Memory in the Letter (2024)

Beautiful setup spoiled by poor and lazy ending

It's starting to become a truism of BL that authors come up with good ideas and have no idea how to bring them to a conclusion, so they just skip over everything and just tack on a shallow happy ending.

This series can't help but bring up a comparison to the Filipino BL Happenstance, with a similar premise but 100 times the depth, although the overall production quality for that series was lower. It had something to say about different times and worlds, and had a bittersweet and authentic ending that carried a lot of power and stuck with me.

This, however... it's quite engaging, cute, and romantic, with a touch of mystery and darkness, up until when Songjam tries to enter Aksorn's world, when it all falls apart.

First of all, while it's possible to do a time jump well, it rarely is done well - usually it's just a lazy jump over any sort of authentic and organic resolution of the plot.

Because of the one here, there was an opportunity to explore the nature of love - does it transcend age? What does it mean when two people are at different places in their lives? But no, they just cast a 32-year old actor to play a 45-year old and called it a day.

Even what should have been an interesting confrontation between Songjam and Aksorn's father happened offscreen, and given the intensity and centrality of Aksorn's conflict with his father, this lazy solution is baffling. "Not only have you defied me by pursuing a useless career, you're also f@#%ing my best friend?!? (or rather being f@#%ed by his best friend since Aksorn suddenly transmutes into an uber-uke, with the usual homophobic loathing of sex that they always seem to have, resulting in uncomfortable coersion scenes.) But, Dad has absolutely no problem with any of this, and all is forgotten. Hugs, expressions of pride, and end scene!

It doesn't help that (slightly) older Songjam has at most a tenth of young Songjam's charm and cuteness, without 25 additional years of maturity & wisdom. Also, if you think about it, this is about a man in his 40s who wants to be with someone he watched grow up since he was born, which is, well, eww. And that's not to mention the logistics of being the best friend of someone's father without them ever even suspecting it - I suppose it's possible, but COME ON.

Plus, are we to believe that seeing someone born, experiencing his mother's death, and a lifetime of friendship with his father, plust the passing of 25 years, won't have any effect on your love for someone? It might still be there, but it would age and change. I can believe Songjam would do everything in his power to promote Aksorn's happiness, but to retain romantic love for him? That's more than borderline creepy - it's more like grooming.

Anyway, while I loved the first four episodes, the ending is so clumsy, lazy, and ridiculous that I'm not sure I would recommend this.

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On both sides of the mirror

Aksorn (Beck Pitchayutt Chatchawansombut) and Songjam (Parky Napavit Tewaphankul), in their respective first major roles in their acting credits, represent two young people who are fighting for the same cause: the pursuit of happiness and love, which is not only that of romantic love but also that of love for one's own identity.
Adapted from the web novel 'Memories in Letters' (ท ร ง จำ ใ น อั ก ษ ร), by Hungrybird, the eponymous Thai series of six episodes of about 35 minutes each, follows the love story of two young people in two different worlds and the miracles that come with it.
Playing on the series' title, Parky plays the character "Songjam," which means "Letter," while Beck plays "Aksorn," which translates to "Memories." The two protagonists quickly fall in love and treat each other with love and care, which makes the loneliness, the absence of the mother and suffering the intolerance of the father in one of the worlds make Aksorn's life happier. On their respective sides of the mirror, feelings will begin to grow between the two young people towards each other, while they discover their sexual orientation and identity.
With an extraordinary ability to guide the viewer's imagination, the script written by Nirattisai Ratphithak presents us with an adventure that mixes reality and fiction, which explores the world of parallel universes. This is a story with which any teenager and young person, and even older ones, will immediately identify.
The protagonist and main narrator, Aksorn, moves into a dormitory after being kicked out of the house by his authoritarian father, who does not accept that his son is a writer. In his new home, Aksorn forges a mysterious connection with a boy who lives inside the mirror in his room. From the first exchanges, both young people feel emotionally and physically attracted to each other.
Jinthaphat Sakkaen's photography contributes to the effort of telling a story set in an extraordinary reality that defies all logic following the romance between two young people. 'Memories in Letters' takes place in a surprising and unique environment, divided into two different worlds located opposite each other. The distance that separates both sides barely exceeds the width of a thin crystal, but the natural and physical conditions of each of the worlds make accessibility from one place to another extremely difficult. The boys can see each other, but not touch each other.
Aksorn is a university student of Literature who has lied to his father about the course he is studying at the university and who likes to read the work of Oscar Wilde in one of the two worlds that are on both sides of the mirror. His passionate nature is responsible for fueling his dreams of being a great writer. For his part, Songjam is a happy and smiling young student who likes to dance and listen to music in the opposite world to Aksorn.
One day, an online novel about two people from two different worlds who meet through a mirror becomes the fascination of readers. However, it turns out to be based on Aksorn's life. Who wrote this story? How did the writer learn about Aksorn's personal history? Is Songjam the author? Is there any way the two guys can meet in person? While the novel may be the only key that breaks the wall between Aksorn and Songjam, the mirror, the only obstacle that separates them, remains at the same time the only thing that unites them.
This romantic drama with a touch of fantasy is the first BL series from Studio Say-Yes.
As in every love triangle, in this story about coming of age, friendship, love, discovery and acceptance, a third character is missing, and this is Khiao, played by Atirut Kittipattana, the well-known actor, singer and presenter of news. The trio will travel together, on both sides of the mirror, and we will learn more about them and their past. But will it be a true and classic love triangle?
I am struck by how Beck's character offers an image of a gay teenager who, despite his youth and family trauma, has maturity when it comes to relating to others, and maintains a healthy relationship with those around him, something which is sometimes missing or failing in other series of the genre, as it is not written and represented as delicately and carefully as on this occasion.
Through a modern fairy tale, 'Memories in Letters' demonstrates the interest in making homosexuality visible during the adolescent-youth stage approached from everyday life, that is, without the characters experiencing it with drama or histrionics, as traditionally happened. Homosexuality as a trope is inserted not only in fictions aimed at a youth target or audience, but also in audiovisual content intended for adults, offering greater understanding to those who deal with adolescents, that is, family members, friends and those people in their school environment who participate in their personal and psychological development.
The musical themes "Crossing Paths", performed by Atirut Kittipattana and Parky Napavit Tewaphankul, and "Definition of Love", by Soravit Thitipawat, reinforce the action on the screen to tell this amazing story of love that overcomes all barriers and limits of its realities going beyond science and its properties, and that, in addition, demonstrates that with a low budget you can also work on the genre when there is passion and creativity for the story you want to tell.

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