amrita828
Italy
Discovered by mere chance while following Takenouchi Yutaka's work, it soon proved to be one of my best drama findings. It wasn't even listed on MDL, nor have I ever read a review or a comment about it.
Rondo is a romance thriller. The two aspects are smoothly interwoven and so well balanced that I don't know if I should say it's a romance on the background of a major criminal plot, or a thriller with an undertone of romance.
But let me go in order.
Plot: 10.
Should you decide to watch this drama, don't be deterred by the complex police investigation at the beginning. Slowly but steadily, the jigsaw pieces find their right place and everything becomes clearer and more and more gripping. Never predictable though; on the contrary, there's a twist at every turn.
The love story is simply beautiful. I love the Japanese-Korean interaction between the main leads, it adds a lot of colour to the story and create some very sweet moments. The two characters are a beauty to watch together: both intense and believable, both incredibly good-looking.
Acting: 10.
Terrific performances by all. Takenouchi proved once again to be an outstanding, very expressive actor and, I can just as well admit it, sexy as hell. The only asian man beside Takeshi Kaneshiro who looks good with a moustache. Choi Ji Woo, whom I had never seen acting before, is wonderful. I loved their first encounter and, since I'm very partial to those, I can say it marked the moment I decided I liked this drama. On screen they share the kind of chemistry which is created by tension and suspicion.
I was impressed by Hayami Mokomichi's and Shin Hyun Joon's performances too.
Cinematography: 10.
This is a dark drama. So are the colours, the screenshots, the city views. Black and gray are the predominant hues. The overall photography and direction are spot-on and there were times when I thought I was watching a long movie, instead of a drama.
Music: 11.
Wait... the option is not available. Pity, since the music is a blast, at least for my taste. There's an awesome instrumental piece in between ethnic and trip-hop which is so well used I was always longing for it to play. The music plays a major role in connection with the shooting. Very well chosen.
Re-watch value is obviously a little lower, as it always is with suspense dramas. Once the twists are known, a little of the thrill is gone. Which doesn't mean I won't rewatch this drama when a reasonable time will have passed.
There is only one sad note about this show: the quality of the streaming videos available. Subs: an atrocity. Although I marathoned through the drama, I must say it was an odyssey. The first episode, which is 90 minutes long, is impossible to find whole and in the right order. It almost made me give up the drama entirely, until I decided to find an alternative way... I'm glad I did. The rest of the 10 episodes has to be scraped together here and there. But if you have the patience, you won't regret it.
Was this review helpful to you?
Most of it is due to the excellent cast. I knew Ueto Aya from Attention Please and loved her there: she was the reason why I watched that drama and the only reason why I completed it. There she was feisty and entertaining, here she plays the role of a disillusioned young woman, wary of men - who can blame her? - and in desperate need of warmth and a sense of belonging. Her acting is outstanding, one can't help falling in love with her fragility, her courage and beauty.
Takenouchi Yutaka is just as awesome. His character is that of an honest man who leads a simple life but is ready to go to any length in order to save his sister. He's so sedate throughout the whole drama, I expected him to burst out at some point. But he didn't, and I realize now this is what makes him into such an endearing character. He expresses a world of meaning via glances and silences: I loved it.
The encounter between Risa and Kengo is poignant and their interaction from that point on is always defined by a sedate fire. Nobody shouts, or desperately cries or have fits of anger, and yet the chemistry is powerful.
I don't think it's accidental that Matsuda Shota speaks in a very sedate and calm way too through the whole show. This is the imprint of Nagareboshi. Just like the beautiful jellyfishes that float around in the aquarium. I never thought I could come to consider jellyfishes such beautiful creatures.
The side cast is just as brilliant, mostly the women.
The photography deserves a mention too. There are some truly outstanding sceneries of Japan shown in this drama. I was captivated by the colours and the general atmosphere. I love it that Japanese can produce wonderful dramas without the pomp and the shine we have been accustomed to with the usual super stars sporting gorgeous outfits or your average hero under the shower. This is a simple yet complicated love story between two very average people. It could be us.
The music is beautiful, although not my genre. I usually prefer instrumental pieces in dramas, so I don't really care much for songs. But it suits the pace and the feel of the drama perfectly.
If you like well acted, slow developing stories without love triangles or squares, played on style more than actual happenings, this drama is for you. I suppose it's for mature viewers - and I'm not referring to age.
Was this review helpful to you?
If you are reading, it means you're hesitant: please don't be. Don Quixote is a fantastic watch, wonderfully acted, well directed, full of sweetness and serious issues treated with a light touch which is neither shallow nor melodramatic.
But most of all, you will laugh. A lot. Loud.
Yes, I'm a fan of Matsuda Shota and started watching because of him. I had been waiting for his next drama with a passion after Liar Game and prepared myself to be swept away by his very natural charm - and looks, I won't deny it.
He did not disappoint me one bit. He's outstanding: infuriating but incredibly sweet, hilarious but bossy, dense but clever in a very down-to-earth way and just as crazy as the famous hero created by the pen of Cervantes.
But a Don Quixote review would be incomplete and totally unfair without including Sancho Panza in it, brilliantly portrayed here by Katsumi Takahashi. As the synopsis explains, there's a soul switch involved in this drama, so that we see the two actors suddenly changing attitude, accent, facial expressions. The attentive viewer won't fail to recognize the ability of these two actors to wear the clothes of the other. The result is comic and endearing. Takahashi and Matsuda form an unforgettable duo.
All the secondary characters do a splendid job. The Yakuza's family is so improbable you can't help but laugh out loud and all the staff of the child consultation centre grows in depth and characterization.
And then there's the children. Japanese have a true knack of telling children stories, in my opinion. The fact that these kids are all incredibly cute and most of the time talented helps.
I loved the music too. It's in Spanish, as required by the title, and the contrast between the Spanish sunny rhythm and the Japanese architecture and landscapes is so sharp it's brilliant. I also loved the open credit tune with the children drawings, I thought it was a very cute touch.
I will rewatch this drama. Soon enough. I will marathon a second time through it and no doubt be left with the same huge grin on my face.
Highly recommended.
Was this review helpful to you?
I would very much like to review it in its own right, i.e. without comparing it to the original Korean version, but I found out it's impossible for more than one reason. First, because the majority of those who loved You're Beautiful were biased towards this remake from the look of the actors alone and didn't even give it a chance; second, because ironically my having watched the original made me appreciate this version a lot more. Therefore, I'll set my usual policy aside and write a comparative review.
I liked Ikemen Desu Ne more than You're Beautiful in many respects.
Despite having kept the plot almost untouched, the Japanese made some subtle changes to this drama which results in a completely different feel to it. This version has a younger look; although the Korean actors were in the same age range as the Japanese when You're Beautiful aired, the first looked somehow older. The aftereffect is that while Ikemen feels like kids playing kids, You're Beautiful is about adults being childish.
Because the Japanese remake lasts half the time as the Korean, they had to condense the original story and cut a good number of scenes. As it seems, they decided on cutting mostly on comedic scenes and secondary characters. I have missed some truly hilarious parts of the original, but at the same time I'm happy they skipped some and didn't linger on aunts, fans, managers and the like.
But what really made it for me is the female lead character. Mio is a sweet, generous girl out of her element, dealing with her firsts: first experience on stage, first friendship, first love. While in the beginning she unwittingly makes mistakes, she shows strength of will and some pride, which makes it easy to connect with her. Go Mi Nam was a über-humble klutz in the beginning and remained such till the very end, a trait which I personally found irritating to say the least. The fact that the biggest part of the comedy in YaB derived from Go Mi Nam's nth mishap made me very happy the Japanese decided to show a girl a little less frustrating and hen-pecked.
This leads me to the male lead. The difference is quite notable too. Ren starts as haughty and impatient, but shows his true colours very soon. He's a softie. The tormented relationship with his mother is stressed upon in this version, so that his yearning for affection and eventually falling for Mio comes out as very natural. Tae Kyung, on the other hand, is an arrogant young man who learns to think about others too. But we have to wait until the very last to see his transformation and even then he can't do without a couple of bravados or two.
This is why I loved Mio & Ren as a couple, while I barely tolerated Mi Nam and Tae Kyung.
The other "angels" grew on me. They may not be as good-looking as the Korean, but I believe they played their roles well and I refuse to start a debate on the most undebatable issue on earth: taste. As a group, the Japanese A.N.Jell look more like friends than their Korean counterparts. The relationship between Ren and Shu (Tae Kyung and Shin Woo in YaB) is better explored in IDN and I truly liked to watch them fight for the love of Mio.
I have a hard time rating the music. Some songs are the same as in the original, but in Japanese. I didn't care much for them and I think the Korean sang and executed them much better. On the other hand, I truly loved the instrumental music played in between songs. The piano piece is lovely, and used in just the right scenes.
This review has been long enough. I felt the need to write it because I think it's unfair to judge it without watching it to the end and I always get fired up when I read commentaries like "they are ugly" or "they can't compare". If you think you're an unbiased watcher and you like young dramas, give Ikemen Desu Ne a try. You may end up liking it more than expected.
Was this review helpful to you?
I truly loved this show. It's a mixture of Agatha Christie, Conan Doyle, Ellery Queen and Philip Marlow, all made into a hilarious parody.
The great "Meitantei", brilliantly portrayed by Matsuda Shota, is a cocktail of silly arrogance, childish mistakes and misgivings, yet he's got brain and you can't help but like him a lot through all his naive traits.
The older policeman is a sort of "deus ex machina", who understands the needs of the dramatic process and explains it to his collegues and, in so doing, to the viewers.
Kashii Yu does a great job in picturing the only clear headed character in the story, who eventually learns to follow the rules, not those of the real investigation but the ones that create a detective story.
This show has to be viewed on different levels: the plot itself and the sub-plot, which is "how is a classic detective story created?".
I enjoyed the music too. Just like the situations portrayed, it mimics the pathos always found in thriller stories and makes it all the funnier.
Not to spoil but to encourage, let me add that the finale is brilliant; it will either leave you completely perplexed or you will laugh out loud and be left with a grin on your face, as I was.
Was this review helpful to you?
Imagine you are sold a book with the cover of a travel guide and on reading discover that in fact it contains a romantic novel. You are captivated by the story and read it to the end, but you'll have to go out again to buy that travel book you didn't get in the first place.
That's exactly what happens when you start watching Scent of a Woman. You prepare yourself for a romantic comedy and find out that there isn't even a hint of comedy. The scenes which are meant to elicit a laugh range from painfully embarrassing to bitter-sweet.
But I loved it nonetheless. If the definition existed, I'd call this drama an "urgent passion". Urgency is the undercurrent of the whole show, to the point as a viewer I found myself praying for more time along the main female character. And passion for life is the glue that keeps all plot lines together.
The actors are amazing. All of them. I can safely say this is the best acted drama I've seen in a while. If you want to feel true empathy, cry, smile, grit your teeth or fall in love, watch this. The chemistry between the leads is tangible, and it grows so subtly and gradually it becomes a natural process in their story. I understood why they loved each other and not because the writer wanted me to, but because they were so incredibly believable.
The same applies to all the secondary characters. You'll grow to love them or hate them, they are not bi-dimensional people. They stay consistent to their nature and when/if they change they do so without pomp or unbelievable u-turns.
And I love that the message of this show is not a simple "live your life to the fullest". There's so much more. As I see it, the main theme of Scent of a Woman is: we are not alone here; everything we do, and the way we do it, effects the lives of those around us in a huge domino effect.
Message subtly told and beautifully executed.
Photography and attention to details are spotless.
I didn't really care for the music, but this is just me. It was chosen with sense and I appreciated the fact that it was in line with the show: elegant. I'm glad they didn't go for any lalala pop song, which would have ruined the mood.
Without spoiling the end of it, I need to say the last episode was simply perfect and beautiful, one of the reasons why I'm giving the drama a full 10.
Therefore, I'm going out now to buy that travel guide book I wanted, but I'll keep this beautiful love story bought by mistake on my shelf, for future re-reading/watching.
Was this review helpful to you?
I was captivated on minute 1 and enjoyed the whole ride till the very last.
The true strength of this show lies in the characterization. I love the speedy way in which each character is introduced, without unnecessary premises: the viewer is immediately catapulted into the birth of this new police division and the methods which are going to be used by the team to solve each case.
The staff members come to life so swiftly and clearly, I was eager to see the next episode just in order to hear them interact with each other. They are hilarious, over the line like any true Japanese character and yet so believable and endearing.
And then there is their BOSS. Yuki Amami is a wonder here. She's determined, beautiful, self-ironic, tremendously intelligent. The kind of woman I'd like to be at forty - honestly, if I could only look like her at 44 I'd be the happiest woman on earth.
Her character is a riot and a model of what I call class.
This is an episode drama, therefore it can be viewed either in one raw or taking time between one episode and the next. I did a marathon because each case left me wanting for more, but there isn't a main sub-plot which requires steadfastness.
I liked the music too: it isn't an unforgettable original soundtrack, but it highlights the scenes with due pathos.
If you're looking for a clever detective story, with some profiling/psychology, lovable, funny characters and intriguing crimes, watch this.
Was this review helpful to you?
I watched it as soon as it finished airing, attracted by one of the best actors assembly I had come across in a long time. And true to their skills, they do an amazing job, given the luke-warm, inconsistent, shallow story they had to work with.
I understood none of the characters. Are they ambitious, serious, romantic, evil, malicious? No idea. They are all a mixture of those. Yes, in real life people are never clear-cut, but instead of coming out as imperfect human beings one can identify with, these characters appear like badly assembled patchwork quilts, behaving in a way one episode, the opposite way in the next.
The only character with a little consistency is Maemi, played by an impeccable Shinohara Ryoko.
Without spoiling the ending of the drama, suffice to know that it was so out of the blue, I could do nothing better than scratch my head in puzzlement.
What happened to that character? Why did that one act the way he did? What are they trying to say? What's the answer to that 4-coins quiz repeated to exhaustion?
All questions I found no answers to.
I can't remember the music. In these cases, I always end up giving it a non-committal 7. It certainly didn't blow me away.
What a pity.
Was this review helpful to you?
Everything about it marks a shift from the usual Korean pattern: plot, lines, direction, editing, photography, ending.
I was hesitant at first because I read too many compare it to Sex & The City - not my cup of tea. But I soon found out that, although the premises are similar - three friends experiencing and openly discussing their love and sexual lives - the general feel of it is completely different. Less stress on glamour and a lot more on internal struggles and doubts, all spiced up with a clever sense of humour and surprisingly GOOD kisses.
I watched the whole show with a big grin on my face. It felt so much like my real friends and I meeting at a bar and talking about ourselves, gossiping about men and their idiosincracy, it was amazing. I love Korean dramas for their exotic touch, situations I would never experience myself because they are culturally too different from my reality; but this drama managed to depict "universal" characters and situations. It felt real, albeit comedic, and as a woman I identified with all of them, on one level or another.
And it's impossible to watch it without talking about it. "What would you do?", "who would you chose?", "did she make the right decision?". All questions one is almost compelled to discuss with someone.
Direction is refreshing too. I thought the use of captures, or episode stills was a very clever choice: expressions are encapsulated in a moment in time and stored away, like a photo album.
The pace is fast and the music soundtracks it with hilarious cohesion.
Overall, a funny, realistic, well characterized drama, which I recommend to every adult. It may not appeal to younger viewers; as for inappropriate scenes, I saw none, but keep in mind I speak as a European.
The final message of this drama is: cherish yourself and your true friends, they won't let you down.
Was this review helpful to you?
There are no romance, no cuteness, no funny moments to draw a breath. There are no gorgeous sceneries to admire, or beautiful faces to ogle.
This movie is a punch directed at your very stomach. And yet it's so full of heart and intensity it left an indelible trace in my memory.
It's the story of a handful of Japanese soldiers left on guard of the rocky, desolate, deserted but of outmost strategic importance island of Iwo Jima. They are basically left to rotten there and eventually being slaughtered, if not by the Americans, by the obtuseness of high rank Japanese officials.
It's based on a true story, so I have no fear to spoil the plot. Many of you may already know of Iwo Jima, if only for the über-famous picture of the American soldiers planting the stars and stripe flag on a little mountain of dirt. This movie tells the same story, but from the other side of the barricade, in the literal sense of the word.
Western films tend to depict Japanese soldiers during WWII like war machines, ready to die for their country no matter what, cold and determined. Here we see the human side of them, the ultimate meaning of the film being the universality of fear, loneliness, anguish and friendship.
Outstanding acting performances by all the cast, entirely Japanese and terrific direction by acclaimed Clint Eastwood.
This is the kind of film one re-watches sooner or later. A film-library movie. You have been warned as to its content, so I recommend it with a clear conscience.
Was this review helpful to you?
I hate hockey, therefore I was very hesitant before starting it, a good two years ago. But I soon realized that this particular sport was a narrative necessity, being a rude, violent one, but played by people with a lot of heart.
Pride is a sweet love story, between a man whose name means Spring and a woman who's called Autumn. They are totally different in almost everything, to the point they become complementary and fit into each other's life like two pieces of a jigsaw puzzle. He has his way of pulling her out of her shell, and she has her own at showing real strength is not the physical one.
They are a pleasure to watch together. As I said before, Kimura does not disappoint, he's a great actor who knows how to charm the audience. I'm very partial to Yuko Takeuchi, I can't help being completely captured by her voice, her elegance and blend of ingenuity and wisdom.
Aki and Haru - Autumn and Spring - are one of my favourite drama couples, with tons of sparks crackling between them whenever they are on screen together.
The music doesn't need a review. The entire OST is by the Queen. Like them or not, they have been one of the greatest rock bands in history. And they fit the drama to a T.
I have already watched Pride twice and a third view is definitely in my plans, therefore I'm ready to give it a very high re-watch value and recommend this show to everyone.
Was this review helpful to you?
Duelist is a painting in motion, where a lot is hinted and nothing is explained.
Some may lament the lack of a true plot, but on my part I believe a movie has different means of portraying a story than a book or a drama. It's based upon images, not necessarily on twists and events. Just like poetry is based upon the evocative power of words, not on facts.
And the direction used the cinematographic tools to its full potential in this movie.
I watched it with my mouth open. Beautiful screenplay, beautiful dance-like fights, beautiful just-hinted erotism.
Yes, the plot can be reduced to a 10 minutes narration. But so are a lot of theatre pieces, played upon style, movement, colour and photography.
Acting is wonderful, and so is the music. This is a ballet, after all.
Rewatch value is obviously high: I'll go back to it whenever I want to just sit and admire a beautiful, colour filled painting.
Was this review helpful to you?
Not in the negative sense of the word, just the opposite. Watching it feels like reading a novel from centuries past, with all the tragic, the heart-wrench, the twist, the suspense and the sweetness of the most classic romantic literature. A friend compared it to a novel by Judith McNaught, and I tend to agree with her.
One of the things I appreciated the most about this drama is the speed with which the plot is set in motion and the pace established. By the end of episode 1, I was fatally hooked. This is not a show which promises the viewer something, only to drag unnecessary by the middle or loosing consistency and cohesion at some point. If you like the dishes you are presented with at first sight, you will love the whole meal to the end. And a truly romantic meal at that, full of passion and not the usual luke-warm, lovey-dovey chirping.
The acting performances are outstanding as a whole. I have read many complaining about Vanness Wu's broken accent, but since I don't speak Mandarin I didn't notice anything amiss. On the contrary, I felt with his character a lot more than any other in the show, possibly because he has to outshine the delivering with intense facial expressions. Ady An's character can stretch one's patience at times, but this only adds to the actress's skill to make it so. And the chemistry is palpable.
The child is a wonder, no addition needed.
My only complain lies in the editing. This is a general problem I have with Taiwanese dramas: too frequent commercial cuts, filled with those brief reprises in which flashes of scenes to come are shown over and over. Once the viewer is forewarned, I guess it can be overlooked, although I personally find it terribly annoying. The music falls under the same curse: it's very good, but played too often and at times it overpowers the dialogues. If I hadn't liked this story so much, I would have gone insane.
Overall, this is a drama I'm ready to recommend to everyone in search of true romance. It's a timeless story, which does not rely on trend, or shiny, perfectly made-up actors and glamorous outfits. Does it have cliches? Yes it has, quite a few even, but they are well blended into a solid script and a plot which will never get truly old.
Was this review helpful to you?
In order to be fair, I have to give this drama what is its due. Script, acting, direction, music are VERY good. The script is downright brilliant, with many lines worth of being quoted. Kim Sun Ah is fantastic: self-ironic, convincing, funny and determined. Hyun Bin has to portray a distasteful character, and does so with a seemingly effortless performance. All the side characters are wonderfully characterized and likable.
The music is perfectly chosen too, with just the right mixture of irony and pathos-building required by the story.
But I also have to be honest. And to do so I have to admit I didn't like this drama. I spent more time cringing and shivering in embarrassment than laughing or falling in love.
Each character is unique and wonderfully portrayed, but for the duration of 16 episodes I kept on asking myself: why? Why should these two like each other?
When I watch a drama and instead of rooting for the main couple I concentrate on the scenery, the cake, the old mother or the child it means something is wrong, at least for me. And when the first kiss doesn't make me smile in delight, something is even more wrong.
I could never feel sympathy for Sam Soon & Jin Heon. Not as a couple. By the middle I was terribly annoyed by both: by him because he couldn't be a man and decide; by her because she slowly morphed from the anti-conventional woman she used to be into a sort of human ivy, spying on her "man", shouting too much, crying too much, asking for rings, declarations and all the most conventional paraphernalia attached to your usual relationship. Had I been the man in the situation, I would have flown to Mars in order to escape the torture.
Possibly, the acting is too good: had the characters been more wooden or less expressive, I would have felt nothing for them and had had no reason to cringe. How ironic is this?
To summarize: I believe a review has to be fair. When confronted with a good show/movie/book/painting one has to be objective and recognize its value. This is why I gave it an overall 8 when, on a mere emotional and personal level, I would barely have given it a 6.
Was this review helpful to you?
This is so annoying, and so sad.
Like everyone before me already pointed out, the lead actors did a brilliant job here. They are so natural together, it's a pleasure to watch them interact.
But even cute has its limit, at least for me. I didn't know of the writer switch until the last episode, but the difference was evident. What used to be a quirky, funny, sweet and sexy script suddenly turned into a sugary, childish, cutie cute one, with these two chirping to each other for the duration of six, never-ending episodes.
When mutual love has been loudly declared, the lie has come into the open, the antagonists are out of the games, what is left in terms of expectations? Who cares what they eat and when or how many times they hold hands?
Somehow, they used all their good cards at the beginning of the game, only to drag it with uninteresting little scenes till the end. By the third ice-cream I was ready to smear it on the face of the director.
Also, I was left wondering what happened to the majority of the characters? Were they sucked into some drama black hole, or sent en masse to Paris where they are happily eating escargots?
The music was somehow schizophrenic. At the beginning I though it was horrid, with those very childish pop songs used at every turn. Then it improved a lot, it became more varied and able to enhance the feelings. At times it was hilariously chosen. Then it changed again and became a simple background sound, which I forgot a few minutes after it was played.
Re-watch value is obviously low, unless something heavy hits me on the head and I think this drama's only got 11 episodes.
Was this review helpful to you?
