Reviews

I dig it

In this captivating film, Win Metawin's performance is a revelation, showcasing a depth of emotion that I had not previously seen from him. His portrayal is both raw and nuanced, drawing the audience into the character's inner turmoil with remarkable skill.

One of the most impressive aspects of the film is the seamless way in which both Janella and Win switch between languages. From English to Thai, Filipino, and even some Cantonese, their linguistic dexterity adds a layer of authenticity to their characters, making them feel all the more real and relatable.

Moreover, the film offers a fresh perspective on Hong Kong, showcasing lesser-known spots that highlight the city's unique charm and beauty. As someone who thought they knew Hong Kong well, I was pleasantly surprised by the new discoveries the film had to offer.

The dialogue in the film is another standout element, with well-crafted lines that are both metaphoric and deeply reflective. These moments of contemplation add a profound depth to the film, elevating it beyond a mere narrative and into the realm of existential exploration.

Overall, this film is a triumph on multiple levels. From Win Metawin's captivating performance to the film's rich tapestry of languages and its thoughtful dialogue, every aspect of the film comes together to create a truly unforgettable cinematic experience.

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Downright Depressing

"Kalel, 15" - A Thought-Provoking Journey into the Depths of Youth and Stigma

At just fifteen years old, Kalel finds himself grappling with a reality that most teenagers never have to face. As the son of a priest and HIV positive, he navigates life amidst a sea of tensions, secrets, and societal stigmas. "Kalel, 15" is a poignant exploration of the multifaceted issues surrounding HIV, Filipino youth, dysfunctional families, and the complexities of Christian morality.

From the outset, the film captivates with its brilliant storytelling, acting, and cinematography. Within the first five minutes, viewers are drawn into Kalel's world, which feels refreshingly unique and authentic. The decision to film in stark black and white adds a layer of grittiness and darkness that perfectly complements the film's themes.

Yet, amidst the film's visual and narrative prowess lies a stark truth: the lack of dialogue surrounding HIV in the Philippines. Kalel's journey serves as a sobering reminder of the consequences of societal silence and stigma. In a Catholic nation where discussions about sex are often taboo, HIV is treated as a dirty secret rather than the urgent epidemic it truly is. The film unapologetically exposes the hypocrisy and shortcomings of a society unwilling to confront uncomfortable truths.

The cinematography further underscores Kalel's isolation and despair. As the film progresses, the frame gradually shrinks, symbolizing the suffocating pressure and confinement of his circumstances. Despite his attempts to find hope in a world devoid of color, Kalel is continuously let down by those around him.

However, amidst the film's palpable anger lies a deeper sense of insight and urgency. "Kalel, 15" channels its rage into a powerful examination of societal neglect and the dire consequences it inflicts upon vulnerable individuals like Kalel. Through his experiences, the film forces viewers to confront uncomfortable truths about sex, stigma, and the failure of empathy.

In its entirety, "Kalel, 15" is a mind-blowing and thought-provoking cinematic experience. It serves as a stark reminder of the importance of open dialogue, empathy, and action in addressing issues like HIV and youth sexuality. This film is not just important; it is essential viewing for anyone seeking to understand the complexities of stigma and the resilience of the human spirit.

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David vs. Goliath

I disliked this short film for the first 10min: it was the usual tale of rich and powerful pushing the "little" people out of the way with their money.

The silly and stupid daughter of a neauveau riche father (complete with a fake fur jacket...on him!!!) gets into a dorm and a scholarship to go to Hawaii while the smart but poor girl keeps being refused access. But the smart girl is smart and she knows how the world works so complaining and making noise is not going to get her anything. She has to deal with them in an intelligent way. And she does!

This turned out to ba a brilliant tale of the underdog coming on top.

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Lockdown to freedom

This is my first lockdown film from Japan. The Philippines have made loads of these but this short film is of a different kind.

The story follows two neighbours as they get to know each other and start dating only to be stopped by the curfews: not allowed to leave their respective apartments, not allowed to meet, not allowed to go out on to the balcony. While one girl religiously follows the rules, the other one is fed up and eventually manages to talk the first one to throw the caution into the wind: they go out for a walk through the empty streets of Tokyo....

Today I remember the lockdowns fondly: what a strange and incredible, never to be repeated experience, that was. We all went through the same feelings as do girls in this film: listen constantly to the news, util you reach the overdose and then rebel, go out and breathe free.

There is not much dialogue, and what is said is mostly just nonsense lost in the news broadcasts. The romance is shown from the beginning and through every stage of development via short scenes. The curfew put strain on it but they decided their love is more important than anything else. So they go out fully masked! The reason for lockdown was never really explicitly said: pandemic or pollution or something else....in the end it is not important!

The music is great. Acting and cinematography top notch. An interesting short film.

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A high school-to-adulthood unrequited love story

The script is tight, coherent. Beautifully sad and hopeful at the same time. The characters well rounded with very real problems based on actual contemporary issues, such as social classes and expectations based on gender, which makes it even more heartbreaking. You understand the decisions they are making are the best option for each other, even if it means being apart. Still, their love always makes them cheer for the other to become the best version of themselves.

Sun Qian and Zhang Xin Cheng’s chemistry in INSANE. Like, DAMN! Not once I didn’t believe in their performances or the story they were telling me. They carried the entire film flawlessly. Bravo.

I enjoyed every single minute of this film right up to the end, which left me with a chuckle and the biggest smile.

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Please allow me not to mince my words: this "Yudo" is really a freaking M-A-S-T-E-R-P-I-E-C-E!!!
Wow, seriously, I've watched it a coupla weeks ago and I'm still getting goosebumps just by thinking about it, so good it was!
The script is absolutely P-E-R-F-E-C-T, it works like the finest of Swiss clockworks and *every single scene* is a total delight to watch. Even the most minor of side characters feels tridimensional, and the scenes involving them are fabulously deep and brilliant (take for instance the beautiful subplot involving the "haafu" and his mother! Or the fantastically bittersweet one with the old couple!).
The acting is top-notch, as one would expect from such a *stellar* cast!!!
The production value / "packaging" literally reaches Himalayan heights too.
This goes directly in my personal top10 of all times!!!

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The fear and insecurity that homosexuals suffer in an intolerant and homophobic country

The third short film by Kim-Jho Gwang-Soo (김조광수) takes up Min Soo, the character created by him and first introduced in 'Boy Meets Boy', in 2008, and later in 'Just Friend?', the following year, for tell us about the most recurrent film themes and objectives of this renowned South Korean film director and screenwriter: sexual awakening, coming of age, sexuality, gender identity, being queer in a heteronormative and homophobic society.
But in this film, the filmmaker introduces other topics, such as sexual desire, bullying, the problems of homosexuals facing a homophobic society, the fear of homophobia. The final scene is quite devastating with the Irish song Danny Boy.
Peter Kim, nickname by which this filmmaker is also known, seeks to illustrate in 'Love 100° C' (사랑은 100℃ / Sarangeun 100℃), the desires and dangers that homosexuals face in South Korean society through a hearing-impaired gay teenager named Min Soo. From the first scene we are introduced to the teenager, while he masturbates with photographs of his classmate Ji Seok, a supposedly heterosexual, homophobic person, of course, whom he secretly loves.
Despite his deafness, Min Soo is a self-aware young man. He suffers from bullying from his classmates not because he is gay but because of his hearing problem, since the other high school students confuse the condition with an impairment in his brain. For the same reason, his brother, a year younger, also bothers him. Min Soo needs a hearing aid, but he can read people's lips if they talk to him correctly.
It is probably not difficult to imagine that he would also suffer homophobic attacks if his sexual orientation were discovered.
Min Soo's life changes when one day a young and attractive masseuse from a bathhouse he frequently visits begins to flirt with our protagonist. For the first time in his short existence, Min Soo receives kind and respectful treatment from a person who is not his mother, the only one who thinks he does not have a mental deficiency.
The handsome bathhouse worker treats him as an equal and offers him a free massage. Next comes a beautiful scene between the two boys communicating through whistles and applause to the beat of the background music of the short film itself.
The shot of Min Soo swinging his legs between the masseuse's crotch, one sitting on the bed where he will receive the massage and the other standing before him, is moving.
Kim Jho films the next sequence, that of the massage or rubbing, slowly moving the camera and stopping it on her soft skin, like that of any child. There is nothing obscene or disturbing in the scene and there is a lot of poetry and art. Finally, in the sauna, the masseuse performs oral sex on Min Soo, who writhes in a state of sweaty enjoyment and ecstasy.
Afterwards he is jubilant at home. His mother notices that something has changed in her son's life, as he is now happy and communicative. The experience with the man has given him a new confidence, a unique power. The steam room becomes his refuge, a place where he can experience sexual pleasure with someone who respects him despite his youth and disability. He is a free young man.
Feeling confident and valued, he is able not only to confront his annoying brother, but also to tear up the photo of Ji Seok, the boy he was in love with, thus, in the past, the boy he was in love with, when he bullies him again.
But his life is turned upside down again when one day he enters the bathhouse looking not so much for the warm waters and steam at 100 degrees Celsius, but for love at that same temperature, just when the masseuse suffers a homophobic beating. No one present dares to intervene while the young man is attacked by another while receiving kicks, expletives and homophobic phrases. Min Soo can only react by running away and hiding in a nearby alley, where he cries inconsolably.
Back in the bathhouse, but this time alone, Min Soo comes to understand, as well as transmit, the message that the film carries: the fear and insecurity that homosexuals suffer in an intolerant and homophobic country like Korea South.
Although Kim Jho's work has mainly bordered on the territory of Boy's Love, which is why he is able to attract a female audience, with this film, released in September 2011, the film producer and LGBT+ rights activist also pursues conquer gay men with a story perfect for these people, especially when contextualized.
This endeavor will not be difficult for him to achieve, thanks to the adorable Do Jin Kim, the first hearing-impaired film actor in South Korea. This young man, 20 years old at the time of filming, conquers us from the beginning with his silly, sweet and effeminate smile. Although the director manages to establish the conflicts in each scene with the good script and excellent work behind the cameras, the actor carries the film on his thin shoulders, showing us what drives Min Soo's decision-making process.
We will find the character created by Kim-Jho Gwang-Soo in his next film. In 'Two Weddings and a Funeral' Min Soo also does not react to a homophobic attack against one of his friends. The difference is that Min Soo from 'Love, 100°C' is not an adult over 20 years old, but a teenager already separated from the world due to his hearing disability, but both, each in their respective films, fear facing a intolerant and violent society.
In his two previous short films, the filmmaker explores the terrain from fairy tales and fantastical dreams, but 'Love, 100°C' demonstrates that it is honest realism that best adapts to the world vision of its director and screenwriter.

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Friends or more?

A very badly produced and acted short film I saw a very bad copy of on gcinee (don't go to youtube: the sound is off and completely covered by piano music).

The story started like a cliché friends to lovers until the final twist which makes you wonder what really happened. The film is about two best friends: one has had a crush on the other one forever. The other guy is not aware but is very touchy-feely with his friend. Neither dares say anything. One day the second guy's friend, a girl, asks him to help her date the first guy. He introduces them and the first guy, hopelessly, accepts to date her. The second guy just looks at them with yearning and regret. At the end of the year, while they part, the first guy gives the second one a hug which is all but an innocent, friendly hug. And then he leaves. One year later the first guy wakes up in hospital. Was everything just a dream? Wishful thinking? open to interpretation! (Due to poor quality video!)

Another film about friends wanting to be more but not daring to confess to each other. It ultimately boils down to the question: shall I risk losing a friend for a tiny chance of getting a lover? This is always a difficult question, more so in same-sex relationships where the weight of society norms bear down heavily on young people.

The story is interesting but the production is bad. It is an older chinese short film so it must have been difficult to make it. The acting is basic, the editing all over the place, the cinematography non existent.

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I love me some old low budget gay movie

It's exactly how I imagined it (expect I didn't expect THAT dramatic plot-twist), it just feels like a low budget early 2000s LBGT movie and I love it. It's not a BL or even a GL, so don't expect that. It's more of a "slice of life of gay people" (although a dramatic one).

Even though I enjoyed it, there were some plot holes and things that are never really explained (everything happened so quickly) and the ending was a little weird but wholesome at the same time. Still, It was hilarious, but it showed the sad reality of being gay in Korea too. Yes, most of the gay men were stereotypical, but I didn't mind as much, because there weren't shown in a bad light and we didn't laugh at them but at their jokes. Or at the hilarious situations. Anyways, I was hoping that that we would see more of the lesbian couple.

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April Recommendation Challenge

Watch this for my April Recommendation Challenge by Natalie Rodriguez. Quite interesting story, talk about the hanging what if...

Nora or Na Young & Jung Hae Sung (HS) were childhood friends that have puppy love with each other. They separated cause Nora's family emigrates from South Korea. HS try to reconnect with Nora through Nora's dad FB & successful, their reconnect 12 years after Nora's family emigrates. But life happen, and they separated again & continue with their own life. Nora met her husband, Arthur, & got married, while HS also got girlfriend.

Life go by, 12 years later, HS decided to reconnect again with Nora. HS visit Nora in America, he bring all the nostalgic feeling for Nora & leave her with all the what if questions. What if Nora not go to Canada, will they start their relationship, will their relationship continue with more serious one or will it fail...? And so on... So how will they continue the relationship? Will Nora finally choose HS over her husband?

One thing that really good about this movie is... How mature everyone is, especially Arthur. Arthur see how vulnerable Nora when she met HS, but still can put smile & calm in his face when he met HS. And the fact that Arthur still told Nora the truth about how he actually don't like that Nora met HS, but still appreciate & trust her in the end.

Overall this one good movie to reflect our own life & relationship with anyone around us.

Below is SPOILER ALERT!!! Read it with ur own risk.












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SPOILER ALERT!!!
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This end with sad ending for HS & Nora. They separated for good, no one sacrifice their own life for each other.

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Better late than never!

I would like to be able to express in words the feelings and ideas this film evoked in me. Unfortunately, I am not skilled at all to do justice to this amazing film.

It is a story of a man who always regretted the wrong choice he made when he was young. He had a best friend, who was actually his first love and when that friend was going through difficult times, he could not muster up the courage to show him his support. Since he believed in parallel universes, we are shown three of those: what happened after that act of cowardice? His life followed three different roads but, surprisingly, all those road led him to the same place 25 years later: the hospital and his friend's novel. And the realization that his friend WAS his universe.

The film is inspired by three books: On The High Wire, by Philippe Petit (taking risks, balancing , trying to feel alive), Giovanni's Room by James Baldwin (searching for your own sexuality, homophobia, love for another man) and So Long, See you Tomorrow by William Maxwell (friendship, betrayal, regret).

The actors are all extraordinary, particularly the main lead Shim Hee Sub all in subtlety, microexpression, holding back, hiding and vulnerability. An amazing actor! He is the focal point of this film. His young counterpart is almost as good, much more emotional, as befits a teen!

The writing is solid. The film is slow burn and sometimes the sequences are not evident: they do talk about parallel universes but from there to conclude they are showing us those, the road is a bit long and tortuous. Moreover, the titles of the parallel universes are not translated (so when the 2nd one showed up, I helped myself to Google Lens and then rewatched the film from the beginning)! Nevertheless, these two and a half hours went by in a flash (no FFW!). The film is beautifully shot, all in dark and brown tones, suitable for a story of regrets and depression.

This film takes you on a rollercoaster of emotions, makes you think about your own life and the regrets you carry. It gives you courage and strength to try to fight for what is important. And last, but not least, gives some great reading recommendations!

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