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Editorials
K-Drama
Editorials
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You can admire her strength and still expect the writers to give her choices, motivations, and scenes that define her outside of the male lead. Recognizing her personal qualities doesn’t mean we shouldn’t notice weak writing or missed opportunities for richer character development.
Even if Ashui is meant to be mysterious or miraculous, the writers could still give her choices, subtle motivations, and foreshadowing to make her feel like a fully realized character. Right now, she mostly exists to orbit Tang Lici, and that is what makes her feel underdeveloped.
Calling out these patterns is not anti-female or a double standard. It is about storytelling and representation. Excusing weak writing by hiding behind genre conventions or assuming critics are biased fans only perpetuates underdeveloped female characters. Discussions like this are important because they help us see how to write women with agency and depth.
Suggesting that criticism of Ashui must come from discomfort with caring or dependent women is exactly the kind of framing that shuts down meaningful discussion. I’m not against femininity or nurturing traits, I’m against flat writing that defines a woman’s entire existence by a man’s storyline.
You can absolutely appreciate all types of women in fiction and still expect them to be written with agency, individuality, and purpose. That’s not a contradiction; that’s a standard for good storytelling.
And honestly, it makes complete sense that women criticize Ashui’s character more than the male ones. When you’ve lived in a world that often limits women’s voices and agency, you notice immediately when a female character is written as secondary, dependent, or without her own goals.
Real women don’t exist to orbit men or to reflect their growth, yet that’s still how female characters are too often written. It’s not about "hating" her; it’s about wanting better representation. Women want to see female characters who are as complex, flawed, and self-driven as real women are. That’s not bias, that’s awareness.
And that’s exactly why conversations like this matter. Talking about how women are written, what patterns we see, and what feels outdated is important for feminism to grow. The more we discuss it openly, the clearer it becomes what real equality and nuanced female representation can look like.
What I meant is that, from a writing perspective, she hasn’t been given much agency or inner motivation beyond her connection to Tang Lici. It’s not about her being a homemaker-type or lacking ambition; it’s about her not having a personal arc that shows her inner world or her choices shaping the story.
Strength can absolutely be expressed through kindness, but even kind, nurturing characters can be written with depth, conflict, and individuality. That’s what I feel is missing right now. I’d love to see the show explore that side of her more, so her warmth feels like a conscious strength, not just a trait in service of the male lead. BUT yeah that is my perspective, if you have less expectations regarding the quality so be it 😌 I personally want to see female characters that are equal to their male counterparts... not a side-character that is being used for the arc of the ml.
I also said she feels useless, not that she is, but as a character, she revolves completely around TLC, and he’s her only focus. That’s not limited to her either; it’s the same with Chi Yun, Shen Langhun, and even Liu Yan. It’s honestly disappointing because the show has potential for deeper, more layered characters but right now it just seems like your typical Liu Yun Xi drama... 90% at the center.
And about the idea that “people just don’t want the ML to interact closely with women,” that’s quite a dismissive and frankly misogynistic way to frame valid criticism. Many of us want to see strong, well-written female characters who can stand beside male leads as equals, not just orbit them. Wanting better female representation isn’t about jealousy; it’s about wanting quality writing and agency.
The “damsel in need” archetype with no inner drive or unique identity feels outdated. I’d love to see her and the other characters get more independent goals, choices, and internal struggles. That’s what gives characters real weight and makes dramas more meaningful too.
Very brave that you bought the book though? Can I ask why? 😂 I mean seemingly, you did not like the drama at all.