The Boy Next World: Uncut (2025)

Quando o Sci-Fi do Pão com Ovo Vira Colapso Emocional

Nunca achei que um BL com sci-fi e orçamento de um pão com ovo fosse me fazer chorar no meio da madrugada, mas The Boy Next World conseguiu. E não foi um choro fofo, foi um colapso emocional completo.

Comecei esperando algo estranho, talvez confuso, talvez só bonito. O que recebi foi uma história que me engoliu. Aos poucos, foi crescendo até me deixar olhando para o teto, me perguntando se em algum outro universo eu também amei alguém assim.

Phu é gentil e calmo na superfície, mas carrega o peso de mil versões de si mesmo. Cada fala contida, cada silêncio, transmite essa carga. Cir, por outro lado, é fechado, direto, cheio de camadas invisíveis que não se explicam, só se sentem. Ele é como um trauma que aprendeu a amar. E, por mais que o universo pareça conspirar contra, eles se pertencem.

A premissa do multiverso é ousada para um BL: vidas paralelas, memórias cruzadas, sentimentos que não deveriam existir. Mas há pontos da trama, como a habilidade do Jin de ler mentes e certas motivações do Cir de outros universos, que ficam no ar, pouco explorados ou mal explicados, o que pode frustrar quem gosta de respostas claras.

Apesar disso, o roteiro, embora às vezes confuso e com diálogos expositivos demais, funciona na construção dessa atmosfera desconfortável e dolorosamente humana. A produção simples e os cortes secos, junto com efeitos visuais quase simbólicos, podem incomodar quem espera algo mais polido, mas ajudam a criar um clima único.

Algumas cenas têm uma intensidade silenciosa que não sai da cabeça, e o final… bom, não é para quem busca fechamento, mas para quem aceita a ferida aberta.

Se você quer algo tecnicamente perfeito, com trilha sonora elaborada e aquele slow burn clássico, pode se decepcionar. Mas se gosta de romances que doem, amores quebrados tentando se remendar no caos do tempo e da memória, essa série é um soco na alma do jeito certo.

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If the actors are improving their performances shouldn't they be given better stories???

First of all, I have to congratulate Boss and Noeul's acting and how it has improved since LITA. It is appreciated, because it is a couple that has great chemistry and it is palpable, but in LITA there were moments when the acting was weak. Here, an improvement is noticeable, although the same thing continues to happen. They are still in the same roles. Boss's character as the protector of Noeul's childish and naive character, which makes me quite angry, since it does not allow us to see the versatility of the actors and the possibility of reaching different characters. It is clear that Noeul can act when portraying a naive and sometimes childish character when in real life his personality is completely opposite. That is why, I wish that in future projects of this couple, they play with other characters and personalities.
In itself, the whole cast is good, but the story does not do justice and does not help to demonstrate their worth.

I really hope Boss and Noeul next project they'll work with a different writer....

The whole plot at the beginning was aiming high and at the end, everything was so rushed leaving too many plot holes and things unsolved. I feel that they 'solved' the problem selling your brother? YES great idea, in one of the parallel worlds, we see Cir devasted and Phu hugging him (we can deduce that is because it's his brother died) but what the hell , I would sell my brother just to spend time with my crush. Also the father appearing like he is going to be someone when in the end is a non player in this whole plot. The second couple they were there just to be there, they weren't important , they develop their relationship in three episodes.... showing how you care about your characters....

I'm fed up with a certain scriptwriter/writer, writing scenes where consent is not respected and perpetuating certain clichés. How can you romantise stalking your crush/partner??? (Girl , if I know that my partner has been stalking me for years I would be afraid and not delighted). Let's see if Boss and Noeul and all the actors in this series manage to get away from this writer... and not make more series with her. The way she made romatising Cir stalking Phu and being obessed over him is something that left me speechless, all I can say: DISAPPOINTED BUT NOT SURPRISED.

The thing that upset me the most is Phu begging and asking for forgiveness to Cir.
How to deal with your stalker: Did you just find that someone has been stalking you five years, what are you going to do?
a) Call the police
b) Leave that person behind
c) The two answers above
d) Ask for forgive because he did it because he love me. (CLEARLY THE ANSWER) .
Take note guys, stalking , enterning in someone house without consent is something right if you do it because you love him/her.

Well, well, let's pray that Boss and Noeul can find a project that isn't written by Mame, that day there will be shooting stars or frogs will start growing hair or whatever weird and strange thing you can imagine.

Last but not least, OF COURSE, THIS BL HAS ONE OF THE THINGS I HATE THE MOST: MISOGYNY. The world of BL is full of misogyny, most of the stories, the women are the villains or characters where they do not let the protagonists be together or it separates them. As a woman, I'm annoyed by the acceptance of misogyny in BLs and how it has been accepted in such a blatant way, when in most cases BL fans tend to be women or the series are dedicated to a female audience. How much longer will we have to put up with women as villains?

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