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Dear Diary
22 people found this review helpful
by Richel
Oct 18, 2021
24 of 24 episodes seen
Completed 2
Overall 9.5
Story 8.5
Acting/Cast 10
Music 9.5
Rewatch Value 10

A warm ode to our youth – one day, we will become someone that our past selves can be proud of.

Mental turmoil latched onto me the moment that I attempted to evaluate this drama with a rubric. To claim that this show is close to objectively “perfect” would be awfully far from accurate. But the more that I told myself to be impartial, to judge this drama as fairly as I did every other show that I’ve ever consumed, the more squeamish I got. After all, it's one of the most magical dramas I've ever had the pleasure of watching.

The overarching plot of Dear Diary starts with a woman by the name of Chen Meiru. Like many young and hormonal creatives, she wrote a self-insert love story when she was 12, and paired herself with a handsome and devoted prince to boot. On her 24th birthday, he appears before her very eyes: a buff Babylonian man, wildly proclaiming his love for her. Hilarity ensues as the jaded careerwoman attempts to return to her normal life, haunted by the gorgeous prince, his loyal subordinate, and a beautiful love rival – each of whom she designed under her own pen as a starry-eyed child, but who are now composed of flesh and bone.

On the surface, Dear Diary is yet another kooky fantasy rom-com mess. In a genre teeming with titles, what instantly sets this one apart is that it’s legitimately funny…hmm, nope; “hysterical” is a more fitting term. Not once does it rely on cheap gags. All the jokes fit perfectly with the situation and are delivered impeccably. I had just gotten my wisdom teeth pulled when I started watching this drama, and the amount of pain I suffered due to failed attempts at suppressing my cackling was not trivial. Totally worth it, though. (Side note: some of the jokes may only be effective if you have prior understanding of Chinese culture. I took a look at the official English subtitles and they don’t provide any relevant context to understand these references. Booooo. If you're interested, you can visit my profile for a link to my fan-subbed version, in which I translate and explain these references.)

Is good humor this show’s sole asset? No, no, no. That’s the mere tip of the iceberg. Once you go for a deeper dive, you’ll discover that this show possesses a power that many others can only dream of: logic. Halle-freaking-lujah, it’s not mindless antics! Not only is there a methodical sequence of interesting events, there are actual reasons behind those events. I would like to thank these writers for displaying to their industry peers that “fantasy” is not a synonym for “has no rules.” In spite of a few plot holes (which are inevitable due to production reasons, as I’ll explain in a bit), the overall story is one of compelling, nonstop developments.

As you learn how and why certain events occur, more serious themes emerge. Whereas a great deal of creativity went into the layout of the story, an equal amount of thought went into tying it all back to reality. The fantasy elements become increasingly metaphorical in nature and the initial humor recedes to reveal the characters’ internal struggles. While I adore the comedy, the tone shift is truly brilliant and utilized fruitfully. Savor your joy – the higher your mood flies in the beginning, the more tears you’ll shed when later episodes wrestle you back down to earth.

How do the funny and somber components both work so well? Obviously, the writers and directors put in excellent work. But it would be a severe injustice to not applaud the actors. Across six lead characters (that’s right; six, with each of them bearing equal weight in the story), there’s not a single weak link to be found. They all interpret their roles very seriously, which allows you to immerse yourself into every scene – be it one of comedy or one of tragedy. I’m especially appreciative of the actors and actress playing the three characters risen from Chen Meiru’s diary. These characters would be extremely easy to exaggerate to the point of being awkward caricatures. However, because each actor gave due respect to the role that they played, every character feels real and their reactions suit the situation. Also, special shoutout for Bu Guanjin, who I swear has some of the best line delivery skills in the industry.

For the sake of clarity, I’ll go over the drama’s characters by splitting them into two groups: “human” and “paper,” the former being those in the story who are regarded from the get-go as “real” people, and the latter being those who rose from the pages of Chen Meiru’s journal. These paper characters, Murong Jielun, Ouyang Wenshan, and Jiutian Longnu, all start off as you would expect – horribly cringeworthy. Flat, one-dimensional; the pinnacle of an adolescent girl’s imagination. But, over the course of the story, their growth is the most impactful and satisfying of all. It’s through them that we witness the departure from supposed destiny, and the subsequent importance of taking your future into your own hands.

As for the humans themselves: you have Chen Meiru, Jiang Huizhen, and Duan Shuiliu. Each of them live drastically different lifestyles, but are ultimately as similar to one another as they are to you and me: full of youthful dreams, and also full of doubt. Perhaps we’d expect that them teaching the paper characters about life would be the primary focus. However, what is of more interest is watching them—the “real” humans—find hope within cruel reality by cherishing and loving those fictional, yet genuine paper characters. It’s poetic cinema, I tell you.

At its core, this drama is a tale of growth and self-worth; about overcoming insecurities and reaching for greater heights with the support of those around us. This storytelling is especially valuable for us women in the audience, who need more media in which ladies are permitted to be vulnerable, to be flawed, to be irritable. Of course, this message applies to you; whoever you may be. We all have our moments of weakness. We all have negative memories that hold us back. But through others and through our own self-reflection, we can find happiness.

Alright, so I’ve talked your ears off about all the good points. Then what made me initially waver away from giving Dear Diary such a high score? For one thing, the dubbing leaves a lot to be desired. It is extremely obvious that they recorded over existing dialogue for numerous scenes. I’m sure it was unavoidable, but dubbing will always get me in a huffy mood.

Secondly, and possibly most importantly, the pacing is far too fast. Like, “someone needs to dish this production a speeding ticket”-level too fast. 24 episodes at 20-some minutes a pop? It’s whiplash waiting to happen. In regards to the overall story, the length is tolerable; but as they say, the devil is in the details – the compressed timing creates a good number of plot holes, which leads to clunky development, which in turn harms intricacies in the characters and their relationships. Frankly, I didn’t find it to be a major issue; but the progression definitely doesn’t feel as natural as it could be. Here, I’d like to mention that the producers edited the entire show twice before it could air (due to reasons like our beloved censorship). Twice. Can you imagine how much precious content got cut out in the process? I could cry just thinking about it. Anyways, if the crew is willing to release an extended director’s cut—even if it’s secretly in some kind of drama black market—I might have some pocket money at the ready…just saying.

These issues could prove fatal for any other show, but I’m more than willing to overlook them all for Dear Diary. This is a rare drama where you can truly tell how much care and effort went into making it something of emotional value. You never get a sense that those involved in this production were in it to make mad bank or to revolutionize the Asian drama scene or even to be super dramatic. It’s just here with the modest goal of telling us a fun, soothing story. Whether it be in the realism of the acting, the craftsmanship of the dialogue, filming in Morocco and having the cast learn the Akkadian language for scenes referencing ancient Babylonia – there is no shortage of genuine dedication. There’s something exceptional about witnessing a passion project, bursting at the seams with honesty and sincerity, coming to life upon your screen. It warms my cold, cold heart. It inspires me to be just as heartfelt toward my own life.

While Dear Diary may not be “perfect,” it’s a perfect example of the sentiment that a show need not be flawless in order to receive love from its audience. When a writer cares deeply for her script and an actor his role, a viewer can instinctively feel it. That emotional connection, that soul alone can be enough to make a show into something special. Dear Diary possesses that soul. And I couldn’t be more grateful that the team behind it shared it with us, because it really is something special.

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The School Nurse Files
22 people found this review helpful
by Richel
Sep 26, 2020
6 of 6 episodes seen
Completed 0
Overall 8.0
Story 8.0
Acting/Cast 9.5
Music 9.0
Rewatch Value 7.0

Incoming: mild fever dream

Wow. What an…experience.

Objectively, I had a few issues with the drama’s execution. Not-so-objectively, this is a perfect show to accompany a couple of spiked seltzers (ahem...only if you're of legal age, please): it’s cra-zy. Loco, I tell you.

The School Nurse Files is not your conventional television show, let alone your run-of-the-mill K-drama. It really does have a “Netflix original” vibe to it (as I would describe such a “genre”): creative and at times disturbing, but most importantly, outlandish. Each episode is a trip into peculiar jelly (warning: gross to look at) encounters, meeting eccentric characters, and the resulting chaos. Mixed together with moments of dry humor, the show can feel overwhelming at times, but is unexpectedly entertaining.

I can picture this drama as suiting those with more niche preferences, so I wouldn't recommend it on a whim. The computer graphics are done so well that the resulting creepiness can be physically off-putting. And though our main character may be a toy sword, BB gun-wielding fanatic, this show’s themes are quite serious and—on certain occasions—dark. Altogether, it’s a weird cocktail of comic tomfoolery and harsh reality that’s the first of its kind in the K-drama realm.

In terms of writing, the length of the drama turned out to be a handicap. The story was interesting enough, but the progression was slightly faster than what I prefer. With even one more episode, I think the pacing could have been smoother and the message of the show would have come across much stronger.

While I liked the characters, none of them were developed to their full potentials. In the fantasy genre, where plot tends to be overpowering by nature, it’s important to build characters as interesting human beings in order to complement such compelling stories. I don’t think that was entirely accomplished here, and that’s my main qualm with the show. The characters are supposed to be strange. Most of them are supposed to rub you the wrong way. But then what? They fall flat. Altogether, the freshness of the plot is what carries you through the show.

Admittedly, my initial interest was due to Nam Joo Hyuk. Jung Yoo Mi being on the cast list was an extra plus. It shouldn’t come as a surprise that the two of them performed excellently. Jung Yoo Mi excelled in her oddballish yet emotional lead role, and Nam Joo Hyuk’s portrayal of a mellow and genuine sidekick was equally fun to watch. Oh, Nam Joo Hyuk. Never could I have expected him, of all people, to lead me...here. But here I am. In jelly-world.

Because it’s such a unique drama, there’s really no way of predicting whether you’ll enjoy it unless you try it. This is one of those rare shows where watching the first half hour is likely enough for you to make an accurate judgment about how much you’ll like the rest. So, empty your mind and jump in…just…your head needs to be totally empty to accept the amount of insanity it’s about to encounter.

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Nothing but Thirty
7 people found this review helpful
by Richel
Aug 11, 2020
43 of 43 episodes seen
Completed 0
Overall 8.0
Story 8.0
Acting/Cast 10
Music 7.0
Rewatch Value 7.5

30 – the step from optimistic youth to realistic maturity

The arsenal of feminist dramas grows by the day, and China has pulled out the big guns this year with Nothing But Thirty.

Nothing But Thirty focuses on three women, each of whom are approaching their thirtieth birthday in the first episode. Each of them represents a different “type” of woman, in turn pawing through hosts of problems that their “type” suffers: Gu Jia, married with a kid; Zhong Xiao Qin, married with no children; and Wang Man Ni, single with no children. Obviously, this is an oversimplification of their circumstances, but even these basic characterizations define how they go about their lives – you can imagine, for example, that someone with a child has drastically different considerations to make than someone without.

From a female standpoint, these three characters are written as close to perfection as possible (before all the events that happen in latter third of the series that made me roll my eyes). That realism, paired with the leading ladies’ superior acting skills, are what makes this show worth watching. Each of the women are strong at times and weak during others. They allow themselves to have emotions, be stupid once in a while, but resolve to become stronger at the end of the day. Their worldviews are unique to themselves and their personal struggles, meaning that viewers can relate to one character and learn to sympathize with another.

Where the waters get very muddy is when it comes to the plot. Everything that happens in the first 20–30 episodes isn’t unrealistic at all. You get to see the oh-so-relatable financial and workplace struggles. A couple of scumbag husbands here and there. It induces a ton of frustration and outright anger (mistresses, anyone?), but that means the drama is doing its job in presenting real problems and riling you up over them.

Hit what I call “Act III,” meaning the final episodes of the show, and you really begin to question the morality of the writer. Every problem the ladies encounter is something that happens to a good amount of women in real life. But I would be hesitant to claim that the way these problems unfold down the line is representative of how most women actually live.

I want to preface my criticisms of the realism by saying that I’m closer to 20 than I am 30, and I do not live in Shanghai; thus, I don’t understand what it’s like to be Gu Jia, or Wang Man Ni, or Zhong Xiao Qin. (However, I did watch this with my Chinese mother; and while she is far from the 30-year-old mark as well, she had similar qualms.) I’ll put it this way; as a younger woman who is trying to find a way to be independent by the time I reach 30, I find the way that this show wrapped up certain issues to be extremely problematic and detrimental to the overall message of the show.

You get a pretty solid sense of the capabilities of each character with every episode and how much they grow when life begin to test them. Yet, this growth abruptly stops right when it matters the most. Perhaps it even goes backwards. And not in a way that depicts internal struggles, but in a way that’s hullabaloo, garbage writing. Because of these sudden about-faces, there are certain supporting characters who get off the hook far too easily. Others make net gains from terrible behavior and are subsequently put on a pedestal by the writer for having “redeemed themselves.” And I’m well aware that in real life, bad people get away with things. But I feel like there should be a pretty clear difference between getting away with things, and being seen as a saint just because you’re marginally less terrible than the total asshole next to you. This is a pretty bizarre and harmful message to be sending in a drama that's supposedly about women becoming stronger in the face of adversity: some people will hurt you, and you just have to...take it? Let me just say, if episodes were to continue to be written post-ending, I'm not sure luck would be in our girls' favor.

I’m not denying that Nothing But Thirty is a worthwhile watch, but it would be a painful stretch for me to claim that it’s amazing. In the end, I don’t think that the character development was satisfying enough. For the genre, though, I did find sufficient enjoyment in the process of watching. Hopefully, more female-centric dramas will be to come that take this is almost a beta of what types of female characters should be represented in the future.

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The Bad Kids
38 people found this review helpful
by Richel
Jul 13, 2020
12 of 12 episodes seen
Completed 1
Overall 9.5
Story 9.5
Acting/Cast 10
Music 9.5
Rewatch Value 10

Intelligent suspense takes its most elegant form in The Bad Kids

My preferences in entertainment go a little something like this: sure, I’ll give it a shot. Wait. It’s scary? Yes, I’m slowly backing out of the room.

The Bad Kids is not horror, nor would I—even in all of my yellow-bellied glory—consider it traditionally scary. Even so, you'll be able to tell about five minutes into the first episode that this is not to be watched on any day when you want a fun, happy time. If fully immersed in this drama’s eerie atmosphere, I can wholly believe that you may lay awake that very night, contemplating the series of fictional events that you have borne witness to. It's an addictive kind of insanity. I’m definitely not saying this out of personal experience…don’t know what’s leading you to think that…

I strongly advise potential viewers to go for a totally blind watch-through; hence, I won't be mentioning any aspects of the plot here. Even if you usually do not care about being spoiled before watching something, you absolutely should not look up anything about this show before you finish every single episode. Central to The Bad Kids is how it produces a phantom instinct within your gut as you try to figure out what is going to happen next, and that engrossment in the story evolves into a part of your own satisfaction. Let the show work its wonders and let yourself absorb it fully.

One point about the story that should be mentioned as a selling point, though, is that while The Bad Kids is about crime, it focuses on that through relatable themes like family bonds. A major plus to the watching experience is how you are forced to form and change your opinions about each character based on how they treat one another—and in what situations. I’ve rarely seen characters being depicted with this degree of care in other works. They feel genuinely human: imperfect, self-contradictory, and emotional.

I was also impressed to the extremes with the acting. Imagine the perfection that's in not needing to fall to the level of typical high-school dramas, where the lead teen is played by a dude in his twenties with clear skin. That perfection exists in The Bad Kids, where each of the three child actors—whose roles are incredibly demanding—are literal children who do not falter at all within their roles. Though I’m giving a special shoutout to the kids, I don’t want to gloss over the other actors who elevated the story. Every cast member was flawless in their depiction of their characters and how they collaborated with one another to depict intensely real relationships. Qin Hao is also someone that I will be keeping an eye on in the future; the way that he balanced the good and evil of his character so naturally gave me chills.

The Bad Kids has skyrocketed up to become one of (if not the superlative) my favorite dramas ever. Days after finishing the last episode, I couldn’t fend off the temptation to start again: and this time, I took notes so that I could keep track of every possible hint that the producers dropped. That’s right—this self-proclaimed hater of note-taking in school willingly opened a notebook and clicked a pen just so she could wrap her head around this show. And I loved every second of it. You might take this as evidence that I'm a tad cuckoo in the head (you probably wouldn’t be wrong), but you’ll understand me as soon as the credits roll on the last episode. There's so much detail to process and make sense of.

If this level of writing, acting, and production could be held as the standard for Chinese dramas, then I am impatient for what is to come. Until then, I’m going to treat my drama withdrawal with perhaps a third dive into this show.

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Skate Into Love
43 people found this review helpful
by Richel
Apr 9, 2020
40 of 40 episodes seen
Completed 0
Overall 8.0
Story 8.0
Acting/Cast 9.0
Music 8.0
Rewatch Value 7.5
(Note: this review judges only the drama and will make no comparisons to the original web novel. Though, that would also make for an interesting discussion. Someday, perhaps.)

It’s a special type of emotional experience, watching a drama like Skate Into Love, which has solid strengths yet also a fair share of wobbly flaws. It took some serious consideration for me to establish how to reconcile all the positives and negatives; but after watching the conclusion, I can say that for its genre, Skate Into Love can stand tall in its field.

The basis of the plot is a concoction of classic rom-com tropes. The leads know one another from early childhood and, upon reuniting years later, their relationship becomes an “enemies to lovers” affair. This show's primary differentiating factor is its inclusion of ice sports, which dictates significant plot points and is crucial in the growth of several characters.

The first half of the show overflows with sweet and humorous moments between Tang Xue and Li Yu Bing as their constant bickering turns into genuine care for one another. Their romance is a strong force because they, as separate characters, are both independent people who have flaws as obvious as their strengths. They manage to grow together and are capable of helping each other because they understand the person opposite them incredibly well. It warms the heart to watch and you can’t help but root for them as a couple and as individuals.

That being said, there are some other plot points that beg to be mentioned:

One: third wheels. It’s a rom-com rule that they have to stick their head into the plot. Listen, I don’t make the rules. Take it up with the screenwriters upstairs. They’re the ones who insist on including several love rivals. Some of them can actually pique your interest as they evolve over time, so not all of them are a total waste of your attention. However, it’s my civic duty to throw one of them – Mr. Bian “creepy chuckle” Cheng – under the bus for starting as a minor headache, then evolving into a complete migraine by intervening in the main couple’s relationships in the most boring and inconsequential ways possible. He is, hands-down, the weakest link of this show. You don’t hate him because he’s an actual threat, you hate him because he could be interesting but just isn't.

Then, there are the side couples. Like the third wheels, I don’t even remember how many of them there are. But nonetheless, they pass around the baton for taking over the show every once in many a while. A key positive point about all the supporting characters is that the writers did try to make them more dimensional. Just like the main characters, they each have unique motivations and insecurities, making them feel a lot more human than what could be said for many non-leads in other shows. Whether it be friends, family members, or rivals of the main characters, I really liked how they all had their own lives and problems. That further helped make all of the platonic relationships much more enticing. Even so, it’s incredibly difficult to have a drama effectively focus on a main couple as well as multiple side stories – some will certainly feel like plot filler, especially in early parts of the show, because we don’t see their full development like we can with Tang Xue and Li Yubing.

There are also some moments involving the leads that feel a bit iffy considering their personalities. Don’t you just love when a relationship, consisting of two amazingly communicative characters who deeply seek to understand one another, abruptly crumbles due to external factors that existed but didn’t matter before? To have problems within a relationship is completely normal; and while I’m glad to see them addressed, the way that they’re depicted is sometimes too theatrical. I’m not going to lie. Seeing all the age-old melodrama cliches enter the picture and challenge the romance is almost entertaining – in the same way that watching someone slip and fall is entertaining after you told them beforehand, “careful, it’s slippery”: the ridiculousness of something happening when it shouldn’t is quite…amusing, to say the least.

These flaws aside, I overall found the story to be a good balance of being amusing (even hilarious) at times and serious during others. I liked how sports are involved in some of the characters’ lives, providing them with dreams and purpose. Part of me wishes that there were more competition scenes shown, as the action during them was fun to watch (and inaccurate, but come on. It’s people on ice with knives on their feet; that in itself is deserving of a thumbs-up). Much of that may be due to my own preference, though, since personally like some ice sports and would hardly object to seeing more of them.

As for the acting, I genuinely appreciated the life that the lead actors brought to the story. Tang Xue is a character who – if assigned to a poor actress – could easily be depicted as annoying due to her outspoken nature, but Wu Qian does an excellent job balancing that boisterous behavior with kindheartedness. Zhang Xincheng also shines in the role of Li Yubing. His depiction of a childish yet determined young man is spot-on. Together, these two actors created an excellent picture of a happy and young relationship, full of promises and hope for the future. When evaluating the supporting actors, I found their abilities sufficient for the roles that they're given and certainly wouldn’t mind watching their future projects.

As far as rom-coms go, Skate Into Love is satisfactory. Though it occasionally stumbles, none of that changes how it put some of the biggest smiles on my face out of many of the rom-coms I’ve seen thus far. You really just have to go in prepared to brush off all the cliches, because what’s underneath all that dust is a very sweet story that is worth sitting through.

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Doctor John
13 people found this review helpful
by Richel
Sep 8, 2019
32 of 32 episodes seen
Completed 0
Overall 8.5
Story 8.5
Acting/Cast 9.5
Music 9.5
Rewatch Value 5.0
Whereas the film industry has field days in dealing with controversial issues, it’s rare to find dramas nowadays which do the same. Understandably so, given that delivering hours upon hours worth of social commentary in the form of an entertaining television show is no trivial feat. Doctor John charges face-first into this challenge and—overall—dominates it.

Doctor John separates itself from every other medical drama due to its willingness to address an issue that is more social than it is medical and/or political. Euthanasia is an extremely risky question because there is no single correct answer. One color to describe this drama’s dealings with euthanasia: gray. Very gray. As a human being, you probably have a preconceived opinion about it before you begin watching. And, amazingly, no matter what opinion that may be, it's more than likely that there is a character in this show that shares it. This show consists of the interactions between all different sides of the debate and how each is a combination of "wrong" or "right," depending on the context. Through these characters' actions and thoughts, Doctor John does the job of telling you that it is extremely dangerous hold one opinion as true across all situations.

That was one of my favorite parts about watching Doctor John. It doesn’t constantly preach one single answer and try to brainwash you into agreeing. It always shows you the multiple facets of every conflict. Whether it be through witnessing the physical and mental pain of terminal patients or the emotional turmoil of those close to them and their doctors, the writers create a bond between you and the characters. Once you begin empathizing (and with characters of different opinions!), the issues of life and death become less and less easy to decipher.

For me, the one peeve I have with plot comes in towards the end. It's one part of the umbrella issue that I like to call K-drama Syndrome, in which something about the latter episodes of a show seems to have an inner need to stray from the original conflict. I get it: it’s hard to continuously talk about something as sensitive like euthanasia without feeling like a piece of propaganda. But there’s a difference between quietly shifting focus and doing a screeching turn onto some unpaved path in the middle of a forest. Fine, this metaphor is an exaggeration—it was more like a kind-of-loud turn onto some unpaved path in the middle of a forest. Euthanasia becomes less prominent of a topic as the plot moves away from patients' stories and more toward less emotional conflicts. It isn’t quite enough to damage my positive opinion of the story, but I did spend the last hours of the ride with a tiny inkling that we might’ve gone in a weird direction.

The cast was lovely to watch. Some of the characters could have done with far more development, but amidst all the chaos of a hospital setting and the constant ins-and-outs of patients, it’s impressive that each character possesses as much individuality as they do. I feel like it’s insulting to him that I even have to explicitly say so, but Ji Sung is fantastic. Cha Yo Han is the right balance of mysterious and endearing; and he’s intelligent, yet not annoyingly so. It’s hard to match Ji Sung’s level, but Lee Se Young did a great job at depicting a capable but scarred young doctor. These two actors have a fantastic dynamic and the ability to simultaneously counter and support one another’s characters without being overwhelmingly cheesy. The romance between them is okay—I didn't care for it, but I also didn't mind it. It just isn’t as interesting as what the rest of the show presents; but luckily, it isn't too much of a main focus, either.

I’m content with Doctor John. Despite some rocky roads at the end, the high volume of tears that I shed and how it got the gears in my head turning are testaments to how attached I was to its story. Should you be in the mood for something thoughtful, emotional, and down-to-earth, Doctor John is a good way to go.

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Hotel del Luna
272 people found this review helpful
by Richel
Sep 1, 2019
16 of 16 episodes seen
Completed 26
Overall 8.0
Story 6.0
Acting/Cast 9.0
Music 10
Rewatch Value 5.0
I like the concept of “playing devil’s advocate.” But when it comes to examining dramas, I don’t play around (usually. Get some sugar in my system and we’ll see otherwise). Thus, this review will consist of me gravely defending the “devil’s” opinion that Hotel Del Luna is an okay show...but also that it's not too much beyond that.

If ghost stories lie within your watching preferences, perhaps you would have a better time with Hotel Del Luna. As for myself, I was not a fan of the overall plot. It came off as a tad too shallow. For one, there’s a severe imbalance between plot filler (which is how I classify every individual ghost’s story, each of which occupies 80% of each episode) and the truly interesting main plot, which falls off to the wayside. Unless you enjoy brief appearances of random guest ghosts, you’ll probably end up like me: sitting through over an hour’s worth of time per episode, helplessly asking when the Hong Sisters will address Man Wol’s story—which is rarely, until you cross the halfway point of the entire show. What the writers do with Man Wol’s history when it is addressed feels lackluster, if only due to all the unnecessary time buildup prior to it.

The real problem is that we are hardly given reasons to care about each visiting ghost in any major emotional capacity. Although they have interesting stories, it’s a bit like walking down a city sidewalk: you see someone with a pretty wardrobe, “ooh” at it for a second, and then forget your appreciative impressions of it an hour later. Maybe it seems as if I’m being coldhearted, but as much as the Hong Sisters try to emphasize that these ghosts were human with human sufferings, the way the show frequently relies on shock value and horror elements over the ghosts’ pain and healing resulted in me not being able to build true sympathy for these souls. Imagine repeating this apathy for every episode: it’s exhausting trying to force an emotional connection.

The only saving grace of Hotel Del Luna is Man Wol. The way IU presents her character’s conflicting ego and heart is as poignant as it is mysterious, and she executes the identity of a CEO with a low economic IQ with hilarity. Had it not been for this quirkiness of Man Wol’s character, I would not have stuck around until the end. And that’s despite my love for Yeo Jin Goo: though his acting is excellent as always, Chan Sung is a perfect example of a supporting character who hides behind the guise of being a “main character.” There’s only one protagonist in this story, her name being Man Wol. There’s nothing wrong with this, but it is a bit of a letdown that everyone else has the potential to be equally interesting, yet doesn’t get nearly enough development. Chan Sung, for example, is a nobody—beyond pushing Man Wol to address her emotional wounds, he doesn’t possess the individualism that a lead character should have. This means that while the interactions between him and Man Wol may be compelling to watch, the moment that you isolate Chan Sung away from her, he devolves into a character who’s mediocre at best and painfully boring at worst. Seeing as I view Chan Sung like this, that should give you a pretty good idea of what I think of the other supporting characters: meh.

That all being said, I can see the reasons behind the hype. I just wouldn’t say that they’re justified: gorgeous cinematography, a cast list riddled with famous names, and an amazing soundtrack are all great assets to have within a drama. If future shows could continue Hotel Del Luna’s ability to create an effective atmosphere, I would have zero complaints. But what use is all of that if the show at its core doesn’t match up to the level of its decorations? Hotel Del Luna is almost sadly entertaining in that it may be fun in the moment, but doesn’t leave a deep enough impression to be phenomenal.

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Completed
My Absolute Boyfriend
50 people found this review helpful
by Richel Flower Award3
Jul 12, 2019
40 of 40 episodes seen
Completed 3
Overall 6.0
Story 4.5
Acting/Cast 7.0
Music 5.0
Rewatch Value 1.0
It was a chore and a half finishing this drama, but I can now say with hesitant satisfaction that it’s over.

In a society that has been enraptured by the potential of AI and robotics, it’s unsurprising that there’s been a recent influx in dramas that deal with such topics. Despite being based off an older manga, My Absolute Boyfriend is yet another title to add to that list. It addresses the issue of robots assimilating into the human world, a problem that is bound to become increasingly relevant over time.

It all sounds interesting, but I wouldn’t recommend this show to anyone who is in need of a captivating storyline. As is the case with most Korean dramas, the first couple of episodes are all fun and games. The further it gets, though, the faster it tumbles downhill. You’d think that this show should be about the struggles of a robot in human society, and it is…but only in theory. Instead, My Absolute Boyfriend overflows with unexciting conflicts and equally unappealing supporting characters. It’s a romcom that pretends to be intricate and emotional, but lacks any of the proper delivery to make it a worthwhile watch.

Ma Wang Joon is one of the least likable second leads I’ve ever had the bad luck of experiencing, yet he rears his ugly head so many times that it makes for a rather toxic drinking game: take a shot every single time you want to punch him smack in the jaw. His constant, unnecessary interventions in the main couple’s relationship stunt its development so much that it’s hardly satisfying when they’re together. It’s like its own subgenre of jump-scare horror—every time Da Da and Young Goo are having a moment, I’m not enjoying it; I’m nervous, waiting for Wang Joon to poke his head around the corner and interrupt. Diana isn’t much better. Despite her intriguing introduction, she ends up as an incredibly boring villain and contributes nothing but shallow inconveniences to the story. All of the conflicts are uninteresting and oftentimes feel unresolved.

Frankly, the number of episodes does far more harm than good and put the writers in over their heads. The amount of sloppy writing in this show is too much to bear and makes the main relationship a tad unbelievable. Had the drama been shortened to 16 or even 12 hour-long episodes, the story would have been so much tighter and left no room for such plot filler.

What’s truly odd about My Absolute Boyfriend is that the acting is good. While the overall performance of the actors and actresses is nothing to rave about, they’re all pretty impressive, especially for a drama that’s ridden with flaws. I can only sadly imagine what could have been if it were written better. For example, Yeo Jin Goo does an excellent job of portraying a puppy-like boyfriend robot and is exemplary when it comes to showing raw emotion. Yet, his talent mostly goes to waste because the writers have no clue as to what the hell to do with their own main character and just push him off to the side for a disproportionate amount of time. Similarly, Min Ah, Jong Hyun, and Seo Young all have the capacity to act well, but their characters are too flat for their acting to feel completely natural. This becomes increasingly obvious over time, when the writers are so busy trying (and failing) to make the story itself interesting that the characters lose the traits that make them compelling.

Altogether, I would have to recommend a pass on this show. Even if you’re a diehard fan of one of the actors, this can be a tough one to get through (I’ll voluntarily admit that I persisted in watching because of Yeo Jin Goo, and even then, it was a struggle). In an industry that pumps out romcom after romcom, My Absolute Boyfriend isn’t particularly special whatsoever.

--

(For in-depth review/analysis with spoilers: https://dramavixen.tumblr.com/post/186224304109)

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Dropped 18/42
Children's Hospital Pediatrician
25 people found this review helpful
by Richel
Sep 29, 2018
18 of 42 episodes seen
Dropped 2
Overall 4.0
Story 3.5
Acting/Cast 6.0
Music 4.0
Rewatch Value 1.0
(I’d like to precede this review by saying that the current synopsis is almost as horrid as the show itself. While the romance is…really something, a bulk of the show has to do with medical drama and takes place in the hospital.)

I like to believe that I'm a patient spirit when it comes to television. I can take ridiculous cliches and stereotypical characters. If a show is bad enough, I can watch it through to the end out of pure curiosity—how bad can it get? But holy moly, you’d have to pay me a year’s salary plus benefits to get through this entire thing.

In the Chinese dramasphere, there’s this phrase: “gou xie”, literally “dog’s blood." Created by combining the Chinese word for “enough” and the transliteration of the elegant English word “shit,” this umbrella term is applied to a TV show’s components when they become preposterously intolerable.

Can you see where this is going?

What about "Pediatrician" would make me call it out as being "gou xie"? A more challenging question would be what about it isn't so cringeworthy. The worst offender is the romance, the poor execution of which also happened to be the sole reason I refused to continue watching.

The female lead is gross. Less than five minutes into the second episode, you quickly realize that she treats Shen He like garbage. When the summary says that their marriage is a secret, it’s 1% because her dad would bring hell upon them and 99% because this chick is constructed from grade-A wench material. She demands that her husband tell no one that they’re married; no, that they’re even a couple! Why? She doesn’t want to be seen as an old, taken woman. Yes; in China—the same place that shames women for not getting married by thirty—this lady in her mid-twenties thinks being single is more socially-acceptable...okay, let's not get sidetracked.

She gets pissed whenever Shen He isn’t unconditionally on her side about everything since as her husband, he should always agree with her. I’m sorry; since when does the relationship status of “married” only apply based on convenience? She’s constantly playing with his feelings, calling him irrational when he tries to reason with her and dismissing his discomfort with her misbehavior. This is not how someone should act toward anyone, let alone toward a loved one.

There is literally nothing about this relationship that appeals to the audience. Forget that she’s an unlikeable character; the issue is that she’s unlikeable, but we’re supposed to believe that she matches well with the sweet male lead. The interactions between these two are basically the same as a brother trying to subdue his baby sister whose default state is that of throwing tantrums. No chemistry is possible between these two people, yet each episode shoves them in your face until you’d rather not see either of them. At all. Ever.

Sadly, the medical end of the story isn't much to brag about, either. Looking at the problems surrounding medical care of children is such an interesting topic, yet this show somehow even ruined that. Putting aside all the technicals of hospital operations, there is hardly any emotion put into the issues of these kids. With too much showtime given to the nightmare of a romance, there isn't enough given to fleshing out each of these children’s stories. Also, it's very hard to focus on Jia Jia as a responsible doctor when all you can imagine is how she'll screw over her husband within the next fifteen minutes.

The only reason I even began this drama was Luo Yun Xi. This guy’s acting abilities soar through the roof and he has an excellent face to boot (though his hair in this one is…well, we don’t talk about that). But apparently, there's a limit to my adoration and that limit goes by the title of "Pediatrician." There was nothing more that Yun Xi could have done to cool down this hot mess of a drama. This really goes for all of the actors—I get the feeling that some of them are actually good at acting, but the subpar writing just doesn’t allow any of them to show their potential. Instead, they end up being very stiff and awkward; and you can't blame them.

Even not having finished it, dragging myself through 18 episodes is enough to recommend a solid “pass” for this one. The romance leaves a bad taste on one’s tongue and the medical drama is lukewarm. If you're looking for quality, this is not worth the time at all.

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Completed
Ashes of Love
7 people found this review helpful
by Richel
Sep 13, 2018
63 of 63 episodes seen
Completed 0
Overall 9.0
Story 8.0
Acting/Cast 9.5
Music 8.5
Rewatch Value 9.0
(Full, spoilerful review here: https://dramavixen.tumblr.com/post/178041972179/
I had a lot of fun with this one.)

Ooh, baby. Should’ve jumped aboard this hype train sooner because this is quite the ride.

From my perspective, Ashes of Love is the definition of a dark horse drama. It possesses a star cast with Yang Zi and Deng Lun at the top of the list, but its synopsis only lets on that this is a rather typical romance in which everyone happens to be dressed in layers of colored silk. And everything about it proves me wrong.

For all intents and purposes, the story of Ashes of Love is not the strongest I’ve seen. It’s fairly creative, but still incorporates the tropes of “aloof male lead,” “let’s kill the person that killed this person that I rather liked,” etc. However, the writing allows you to not mind any of those stereotypes as they surface because of how the characters grow and evolve in the grand scheme of things. Though set in a fantasy land of immortals, the struggles of every character in this story is poignantly human and wrenches at your heartstrings. I might even argue that the romance isn’t even the star plot of this show. While the main couple is very enjoyable to watch, my lasting impression lies with the revenge story of the second male lead—and I usually despise revenge stories.

But let me rave about the characters some more. Their success was half due to writing and half due to acting. May I shake the hand of the casting director; because I can’t remember the last time I was this impressed with every single actor. I entered for Yang Zi, but stayed for Yang Zi, Deng Lun, Luo Yun Xi (this guy makes me speechless and I could talk about only him for ten hours if someone would listen); even the “minor” characters add so much emotion to the story. The depiction of each individual is amazingly spot-on, whether it be in comedic moments or scenes that make you exhaust your tissue supply. You may be able to identify someone as good or bad; but you absolutely cannot point a finger at anyone and define them as purely one way or the other. That acknowledgement of a dual human nature is Ashes of Love’s true strength.

All things considered, I find it somewhat of a blessing that I charged into episode one with no knowledge of the emotion that was about to slap me in the face. It’s quite a pleasant (and heartbreaking) surprise when you get deeper and find that this isn’t just a pretty drama with pretty actors and pretty visuals. It is those things, too, but the value of Ashes of Love lies much further beneath the surface.

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Completed
Meteor Garden
120 people found this review helpful
by Richel
Aug 29, 2018
50 of 50 episodes seen
Completed 5
Overall 4.5
Story 3.5
Acting/Cast 6.0
Music 4.0
Rewatch Value 5.0
This review may contain spoilers
(For a spoilerful review, I wrote a separate, much more in-depth version here: https://dramavixen.tumblr.com/post/177526794854/)

Was I expecting a trainwreck when I first started watching? Perhaps. Actually, yes; unquestionably so. Thus, even if I call this show a trainwreck, it wouldn’t be accurate to say that Meteor Garden was "below expectations."

Meteor Garden was possibly one of the most anticipated Chinese dramas of the season, rousing the nostalgic instincts of those of us who have long been attached to this story. Of course, that’s a great burden on the cast and crew. This is especially true in China, where viewers tend to prefer the “original” version of everything—novels, dramas, movies; you name it. Any kind of remake or adaptation is asking for trouble; and Meteor Garden fared the worst that I've seen, with a whopping rating of 2.8/10 when the first episode aired.

We can say that viewers in China are being overly judgmental, but the one thing they’re right about is that choosing to remake this was a shaky decision to begin with. At its core, Meteor Garden overflows with cliche after cliche; all the ones that make us roll our eyes whenever we see them: the poor girl-rich guy combo, the trash male lead/nice second male lead dynamic, the meddling mother-in-law; the list just writes itself. This isn’t to say that cliche usage equates to a bad drama, but historically, Meteor Garden has never elevated these elements to anything past mediocrity.

This adaptation still uses all of these tropes: without improvement. We can argue all day about how the writers toned down the bullying that existed in the previous versions; how Dao Ming Si isn’t as bad of a guy as he used to be. That doesn’t change the fact that this story is incredibly weak.

The conflicts between the main couple start off making sense because they have a lot of moral disagreements. Meteor Garden intends to show the evolution of a relationship as it progresses between two enemies to two people in love. However, with 48 episodes worth of problem after problem solely for the sake of dramatics, the instability of their relationship quickly becomes less heartbreaking and more obnoxious. All the side plots involving the other characters are also either boring or mindnumblingly frustrating—or (if your goddess of luck has abandoned you) both!

How do the characters play into the plot? In a word, badly. The sheer level of bullcrapery that is injected into the script makes it impossible for anyone to truly develop or interact with each other like normal human beings. Each character does have their good and bad points, which I appreciate. But more often than not, we don’t get to see them act as people; they’re just used as paper dolls for the sake of toddling through whatever conflict the writers feel like putting into the episode. It’s a real shame, especially since the actors all have so much potential to do better.

In all honesty, I’m surprised that I finished this show. Well, I guess I could be more surprised; from the very beginning, I wanted to see this ordeal to the end so that I could be as thorough in my roasting as possible without any false pretenses. So here, I have to say that Meteor Garden is but a pile of burnt potatoes. And just like there're a lot of better things to eat than burnt potatoes, there’re a lot of better things to watch than this.

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Completed
Go Back Couple
19 people found this review helpful
by Richel
Aug 10, 2018
12 of 12 episodes seen
Completed 10
Overall 9.0
Story 8.0
Acting/Cast 10
Music 7.0
Rewatch Value 10
(Spoilerful, detailed review here: https://dramavixen.tumblr.com/post/176856871009/)

How do I even put this into words? Though just missing the mark of perfection, "Go Back Couple" is quite the emotional ride and one that I can't stop thinking about.

At its core, this is such a simple drama, but its execution is breathtaking. This tells the story of deep emotions and complex relationships under the guise of a lighthearted romcom. Everything about its surface will have you believing that this is a refreshing watch to relax yourself, but once you set foot into the first episode, you will realize: you have made a horrible, beautiful mistake.

I’m a crybaby. Over the years, my tear ducts have truly widened the scope as to what can get them going. Even so, nothing could have prepared me for this drama. “Go Back Couple” had me bawling every episode. Yes: every. Single. Episode. My tissue box is a bit tired. The emotional impact of this plot hits like a cement truck and results from the writers’ decision to focus not on the couple’s romance, but on the leads as individual people who harbor their own struggles. Those struggles then translate into their relationship. As we see them learn how to cope, their reconnection is natural and more satisfying.

The plot is not overly convoluted or “smart,” which occasionally causes it to slip whenever it tries to introduce bigger conflicts; but ultimately the lack of plot twists is what gives it its beauty. The simplicity but poignancy of our leads’ interactions, along with all the characters around them, increases how much we as viewers can empathize with them. There’s none of that theatric suspense that has become the trend in so many dramas: just humans dealing with incredibly human problems. Sometimes I forget that a time slip isn’t exactly normal; it weaves so well into, but doesn’t completely overpower, the story.

The cast plays a huge part in all of this success. Because the plot relies entirely on the personalities of its characters, there is no room for error on the side of the actors—and there are no errors made. Jang Na Ra is always spot-on when it comes to her roles, especially in scenes that are emotionally heavy. As soon as she hits the switch for the crying, it’s almost impossible to not follow along. Son Ho Jun is a new name to me, but he could be Ban Do in real life and I wouldn’t question it. These two together are as great as they are as individuals. All the side characters and so-called “secondary leads" are also incredibly important in their own ways. None of them are “there” for the sake of diluting the plot and dragging out time. They each bear their own hardships in ways that pry at our hearts and help the lead couple along their journey.

Everything about “Go Back Couple” feels priceless to me. There are so many little moments that are heartwarming yet claw at your innards. It’s one of those shows that has something incredibly personal to say to you, regardless of what stage of your life you’re currently in. That’s such a difficult trait to come by in any type of media these days, and that alone makes this drama worth watching.

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Completed
Just Between Lovers
9 people found this review helpful
by Richel
Jun 19, 2018
16 of 16 episodes seen
Completed 0
Overall 8.0
Story 7.0
Acting/Cast 9.0
Music 8.5
Rewatch Value 7.0
I was originally going to post a simple comment regarding my two cents on this drama, but then I figured that it's impossible to condense all of my thoughts into anything less than a whole review. After all, I talk a lot.

The biggest danger of being on this platform (or any similar site, really) is getting swept up in the mob mentality that is a high rating. Time and time again, I begin watching a drama with high hopes just because so many other people loved it. Sometimes, I agree. Other times, I find that I have basically scammed myself through other viewers' preferences. One of those other times was my recent experience with Just Between Lovers.

Just Between Lovers is, by far, not a bad show. I completely understand why so many viewers fell into it. The casting choices, the cinematography, the soundtrack. There’s a lot to brag about. The plot choice is a challenge, but one I commend the writer for choosing. PTSD, survivor's guilt, depression; these things are incredibly difficult subjects to put into a drama without being insensitive, inaccurate, or both.

While I’m not entirely dissatisfied with how the writer depicted these mental conditions, I do feel that she should have gone much further. I didn’t really get into the heads of the characters as much as I expected; so my heart didn’t hurt for them at all.

For Just Between Lovers, the characters should have been the main point. We can understand the technicals of what they went through just by reading a synopsis. In that case, it’s the show’s responsibility to show us more about them; not merely history, but who they are down to every nerve in their body. Okay; maybe that's pushing it for a 16-episode drama, but you understand what I mean? I want to relate to them on some level. Instead, the writer relied too much on the fallacy that “tragedy” automatically equates to a sympathetic audience. In trying to make us viewers feel sad with a truckload of melodrama, we end up not feeling too sad at all.

While I admit that I'm frequently too much of a stickler for well-written characters, I firmly believe that this oversimplification of characters was what failed this show. There were just too many characters to deal with effectively and all at once. The writer was trying to show that everyone is dealing with their own inner demons, which is fine; but then why do I not feel anything for any of them except for the smallest shred of pity? The experience was very similar to when you watch news broadcasts about car accidents: you might wince, feel bad because of what happened. But you most likely don’t have a great enough connection with the victim to truly feel bad for him as a person. That’s a big issue for a drama in which it’s all about seeing the characters as real and human.

Amongst everything, I think that the writer wasted the most time on the romance aspect. (The irony of naming a script “Just Between Lovers” and have a viewer hate the romance. Ouch.) This might’ve just been a trickle-down effect of me not liking the character development enough to appreciate the relationships. I tried to like it, and the pairing was cute; but not anything groundbreaking. It seemed as if the romance was an excuse for more melodrama that the show didn’t need.

The saving grace for Just Between Lovers was the acting. I may have felt lukewarm toward their characters, but I’d be spitting lies if I claimed I wasn’t immersed by Junho and Jinah in each of their more intense scenes. I only completed this show because of them. The amount of emotion that these two harbor in their eyes, namely when they’re crying, is appallingly wonderful. Especially Junho; the amount of acting talent that this singer has is unfair. It’s a real shame that their characters weren’t written better, otherwise the acting would have been explosive.

Altogether, the writer could have done more with the characters instead of focusing on the story alone. Had there been more focus in the character department, I would hardly have any complaints.

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Ongoing 23/23
A Love So Beautiful
35 people found this review helpful
by Richel
Dec 30, 2017
23 of 23 episodes seen
Ongoing 1
Overall 8.5
Story 7.5
Acting/Cast 10
Music 8.0
Rewatch Value 7.5
Amidst all the positivity and perfection that others see in this drama, you can count on me to be a real grinch and center in on all the reasons that it was not entirely flawless. That is not to say I hated it; far from it, but I fail to share the unwavering, absolute love that many others seem to.

Many things about A Love So Beautiful was a surprise to me. I'll be the first to admit that I harbor a real prejudice each time I enter the realm that is a Chinese drama - watching them throughout my childhood, they were unfailingly littered with a) tragedy, b) horrible CG, and/or c) gagworthy storylines (typically, an entertaining combination of all three). And quite honestly, few nowadays seem to impress me. Call it bias, but I still think the Mainland has much to learn regarding what constitutes a good show.

A Love So Beautiful was different from the moment I picked it up. It does not present melodramatic conflict for you to brood over, but instead focuses on the innocence of a teenager trying to get through the struggles of school and first love. I did not grow up within the Chinese education system, but there is something incredibly charming and nostalgic about seeing a group of five friends trudge through their high school years. Having teachers scold you, finding unpredictable friendships, secretly liking someone...A person is only naive in such a way for a small amount of time, and this drama perfectly captures that foolish yet heartwarming attitude of youth.

It only helped that the cast consisted of young, yet capable actors. How annoying is it when you watch a show about high school and the actors are in their mid- to late-twenties? And then you spend the entire duration brooding over how old they look and how nothing about them reminds you of a cute teenager. A Love So Beautiful never suffers from this issue; because not only do the main actors look young - they are. They act their parts perfectly, accurately presenting the turbulent feelings of their characters and how they grow over the course of the drama. It's difficult to find five lead actors who interact with one another with so much natural chemistry that it's hard to believe that they're acting.

But turn on the sad music - I'm done gushing about all the things I absolutely adored. Here's what dragged it down from a perfect 10: as soon as the characters left high school, the plot began to wander. There is a distinct imbalance between the warmth that is their high school lives and the confusion that is their "growing up."

I would like to ensure you that I don't hate the fact that they got older. It was the delivery; how the writers depicted their "maturing" that was irksome. What I found particularly problematic was how you spend over half of the drama watching them in high school - and you love it to pieces - but then you have less than eight episodes to watch them speed carelessly through cliche relationship problems and time skips. The transition is rough and the trip doesn't get any smoother. It would have made far more sense to me to either limit the story of this show to their high school years, or add more episodes to spread out their time as they age past university and through adulthood.

I simply didn't feel the magic in the latter part of the drama, which follows their post-graduation lives. It's still fine to watch, but it just isn't the same. I wanted to see the ways they carefully sort out problems between themselves and thus mature, not watch as they get angry at one another and resolve it merely because - well, merely because that's the way the writers want it to be. I did not feel as connected to their characters; not because they aren't bubbly teenagers, but because the story slowly becomes more about their problems and less about who they are. To me, their characters are one of the greatest strengths of the plotline, and as it fades throughout, so does the show's primary charm.

I would feel bad shutting this drama down entirely, since that would be unfair to the refreshing fun that it brought to me as I marathoned it. It is not without its flaws. However, it made me remember my first feelings of romance and filled my heart to the brim with both happiness and bittersweetness. It's hard to find a drama capable of such an effect on a viewer - and I'm glad this one found a way.

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Completed
Master Devil Do Not Kiss Me Season 2
55 people found this review helpful
by Richel
Apr 15, 2017
23 of 23 episodes seen
Completed 6
Overall 4.0
Story 3.0
Acting/Cast 7.5
Music 5.0
Rewatch Value 1.5
This review may contain spoilers
It’s been a solid period of time since I decided to allow this confused mess of a drama sink into my nerves, and seeing how the reviews are scarce in number, I thought I’d give potential viewers a rather large piece of my mind.

If you’re here and considering watching this, I’ll assume that you at least somewhat enjoyed the show to which this is a sequel. Master Devil Do Not Kiss Me sits somewhat high on my rom-com list despite being littered with Asian drama tropes (my favorite of which has to be "cohabiting rich guy and poor girl who refuses to take his crap but sometimes takes his crap anyway because dramaland"). It was youthful, cliched, yet endearing.

This sequel, though, was absolutely terrible in comparison.

There are cliches like in the prequel, which the writers delivered as cute and gave you some giggles. And then there are cliches like in this one, which will have you laughing psychotically as you sharpen your metaphorical knives and prepare to hunt down the people who turned the plot into absolute - for lack of a better word - horseshit.

It’s important to compare this sequel with its predecessor because it is a direct continuation from where MDDNKM left off. There are many problems to be resolved, particularly the one where the relationship between the two main characters remains very ambiguous. Yet, frustratingly, the second season never delivers satisfying closure to any of the questions you may have and instead piles on dilemma after dilemma that don’t serve any real purpose other than pissing you off.

If you have disdain for any of the following cliches (contains spoilers; but who’re we kidding, this show isn’t worth watching anyway): lying ex-girlfriends, clingy third wheels latching onto the male and female main characters, a lead couple whose most effective form of communication is giving one another the cold shoulder, ridiculous birth secrets, "the girl you like is actually blood related to you", etc.; ditch this drama now. It’s pathetic how bad this all became. Every single episode of this show became the longest 20 minutes of my life and I just about wished that I would spontaneously have responsibilities to attend to so I’d be put out of the misery of sitting through them.

The acting is okay. I liked the actors way more in the first season; which might have had something to with the characters’ quirks. Some aspects of them were endearing in the first season, but rapidly became extremely annoying in this one. See reference: Qi Lu deciding that every single time Chu Xia gets pissy with him, he’ll call her stupid or some other variation instead of asking “what did I do” like any normal human being would. Gets old when it happens every episode for 20 straight episodes, boy.

Also, I’d like to mention that the editors confused the hell out of me. Why on earth would you play fun, happy background music during a scene in which two antagonists are plotting how to get rid of their rival? Whenever this happened, I half-expected a squirrel to jump out and maul them or something else that would be entertaining, but nope. It would just be a possibly suspenseful scene, ruined by a playful little jingle in the background. It seriously ruins the mood.

In a way, I consider it intelligent that none of this content was included in the first season. The quality falls so short that it’d be a real shame to drag down the fun of the first season with this trash.

tl;dr: did the director hit his head during production and decide to continue being the director?

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