huge difference in Korean language and in my opinion it makes a difference in English as well as my own language).

Kang Soo and Mi So are two people who face each other through their scars and as they get closer, they realize that their wounds are in 'contact'. The best expression I could define them with is, 'window' because they were like a window to each other. On one hand Mi So is Kang Soo’s window to his inner-self and the memories that he locked away after losing his wife. On the other hand, Kang Soo is Mi So’s window to the world.

The story on the surface ‘a living person meeting a spirit’ is not a new material it's been done before countless of times. However, unlike other projects, ‘One Day’ depicts pain and loss in a beautifully healing fantasy. Mi So as a character as her name suggests (her name means ‘smile’), is not just your average spirit, she’s a bright, vivid, warm, sweet and endearing bundle of joy. Watching her smile was all the joy I needed.

The delicate and modest directing of Lee Yoo-Ki takes this fantasy and naturally applies it in our reality without risking the material becoming overwhelming.

Two of the most remarkable points in 'One Day' are Kim Nam Gil and Chun Woo Hee’s golden performance (calling it 'golden' is an understatement). KNG’s charismatic act through his deep expressive eyes even with scenes featuring no dialogues at all has once again swept me off my feet. He embodied Kang Soo and captured every bits and pieces of his pain and sorrow. KNG’s delicate display of Kang Soo’s emotion was top class graceful performance. However, this movie’s heartthrob I shall say is Chun Woo Hee. It is hard enough to play a blind character, but to also have to play a spirit, who on the other hand can actually see, is a challenge on its own. I don’t know how I will adjust to the fact that she’s not Mi So and she’ll be playing other characters in the future but I do very much look forward to her future projects.

Music:
Wonderful instruments combined with exquisite sceneries that had me taking deep breathe several times as I feast my eyes. This is the first time I’m actually happy with the music section in a movie.

Overall:
I’m a person who enjoys dramas a lot more than I do with movies, simply because movies have different format and the fact that they end so quickly doesn’t allow me to connect emotionally as well as I do mentally. Thus, it’s really hard to find a movie that not only do I NOT want to ever finish, but also makes me feel as if I’ve entered a different world. ‘One Day’ is that kind of movie to me, a movie that I never thought I’d come to meet. I went to watch it as a huge KNG’s fan and came out with a movie that I can finally label as an absolute favorite of mine. ‘One Day’ is definitely not a movie for everyone, but it’s a movie that will have you sensing all shades and colors of emotions.'One Day' is a beautiful, fresh, artistic, delicate, ‘feel good’ (despite the sadness) and enriched with classic vibes movie. It has ‘rightfully’ stole my heart. Finally I have met my 10/10 movie.

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Penny Pinching Romance isn't a perfect movie but it was a very enjoyable one. The synopsis here really doesn't tell you much or very clearly. Hong Sil is a woman whose past clearly navigates her present life. Unlike the synopsis suggests, she doesn't have any goal in life other than to collect money. She is calculated and methodical in collecting it and frugal in the extreme once procured. What she intends to do with it once she has it, even she doesn't know. Enter Ji Woong (Song Joong Ki) in whom Hong Sil sees purely an opportunity to make money faster. Of course, when you hook yourself up with a bit a scoundrel things don't always go according to plan.

This movie has a nice solid plot and story trajectory all the way through. It's real charm for me lay in all the atypical things about it. It is not standard rom/com fare. There is a serious and slightly gray quality to it that I actually found refreshing. This gray cast was in the set direction and writing but it was more to shape their circumstances. Let me assure you this is not a darkly written movie in a dramatic or depressing sense.

There were lots of moments I laughed out loud. Especially at some of the antics of Ji Woong. The scenes between Hong Sil and Ji Woong aren't overly cutesy but they are interesting and they make a great team as, unbeknownst to both of them, their feelings start to grow. Both actors sold their characters for me. Their chemistry together was good. The payoff at the end for both characters was worth 2 hours of my time.

Song Joong Ki is a 'characters' actor. Even if he has the looks to play a leading man, I hope he chooses wisely in the future because he's better playing a part with quirks and charisma. He has excellent comedic timing and a face made for acting through expression.

Han Ye Seul sells serious characters to me more than comedy so this part was perfect for her. I felt her emotion and I connected with the reasons why she was cut off emotionally and relied so completely on monetary security rather than the human kind.

I liked this movie. I would re-watch it again and I recommend watching if you are hesitating.

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It feels like I was listening to a lovely song

This has been one of my most anticipated Korean movies ever since I saw the Cast line-up. So, I finally watched it and this totally reached my expectations. Infact, I feel empty now. I wanted more of this!

A Year End Medley is simple yet overwhelms us with a bitter-sweet pleasure.

The movie starts from a full festive vibe where Seo Kang Joon is singing the Christmas song "Jingle bells, jingle bells… jingle all the way…" and everything is in like a happy to go state. Everyone can be seen gearing up for Christmas and finally when Christmas comes, we come across the other side of the coin. When most of the people are excited for Christmas and New Year with their friends or families, there are yet many people who have their own problems and loneliness to deal with… that's when this takes us on a "little" deeper ride but as the year finally ends, gladly everyone finds a "New Hope" in their life. It's like inspiring us to keep going on.

There are actually 5 different stories which are intermingled to each other. All characters were lovable. Yes! No negative or annoying character which makes this such a light watch. My favorite character was "Sang Hoon" (acted by Lee Kwang Soo) ~ a selfless, dedicated manager who supported a singer when he was in his down, he could have left him and signed up someone else but he became his pillar and made him a big star, when he was really popular, he didn't even try stoping him from signing into a bigger company so that he can get more opportunities. I loved how selfless and caring he was. They had a brother like bond which was truly precious to see. Infact, all 5 stories were special in their own way.

The Cast was the major factor that attracted me here and they all did a great job acting their own parts especially the Old duo – Lee Hye Young ( as Katherine ) and Jung Jin Young ( as Sang Gyu ) were great presenting a touching love story. It was the top notch acting that made this movie more memorable.

The best part of this movie is that it made us experience so many wide emotions in just two hours. All 5 stories gave me something. Then, the OST. Beautiful songs that match the situations. I didn't even realize how fast my two hours went and I was already done watching this movie. It's like a smooth ride perfect for a evening watch. I watched it alone this time but I would like to rewatch this with my family later…

Overall, just a bunch of ordinary stories wrapped up in colourful flavours which should be watched at least once.

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I'm still shaking off goosebumps after finishing the movie. I thought I knew what I was getting into and I prepared myself for it but I didn't know I'd still be this jarred. I'm not really sure yet whether I like this movie or not, but what I cannot deny is that it is a very strong and solid film.

The story is not a very complicated one. You have an obsessive school girl who's crazy about her teacher and thinks what they have is love. The teacher wavers slightly and pays the price for it with his family at stake. A simple setting but what sets this movie apart are the layers of complexities in each character's personality. More so than the obsession, the film makes you see these characters as individuals whose stories you are watching. A really well directed and written piece.

The actors did a splendid job. Jang Hyuk and Jo Bo Ah were completely engrossed in their roles. I really need to mention that these people have a huge age gap in real life and to portray such a tender and hard-to-digest topic with such realism is commendable. There were times when I was too repulsed to watch the scenes but couldn't take my eyes off of the screen because the actors were doing such a brilliant job. Worth the watch for the actors' work if not anything else.

It is definitely not something just anybody can see. You need the appetite for this sort of movie. When they say there's lust, betrayal, obsession and revenge, they mean it. There's no sugarcoating anything here. Just raw emotions. In fact, I don't think I'd be able to watch this movie again even if I wanted to. Everyone gave such a powerful performance, It's going to stay in my head for a long time.

I might not have enjoyed this movie in the true sense of enjoying a movie, but I sure respect and admire the work. It's a really good movie. Not made for everyone though. It's also rated R because of explicit scenes that are shown, but there's nothing extremely offensive about them. So that's another thing to consider before watching the movie if you're not ready for that sort of content.

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If you´re in the mood for divertingly wasting your time in (retro-)style...

If you´re in the mood for divertingly wasting your time in style (retro-style to be precise).
With a lightweight story, lots of action and some fun, too, this will perfectly do.
Its professionally done. You won´t regret it.

Other than that:
Too fast to be substantial or something that lasts or give something that remains. The focus here is on visual and acoustic effects. Storytelling is secondary. At least there was no saving on top-class actors. And, yes, they are in a good mood.

Recipe:
-top-class cast
-action with car chases
-hip scenery locations in the look of the 80s
-speed
-fancy retro styling - cool retro fashion (if you´re into it)
-all sorts of retro cars - styling and tuning (and noises, too)
-light and camera effects
-deliberately/supposedly ´cool as cool can be´

Final remark:
Never mind the drop of truth behind the backstory - corruption and money laundry in the context of the 1988 Olympics in SK. The bad (and good) guys could be anyone, anywhere. That's just the hook to give an interchangeable action movie at least a coating of its own: a Seoul-Vibe - here in an 80s retro look. (However, even this particular ´SEOUL´ Vibe shown could actually be anywhere - It´s more about an ´80s´ Vibe)

Overall, the movie comes across as a solid action movie production for an international audience.
Don´t expect unique Korean-style. (Except for the cast and their acting of course ... and even they can usually do much better, too...)

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Kobayashi’s Seppuku (aka Harakiri) is without doubt one of the best Samurai films ever made and the deepest one I ever saw. It’s also a classic that survived the test of time.

This review will probably be my longest up to date. Bear with me because I have to put this film in its right temporal and spatial frameworks before talking about the film itself. If you’re not interested in history, you can skip the first two paragraphs and get to the film’s specific review.

I am history lover so it’s a given that I studied Japanese history way before I started watching Japanese classics and that knowledge in history helped me a lot when I started exploring the golden Japanese cinema. Seppuku is set at the beginning of the Edo era (17th century), an age of peace that lasted for more than 250 years in Japan where the Samurai class gradually lost the “warrior” side of their positions since there weren’t any wars to fight. As Tokugawa (the general who established his shogunate in Edo) gained complete control over Japan; many Samurai who fought the Sekigahara battle and others were left without clans to serve and were called “Ronin” meaning masterless Samurai. They were usually viewed as bandits whether intentionally or unintentionally, they lived in poverty but they didn’t lose their “samurai nobility” that’s still a higher rank than the peasants’ class. They also never gave up on their honorable ethics and beliefs.

In that era, many Ronin’s started to visit clans to request a “Seppuku” in their clans’ yard, meaning a ritual suicide where the Samurai has to literally disembowel himself using his Shinto (the Samurai in that era has a long Sword Katana and a smaller one Shinto that he always carry around with him, they’re considered as big part of his Samurai honor). The Harakiri (ritual suicide) is in fact an honorable death for a Samurai so it was dishonorable for clans to reject such a noble request from Ronins but they also didn’t want to let them kill themselves on their property so they either hired them as their clans’ Samurai (but that didn’t happen a lot since it’s an era of peace so the clans didn’t need many Samurai considering the fact that there’s no war) or they just gave them money and sent them away. As other Ronin heard about the story, they started to frequently visit clans in order to request a Seppuku but they never actually meant to kill themselves, they just wanted to take the money and leave. And that’s what’s called “Harakiri fraud” which is a cowardly, shameful act from a Samurai even if he’s a Ronin.


The history stops there although the clan that’s mentioned in this film (The Iyi clan) is a real clan that’s known as a very important figure in modern Japanese history. Now, let’s talk about the film itself; one clan (the Iyi clan) decided to stop these Harakiri frauds and made the Samurai who asked to commit seppuku kill himself so that other Ronin won’t dare show up in front of their clan. That’s how the story starts but through flashbacks, we get the overall story of that man, where he came from and why he came. His circumstances, his situation and his life were all told using flashbacks that were amazingly illustrated in order to produce spectacular turns of events.

Seppuku is a human Samurai film that deals with old Japanese codes of honor and ethical Samurai principles. Kobayashi wanted to introduce a somewhat anti-samurai film that deals with the shortcomings of some Samurai beliefs by using quotes such as “After all, this thing we call samurai honor is ultimately nothing but a façade” (said by Tsugumo Hanshiro) but then he comes back to insist on the codes of dignity. Unlike many Kurosawa films’ I saw where he always idolizes the Samurai figure. Don’t get me wrong, Kurosawa’s films are my favorites but what I meant to say is that Kobayashi and Kurosawa’s adaptations of Samurai stories are quite different even if they’re comparable, to each his own genius ideas of making masterpieces.

The film contained the sword fighting but it wasn’t the main focus of this film. The developments were surprising and quite intriguing to follow; in this film you get a taste of suspense, psychology, action, tragedy, revenge and even family. Although the film insists on the Samurai element more than anything else, it also focuses on family relationships, interactions and sacrifices as well as human and more specifically Samurai emotions.

If I keep talking then I won’t stop praising this film’s screenwriting by Shinobu Hashimoto and the original novel by Yasuhiko Takiguchi. I appreciated every angle of the story and the way it revealed facts at the most unexpected time. This is not a film that’s set to kill a Samurai through a ritual suicide or show the audience how a Samurai disembowel himself; it’s a film that describes the human emotions and feelings behind that act. However, I do understand if some people found the development a bit slow. As for me, my eyes were glued to the big screen the whole time without a single move or sound. Yes, it had that kind of impact on me.

The acting, oh my! what on earth can I say about that acting? I am not biased or someone who talks with full subjectivity so when I say that Nakadai was marvelous in this, I am not talking with a fangirl’s emotions, I am speaking with full objectivity about a Japanese legend. For me or anyone who knows classic Japan, Nakadai Tatsuya is a legendary star in the Japanese cinema and one hell of a charismatic astounding actor who can grab your intention in a split of a second. Like many of his other roles, Nakadai was amazing in this; his portrayal of Tsugumo Hanshiro’s character was flawless. Enough said or I won’t stop talking about that man’s incredible acting skills.

Other actors were also amazing; I was moved by their acting skills. It’s the golden Japanese era of cinema so it’s a given that only high-class acting exists. The characters were very well written and their relationships were fascinating to follow, I was moved by many characters’ developments in Seppuku.

Now let me talk about that breathtaking cinematography. I like to focus on cinematography while watching films and even though this was produced in 1962 (black and white); I was charmed by the back sceneries and great settings. Kobayachi did an awesome job with those mesmerizing takes that I will never forget.

I have to mention the soundtrack which I believe it’s the best music composure I ever heard in any Japanese classic.

Watch this if:
-You like Japanese classics or want to discover them.
-You enjoy Samurai films but keep in mind that this isn’t an action film.
-You love films with human stories.
-You like Masaki Kobayashi because this is his finest work.
-You like Nakadai Tatsuya because this is one of his best performances.

Do not watch if:
-You dislike Japanese classics.
-You dislike Samurai films.

To end my super long review, I will mention that Harakiri is a crafted masterpiece by Kobayashi and an eternal gem of the Japanese classic cinema that’s bound to take you through a great journey of amazing events and astonishing acting skills.

I will leave you with two quotes by Tsugumo Hanshiro:
“What befalls others today may be your own fate tomorrow.”
“The suspicious mind conjures its own demons.”

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I would love to watch this movie all over again!

I love that the movie fells so relaxing, is hard to explain but you feel light (and maybe you will feel a need to plant everything)
The characters were so natural, the three of them, and realistic, very good acting.
Another thing was the story, simple and perfect, and the way that talk about harvest season, it was very poetic, and very good incluing the food that she makes with the memories and the season.

The music was fine, but I prefer the sounds of nature.. perfect!
Omg was very good movie.

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I admit, I am probably a bit biased, because I simply love this manga to pieces. However, that may be the reason why I am able to evaluate this adaptation better than someone who doesn't know the original work.

So if you are a fan of the manga, but unsure whether to watch, this review is mainly for you. (And even if you're just looking for a good BL movie to pass the time, I hope I can write a worthy review as well)

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The plot isn't exactly anything new, especially for such a short movie. It's about two people meeting, hooking up, falling in love, and the hardships they must overcome.
What makes this movie stand out from others is the rawness of the emotions, the harsh yet beautiful reality. There is nothing romanticized about their meeting or their relationship. It could be me or you, falling in and out of love.

Shima and Togawa in the manga have prickly personalities. They are very different, yet there is an attraction and spark that even transcends their sexualities. I was worried whether there could be actors who would portray their characters well. Thankfully, Yonehara Kousuke and Taniguchi Kenji both did a great job. Shima lost a bit of his cheekiness and seems more timid, but it has to do with the generally darker tone of the movie, right from the beginning, due to time-constraints.

The music was matching but not really memorable. I was surprised at how sensual they even portrayed the erotic scenes. They could have granted a closer view on the kissing scenes, but in BL it's probably something we can only wish for.

What really drives this film is the atmosphere, that is very similar to the manga Doushitemo Furetakunai. This simplicity and 'realness' is visible in every part of the movie. Some people find the long still shots and the calmness boring. I find it beautiful. Not everything in life is restless and fast-paced. Some moments are agonizingly slow. The cinematography, while somewhat simple, plays a big role in this, and it does a superb job. The writing and directing are both also spot-on.

After finishing the movie, I went and re-read the manga, and I was surprised to see how much of the original dialogue was kept. While I was reading, the scenes from the movie kept appearing in my mind, and I found myself unable to separate the two. Usually when it comes to book or manga adaptations, once I return to the original, I cannot help but think: "Oh, but this is so much better after all. They should have done this differently"; However, I didn't have that feeling with Doushitemo Furetakunai. While there were parts that were left out or could have been fleshed out more, there were even moments where I thought the dialogue in the movie was more natural and poignant than in the manga.

I dislike dramas that take the easy way out by having too much narration or monologues to make sure the viewer gets exactly what the characters are feeling at that moment. There is no room for speculation, no room for the viewer to get a grasp on the emotion, just by observing. Eventually, this trait of the movie, the actors' ability to convey their pain and longing without using too many words, is what made me applaud to this successful adaption of Yoneda Kou's manga.

In summary: It's a bit slow-paced, but if you learn to appreciate the beauty within this calm atmosphere, you will be presented with a fairly satisfying movie that you won't easily forget. I recommend it whole-heartedly.

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