Feardorcha

Whatever. Just bring back Yamase Kazuma's glistening naked torso and let me stare at that for the final episodes. I'm just so over the MLs and their bland, predictable nonsense.

A slow slide into utter mediocrity, and a pathetic "kiss" so insulting it makes me want to vomit. What a waste of time.

Perhaps you should read my comments again.

I would believe that was the intention save for the overall presentation of the conflict, which focused heavily on responses from Wandee that had little to nothing to do with the scholarship, particularly Wandee's juvenile "make him jealous" shenanigans. Indeed, so much of Wandee's subsequent behaviour following his unsuccessful confession has been about his anger at the rejection that I still can't take the scholarship contest seriously as an actual bone of contention rather than just Wandee's cover for dealing with his heartbreak by lashing out.

This series is wildly stupid. It is so very dumb. It's badly plotted, weirdly acted, and awkwardly shot. And yet, I can't look away.

On a serious note, and I swear I ask this every time, what exactly does the Thai BL industry have against Long? Did he run over someone's dog, seduce and then dump someone's kid, forget to respond to a text, what? The man is handsome, sexy, and a versatile actor; why does he keep getting relegated to such awful projects? Either someone has a vendetta or Long is being punished for some misdeed in a past life.

Nice of the series to show character behaviours from Dr. Ter that suggest he's a conflicted but perhaps narcissistic asshole with a power-control complex. Seems the series is aware enough to know it's ridiculous to villainize a character simply because they knocked back someone crushing on them. Yes, rejection is painful and humiliating, but no one is obligated to return anyone's romantic feelings, and it has been bugging the hell out of me that the series was treating Dr. Ter like a jerkass simply for declining to date Wandee.

In the same vein, we might be headed too far in the other direction, accompanied by some dullness about Dr. Ter emerging from the closet...

Frustrating. This series is just immensely frustrating.

I have watched this series, I think on average, every three nights since the last episode aired. At my most recent re-watch, I believe I finally understand why I adore this series so much: I love one-act plays; I love short stories; I love haikus & Gregorian chants; I love chamber operas & Kabuki; I love the silence between things. So this series rings rather loud.

Drake has been an absolute delight in every scene he's had from the very first episode. He's given his character such supportive warmth and calm humour, while still feeling like an individual rather than just an extension of a main character (which happens a lot with GMMTV's side characters). We should all be so lucky to have a friend like Dr. Plakao.

That...was a journey. While this series is definitely the best of MaxNat's projects to-date, it had its share of issues (the editing choices are flat-out baffling). However, I enjoyed visiting this tale each week, and there was a kind of magic in the asynchronous quality of the production from episode to episode. iQIYI, as ever, has the absolute worst translations, which also undermines the series, but with enough familiarity with Thai and/or checking out fan translations, there is certainly poetry to be found in the script, from time to time.

Worth at least one watch, despite its many flaws.

Oookaaaay. This series was uneven, while being engaging. I neither liked nor disliked the lead couple but their story felt rather silly and immature, particularly when contrasted with the second couple. I thoroughly appreciate that the second couple didn't have a perfectly happy ending, and their story instead took a more realistic direction that rang true to their characters and their conflicts. I'd love to see a spin-off for the two of them; them finding their way toward one another was the most interesting journey of this series, even if they didn't quite get there in the end.

Definitely worth at least one watch.

Ming is deplorable and Joe is pathetic. It'll be interesting to see if/how the series manages to make me care about either one, or their romance.

This series is just atrocious from the first episode to the last. One star for the dog.

Well. Hold on to your butt.

Draw me like one of your French girls, Khram.

I mean, I'm not complaining—Max is a beautifully proportioned man and I fully support any reason for him to take his clothes off—but that visual had me laughing so hard.

Every single character in this series including the extras needs therapy and a course in interpersonal communication skills. I fucking love it.

This series does not need 16 episodes.

Tweedle-Dumb, Tweedle-Dumber, and Tweedle-Dumbest travelling Korea and ineptly doing good is a cute premise. Perhaps that's why the opening of episode nine, while as ridiculous as the rest of this trainwreck of a series, was the most fun had so far. It's a self-aware, intentionally comedic scene, one that leans in to the show's stupid and just runs with it. It reminded me briefly and very superficially of "Rak Diao", and it made me smile.

Episode ten made me wonder if this was ever meant to be a BL. The tone, style, and flow of many scenes in this series suggest this script began life as someone's personal self-growth drama about coming to terms with the past but then a studio head demanded boys snogging and the writers' room just went off the rails. It's truly astonishing how bad this series is at everything it is trying to do, from comedy to intrigue to especially romance. Just...wow.

All that pants-wetting and sweaty armpits over...that? I'm not saying an individual's experience of trauma is valid only under certain conditions but after enduring all those nothing episodes to find out why Uno is so terrified of dogs only to be given that backstory, well...I have never been so disappointed at a child not being mauled by a rabid animal.

Does this café even do any marketing? I know the poor finances are the main reason they agreed to do the variety show but there is never a customer in the place. If Dae Byeol just wanted a career surrounded by dogs, he should've opened a kennel. Hell, he has enough real estate to convert that place into a luxury doggie daycare, and a veterinarian BFF who can provide exclusive recommendations to a prime audience. It seems so unnecessary for him to be on the struggle bus running a business with such thin margins when restaurateuring isn't even the point.

I get that Shirasaki is supposed to be a self-conscious, awkward sod but has he never read books, watched movies, attended the theatre, or just...met other Humans? The man has not only failed to evidence any skill or talent at his craft, which at its root is simply an exercise in imagination, it's truly a wonder he's managed to survive on Earth at all.

Surely, he only got the role because Hayama made it a condition of his own participation. Or maybe Shirasaki's manager has dirt on the director. I simply do not believe Shirasaki would've been cast opposite such a big star, given how unsuited at the job he appears to be. Someone calling in a favour or enacting light blackmail is the only believable reason he got that role. He could be a competent artist while still being nervous about his potential big break, there's no reason to make him so inept as to destroy all suspension of disbelief.

I mean, I'm not entirely sure why Hayama is such a big star but he can at least emote without looking like he's going to wet himself, so he's definitely leagues above Shirasaki.