32
98
7
The Butterfly
Gordon Liu plays the 11th prince, and soon to be named Crown Prince, who has to hide his martial arts skills and his identity as he tries to find out which brother is trying to have him killed. He takes on a hot-headed thief named Ho, played by Wong Yu, through some subterfuge and trains him in kung fu and how to be a better man. The growth of their relationship from adversaries to friends is at the heart of the story. The movie starts out as a light comedy and steadily grows darker.
In Liu's initial fights he disguises his skills making it seem that what happens are accidents or like a puppet master fights through someone else. In two other "polite" encounters with killers, a wine tasting and antiques buying expedition, he fights calmly and intricately with the polite killers without damaging the products. Ultimately, there is a no holds barred showdown with Lo Lieh, playing the corrupted general along with his minions.
For fans of Shaw Brothers productions there are many familiar faces filling out the cast. The biggest star for me was the man behind the camera, Lau Kar Leung. His fight choreography, especially in the days before CGI, is amazing. Fortunately, for him, he had some actors well versed in kung fu to bring those scenes to life.
Was this review helpful to you?
Initially Jimmy Wang Yu, the main hero, is on his own with a few towns people who are trying to get a petition to the magistrate's overlord to bring justice to the town. Lo Lieh works for the magistrate but though a skilled swordsman is not into his work. Cheng Lei starts out in prison where he got himself incarcerated just so that he has food to eat. An unlikely trio find their way on the same side during the course of the movie.
The story starts out slow and repetitious, the sword fights rather dull and uninspired. The bodies start piling up as the movie goes along and Jimmy Wang Yu's character dances a fine line between being heroic and ineffectual. Eventually, the sword fights improve but were not memorable. The story does pick up as well as more and more people are galvanized into action.
Magnificent Trio has been re-mastered, the colors and clarity are vibrant. The music and sound effects came through clearly.
The subtitles were easy to read as well. It's worth mentioning because some of these older films have been neglected and treated poorly. The colors can be faded and the subtitles can run right off the screen. Thankfully, MT was lovingly restored.
I didn't find Magnificent Trio thrilling and the fight scenes were okay. What I did like was the chemistry between the three heroes and the sacrifices they were willing to make to better the lives of others. Overall I enjoyed the movie though I doubt it's one I'll ever re-watch.
Was this review helpful to you?
Famously known as the film Alexander Fu Sheng died while filming, in a car accident off set. The script had to be re-worked leaving him out of the final fight scenes.
The themes of loyalty, family, honor and betrayal are woven throughout the movie. Out of seven sons, only two survived a betrayal by a family friend and ambush. One was driven mad and the other hid in a Buddhist temple and refined his pole fighting skills. The mood is bleak and dark throughout the film as the surviving family members seek justice and revenge.
I look forward to movies directed and choreographed by Lau Kar Leung. His fights are always fast and creative. Brutal, too. Gordon Liu is a gifted fighter and with every film of his I see I am more and more impressed. The pole sparring session between Liu and Phillip Ko Fei is not to be missed. Not to be outdone, Kara Hui shines as the sister who has to fight through her own ambushes and entrapment on her way to find her brother. The final fight is a bit gruesome as the monks practice their non-lethal moves that extract an opponent’s teeth. The action is almost non-stop from the opening credits to the end.
The story didn’t move me as much as I hoped it would. The fight scenes were, however, spectacular and worth watching this movie for.
Was this review helpful to you?
I enjoyed this Godzilla movie because it's one of the few movies where the humans are actually interesting. Most of the time they are background noise. The writers took the time to develop three or four characters, giving us someone to root for, care for and also despise.
The alien ship was formidable enough but when the alien(s) aboard is able to siphon off some of Godzilla's DNA and create a monster body of his own, the big guy has his hands full. This movie used a variety of techniques to bring the monsters, spaceship and fights to life, including the signature miniatures Godzilla movies are known for. Too often in Godzilla movies there are a lot of boring filler scenes in between monster fights, Godzilla 2000 kept the action going among the monsters and the humans.
Despite its mediocre rating I found it entertaining from start to finish.
Was this review helpful to you?
This review may contain spoilers
I would love to have been in the writers’ room for this movie and seen what they were thinking and tripping on. Let’s make a monster environmentally conscious because it eats pollution. Far out! But it also sprays concentrated sulfuric acid on people and shoots toxic waste out of its belly button. Cool! We should also have some cartoons mixed in with the action. Groovy! And go-go dancing and singing randomly thrown in. I can dig it! Don’t forget some trippy dream sequences! Right on! We gotta have a guy hallucinating at a concert, too. Lay it on me!In fairness, this was a fun Godzilla movie with a formidable enemy for the big guy. Hedorah can grow and change shape the more he feeds on pollution. He flies, Godzilla even flies!
Even though there are some psychedelic moments, there are also real stakes in this movie. Main characters are maimed and killed by Hedorah. The stakes were also high for the environment. Real images of the disturbing amount of pollution in Tokyo Bay are shown as the theme song is sung. Pollution was becoming a very real concern and, in this story, spawned a deadly monster.
There is plenty of monster-on-monster wrestling. They might have spent too much time taunting each other and Godzilla takes a beating more often than not for most of the movie, but we know we can always count on him to rally in the end and take care of business. If you are a fan of the old school Godzilla, this is one of G’s more unique films. Outta sight!
Was this review helpful to you?
A good third of the movie is devoted to Gordon training through the 35 stations at the Shaolin temple. The scenes are rigorous and impressive. Lau Kar Leung (Gordon Liu's brother IRL) is one of, if not my favorite martial arts choreographer. No slow stop action fight scenes or training scenes. While the scenes are slowed down for the human eye to follow, the movement is constant. A wide variety of weapons and challenges are used which highlight Gordon's abilities. The only caveat I have is that like a novel's page needs some white space to rest the eyes, I could have used some breaks from the action to develop the main character and give me more reasons to understand him, the people he sought to help, and the monks who trained him.
The sets, costumes, and production values are above average for a 1978 kung fu film. The copy I saw was dubbed which always takes away from the viewing experience. Almost any male actor who worked for Shaw Brothers was in this movie. It was fun to pick out all the ones I knew.
One of my favorite kung fu actors, Lo Lieh, plays the Big Bad though he sees very little screen time. This is Gordon's hero's journey. Through training and sacrifice his character seeks to avenge his family's death and bring kung to his people so that they can protect themselves from the enemy. A better than average kung fu film to pass your time with.
Was this review helpful to you?
Considered a kung fun classic, I found it to be rather average. Lau Kar Leung's direction and martial arts choreography saved the film for me. The fights were well choreographed and creative without looking overly staged. It helped that some of the better kung fu actors starred in this movie: Lo Lieh, Chen Kuan Tai, Lily Li, Wong Yu, Chiang Tao, and Gordon Liu.
The plot revolves around revenge and training, taking place over twenty years. There are a lot of gaps in the storytelling. Fortunately, the training sequences are entertaining and well done. It does have one of the most abrupt Shaw Brothers endings ever. Due to the choppy style of storytelling it's not a movie I'd recommend unless I knew the person enjoyed well done fight sequences.
Was this review helpful to you?
Chen Kuan Tai is the most skilled killer on the squad. He figures out the emperor is ordering the executions of scholars and ethical government officials and though he’s sworn an oath to the emperor he can no longer be his assassin. Someone else is scheming to use the guillotine squad to take out personal enemies and impediments on their path to the throne and hates the moral minded killer. Chen flees with a lovely musician and they start a life together elsewhere, but the emperor’s men never give up keeping them on the run.
Lots of kung fu and wild guillotine action. The kung fu was okay, but given that CKT was actually trained in the martial arts, the fight scenes seemed slow and stodgy. That didn’t stop them from breaking all the furniture in the room though! Plenty of unsuspecting people lose their heads with the flying killing machines while their loved ones or colleagues look on in horror.
Even with all the action and actual character development of the lead the story seemed slow at times. Wai Wang played a great dastardly villain, but didn’t seem to have enough time on screen to be a more menacing threat. Despite those drawbacks, I never expect much from kung fu movies. This one kept my attention and if you enjoy kung fu movies it’s worth seeing for the creative guillotine fights.
Was this review helpful to you?
Lo Lieh plays the earnest competitor who gains the confidence of his kung fu master and is taught the secret iron palm technique.
Along the way there are betrayals, decapitations, eyes gouged out, and a little romance.
The fights felt a little overly staged at times but were entertaining nonetheless and Lo Lieh is always a smoldering delight to watch. It’s worth watching to see the iconic shot of Lo’s glowing red hands.
Though the plot was thin it never got in the way of some good kung fu fighting. And that’s primarily what I watch these movies for. It also paved the way for another kung fu fighter who would set the bar higher later that year-Bruce Lee.
Was this review helpful to you?
The Five Venoms begins with a mystery that a young ku fighter must resolve for his dying master and the audience watches the story unfold as he does. He must figure out the deadly players involved with little information and also who is using their venom training for selfish motives. There are alliances and betrayals, hidden identities, a secret treasure and real stakes.
The five members of the poison clan each have their own fighting style-scorpion, snake, centipede, lizard/gecko, and toad. The different fighting styles are fun to watch and give a glimpse into the characters’ personalities. Unlike many kung fu movies there is some character development and motivations for their behaviors.
What I didn’t care for as much is that the fights looked too choreographed. I didn’t feel like they flowed smoothly at times, more like dancers counting their steps. At least they kept the camera still and at a distance where the whole scene could be observed instead of just seeing segments of the fight. I have to say I like to have at least one female fighter in the cast, sadly there are almost no women in this movie. I think I saw Mama Hung slumped over where an entire family had been murdered when one of the bad guys was trying to find the treasure map. Little quibbles are I could see the wig tape at times, and the fight sounds were not always synched with the motions. I try not to judge a kung fu movie by what are usually atrocious dubbing choices, but at least it didn’t sound like one guy was doing all the voices.
The Five Venoms and teen sidekick was an entertaining movie. The good guys eventually team up against the bad guys showing that teamwork does pay and evil does not. Like all kung fu movies I’m kinder in grading it, as it was a product of it’s time and for a specific audience.
Was this review helpful to you?
Yoon Gyun Sang was cute as the mostly clueless helper. I enjoyed the different guests they had visit. Some were better in the "kitchen" than others.
Now to what didn't work as well for me. I thought the episodes were too long. An hour would have been enough time for me. There was an awful lot of filler. If I never see someone scooping up goat dung again it will be too soon. A lot of time was spent taking care of the goats, traveling, watching the cats frolic, and watching the guys fishing or playing out on the water. There were other times when practical jokes went on for nearly 20 minutes. There were also episodes where there wasn't any scintillating conversation taking place, just a lot of standing or sitting around with little conversation. These guys have been in the business for awhile and must have some interesting stories to tell. I wish they had opened up more and told us some. There was one conversation with Lee Jong Suk that that I thought was revealing but those moments were brief. If it wasn't for the pop-ups this show might not have been as entertaining. I could have also used less dirty bare feet close-ups when someone was preparing food on the floor.
Had it not been for all the filler moments that completely lost my attention I would have rated this variety show an 8.0 or 8.5 The cooking aspect of this show inspires me to look at food and flavor combinations in a new way. Spoiler! Although for a Pizza Margherita I'm still putting the basil on as it comes out of the oven so that the basil doesn't scorch like theirs did by putting it on before baking.
I can definitely recommend this show for the cooking scenes, they were very interesting. And if you like to watch goats doing goat things or cats trying to escape their room this may be just the ticket for you.
Was this review helpful to you?
This review may contain spoilers
This drama started out as a steamy, temperature rising story of a good girl tempted by the wild side in the form of the gorgeous, sexy Jasper Liu. Waiting for a new episode each week to be English subbed was interminable. Then the writers slammed on the brakes and morphed the story into an office drama dousing everyone in an ice cold shower. Maybe they got cold feet about besmirching the FL and ML and making them look like cheaters.
By the time the abbreviated who gives a fork third act came around I’d already queued up An Affair with Lee Mi Sook and Lee Jung Jae to show those young whipper snappers what it could have been.
Even though I found the whiplash inducing change of tone frustrating in this drama I still dutifully waited and watched every week. My disappointment is over what could have been and wasting Jasper Lui on what ended up being a boring office drama for the most part.
The leads did a good job. I even enjoyed the best friend’s over the top acting and story.
The music was ok, but not memorable.
Rewatch value-I’ll probably go back and watch parts of it sometime in the future.
I would definitely not discourage anyone from watching this, just don’t have any expectations of where the story is going based on the first few episodes and intro. Enjoy it for the flawed story it is.
Was this review helpful to you?
Uneven story with wildly over-the-top wuxia action
Butterfly and Sword was a bloody, high flying, star-studded, overly complex, mess of a movie. And entertaining in a way only an over-the-top wuxia starring Michelle Yeoh, Donnie Yen, and Tony Leung Chiu Wai could be.What was it about? Good question. I've watched it twice and it still has confusing elements. Every synopsis I read had a slightly different take on it. Lady Ko, Meng Sing Wan, and Yip Cheung have been together since they were street kids doing what they had to do to survive. All grown up, the three are assassins who often take well paid jobs from the eunuch. Lady Ko is the boss, motivated by gold and power. Sing is lovers with Butterfly, the daughter of a martial artist killed in battle. Sing pretends to not know any martial arts, telling her he has to go on business trips every once in a while. Yip also works for Ko and spends his spare time peeping on her when she’s bathing. It’s not really a love triangle, this is more like a love conga line. Yip loves Ko, Ko loves Sing, and Sing love Butterfly. When the eunuch sends Ko and her Happy Forest to take down the Elites Villa and retrieve a letter listing rebels, the blood begins to spew and body parts start flying.
Michelle Yeoh gave a nuanced performance of a deadly assassin who grieved her lost childhood and love. I wasn’t crazy about the jealousy trope for a strong woman, but she made it work. Donnie Yen was the love sick puppy lacking the courage to tell Ko he’d loved her since they were children. Tony Leung gave a lighthearted take on the assassin in love. I’m not familiar with Joey Wong, but her Butterfly was annoying. Despite all the strategizing, spying, betrayals, and gruesome fights, the story came to a screeching halt every time Butterfly came on screen.
The fight choreography was wildly excessive. Sing was able to launch himself like an arrow from a line in a tree or Ko’s body. Was the craziest technique I’ve seen in a wuxia, especially when he blew through people’s bodies. Nothing could withstand the characters’ abilities, not even buildings. Donnie and Michelle had a great fight scene in a bamboo forest that left most of their opponents skewered. It also showcased Michelle’s flexibility. Even though there were numerous gruesome decapitations by a variety of methods, they were fake enough to be more humorous than terrifying. There was even lethal soccer action! If you don’t like wire-fu, skip this one. Most scenes used wires and sped up action. Tony Ching put his imagination to good use developing the maniacal fight choreography.
Butterfly and Sword was not a great movie, but it was fun. The story was maddeningly disjointed and edited. Fortunately, Michelle Yeoh, Donnie Yen, and Tony Leung were in their prime and held nothing back. When scenes cut abruptly into a different one or the reason behind certain actions weren’t explained, it helped to keep an eye on the stars. This is a movie for fans of the genre and who don’t mind a film that isn’t polished and doesn’t take itself too seriously.
11 March 2024
Was this review helpful to you?
This review may contain spoilers
"There's more to life than ambition"
Gappa: The Triphibian Monster had a couple of unique things going for it but mostly it was a re-work of other, better Kaiju films. Humans had to re-learn the most basic lesson of nature---never approach or steal a baby animal as you will have to deal with the wrath of the mother.A publishing CEO has decided to build Playmate Land (Hugh Hefner's use of that word has ruined it for me), a jungle paradise and experience with exotic animals. He sends a reporter, a news photographer, and a scientist to a remote island to see if there are any new species that could be brought to the attraction. The team is greeted by a primitive tribe, some unfortunately in black face. After a statue is destroyed during an earthquake a cave is revealed. Kurosaki and Koyangi discover a large egg that hatches. Tanooka, the researcher, along with Kurosaki decide to take the creature back to Japan even with the tribe begging them not to for it will make Gappa angry. No sooner have the men handed the creature over to the CEO than Big Daddy Gappa and Big Mama Gappa begin to wreak havoc in Japan searching for their offspring.
This was a lesson in the consequences of reckless ambition and greed. When Koyangi begs Kurosaki to return the baby Gappa to its parents he gives her the ‘men have to do what men have to do because we are men’ speech. She looks at him like he’s an idiot and wondering why she’d ever fancied him. Even after Kurosaki and Tanooka come to their senses the CEO refuses to accept his losses and to take responsibility for the epic disaster. While the men come to the conclusion that there is more to life than ambition and other people are important, too, Koyangi’s decision at the end to come to her senses and accept she’s an ordinary woman and needs to get married and wash diapers was eye-rollingly sexist.
The miniatures were about average for this timeframe. Despite the fact that the Gappas could fly, walk, and even breathe under water (where the Triphibian comes from) they were terribly static. They lethargically and quietly lumbered through the cities, unable to move their arms and bodies much. Other than Mothra when her besties were kidnapped and she went on a rampage to have them returned, the Gappas had the strongest motivation for destroying the humans. Even with that compelling motivation they came across as soulless. This is the first Kaiju film I’ve seen with a nuclear family and one that was anthropomorphic which should have felt more heartwarming. Small children might be more moved by it.
Gappa: The Triphibian Monster was actually a loving family of Gappas who weren’t afraid to tear down Japan to protect their own. If they’d had more mobile costumes and the film had better direction, this movie would have been raised to a higher tier in Monsterdom. As it was, Gappa didn’t lay an egg, but it didn’t soar either.
10/10/23
Was this review helpful to you?
This review may contain spoilers
"You are death!"
Maria tread over familiar revenge movie ground, not adding anything particularly innovative. For those who watch action and martial arts films such as Kill Bill, The Villainous, or La Femme Nikita you'll be able to call out what will happen next with little difficulty. Still, I did find this film entertaining even if it didn't offer anything new to the genre.Lily/Maria had been a trained assassin working for Kaleb and the De La Vegas crime family. After she refused to kill two innocents, she faked her death and "retired". A few years later she's enjoying her life with a husband and daughter. Kaleb discovers she's still alive when he's tasked to kill an incorruptible governor. He's in a Cain and Abel relationship with another killer working for the family who wants his spot in the hierarchy. A standard revenge trope later and Maria is on a rampage. I truly wish writers would be more innovative when writing for women assassins, most of these movies are incredibly similar and use the same tired paradigm set decades ago.
The movie utilized Filipino martial arts and knife fighting as well as plenty of gun action. The fights were well choreographed but not extraordinary. What I liked about the various confrontations was that there were few extended fights with any rival, Maria competently took out the bad guys in a precise and efficient manner.
For those who are squeamish, there were several gruesome torture scenes and plenty of blood spurting with the fights. Despite the provocative poster there was no nudity only one shower scene where no bits and parts were on display.
Christine Reyes was credible as both the happy homemaker making sure everyone ate a healthy breakfast and the cool, calculating assassin. The rest of the cast were capable, but not memorable. For the most part, Maria wore sensible rampage clothes. Often directors dress female assassins provocatively to lure or appease male viewers. There was a club scene where she wore a sexy dress and ridiculously high heels. The actress seemed to have trouble walking on the thin heels, I would have broken an ankle. I was pleased that she went back to pants and sensible shoes for kicking and chasing down her enemies. The crime family's female assassins were more scantily clothed. Win some, lose some. Lastly, the score was properly edgy for all the death and mayhem.
I've watched several Filipino films, and Maria had the best production values of the lot. There was a nice use of color and light. The fight scenes didn't seem to have a high budget, but it didn't appear cheaply made either.
While the movie was predictable, Maria was a worthy assassin to add to the female cadre of action "heroes". Also, it was nice to see a Filipino film embracing the world of badass female leads. Next time maybe they can be the one to break the mold that most countries are content to use repeatedly.
4/15/23
Was this review helpful to you?
