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The Butterfly
Shu Qi plays a detective trying to solve a rape-murder. Ekin Cheng plays a botanist who believes he can communicate with trees and is trying to prove it. His girlfriend, Rain Li, is a reporter using sensationalist stories about the numerous suicides and disappearances taking place in the forest to further her career. Shu Qi enlists Ekin Cheng to see if the trees can provide evidence in the case. Please don't stop reading, it gets better. Throw in that this is supposed to be taking place in Thailand with a Hong Kong cast and this movie is a real head scratcher. I won't even spoil it with the big reveal behind some of the spooky elements going on in the forest, but if you watch this movie, you may be like me and say, "sure, why not?" and just start laughing.
Full disclosure, I am a Shu Qi fan and she's why I started and didn't drop this movie. She gave a good performance, even if we never learned much about her character except that she is a doggedly determined detective. Ekin Cheng didn't have much to do except to occasionally talk to the trees and look at "scientific" equipment. Rain Li's reporter probably had the most development as she had to deal with her demanding boss and inattentive boyfriend.
Forest of Death does have some good moments of suspense and creepiness. The acting is all more than adequate. The story, however, adds in too many unbelievable elements. If they'd stuck to one fantastical element they could have built their mythology around it. Instead, they try to weave in too many supernatural stories into one and it ends up making for a vague and even ludicrous culmination.
Forest of Death could be another name for all the trees who gave their lives for the script pages of this murky, mess of a movie.
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Kenny Bee stars as the 13th Prince who is deposed by his evil brother, the 14th Prince played by Kelvin Wong. I was happy to see Maggie Cheung as one of 13th Prince's bodyguards. 13th Prince and his small entourage are saved from a plethora of assassins in a bamboo forest by Andy Lau's fisherman, Ah Fei, who happens to be wandering about. They make friends and Ah Fei takes them to a secret underground royal tomb to hide out in. Ah Fei is tasked with bringing 13th Prince's fiancé to him. A gorgeous Anita Mui plays the willful Princess and on the long dangerous road back to the 13th Prince, feisty banter turns to love. Duty above all, everyone ignores the obvious feelings because 14th Prince is hot on their trail.
Moon Warriors has one of the most preposterous endings I've ever seen which takes away any tragic feelings and replaces them with laughter and WTF? This is not one of Andy's strongest performances, but I can't blame him, he's required to say some pretty cheesy lines. Maggie and Anita both do a good job with what they are given and their fight is the highlight of the movie. Kenny is properly stoic and noble. Kelvin has the evil laugh down which is half of what he needs for his performance as the villain. The actors could only do so much with the script they were given so I tried to cut them some slack.
The pinnacle of ludicrousness is Ah Fei's friendship with a killer whale. I do have to applaud Andy Lau for his commitment to the role and learning to ride and do tricks with Hong Kong's version of Shamu.
My evaluation of martial arts movies always comes down to the fights. Moon Warriors used so much wire-fu it looked like the actors were on the moon bouncing around half the time. I have no problem with light body skills in a wuxia, but this movie overdid the super human leaping never missing the chance to have someone flying through windows or simply defying gravity as they ran. While many of the fights were creative and fast, they often looked incredibly awkward as well. I do have to say I saw the most creative decapitation ever, at least through my fingers.
Moon Warriors has some beautiful cinematography and fight scenes every few minutes to keep things interesting. The actors gave it their best. Ultimately, it ended up being a slightly below average wuxia for me. It was filmed in the 90's so it didn't receive my grading on a curve that I give much older movies. It's not a bad way to spend 90 minutes but if you are lactose intolerant you might want to skip this one.
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The story is nonsensical, and started off slow, picking up steam when Donnie's character Fallon, had to transport a prisoner to Japan. I was bracing myself for a lot of fat jokes and fat shaming, thankfully, it didn't happen. Fallon had been demoted after destroying the police station in the process of catching a band of bank robbers. His girlfriend dumped him and at work he was exiled to the basement storage check-out. Like a lot of people might have done, he comforted himself with food and gained weight. When called into action in Japan he was still able to perform his moves, act courageously, and handle the dangerous situations. A lot of movies would have made him feel inadequate after gaining weight, not this movie, regardless of his weight he was still a good cop.
I thought it was funny in places, my husband laughed out loud through the whole thing. Maybe the Y chromosome helps to understand some of the humor.
The martial arts choreographers outdid themselves with creative and entertaining fights, with and without weapons. Donnie and his stunt double(s) made the action thrilling to watch. The choreographers designed fights often using whatever might be lying around, be it meat cleavers, frying pans, large tunas or a forklift. I'm used to seeing Godzilla tear up Tokyo Tower, this time Donnie and the Big Bad fought over Tokyo precariously kicking, fighting, and jumping above the brightly lit city.
Among the side characters I enjoyed the interpreter (Jessica Jann), she moved seamlessly between Japanese, Cantonese, and English with a ditzy flair. Wong Jing played the good-natured Thor, who was in love with a restaurant owner. Donnie had to come to the aid of his ex (Niki Chow) when she ended up in the clutches of the yakuza baddies. Love was definitely in the air!
Enter the Fat Dragon had action, humor, and a little romance. The story and action were fast. Not perfect by any stretch of the imagination, but was easy, breezy, and beautiful even at 250 pounds (113kg).
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This movie was bonkers, trashy, stupid, extremely low budget, everything I should have run from. Instead I was drawn to any movie with the above characters going at each other! Objectively speaking I should have rated it lower, but it was so bad that it was funny and I gave it a ratings bump.
The plot was completely illogical. The whole story was simply an excuse to have the biggest cross-over event in kung fu history. I had to watch a badly dubbed version. It sounded like one man did all the men's voices and they all sounded like they had thick New York (USA) accents except for the Exorcist who had an outrageous French accent (Monty Python joke). This version had also been cut several times and parts of the action didn't always show on the screen. Thankfully, there weren't subtitles or they would have run off the screen.
The fights were funny with bizarre sound effects. Bruce would call out the names of his movies for some of his moves. Zatoichi received a Fist of Fury in a very sensitive area.
Fair warning, there was quite a bit of female nudity in this movie. Unwanted and unneeded in the context it was shown. There was also a lot of talk about Bruce's "third leg". I'll leave it at that. In the double standard department, Bruce didn't even take his shirt off in the final battle. How were we supposed to know when he'd had enough and gotten serious?!? My guess is that Bruce Leung wasn't in good enough shape to take his shirt off.
This movie was awful, truly awful. It was also hysterically funny in places. If you can handle so bad it's good movies, this is one of those. It would benefit you to have a friend with an absurd sense of humor to watch it with and a big bowl of popcorn. Just don't expect any of it to make any sense.
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Lee Wan and his father were on their way to meet up with his perspective wife when they were waylaid by evil doers working for the local tyrant. They met up with Lee's potential father-in-law who had been badly wounded by the evil doers for he had been carrying the secret list of rebels. The tyrant would stop at nothing to get his hands on that list including poisoning Lee and leaving him for dead. He was rescued by his future bride. Sadly, his leg had to be amputated to save his life. Happily, he remembered there was a secret book and technique to make a metal leg and the manual came complete with the 18 Kicks instructions! Time for revenge! Whee!
This movie was filmed with all the sophistication of a high school play and probably with the same budget. The fights of which there were many were not particularly inspired but thankfully, they weren't super slow. The few indoor sets were bargain basement finds or thrown together. The cinematography was primitive at best. Even though it was filmed in Korea, don't expect to see any historical Korean costumes, the costumes and wigs were standard 1970's fake Bruce Lee wigs, and bland kung fu wear. The sound effects could range from someone banging on a metal trashcan to 1970's sci-fi spaceship sounds. A twelve-year old on Tik Tok could have filmed some of the special effects better with a cell phone. The acting ranged from adequate to bad.
The outdoor scenes were filmed in Korea and showed a wide range of scenery, laughably all on what was supposed to be the same day at times, but still they were pretty. Mountain scenes with and without snow made good places to fight and ambush. The forest, or the ocean shore, or on the banks of a frozen river were all settings for flipping, kicking, and hitting. Oh, and blowing fire breath. And of course there were the four evil female attendants who could disappear and even more frighteningly----turn into clowns! The horror.
If it sounds like I'm making fun of the film...I am. Even Dragon Lee couldn't help himself from smirking and winking at the camera. Twelve Gates of Hell mercifully clocks in at under 90 minutes. If you are an old kung fu movie enthusiast who isn't afraid to laugh in all the wrong places, and you're feeling up for a challenge that might feel like traversing the 12 gates of hell, you might want to give this one a try. Otherwise best to change the channel with the speed of the changing scenery in this movie.
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Andy Lau played the deadly and thoroughly unlikeable warlord, Hou Jie. Because he was the star I knew he wasn't going to get killed in all of the dirty double-crosses early in the movie, but I have to say I was rooting for him to get his. Fortunately for me, I didn't receive that early catharsis, instead after a vicious confrontation with forces ordered to assassinate him, he managed to crawl away to the Shaolin temple.
This movie leaned heavily into Buddhist beliefs or at least movie Buddhist beliefs. Jackie Chan showed up as a cook working at the temple conflicted as to whether he should stay or go. He's there primarily for some light comic relief as you can imagine. Yu Hai played the Abbott, he was also in Jet Li's Martial Arts of Shaolin, playing a Shaolin master. He showed the most beautiful Mantis fighting in MAOS, I was desperately hoping to see him show the style again. Alas, he did fight a little (he was much older in 2011) but no Mantis.
The cinematography and sets were beautiful. Certainly no complaints for me on these aspects of the movie. I'm not one to notice music in movies very often, but the OST was quite pleasing.
Shaolin's story used a common kung fu movie pattern only amping up the destruction, body count, and explosions. Long time kung fu movie enthusiasts will be able to call what's coming next without much trouble.. The story was told well and ultimately, it was a story of redemption. That's usually all I need to be hooked. I'm not sure Hou Jie earned his redemption in such a short time, but movie magic makes everything move more quickly.
This is my favorite Andy Lau performance yet. He had to dig down deep to convey the myriad of emotions for this complicated character. Nicholas Tse as his younger brother did a good job, too.
The fights were where they began to lose me. I have no problem with wire-fu when used well. In a movie that is otherwise more realistic, the over-the-top use of wire work seemed badly out of place. The super human abilities of only a few characters weren't consistent either. Taking the martial arts and wire-fu out of the equation in the action scenes, some of the scenes were on a grand scale and spectacular.
I found Shaolin to be well made and entertaining. There were moments when it felt like it could have been better though.
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After watching dozens of martial arts movies I decided to revisit this classic. Even though it followed the revenge theme fairly closely and the antipathy toward Japanese occupiers, Fist of Fury stepped away from the pack in terms of quality. Though the majority of sets were indoors or on the lot, they were beautifully crafted and believable as real homes and dojos for the most part, especially given the budget.
When Bruce Lee’s Chen Zhen returned home to find out his master was murdered, he did not take it well. In Fist of Fury all the Japanese were EVIL, there was no nuance which seemed like a missed opportunity for story depth. Bruce stacked the bodies up during his rampage to avenge his master. Most kung fu movies have a revenge theme, Fist of Fury leaned into it---hard. Bruce did have some say in how he wanted the movie to end, to show that crime and killing doesn’t pay. The story was definitely a step up from most kung fu revenge stories.
I’ve always felt Bruce Lee was better at conveying rage in his fights or staring down his opponents with an intensity born of confidence in himself, here he also showed real tenderness in his scenes with Yuan Li Er (Nora Miao), the woman Chen had returned to Shanghai for in order to marry. At his master’s funeral, they touched hands in a way that only lovers do, sweetly and sensually. As always, he was beautiful and compelling. There’s no denying he had real magnetism.
Books have been written about Bruce Lee’s fighting skills and I have nothing significant to add. All I will say is that he was lightning fast and amazing to watch. After scrutinizing other martial artists in movies, I have to say he is still the best. And that’s saying something, because for me, there are few things better than martial arts movies with Jet Li, Donnie Yen, or Gordon Liu.
As I’ve said in previous reviews, I don’t watch kung fu movies for the story or acting, it all comes down to the fights and the beginning fight with Bruce clearing out a dojo and the final fights were magnificent. Fist of Fury was not a perfect film, but it was entertaining and bittersweet, knowing how few films Bruce Lee would make.
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The Venoms are likeable enough. Sun Chien plays the inexperienced head of the escort crew. Phillip Kwok is the drunken sheriff who stumbles in and out of the fights helping the escorts. The bad guys were quite the colorful group as they dressed to match their names-Silver Spear, Iron Armor, Copper Head, and Golden Arms. Lo Meng, as the Kid with the Golden Arms, is the head bad guy with stacked golden bracelets and boots and vest to match. They may have been lethal but they were a stylish bunch.
It's a Chang Cheh movie which means there are double-crosses, big body counts, blood, and plenty of fighting. There were far fewer dismemberments and spurting arteries this time thankfully.
I had hoped I would enjoy The Kid with the Golden Arm more than I did, but for me it always comes down to the fights. I don't expect much out of the story or the acting. The fights in TKWTGA were the slow, staged, dancy, posing fights I don’t enjoy much. Sometimes Chang Cheh makes the fights so outlandish that they are entertaining in their own way in his movies. Not here. I found myself looking at my watch. Never a good sign. The movements were slow, over and under shooting their marks regularly as if they thought their opponent was taller than he was. The timing was often off in jumps and ducks. Philip Kwok and Chiang Sheng (Short Ax) are spectacularly acrobatic fighters though too often the back and front flips were pointless in the duels.
If you love The Five Venoms or Chang Cheh movies or slow stop action fighting, this is one to give a try, other-wise let the buyer beware.
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Shaolin Temple 3: Martial Arts of Shaolin
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Jet Li played the Shaolin monk, Zhi Ming, from one of the northern schools. When he hears that the tyrant who killed his parents is having an extravagant birthday bash, he determines it's time to take a short vacation from martial arts training and meditating to kill the man. Little does he know that two members of the southern Shaolin school with a grudge against the evil Big Bad have chosen the same event for their assassination attempt. One of the southern Shaolin would be assassins was a woman dressed as a man which I've ceased to have a problem with after watching a number of kung fu movies and Cdramas. She of course, has a childhood connection to Zhi Ming. The three don costumes to perform in the lion dance spectacle only managing to get in each other's way and failing in their mission. They managed to escape together arguing and fighting until it became tedious. Fortunately, once they realized they were all part of the larger Shaolin family the bickering toned down.
The early "comedic" parts were a bit tiring for me. The plot development was also extremely sparse, leaving huge gaps in the storytelling. I wanted to tell everyone to take a deep breath as the pacing was frenetic at times as well. People ran everywhere, horses were sped up, every movement outside of the fights made it seem as if the actors' pants were on fire. Sometimes the audience needs a little "white space" to process the story and take a breath along with the actors. My other complaint with this movie is the OST. The same awful music is repeated ad nauseum until it made my ears bleed. I've truly never heard a worse soundtrack in a kung fu movie, any movie for that matter.
A favorite of mine, Lau Kar Leung, directed this Chinese movie with a Shaw Brothers crew and it showed. With the exception of the stunning mainland China outdoors scenery including the Great Wall and temples, this felt like it could be a Hong Kong production. I imagine Lau Kar Leung was thrilled to be able to choreograph fight scenes for Jet Li and the extremely capable actors/martial artists in this film. There was very little wire or trampoline work, the huge fight scenes were executed with grace and finesse. The fists, kicks, and swords were swift and accurate. The story was secondary in every way to the incredible fight choreography. Jet Li was in his prime and most likely had to slow his movements for the camera to pick them up, they were shockingly fast as it was. I loved the mantis fighting near the end of the movie.
I wouldn't recommend Martial Arts of Shaolin for the music, story, or acting, but the fight scenes and a lightning-fast Jet Li are definitely worth the price of admission for any kung fu enthusiast.
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The first half is a pseudo comedy. So Chan (Gordon Liu) and Jiabao (Wong Yu) are stepbrothers who are supposed to be school age. They are devoted to each other even though the stepmother loathes Chan because he stands in the way of her taking over the successful winery his father owns. The brothers get into and out of trouble and back into it. There's a kung fu soccer match and several run ins with the law. This was the hardest part of the movie for me to sit through and it didn't help that Gordon Liu and Wong Yu were too old to buy as school boys.
When Chan's teacher (Jason Pai) reveals his secret drunken kung fu method after drinking too much, the story takes a slight up-swing. Johnny Wang also appears as the Big Bad who literally doesn't like to get his hands or clothes dirty, a bad move when he favors shiny white clothes. Now the plot begins to thicken as the stepmom hires the Big Bad to kill her stepson which he's happy to do after the stepbrothers thwart his bank robbery. The light, silly comedy of the first half quickly devolves into the Manson Family Christmas as tragedy after tragedy strikes.
All the main characters do a fine a job of acting and of course, fighting. The music is too often reminiscent of the Keystone Cops which can pop up at the weirdest times. The best part of the movie is the final fight. There's no chit-chatting, no posturing, just a vicious no holds barred pay back.
The Young Vagabond had trouble finding the right blend of comedy and tragedy which culminated in moments of inspired fights overshadowed by the tangled up mess of a storyline.
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Also True: It is better to keep your mouth closed and let people think you are a fool than to open it and remove all doubt. -Mark Twain
The young fighter of this film, folk hero Fong Sai Yuk, is a super-fighter whose ego is bigger than his back flips. He's described as incorrigible by several characters but I would suggest the word insufferable describes him better instead. Though capable of performing almost any kung fu move or task and able to defeat any opponent, his rash actions and loose lips put everyone around him in danger. Foolhardy and gullible, he betrays everyone who sacrifices for him and believes in him.
Hsiao Hou who plays Fong Sai Yuk, has a great screen presence and is likeable enough even if his character can be grating. His moves are lightning quick and he's lighter than air on his feet even without wire-fu. Gordon Liu, in a supporting role, returns as Monk San Te. As always, his agility is fascinating to watch. And you know when he tears off his shirt he means business. Lau Kar Leung directed and choreographed the fights and Shaolin training. As always, he is one of my favorite fight choreographers. His fights are smooth, fast, and creative. The wire action is kept to a minimum and used well. There is a grand fight at the end that is quite spectacular.
The story is fairly simple, the Hans are being oppressed by the Manchus and Fong Sai Yuk runs afoul of the local leaders causing trouble and of course, fights, wherever he goes. His mother (the great Lily Li) who trained him in kung fu drops him off at the Shaolin temple to keep him from being beheaded and also hoping the monks can teach him some discipline, if not humility. This fast talking, fast kicking kid has no intention of learning either. The story is kept light and there are no Buckets 'O Blood or deaths though there is non-stop action. It's a kung fu film that is safe for almost anyone.
This was one of the last Shaw Brothers' kung fu films. A 1985 film, it looked like it could have been shot in 1975. The sets are nearly entirely indoors, though some are well done. In 1985 as audience tastes were changing and Jackie Chan was forging a new path for action films this had to have felt like a throw-back movie even then to audiences.
I enjoyed the talented martial artists and whirlwind fights. If Fong Sai Yuk hadn't been annoying to the end credits I would have scored this movie higher. Fong Sai Yuk wouldn't have heard of Mark Twain's words, but maybe Confucius would have hit closer to home, "A superior man is modest in his speech but exceeds in his actions." Nah, if he didn't listen to his mama or the monk who gave him a second chance at life he'd have ignored Confucius' warning and just headed straight into the next fight without thinking of the consequences-again.
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Kung Fu vs Ninja Free For All!
How to tell if it's a Chang Cheh movie? Extremely high body count? Check. Lots of fancy shiny weapons? Check. Lots of body dismemberment and violence? Check. Buckets O' Blood? Check. Low quality sets? Check. Fights with some quick movements but also a lot of missed hits and posing. Check. Half-nekkid ninja girl. Check. Oh, yeah, this has Chang's fingerprints all over it.Two rival schools compete to see who is going to be in control. The "bad" school after being beaten in a fair competition calls upon ninjas led by Michael Chan to kill off the rival "good" clan. You know they are good because they wear skimpy white outfits with cute little capes. The ninjas ambush and use ninja trickery like super secret ninja weapons, the old ninja tree trick and the hiding underground rouse to the demise of most of the good guys. Do not miss the poor guy who continues fighting on while his intestines are draped down his leg. They also send a female ninja into the good clan's headquarters to map out the place which leads to a deadly love triangle.
Most of the characters are barely indistinguishable. Lo Meng has a few good scenes, especially a lengthy fight against overwhelming odds. Ricky Cheng plays the main good guy if only through attrition, who must learn the ways of the ninja to beat them at their own games. Michael Chan does what he can with his role as the evil ninja bent on domination of the local martial world.
It might sound as if I didn't like this movie. Five Elements Ninjas is extremely popular among certain kung fu fans, I'm just not one of them. The action is almost non-stop and there are a variety of bonkers weapons used (ninja stilts!) which is entertaining. The story, or lack thereof, linking the fights is what caused me to score this lower. I did have some good laughs at the over the top fights which kept this from going below a 6. And I had to admire the creativity behind the fights. Fun, if mostly forgettable (except for a few of the gorier killings), kung fu vs ninja free for all.
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Legend of the Fist: The Return of Chen Zhen
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Chen Zen and his buddies have been sent as little more than canon fodder and labor on the front lines in WWI. The first fight scene featuring Donnie Yen is a thrill ride. The man went to a machine gun fight with knives and won! The stunt work was amazing. Donnie is fast and a true pleasure to watch.
Most of the movie gets bogged down into a series of subplots when the surviving soldiers go home. Japan has carved up Shanghai causing death and mayhem in their wake. Chen and his crew are part of the underground which includes a lot of characters who are never developed in any meaningful way. Anthony Wong is the owner of a club with shady alliances whom Chen partners with. Shu Qi with even shadier alliances is the gorgeous singer and hostess who wins Chen's heart.
Huang Bo is the humorous inspector who plays Commissioner Gordon to Chen's Black Mask. Without any real emotional connection to the rest of the characters the ongoing violence felt meaningless most of the time.
There is a great deal of Chinese nationalism played out rather heavily at times. This is a by the book movie, it's a foregone conclusion that Chen will have to fight the Big Bad Japanese Colonel, the son of the man killed in Fist of Fury, at the climax. The fight preceding it is reminiscent of Bruce Lee's fight in the original only on a grander scale.
The cinematography is quite lush with a good soundtrack backing it up. Director Andrew Lau brought 1920's Shanghai to life with eye catching depth and color. Yen is believable as the undercover freedom fighter and Black Mask. Shu Qi doesn't have enough to do, making do with what she is given. Wong and Huang added acting depth to the group. The star of this show is Donnie's fighting and the big fight scenes. He is unbelievably quick and agile. The fights are creative and deadly.
Though Legend of the Fist isn't a great movie it does have some gripping fight scenes that few actors other than Donnie Yen could carry off during this time period. Even now, it's hard to see many actors being able to duplicate what he accomplished.
Donnie Yen and Shu Qi had enough star power to almost cover over the gaping holes in this beautifully shot movie. Almost.
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It's an All You Can Eat Lobsterfest courtesy of Godzilla!
This era of Godzilla movies can be hit or miss with me as Big G became more anthropomorphized. In the case of Ebirah, Horror of the Deep-it was a solid base hit. The movie had plenty of cheese and camp, but not too much as to spoil the fun.Two rejects from a local dance competition and a safecracker end up on a sailboat commandeered by a young man who was told by a shaman his brother, thought lost in a boating accident is alive. He's determined to search for him, even with his grudging passengers. Long story short a giant lobster crashes the boat and the four young men end up washing ashore on a mostly deserted island. They find bad guys have kidnapped people off of Infant Island to work as slaves to make the yellow liquid needed to keep Ebirah at bay as they come and go. The bad guys are also developing nuclear weapons. You know they are bad because long time Godzilla star, Hirata Akihiko, shows up wearing an eye-patch and carrying a gun.
Another long time Godzilla star, Takarada Akira, plays Yoshimura, the safecracker, and does a good job as always completely selling the role. As it turns out, Yoshimura is the key to the young men's and Dayo's (an escaped islander) survival with his particular skill set and savvy. Yoshimura won a place on my favorite Godzilla character list with this role, which sadly, isn't very long.
Though the humans receive a lot of screen time at least they were interesting and fighting a more dangerous enemy than Godzilla or Ebirah--greedy men. Ultimately, they wake Godzilla up, who happens to be napping in a cave, to have him deal with the bad guys and Ebirah. Both Godzilla and Mothra were taking their hibernation vacations when all the action started. The kidnapped islanders and the ones back home sing until Mosura wakes up. She's obviously old and near the end of her life cycle but as always, she answers the call and comes to the aid of her people. She also smacks Godzilla around to remind him who's boss.
The miniatures weren't quite as accomplished as they usually are which was a disappointment. Ebirah's costume was very nice, for a giant lobster. There were several underwater battle scenes that came off well. The camp came through with funky 60's music playing while the two giants battled or when they swatted a boulder back and forth.
The movie never takes itself too seriously nor does it abandon all logic. Around 80 minutes long, "Ebirah, Horror of the Deep" was a fun ride on a tropical island filled with danger, courageous misfits, and a few Kaiju whose naps were interrupted.
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The problems I had with this movie were twofold. One, it took itself far too seriously, trying to mimic the original Godzilla filmed in black and white. Like Godzilla, Gamera is clearly the bad guy, despite saving a child at one point. He goes on to kill countless others and causes enormous damage. A message about countries at the height of the Cold War working together is pasted into the story. A giant turtle who walks on his hind legs doesn't make the most menacing of monsters.
The second problem I had was that the most prominent human in the story was a child. Quite possibly the most annoying child from any movie ever produced and in the end his presence was pointless.
The special effects weren't bad for this era. And the story does keep going at a nice pace with lots of Gamera shots.
After going through several weapons to kill Gamera the solution at the end to deal with Gamera is one of the funniest I've seen in a Kaiju movie.
Strictly for Gamera and/or Kaiju enthusiasts.
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