Pearl Chang Ling starred as the Invincible Swordswoman, or in this movie's case, The Heavenly Swordswoman Pai Yu Sung. This wuxia had it all-death, revenge, multiple betrayals, disguises, and unrequited love. Death and maiming occurred via swords, bamboo spikes, poison darts, and iron hands. And what would a Ming Dynasty martial arts movie be without a duplicitous and deadly eunuch guiding the evil events?

Pai Yu Sung had disappeared after the death of her father by the Eunuch Ma Tang. She returned as the man Pai Tong about the time the bad guys were searching for her to kill her and the good guys were searching for her to help them. Tu Yueh Pian hated and loved her. When they were young he'd been obsessively in love with her and wanted to be close to her, resulting in their master blinding his one eye when he tried to take advantage of her. Yung Tsin Tsin, Tu's old classmate wanted Pai dead because she was in love with Tu and was obsessively jealous of the great swordswoman. The Eunuch Ma Tung who had Pai's father killed wanted her dead as well because he thought she was a threat to him. The woman had more enemies than she knew what to do with. A strange beggar named Lee Chiu ended up taking her side and watching her back.

A kung fu tournament was held to try and draw Pai out. It would be a chance for the bad guys to kill her and the good guys to use her to take a secret box with evidence against Ma Tang to the proper authorities. The tournament was held on a spectacular set built of bamboo spears. The combatants had to fight using the weapon of their choice on the top of the spears. Lo Lieh showed up with a metal hand that had an endless supply of poison darts. After winning her fights, Pai met with the young master Wang to take possession of the secret box and the betrayals, impersonations, poisonings, and killings began in earnest and did not end until the final credits.

Pearl made for a confident swordswoman who was seeking justice for her father. Cliff Lok as Lee/Ni Chiu, at first seemed to be the comic relief but evolved into one of the most important and sympathetic characters. Tsung Hua's Tu Yueh Pian, was far from sympathetic and I'm still not sure what the writer wanted us to feel about him. His angry obsessive "love" seemed to only make Pearl and me feel repulsion. Chiang Ming's Ma Tang came across as almost super human with a magical throne. Yueh Hua had brief appearances at the beginning and the end of the film. Fan Ling as the jealous Tsin Tsin swung her sword with authority as she grudgingly gained respect for Pai and sided with her in the battle against Ma.

Most of the sword-fights were quite good for this era, a little above swing and fall. There was quite a bit of wuxia light body work, aka wire-fu, for those who are averse to it. The tournament on bamboo spears occupied much of the middle of the film and used diverse enough skills to keep it interesting along with several subsequent impalements. And then as now, when a cross-dressing character's hair was let down, everyone knew Pai Tong was a woman. Men had long hair as well, so I've never figured that one out, but those are the genre's rules. The final battle was one of skill and heart as the good guys fell at an alarming rate against the invincible Ma's three sword attack. Almost no one walked away into the sunset after this movie's blood baths.

I quite enjoyed Pearl's performance and surprisingly for me Cliff Lok's. The fights were fast and entertaining with enough carnage to make them credible even with the moments of flight. If you enjoy old martial arts films, this is one to try. As always, I grade these low budget niche films on a curve.

3/22/23