Buffalo Springfield & Kdramas in the same sentence!I understand what you mean and The history of women in theater.…
It’s the way they operate in the world, but when taken to the extreme they are completely destructive and murderous. Seonju the person most victimized by both mother and daughter is the focal point of Sangah’s hatred and rage.
Buffalo Springfield & Kdramas in the same sentence!I understand what you mean and The history of women in theater.…
Agree with you about adoption choices and wonder still about Sunnae and Woosang. Seems like an obvious mistake or trick. We as viewers have been waiting for the day that those victimized by Sunnae and Sangah get their revenge, but things are currently reversed in the minds and actions of the perpetrators, who think that they deserve revenge and believe they are the ones righting wrongs. I believe that this is a shift from traditional revenge drama but am looking forward to continuing the conversation…
For What it’s Worth (not the Buffalo Springfield song): >Ironically, because their interpretation of reality is twisted, the vengeance and need for justice is reversed with our characters. Sangah and her mother feel wronged and are driven to exact revenge, seeking to harm or destroy (even kill) to achieve their version of justice. Meanwhile , the factual victims believe that living well is the best revenge and often have chosen not to pursue legal justice. >Actors ages and other artifice: For a centuries women weren’t allowed to act and men played women’s roles. >I believe that what we’re watching is a construction of imagination limited only by the budget at hand. >Many of our actors work primarily in theater. >The skill of the actor in portraying their character is vastly more important than their actual age. We have the information resources to know the facts, but what we’re watching isn’t factual.
>Actors ages and other artifice: For a centuries women weren’t allowed to act and men played women’s roles. >I believe that what we’re watching is a construction of imagination limited only by the budget at hand. >Many of our actors work primarily in theater. >The skill of the actor in portraying their character is vastly more important than their actual age. We have the information resources to know the facts, but what we’re watching isn’t factual.
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