The Attorney (2013)

To think that The Attorney was Yang Woo Seok’s directional debut is a bit hard to believe. It feels as if one of South Korea’s veteran directors made this one.

This film is one of 2013’s most critically acclaimed films domestically and that doesn’t surprise me a bit. You see, The Attorney is based on the real-life story of the ex-president Roh Moo Hyun’s early years, when he used to be an attorney and human rights activist. It also takes a controversial case from 1981 as its main focus. This film is neither a legal thriller nor a courtroom drama. It doesn’t focus on a desperate attorney trying to win a case or someone trying to prove his innocence; it’s more like a serious depiction of the social and political status in South Korea back in the days. Something low-keyed but contains greater value.

The emotions and reactions throughout the film were quite penetrating. You’ve got to give director Yang Woo Seok credit for what he did with the storytelling, he didn’t only direct this film but he also wrote it himself creating a respectable piece. He didn’t use anything that’s high-profiled because basic elements and some emotions-play were more than enough to deliver great developments and captivating events.

Without doubt, no one can deny Song Kang Ho’s astonishing acting skills, he’s able to grab any character and make you feel it throughout. It was impressive how he delivered Song’s character, every emotion and every facial expression were too involving. It’s not for naught that Kang Ho ahjussi is one of the fewest critically acclaimed actors in and outside South Korea. The rest of the cast delivered so well, the director knew how to pick his actors because a little exaggerated acting would’ve blown everything into thin air but gladly, none of that happened here.

Considering the fact that this film was set in the late 70’s and the beginning of the 80’s, the cinematography felt fitting but not more than the music, it had an important part to make you connect to the characters and events.

Watch this if:
-You like films that are based on true-life events and characters.
-You like to watch an interesting film about politics in South Korea 30 years ago.
-You like Song Kang Ho; this is one of his better performances.

Do not watch if:
-You’re not into romance-free films with somewhat slow development.
-You’re looking for something light or thriller-like.

The Attorney is an interesting film that concentrates on political and social issues in South Korea back in the 80’s. It’s absolutely a success for the newbie director Yang Woo Seok and a wonderful introduction to follow his work in the future.

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About conscience & courage in a society that appears democratic, but is ruled by authoritarian force

He only wanted to do taxes. Draft contracts. Earn money. Song Woo-seok is a pragmatic lawyer — smart, efficient, unsentimental. But when the son of a woman who once trusted him in hard times is taken by the police, the man who once only saw paragraphs begins to see people. The Attorney tells the story of a man who thought he knew his place in the world — and only begins to truly live when he takes a stand.

Based on true events — the 1981 Burim case — the film follows the early journey of future president Roh Moo-hyun, without ever naming him. We witness a successful attorney becoming the defender of students branded as “communists,” tortured, and tried — simply for reading the wrong books at the wrong time. What unfolds is a courtroom drama that reverberates far beyond the trial itself: a story about conscience. About courage. And about the painful awakening in a society that appears democratic — but is ruled with authoritarian force.

Song Kang-ho, in one of his most compelling performances, carries the film with an intensity that makes anger, shame, and resolve palpable in every gesture. His transformation is moving precisely because it isn’t heroic — it’s hesitant, searching, deeply human. And it’s in this quiet where the power lies: when he rises and says, “I’m his attorney,” it isn’t a flourish — it’s a vow.



------------------------------ A historical side note: The long shadow of dictatorship ------------------------------------

In South Korea, the memory of Chun Doo-hwan’s authoritarian rule remains an open wound. The Burim case stands as a stark symbol of a time when civil rights existed only on paper — and disappeared into basements. The state’s orchestration of paranoia, the systematic torture of alleged dissidents, and the suspicion cast on intellectual life: The Attorney captures all of this with devastating simplicity.

And it shows: not all complicity comes from conviction. Some from fear. Others from habit. The film asks what it takes to break out of that cycle — and offers an answer that’s not political, but personal: empathy.

A major box office hit with over 11 million viewers, “The Attorney” is a landmark of Korea’s cinematic reckoning with its past. It reminds us that justice is more than a system — and that sometimes, justice begins with a single line: “I’ll take the case.”

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