Imagine depending on oxygen to live under the command of greedy human beings, what a life is this!? this is the plot.
The CGI, besides being excessive, is horrible. There are some fanservices.
The South Korean series is fairly fast-paced, but isn't particularly interested in whether everything is explained and makes sense. The plot is dyslexic, why would anyone respect the speed limit in the desert transporting rare material in a post apocalyptic world being military!?
Why in a super modern truck the glass is not electric but on the crank!?
Netflix recently signed an investment agreement with South Korea to produce and air more K-dramas. Black Knight is an example of this, people who are familiar with K-dramas know that this is far from being a South Korean production, it is better for Netflix to leave it to those who understand the subject or if it continues to stick its finger in adapting K-dramas in a way Americanized will end up boycotted.

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The stories do  not end, they become seeds for the next, proving once again that good  deeds create ripples in the quiet pond of human experience ... This is  just one of the many lessons that "Namiya Zakkaten no Kiseki" propose,  sometimes you do not see the effect of your good deeds  because you do not have an omniscient view, and sometimes the  far-reaching effects may just astound you. The feel of place and time is strong, and the 1980s are well portrayed. Nostalgia is in full bloom. One of the joys of the film is the fascinating art of the written word. In  short there is a lot of blue-eyed nostalgia in "Namiya", especially for  the way things happened in 1980, when the country was not yet harmed by  wealth and things were more relaxed. Even in Tokyo, there  were hardly any convenience stores and housewives routinely bought in  neighborhood establishments like Namiya General.

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The film begins  with Jin-suk's nightmare and naturally goes through a sort of friendly  family, casting mysterious codes, such as a room of doubt, kidnapping  his brother, causing tension and curiosity. Both are  strangely distant from each other, but are double that lead to clues  that will be useful for the truth and reversal of the film to be  developed later.
The first half is immersive. The  secret trick is also reminiscent, the nervous breakdown is the mind of  the person, and it is difficult to take what is reality and what is  fantasy. Above all, the expression and acting of the character that changes moment by moment is the highest point. In  short "Jang Hang Joon" is a medium movie for more, since the elemental  composition that compose it contributes significantly in conjunction  than individually.

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Although it is a  low budget job, director Eiji Uchida did a very good job from the  relationship of domination and bullying control of the high school era,  the control relationship is reversed through death ... The narrative  flow of development is very comfortable, it's not a heavy  BL film that represents gay discrimination and love from childhood  through adolescence, although it's not a direct LGBT job.
In  short "Double Mints" is a manga project that projects as a fantasy to a  forbidden world in which it does not enter, but it is strongly  impressed that the film is a reality and a terrain with more realistic  brushstrokes.

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"The Table" basically consists of four different conversation scenes unfolded on a table. During  each scene, we find two characters, and then we listen to their  conversation observing the mood and the nuances that surround them. Although  this is a fairly simple premise, the film constantly engages us thanks  to its sensitive writing as well as solid performances, and each scene  serves us beautiful moments, passing fleetingly, one by one, during its  time. The film's only background is a small coffee shop located in a small urban alley. In other words, limited cinematography. The  conversations become a bit strange but it's wonderful how maintaining  the cool and meaningless attitude of your character is also effective as  your homologous narrative.

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A very well written and impressive film ...
From narration to performance to performance to presentation: it is perfect in each and every aspect. The change in the tone of the film was extremely well brought. The screenplay is not disappointing, and the film appears as a refreshing and memorable experience. Cinematography is top notch as it does not take much time to present and configure the characters as well as the plot.
Connected  to the characters, the actors delivered extremely excellent  performances, so far as the technical aspects of the film are top notch.  The visuals are breathtaking and the story is well captured by a first-rate cinematography. The  action sequences of the film are another great highlight as they induce  a lot of emotion along with the tension as to what would happen next. The film is not extremely violent and therefore recommended in the family. There is no vulgarity or obscenity in this movie. very good.

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"The  Survival Family" is far from becoming a classic post-apocalyptic  post-war movie disaster, the story takes on the character of a strange  but genial movie at the same time. The family, driven by frustration and internal hostility, decides to  leave the megalopolis to reach the provincial towns, exactly where the  head of the family lives, because it seems that everything works there.
The  Suzuki family, repatriated in the Middle Ages where the exchange law  applies, gets four bicycles and begins the long voyage to Kagoshima by  the sea, with roads populated by refugees who are struggling hard to  walk and survive in chaos uncontrolled by the lack of electricity. "The Survival Family" tells the whole family journey but it is also an  opportunity not only to achieve salvation but also to strengthen weak  family ties.
Undoubtedly,  the point of departure of the narrative is interesting, we think for a  moment that really happens in such a situation anywhere in the world,  and also Yaguchi's choice to impress the movie that relies on comedy  deserves applause. What  frustrates him a little is that he is slow but inexorably back in good  tones of history, leaving aside the irony that would have given more  force and mass to the story. The journey as a rediscovery of oneself and the importance of family  ties that undergo a metamorphosis of the characters that, in the end,  has all the other face to the beginning is, a fundamental aspect of the
of the ecological theme, the return to a life simpler than that of the metropolis.
As  a whole, "Survival Family" is a movie that allows you to watch, it also  has moments of brilliant intelligence in popular jobs that appeal to  the general public, but the most tangible feeling is honest work without  infamy and no compliments but it is very worthwhile.

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Charming and lively youth comedy set in a music school where classical Chinese music becomes a fun competitive battle.
A  town somewhere in China, Chen Jing, sophomore Chinese Music at Zhongxia  Academy of Music's Afiliative High School, sees the handsome classical  music student Wang Wen practicing on the piano and immediately falls in  love with him ... The film goes far beyond the novel, it teaches about Chinese music and  proper classical music in a rather energetic, rather entertaining, but  fun, youthful comedy driven by an animated performance by TV actress Xu  Lu.
The  film sustains its energy from a mass of small details and quirky ideas,  beginning with the two music departments being so hostile to each other  that they are separated by an iron gate in the same building. An innovative film full of energy and innovative ideas that is worth watching.

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Great drama! A beautiful drama! Unfortunately it was short.
As the title suggests, it tells the story of Nemoto Kahoko (Takahata Mitsuki) who lives an extremely protected life. So, despite being in the senior year of college and in the job hunting phase, it is the furthest thing from being independent. We  can say that she has super protective parents, especially her mother  (Kuroki Hitomi), who still wakes her up every morning ... And her father  (Tokito Saburo) is aware that his wife is being overly protective of  her only daughter, but can not have the courage to speak.
Things  begin to change when Kahoko meets this great art man, Mugino Hajime  (Takeuchi Ryoma), who naturally leads a complete opposite life to hers. Without a father and with a temporary multiple, he is astonished to  learn the extreme case of the girl being spoiled by the mother who she  is, and how unsatisfactory her future is.
Kahoko is basically a great baby. It's not childish but childish. She does not realize that she is living in a bubble all her life or dependent on her parents. As  the drama unfolds high grades one learns from it, and we will see that  Kahoko even being spoiled gets to turn around, drama is a lesson of life  and wisdom.

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