SweetCat

Well, you’re going to have to get used to Google and artificial intelligence; we’re not going back to the Stone Age, polished or chipped, and communicating through smoke signals. I like to “talk” with ChatGPT because it “speaks” about things I hadn’t thought of. A really good director can extract a performance from actors that others cannot, unlike New, who is mediocre and makes the actors perform worse than they actually can.

Well, you’re going to have to get used to Google and artificial intelligence; we’re not going back to the Stone Age, polished or chipped, and communicating through smoke signals. I like to “talk” with ChatGPT because it “speaks” about things I hadn’t thought of. A really good director can extract a performance from actors that others cannot, unlike New, who is mediocre and makes the actors perform worse than they actually can.

I do have to praise Gemini’s acting. The other day I was messing around on ChatGPT, and it was telling me about how a director can really elevate an actor’s performance if they’re truly exceptional and Aof definitely is. He manages to draw out strong performances from people you wouldn’t expect. But I feel like Fourth is coming across a bit muted.

I’m kinda disappointed. I thought they were going to dive into religious dogmas, but so far it’s just another school BL… with all those tired K‑drama clichés like bullying and students tearing each other apart.

Rarely does a scene or a dialogue get stuck in my memory. I don’t know if it was Sammon who wrote it, but that rooftop cigarette dialogue is brilliant 'Keep the change'

Director Aof is one of the few who does something different today at GMMTV, in the good sense of the word. It already starts with the opening music — I found that chant, that choir, which sounds Gregorian, very beautiful.

Now I remember why I was interested—this one's from Sammon

Great actors, I mean.

I get it and I agree, I thought both protagonists were great. As for the script, that’s a whole other story haha.

If I were to analyze it with my Western perspective, I would give it a score of -1: these are dramas without social critique, no criticism of the government, the couple is so distant it hardly feels like romance, they don’t even kiss. Now, making an analysis that takes into account their limitations, I would give it an 8 for now. The problem is that most of these C-dramas drag on too much a lot could be cut out.

i agree

It's amazing all the actors are great.

They must be very demanding; I'd give them an 8

The protagonist's friend looks like a Thai actor named Bible.

The main character is wonderful and very expressive—I loved it

i agree

eu fico babando nesses homens chineses muito bonitos

Because people are free to ship whoever they want, as has already been said.

What you’re saying doesn’t make any sense. So if I ship a heterosexual couple, it’s queerbaiting? People are really stretching these terms just to act like activists while at the same time being fans of like ten actors who are homophobic or have other problematic histories I know their track records very well.

Now that you mentioned it, I remembered I used to ship Alina with the Darkling from Shadow and Bone(Leigh Bardugo). It’s not as popular as Twilight or Harry Potter, but it’s relatively well-known and even got a Netflix series.