Editorials 
This review may contain spoilers
I wasn't expecting an idol-themed BL, but the first episode was surprisingly fun.The story follows Jen, the leader of a failed idol group who refuses to give up on his dream. Instead of accepting defeat, he begins searching for new members. The people he finds couldn't be more different from one another—an aerobics instructor, a boat-racing commentator, a volunteer rescue worker, and others with unusual backgrounds.
Watching these mismatched characters slowly come together gives the drama a lighthearted, feel-good atmosphere. It reminded me a little of The Bremen Town Musicians, with each member bringing a unique personality to the group.
There's also a handsome young man who seems to have known Jen for a long time, hinting that a romance may gradually develop alongside the group's journey.
If you're looking for an intense romance from the beginning, this may not be it. But if you enjoy stories about chasing dreams, friendship, teamwork, and a cheerful ensemble cast, this series is definitely worth checking out.
I'm looking forward to seeing how this "instant idol group" grows together.
It's also interesting to see this project created by Tonnam Piamchon Damrongsunthornchai, a familiar face to many Thai BL fans. After appearing in numerous supporting roles over the years, it's nice to see him bringing his own story to the screen.
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This review may contain spoilers
When the Law Fails, Fiction Becomes an Executioner
**When the Law Fails, Fiction Becomes an Executioner***Mr.Kill* is one of GMMTV’s more unusual and ambitious series. Rather than placing romance at the center, it combines a murder mystery, police corruption, family tragedy, and the disturbing question of what happens when the law protects criminals instead of ordinary people.
**Kay’s Manga and Toon’s Revenge**
Kay creates Necros, a fictional executioner who punishes criminals beyond the reach of the law.
Toon comes from another family destroyed by the same Thai Investment Bank fraud. His innocent father was deceived and burdened with debt, while the resulting blame, humiliation, financial hardship, and family breakdown shaped Toon’s life.
After discovering Kay’s manga, Toon sees his own anger reflected in Necros. He transforms that fictional punishment into reality and, as “Asura,” begins executing those who participated in the fraud but escaped justice.
The revelation that Toon was the killer was not especially surprising. What made it powerful was the quiet hatred in his words. He does not behave like a man who has suddenly lost control. He has lived with this resentment for years and reached the terrifying conclusion that if the law refuses to punish evil, someone else inevitably will.
Off gives Toon a restrained performance that makes his anger far more frightening than an emotional outburst would have been.
**A Strong Idea with an Uneven Finale**
The final confrontation itself was not as satisfying as I had hoped. However, the series’ central theme remained powerful: laws created to protect the public can be twisted by privileged people until they become weapons that hurt the innocent.
My greatest disappointment was the ending. One year later, Kay and Phat reunite in an underground location and embrace. I understand why the series wanted to give their relationship a romantic conclusion, but it weakened the dark atmosphere the story had carefully created.
I would have preferred Kay to disappear completely into the shadows, while Phat discovered a new underground Necros manga and realized from it that Kay was still alive. They did not need to meet again. Knowing that Kay survived would have been enough—and far more haunting.
Despite its imperfect ending, *Mr.Kill* is worth watching for its dark atmosphere, moral ambiguity, and willingness to explore territory rarely seen in a GMMTV series.
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Episode 1 Review
What kind of birthday is this… seriously? 😂The episode opens with a dramatic scene in the Ayutthaya era—someone gets shot and dies… and then suddenly cuts to a cheerful birthday party.
That contrast alone already tells you what kind of ride this is going to be.
Klao (Nakun) is having the worst birthday ever.
Everything goes wrong—from being mistaken as a thief to getting weird advice from a fortune teller telling him to “go back to Ayutthaya.”
And then… he literally gets hit by a falling star.
Next thing he knows, he wakes up 400 years in the past.
People call him “Master” and “Klao,” but he insists he’s Nakun.
On top of that, there’s Hop—an annoyingly arrogant guy—making things even more chaotic.
The fun part is Nakun trying to logically figure out how time travel works, like:
machine
magic
unconsciousness
death
…and realizing none of this is helping him at all 😅
JJ’s performance here is surprisingly energetic and expressive.
Instead of a calm character, he plays Nakun as loud, confused, and constantly talking to himself—which actually makes the episode very entertaining.
It’s a classic “modern guy thrown into the past” setup, but the pacing and humor make it really enjoyable so far.
Curious to see how this chaotic start turns into a real story.
Rating: 7.5/10
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