This isn’t the first Korean period drama to depict a commoner with a particular set of skills gaining intimate access to the royal circle, only to become a pawn in a web of murderous court intrigue. But “The Royal Tailor” stands out with its attention to technical details, conveying beauty in an especially tactile way.

The first half to the story is light-hearted and plays fast and loose with history, devising sights gags to send up Joseon fashion crimes like shoulder pads, push-up bras and platform shoes, which are amusingly anachronistic. But the scenes also serve to paint commoner Kong-jin’s personality in vibrant strokes, such as his preference for the company of gisaeng, who model his provocative designs with sexual confidence, to his habit of hobnobbing with high-ranking snobs.

Meanwhile, Dol-suk is the hands-on artisan who excels at embroidery. He too is from humble origins but has managed through hard work to achieve the title of Royal Tailor, being in charge of making the clothes for the King and Queen, and some nobleman when their highnesses want to give them gifts. Dol-suk is also a few months away from becoming a nobleman himself, this is a very important point for what’s coming in the second half of the story.

Kong-jin, being able to work for commoners, is quickly recognized as the quintessential artist, experimenting with shapes and forms, and drawing inspiration from such mundance objects as a wine jar. His consciousness of style as an individualist statement is epitomized by his habit of burning his logo onto his costumes, the Joseon version of a fashion label.

And the rivalry between the two tailors is loaded with class implications; appalled by Kong-jin’s out-there designs, a nobleman proclaims, “A garment should reflect social status and rules,” echoing the law of the period that prescribes, legally, what each class can wear. While buttressing the hierarchical system, Dol-suk is ironically its victim, barred from donning any of the fancy clothes he makes.

A serie of events leads to Kong-jin entering the palace in order to repair his majesty’s clothes and he soon becomes enamored with the Queen, a breathtaking beauty rumored to be untouched by the king since their wedding night. Kong-jin’s intentions are pure: he wants the Queen to be happy, and she wants the King. So, he embarks in a Joseon make-over the turns more than one head and cuts some others because nothing it’s simple inside the Palace, and getting the attention of the King is of out most importance.

The complexity of the relationships between the four main characters, played effortlessly amazing by Han Suk Kyu, Go Soo, Park Shin hye and Yoo Yeon seok, is one of the many aspects of why this film is a must watch. The pretty clothes are breathtaking but the people wearing them do it in such a manner that’s impossible to take your eyes away. Each movement, color and embroidery has a meaning for the story.

I highly recommend it!

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A great romcom!

Sometimes, when I am having a bad day, I watch this film. It helps that rom-coms are my crack and I absolutely adore this cast.

Most of the story takes place in the span of one day and on the road. Bae Soo-jung (Moon Chae-won) is the team leader for a cosmetics company and in order to get a prime location at the department store display, she needs to secure basketball star Kang Jing-chul as the company’s brand ambassador. Sadly, the sportsman isn’t anywhere to be find and with his grandfather recently passing away, people are speculating he might have returned to his hometown: Busan. Soo-jung has no other option but the hop in the train and try to find him.

Kim Jae-hyun (Yoo Yeon-seok) is a successful sports agent and all around man about town. Always with a ready smile and a pretty girl at his side. Jae-hyun has spent the last few months in talks with Jing-chul, his former underclassman from school, trying to convince him to join the NBA. However, Jin-chul is not interested and time is running out for the signing of the contract, so Jae-hyun has to take the train to Busan in order to find him and convince him to sign.

As destiny will have it, Soo-jung and Jae-hyun -who are looking for the same person- end up sitting next to each other in the train. Hilarity and romance ensues.

This is a light rom-com, with some really lovely scenes and other times funny moments that will make you laugh out loud. The chemistry between Yoo Yeon-seok and Moon Chae-won is really good and I really like the way they portray their characters. At first glance, you would think they have most of their respective lives figured out but soon you see there’s more than meets the eye.

For example, Soo-jung is not so put together as she appears and I like that once she’s sure of something, she’s a woman who is not afraid to make things happen. Whatever that might be or where it might lead. On the other hand, Jae-hyun might have all the tendencies of a player but as the movie helps us get to know him, you can see that he actually takes his life and work very seriously. That he’s actually a responsible man that does the right thing when it calls for.

Some of the conversations about love, sex and relationships that the two of them have are very interesting, sometimes showing the more traditional point of views of female vs. male but other times showing something different.

We all know how the story ends, of course, it doesn’t change the fact that watching Yoo Yeon-seok as a cheeky playboy flirting with Moon Chae-won, who can win over the most cold heart, is a lot of fun.

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I highly recommend it!

Upcoming Summer is not love story but a story about love. The film touches on themes like learning to be brave by accepting life’s difficult realities. Through their friendship Chen Chen and Zheng mature and are left to explore the people they want to be as they grow into adults.

I really like this film and I recommend it. It’s fun, endearing and touching. Wu Lei and Zhang Zifeng deliver really good performances and have great chemistry with each other, and the rest of the cast. The story has a few twists that I know have caused some buzz in China but I personally found it to be beautiful.

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A consistent drama

Doctor Slump has a good start focusing on what hustle culture and burnout does to the mental health of a professional who is used to be outstanding and has found a wall they can't pass by. I found this storyline, regarding Park Shin Hye's character, the most engaging and I think she delivered a really solid portrayal of a person living with a depression diagnosis and going totally under the radar. We usually wonder how people get to a certain point in life and if her character hadn't been able to ask for help, one would have to wonder if her story might have been different.

On the other hand, Park Hyun Shik's character takes a more conventional arc that we are used to see in this kind of dramas: the hot shot doctor who finds himself abandoned by everyone, except this story finds way to give us glimpses at this life and how utterly lonely it has been. Almost alienated and finding a difficult time to make real connections. His downfall, I think, it's a blessing in disguise because he finds himself with the possibility of exploring other ways to form lasting relationships.

The two main characters are the perfect fold of each other and their arc together it's very endearing to watch. Going from childhood rivals, to comrades in sadness, friends and finally falling in love with each other. They have seen themselves and the other in their worst and find a way to hold up each other, only like a true friend can. And that's why they are so darn cute to watch.

There are other characters dealing with certain social status and mental health issues but theirs are never properly developed until the last minute, which is a shame because it would have given one particular character a much more nuanced story.

This is when I have to admit the story fizzles a little when it moves away from its original premise and goes into other genres that, sure, made for an interesting watch but ultimately fell flat.

Nevertheless, Doctor Slump manages to maintain the viewer entertained for its entire run thanks to the great chemistry between all the characters.

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The friends we make along the way.

I was fully expecting an office romance but I found so much more, as a matter of fact, this aspect of the drama takes a step back and portrays a more real and nuanced reality about how corporate South Korea operates. I was pleasantly surprised.

If I had to pick a genre for this drama, instead of office drama, I would go with slice of life instead because -at the end of the day- that's what it is. A portrait of adulthood and what's the best way to move through the world for each character. That happen to work for a big company.

The dynamics between the characters never get melodramatic or borderline makjang, instead we are presented people with different ambitions, social status, experiences. And they all merge in their common goal.

I really liked the friendship aspect of this drama, it is portrayed in a very mature and wholesome way, among people of the same age but also among different generations. They communicate with each other properly and respect what the other is working towards in their respective personal and professional lives. Even when they have their differences, they still are there for each other through everything.

Another highlight of the drama was the second female lead, portrayed by Moon Soo Ri, who is levelheaded, kind and humble. Her story arc was really fascinating to see develop in the screen as we think, at first, she's a woman who puts ambition before anything but by the end of the drama we can see there's more her decisions.

Technically speaking, the drama also excelled with the color palette chosen for each location/set and visually deliver what the characters are going through. A very nice complement to the solid acting given by everyone on this show.

If you are interested in dramas of these characteristics, I think RACE might be for you.

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Good start, bad execution

This drama started strong but the development was weak and convoluted. It also dragged way too much certain revelations that would have made the main characters more interesting and motivated to take down the big bad.

For a cast of this caliber, I am shocked at the material they were given. These are actors I have been following for years and the performances were all over the place, lacking consistency but this is mainly because of the script. I am not sure the screenwriter knew what story wanted to tell or if they bit off more than they can chew.

Overall it's not necessarily a bad drama but it is a waster opportunity for sure.

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Good start but fail execution

Beauty Newbie had a promising beginning but was hindered by poor execution as it progressed. It didn’t truly satisfy me in its character development nor resolution.

It’s impossible to not compare it the original, which has plenty of iconic and infuriating moments. The Korean ver was more scathing on the misogyny and sexism. Females had agency. In this version, so far, the situations are frustrating at best and leading man is doing too much saving in my opinion.

I know some of the actors from other projects and I find these performances weak. I think it’s a problem with the script and directing more than anything else.

I was hoping for something better from this project.

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Ballet about obsession

This drama special follows the lives of a group of teens that have dedicated their entire lives to ballet, perhaps for the wrong reasons and they need to figure out if what they have been doing is right. I mostly think not. These kids are living a highly cut through environment, despite growing together they are not friends and rather see each other as competition and are willing to go as far as to use a person's weak spot in order to move up instead of relying on their talent.

You will see very little actual dancing in this drama since its story follows more the mental state of the dancers rather than their talent, and that's the entire point of the story. These kids rather play mind games that competing fairly or take a moment to realize their own value. There's no self love in this story.

I thought this was a very well done drama about the fragility of a person's mind when they alienated themselves. The solid performances help get the message across, particularly Hong Seo Hee and Kim Min Chul.

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Stark portrayal of poverty based discrimination

In this Parasite coded drama special we can see a first hand a bleak and bitter story of a young university man struggling with poverty and the toll it takes on his mental health.

There are several recurring elements in the story that portray the power dynamics between the lead and how society views him. People usually talk over him and don't listen to him, since for them he's not important enough to take up some or any space but, at the same time, they look down on him in other ways. A classmate interrupts his studio piano time at university (the only instrument he has access to for practice) five minutes earlier than schedule in a demonstration that her time is more important and then, before she can deign to touch the piano, she wipes out everything the lead touched. When he ask for a recommendation letter from one of his professors so he can apply to study abroad she directly questions him whatever he thinks he deserves special treatment because he is poor and ending it with a "poverty isn't a talent".

Discrimination due to poverty is the main recurring theme, no doubt, and the portrayal of the micro-aggressions this kid has to endure at University, from his peers and professors, are absolutely disgusting to watch.

Home life is no better. His deadbeat family is no support system. His biological mother passed away years ago, his stepmother and half-brother demand every penny he gains on his own because of a mistake he made as child, and his father doesn't stand up for him.

This first half of the drama sets up perfectly the constant beating this kid is getting, although not physical, but emotionally and psychologically; and the drama makes it clear from its opening scene he's at a breaking point. The second half of the story is when things go from bad to worse and a series of bad decisions take our lead into an horrifying situation that could easily make this drama special Parasite's little brother. It's clear the actions of this character are not out of malice but out of desperation and a life where he has only known indifference from other people.

Cha Hak Yeon gives an incredible nuance and complex portrayal of a beaten soul descent into desperation. It was heartbreaking, even in his most cut-through moments. I am deeply impressed by his performance.

Stain is a compelling drama special and I recommend it.

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Lighthearted comedy about serious issues

At first hand, Rikokatsu comes across as a lighthearted comedy but I would think it twice before writing it off as just that. Personally, I think this drama presents itself as a easy to watch rom-com but it is full of social commentary about Japan's current situation in relation to their low marriage rates and high divorce rates among older people.

Saki, our leading lady, is a competent fashion magazine editor who comes from a progressive family. Because of this, she's not only committed to her work but values her independence and looks a partner who will respect these attributes. On the opposite side we have Koichi, leading man, who comes from a military family with traditional japanese values. Love triumphs over their differences, at the beginning, but cohabitation makes it impossible to look past some blaring problems in their every day life.

The drama never makes Saki say it out loud but she's clearly a feminist, this is one of the main reasons that catapults the problems in their marriage. Koichi expects from her what his mother did for his father: follow the man's rhythm of life, make all the meals, cleaning, etc. I want to make point out that Koichi it's not misogynist because he does respect Saki and sees her as an equal, in fact, when she calls him out on things he changes his behaviour but it's clear that it never occurred to him that a marriage could look different than the one his parents had. On the other hand, Saki doesn't know how to adapt to some of Koichi needs or behaviour that are absolutely normal as a couple because she's used to her parent's marriage where each person had their own thing to the point of not having family meals together once at home.

I found their situation as a mirror of Japan's society as a whole. Cosmopolitan, interesting, independent but also with a deep rich ancient tradition. These two characteristics seem to complement each other well, at surface level, but the social issues in the country it is proof of the imbalance between the two.

I mentioned that Japan currently has a high divorce rate among older people. Marriages of decades that "suddenly" crumble. Well, both leads' find themselves in the situation of having to deal with their parents' divorces because of all the reasons I wrote about before.

Most of the drama it's about a couple finding a balance and accepting there's not one way to be a family. That marriage can look very different according to the needs of the two people involved in the relationship.

Technically speaking Rikokatsu it's really good. The cinematography really beautiful and camera work a mix of traditional and more dynamic. The performances are really good from all the cast. The leads, Kitagawa and Eita, are full of charm and fleshed out their characters in a compelling way. There are no bad guys, just two people trying to figure out life.

For all of these, I fully recommend Rikokatsu.

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Perfect marriage

MBC will forever be to me the channel that doesn't do things halfway. They either have awful dramas or really good stories, I am glad to say The Story of Park's Marriage Contract is the latter. Another good example of why 12 episodes long dramas are sometimes better, no time to waste and unnecessary conflicts.

Lee Se Young and Bae In Hyuk gave great chemistry. They delivered solid performances and nuance characters. There is no perfect relationship but the leads of this drama come very close through proper communication, team work and love. Particularly when you take into account there's time traveling and corporate spies trying to take them down.

Joo Hyun Young, Jo Bok Rae and Oh Yu Jin are scene stealers. Every single interaction between each other or the leads is gold comedy with the added attribute that they are actually super cool characters that have full lives, apart from the main story. So, it's interesting to see well developed secondary characters. Same goes for the rest of the cast.

The story per se it's really fun and the mystery well done. Every week, I wanted to a new clue to resolve what was happening but also find out what new adventure leading lady was going to have. Her charm and openness to the world was invigorating. Definitely one of the best characters of 2024.

Overall, this was a very enjoyable story and I recommend it.

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Broken dreams and second chances

In this film about broken dreams and second chances, a professional football player finds himself in a difficult position due to a mix of bad decisions and bad luck. He also has no real support system in his mother (who is on the run for scamming people) and his agency wants him to quit the sport to become a celebrity.

Is in this moment of his life that to rehabilitate his image he is forced to become the coach of a football team conformed by homeless men that will compete on a charity tournament.

Reluctantly, he learns the reasons why these men found themselves living in the streets. Addiction, bad decisions, abandonment, grief, among other motives. What they all have in common is that through this tournament they are looking to become a better version of themselves.

To record every moment of their journey, a documentary director (deep in student debt and stress) needs to find the right angle to have this film be a success for her and them.

It’s through teamwork and sharing their problems, that this team of odd men out find -perhaps for the first time in their lives- a real support system and even a family.

Dream is a solid comedy with really touching moments that brought some tears to my eyes. The film tries to shed some light on current social issues in South Korea through the housing problem these men are going through.

Park Seo Joon gives a good performance going from disheartened to finding a new dream and people to fight for. His chemistry with IU is hilarious to watch as they play entirely platonic teammates throwing jabs at each other, even long after they start to get along.

IU’s character as the documentary director who is forced to believe in herself into success is both fun and oh, so real.

The heart of the film, however, is Heo Joon Seok, whose character never lost hope and fought from beginning to end so the team could achieve their dream. The rest of the actors bring some emotions though the respective stories that makes the comedy more grounded.

Overall, I enjoyed this film.

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An enjoyable ending

The review is based only on the events of the film. I feel the responsibility to point this out because the manga is on going, which means the story might take a turn to any possible direction in the future.

I finally got the chance to watch this film this week, a very nice and neat conclusion to the world of competitive karuta. For those who need a little reminding, the story follows Chihaya and her friends as a team trying to win the national high school competition and, for some of them, even dream of becoming professionals. But the films also tells us about their personal struggles, sometimes on actual lines of dialogue and, other times, through out the poems been read in the karuta competitions.

The film choose to make a time jump between the second film and the third, putting the last installment of the trilogy on Chihaya’s senior year of high school. She’s only have one goal in her life: becoming the Queen of karuta but now teachers and even friends are taking different routes in life, choosing professions and paths in which they won’t be able to talk together as the tight-knit group they become, so she needs to start thinking what else lays beyond karuta.

On this point, I feel the story failed and achieved something at the same time. It was nice to see Chihaya think of things beyond her karuta bubble with the film didn’t developed properly. I like she kept her goal of becoming Queen until the very end, because at her core that’s who she truly is, but at the same time I didn’t get to see her spend enough time thinking of life outside the sport.

Other professional karuta players are shown to have their own personal and professional lives outside the competitions, so I guess I would have like to see Chihaya be a little more motivated or explicit on what other thing she might want to pursue. Whatever it tis, I’m sure it would have been with the same savage passion she has for everything she loves.

Meanwhile, Taichi finally reached a boiling point. I guess it’s fair to say Taichi has been competing his entire life: against Arata but most importantly against his own insecurities. Taichi’s biggest roadblock has always been himself, by putting others before him to a point of whatever he wants becomes irrelevant in his own life. When he first started playing karuta again, in freshman year of high school, he didn’t do it for himself. He did it for Chihaya, and unlike her his development about what he wishes to do in the future beyond the world of competitive karuta was properly developed.

Taichi finally loses to the pressure and feels forced to leave the karuta team. It’s a nice call back as to the same reasons why Arata quitted karuta in the first film. Back then, Arata lost all motivation when his grandfather had died. He was the reason why Arata started and continue to play the game and with him home he needed two films to find a reason to do it for himself.

The same thing can be said about Chihayara. She’s always played for her, a point the film makes perfectly, and because of that she’s able to support her teammates, show respect to her opponents and inspire her juniors.

If you ask me, the third film in this trilogy is Taichi’s film. It’s the conclusion to his journey and the answer his been looking for since day one. The card choice at the end, where he’s putting all his feelings out in the open, is him finally stepping forward and withholding nothing.

As for the love triangle, I would rather concentrate on the personal story of our three main characters. I believe this story is so popular because of the everyday and common struggles the characters go through that resonate with people, and not because of a love triangle.

Chihaya’s answer remained true to herself, as mentioned before, because she’s never really thought of anything beyond the karuta world. Of course, Arata put himself out there, in all the ways possible, because Arata never doubts himself once he has set his eyes on the prize. And, of course Taichi is the last man standing next to Chihaya because that’s also part of who he is.

That said, of course, I have a team I’m rooting for and personally I believe the story told in this film serve for the benefit of one team rather the other. But to get a real and final answer about Chihaya’s feelings, we will have to keep on reading the manga.

Kudos, to the amazing supporting cast who it’s as wonderful as always. Making the smallest moments incredibly funny and heart warming, even sometimes stealing the entire show from the leads. Thank you!

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