31
98
7
The Butterfly
"What is the meaning of those days?"
The Days focused on the immediate aftermath of the March 11, 2011 earthquake and tsunami and their catastrophic effects on the Fukushima Daiichi Nuclear Power Station. The events were shown from the side of the workers and their heroic efforts and the political side which was hindered by personal stakes, ineptness, and evasion of responsibility. The performances were engaging and nuanced and by far the strength of this drama based on the tragic real-world calamity.
"Mistake or destiny?"
When the earthquake and tsunami devastated the electrical grid, the power plant was left without electricity relying on back-up generators to keep the safety measures going. Never dreaming that a tsunami would reach the heights it did, the generators were ruined by seawater. Men in the control room were in the dark both literally and in relation to what was going on in the deadly monsters they were in charge of. Maejima was assisted by veterans Furuya and Osugi as well as younger operators who sought to do what they could only aided by flashlights.
"Forlorn hope"
Manager Yoshida Masao set up headquarters in the Seismic Safe Room to assess the damage and brainstorm responses to the critical issues. Hampered by a loss of almost all communication after the tsunami and largely cut off from the rest of the world the plant operators had to use what they had to try and determine the status of the four units. They resorted to using car batteries to attempt to open vital valves. Things went from bad to worse with aftershocks and hydrogen explosions. Yoshida sought to protect his workers as best he could even while knowing they risked their lives as they attempted to gain information by traveling into the belly of the radioactive beasts and for the workers who fought to remove radioactive debris to bring the fire trucks and the hoses needed to supply water to cool and de-pressure the escalating situations. Eventually, he made the hard decision of who would stay as he ordered the evacuation of most of the workers, knowing that those who remained might die if the worst happened.
"Our company has lost its mind."
On the political side of things, Prime Minister Yan was not advised by nuclear power experts but often those who seemed to be political appointees-who needs an economist during a nuclear disaster? The management at TEPCO was completely unprepared for such a disaster and the manuals gave no guidelines. Both the political and business advisors seemed to be more concerned about giving unpleasant news or being held accountable. They also worried about looking bad to the public and never mentioned the nuclear meltdowns by name. Their ineffectual echo chamber could have led to even more devastation if Yoshida had listened to them. Yan at one point belittled the heroes' efforts. While the people safe from harm worried about plausible deniability, they failed to supply the plucky workers with the basic supplies they needed.
"We don't have a guide, we're in it to the end."
Yakusho Koji gave a powerful performance as Yoshida. Without histrionics he conveyed the calmness and strength of the man in charge of saving the nation with his decisions. Yakusho expressed grief, horror, resoluteness, and exasperation with his face and body movements and provided a stalwart character for the others to trust in and lean on. He showed Yoshida's defiance with deftness and even humor. It has been a long time since I have been so engaged by an actor's performance. Takenouchi Yutaka, Kobayashi Kaoru, and Musaka Naomasa played the operator warriors in the dark control room who braved the dangers so close to the deadly radiation. Though their faces were often covered by protective equipment and respirators the veteran actors' performance came through. These men portrayed, like Yoshida, knew their chances of surviving were slim to none and yet they did whatever was necessary for the greater good.
"I can no longer leave here alive."
The drama displayed the events and actions almost hour by gripping hour. I was always shocked by how much the operators had accomplished when the time clock was shown. Yoshida came across as the hero of this story and the faithful men who risked their lives to cool down and calm the radioactive beast that had the power to leave a third of Japan uninhabitable for decades. The actors who played the fearless Daiichi workers gave understated and formidable performances that were compelling and emotional. The Days was a cautionary tale of human hubris in the face of nature and yet how there are still heroes among us. It is a drama well worth the time for viewing.
9/7/23
"Mistake or destiny?"
When the earthquake and tsunami devastated the electrical grid, the power plant was left without electricity relying on back-up generators to keep the safety measures going. Never dreaming that a tsunami would reach the heights it did, the generators were ruined by seawater. Men in the control room were in the dark both literally and in relation to what was going on in the deadly monsters they were in charge of. Maejima was assisted by veterans Furuya and Osugi as well as younger operators who sought to do what they could only aided by flashlights.
"Forlorn hope"
Manager Yoshida Masao set up headquarters in the Seismic Safe Room to assess the damage and brainstorm responses to the critical issues. Hampered by a loss of almost all communication after the tsunami and largely cut off from the rest of the world the plant operators had to use what they had to try and determine the status of the four units. They resorted to using car batteries to attempt to open vital valves. Things went from bad to worse with aftershocks and hydrogen explosions. Yoshida sought to protect his workers as best he could even while knowing they risked their lives as they attempted to gain information by traveling into the belly of the radioactive beasts and for the workers who fought to remove radioactive debris to bring the fire trucks and the hoses needed to supply water to cool and de-pressure the escalating situations. Eventually, he made the hard decision of who would stay as he ordered the evacuation of most of the workers, knowing that those who remained might die if the worst happened.
"Our company has lost its mind."
On the political side of things, Prime Minister Yan was not advised by nuclear power experts but often those who seemed to be political appointees-who needs an economist during a nuclear disaster? The management at TEPCO was completely unprepared for such a disaster and the manuals gave no guidelines. Both the political and business advisors seemed to be more concerned about giving unpleasant news or being held accountable. They also worried about looking bad to the public and never mentioned the nuclear meltdowns by name. Their ineffectual echo chamber could have led to even more devastation if Yoshida had listened to them. Yan at one point belittled the heroes' efforts. While the people safe from harm worried about plausible deniability, they failed to supply the plucky workers with the basic supplies they needed.
"We don't have a guide, we're in it to the end."
Yakusho Koji gave a powerful performance as Yoshida. Without histrionics he conveyed the calmness and strength of the man in charge of saving the nation with his decisions. Yakusho expressed grief, horror, resoluteness, and exasperation with his face and body movements and provided a stalwart character for the others to trust in and lean on. He showed Yoshida's defiance with deftness and even humor. It has been a long time since I have been so engaged by an actor's performance. Takenouchi Yutaka, Kobayashi Kaoru, and Musaka Naomasa played the operator warriors in the dark control room who braved the dangers so close to the deadly radiation. Though their faces were often covered by protective equipment and respirators the veteran actors' performance came through. These men portrayed, like Yoshida, knew their chances of surviving were slim to none and yet they did whatever was necessary for the greater good.
"I can no longer leave here alive."
The drama displayed the events and actions almost hour by gripping hour. I was always shocked by how much the operators had accomplished when the time clock was shown. Yoshida came across as the hero of this story and the faithful men who risked their lives to cool down and calm the radioactive beast that had the power to leave a third of Japan uninhabitable for decades. The actors who played the fearless Daiichi workers gave understated and formidable performances that were compelling and emotional. The Days was a cautionary tale of human hubris in the face of nature and yet how there are still heroes among us. It is a drama well worth the time for viewing.
9/7/23
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