NCloudY

This is not remake, it's re-create

I have watched several remade dramas. Many of them disappointed me, but there are remakes that are done very well. A remake involves creating a new version of a work, with adjusted plots and characters. I always hope for the excitement that comes from these adaptations whenever I try to watch a remake. There are two great remakes that I refer to when watching remake dramas: "Playful Kiss" and "Solomon's Perjury." Both are Korean dramas that adapt Japanese dramas and films. I watched both versions and was satisfied with them.

These two dramas adapt the plot and Japanese culture well, adjusting it nicely to Korean culture without rushing to build a new identity for the drama.

However, it’s not the same with this drama. In episode 1, this drama portrays the childhood of the characters quite well. The casting for the parents is very well done, and I am quite satisfied with that. The child actors are also fairly good in portraying their characters.

When the characters begin to enter adulthood, I noticed many important scenes that should have been included but were omitted. I know it’s not easy to condense 40 episodes, but removing major scenes and creating a new plot that lacks a similar message is not the right choice. This is a remake, and while being different and having its own color is fine, it shouldn’t come at the expense of altering the plot.

I was quite skeptical about JCY when the cast was first announced, but it turns out that among the three main cast members, I think she acted the most naturally. She manages to create a new character for Jian Jian effectively. A slight difference in character is okay as long as the overall character doesn’t change. What disappoints me more is the acting of HIY. This is the third time I’ve watched his dramas (18 Again, Why Her?), and I feel there hasn’t been significant development in his acting style.

My disappointment continued when I realized that the character Tang Can was not adapted in this drama. She is a main character who significantly influences Jian Jian’s character development, but this drama seems to prefer emphasizing romance over family and self-development, focusing instead on a love quadrangle that I think isn’t as important.

I am uncomfortable with the change in Ming Yue's character in this drama, as that’s where her development lies. The actress playing Park Dal has acted well, and there’s no doubt about that, but it feels like a new character. Ming Yue is a cowardly female character who gradually starts lying because she cannot express what she wants; she doesn’t dare to openly confront her mother at all during her youth. The first time she does so is at age 25, but here, Park Dal’s character boldly expresses her opinions to her mother while they’re eating together. That doesn’t feel like Ming Yue at all. It’s an unnecessary adaptation of the character.

In fact, this drama has a lot of potential if it wanted to place more emphasis on family rather than romance, just like the original story. Or like its title, because that is indeed its most interesting point. Almost 80% of the casting is well-chosen, with good acting and compatible faces. But everything feels wasted due to the plot that tries too hard to create something new, a new identity. If that's the case, it would be better to just create a new drama.

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Between Realism and Clichés

Since this drama clearly tries to take a realistic approach from the start, I’ll also give my review in a realistic way.

The good:
The show is quite detailed in setting up props that match the characters and their economic background.
The acting is solid and emotional.
The cinematography is also good.

The bad:
I feel like the drama doesn’t want to focus too much on romance and tries to highlight personal growth instead, but somehow every character’s main issue still ends up revolving around romance—as if people can only grow after finding or losing romantic love.

I also feel the messages are delivered way too directly. I’ve only watched 6 episodes, but there are already lots of cliché scenes that, based on my own college experience, don’t feel realistic at all.

For example, those intense personal talks with a thesis advisor. From my perspective, that feels unrealistic. An advisor isn’t the same as a homeroom teacher or school counselor. At least in my country (or maybe just at my university), professors only really care about GPA and their students’ courses.

This is actually the first drama I’ve seen where characters have non-academic interactions with their advisor, and honestly it feels awkward. Also, why is the professor always on campus? Apart from the head of department, I rarely see professors hanging around that much.

Lang Lang’s character growth also seems to come mainly from her advisor’s advice, which (to me) undermines her independence. At the end of the day, that’s still just personal opinion, but because it’s coming from a professor, it clouds her logic. That’s not the kind of development I’d expect in this genre.

The “tomboy girl” trope—no makeup, no dresses—feels pretty stale. At first I liked her strong personality, but little by little she’s made more dependent on her advisor, which I didn’t enjoy.

Then there’s the whole T-shirt distribution scene to stop campus gossip, and everyone just agrees to wear them. It looks like a “cool” plot idea, but it’s not realistic. In college, people usually don’t bother clarifying gossip—they just watch from the sidelines. Just because someone initiates something doesn’t mean the majority would instantly agree, especially since the drama never explains why they’d agree to wear the shirts.

Another example is Fan Xiao Yu. She was supposedly “cut off” financially by her dad and forced to live independently, but she still lives like she’s getting allowance every month. There’s no real struggle. Yes, she sells her belongings, but her lifestyle doesn’t match what she’s selling. And eventually, selling personal stuff will hit a wall—you can’t just keep selling forever.

And one scene that really bothered me was during the military training. Ma Yiran pulled Lang Lang’s zipper down to “show her how not to overheat,” then zipped it back up. To me, that’s problematic—it’s harassment, not romance, and it shouldn’t be romanticized.

I’ve only seen 6 episodes, but honestly it feels like watching a webinar where the speaker keeps making sure I catch the “lesson.” It’s too on-the-nose for my taste. But maybe other viewers can still enjoy it more than I did.

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