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The Butterfly
This review may contain spoilers
Knife fights with a side of kung fu
The Iron Triangle of Ti Lung, David Chiang and Director Chang Cheh set aside kung fu for the most part and picked up knives instead for The Duel aka Duel of the Iron Fist. The grand duel foreshadowed from the start would pit allies against each other in a fight that could not be avoided.
Set during the early part of the 20th century, Ti Lung's Tang Jen Chieh is the godson of a local Triad lord and brother to Ku Feng's Jen Lin. A hired killer, David Chiang's "Rambler," helps Jen Chieh when fights breakout. With buddy Hsiao Mao (Cheng Kang Yeh) they seek to protect Shen Tian Hung, but he is murdered during one of the huge brawls that begin the movie. Jen Chieh takes the fall for the fight, bids his girl Butterfly goodbye, and hides in the south until the heat is off. He returns home after numerous attempts on his life with only Hsiao and his now drunken brother on his side. The former accountant Kan has taken over the gang and is seeking his death. Jen Chieh is devastated to find that Hu Di/Butterfly is now a prostitute. With his world turned upside by treachery and death, Jen Chieh vows vengeance on those responsible.
The Duel's strength was the prickly bromance between Jen Chieh and the Rambler. Their complicated relationship gave depth to the impending collision. I've never been a David Chiang fan, but he and Ti Lung did have a nice chemistry together. I'm always happy to see Ku Feng, especially when he's a good guy. The problem I had with the movie was that the narrative felt poorly paced and needlessly confusing in others. Fortunately, the relationships between brothers and frenemies created a compelling movie when the plot lines didn't.
Tang Chia and Yuen Cheung Yan kept the fights interesting even when they were the few or the one against many. Close-ups were used which meant they couldn't have randomly flying bodies in a huge scrum. The slices and kicks were well timed and for a 1971 Hong Kong film---fairly fast. Instead of fists and kicks most of the fights involved knives or other sharp objects. The duel commenced after another free for all brawl in the rain with the two combatants wielding bamboo poles fighting in a puddle-filled courtyard. The death toll was high for this film, high even for a kung fu flick. I was disappointed that guns were brought in for the final battle. I don't mind trampolines, wires, and creative filming, but for me, guns don't belong in kung fu films. Because of the rapidity of skirmishes it was hard trying to distinguish the faces of the stuntmen extras and fighters-Chan Sing, Jason Pai Paio, and Yuen Woo Ping were among the many familiar names.
The Duel was an entertaining, if slightly different, film for the genre. The action rarely slowed down and the double crosses and revelations kept going until the end. Ti Lung and David Chiang displayed the special rapport that saw them through 20 films together. If you are a fan of old martial arts movies, this is one to try.
9/14/23
Set during the early part of the 20th century, Ti Lung's Tang Jen Chieh is the godson of a local Triad lord and brother to Ku Feng's Jen Lin. A hired killer, David Chiang's "Rambler," helps Jen Chieh when fights breakout. With buddy Hsiao Mao (Cheng Kang Yeh) they seek to protect Shen Tian Hung, but he is murdered during one of the huge brawls that begin the movie. Jen Chieh takes the fall for the fight, bids his girl Butterfly goodbye, and hides in the south until the heat is off. He returns home after numerous attempts on his life with only Hsiao and his now drunken brother on his side. The former accountant Kan has taken over the gang and is seeking his death. Jen Chieh is devastated to find that Hu Di/Butterfly is now a prostitute. With his world turned upside by treachery and death, Jen Chieh vows vengeance on those responsible.
The Duel's strength was the prickly bromance between Jen Chieh and the Rambler. Their complicated relationship gave depth to the impending collision. I've never been a David Chiang fan, but he and Ti Lung did have a nice chemistry together. I'm always happy to see Ku Feng, especially when he's a good guy. The problem I had with the movie was that the narrative felt poorly paced and needlessly confusing in others. Fortunately, the relationships between brothers and frenemies created a compelling movie when the plot lines didn't.
Tang Chia and Yuen Cheung Yan kept the fights interesting even when they were the few or the one against many. Close-ups were used which meant they couldn't have randomly flying bodies in a huge scrum. The slices and kicks were well timed and for a 1971 Hong Kong film---fairly fast. Instead of fists and kicks most of the fights involved knives or other sharp objects. The duel commenced after another free for all brawl in the rain with the two combatants wielding bamboo poles fighting in a puddle-filled courtyard. The death toll was high for this film, high even for a kung fu flick. I was disappointed that guns were brought in for the final battle. I don't mind trampolines, wires, and creative filming, but for me, guns don't belong in kung fu films. Because of the rapidity of skirmishes it was hard trying to distinguish the faces of the stuntmen extras and fighters-Chan Sing, Jason Pai Paio, and Yuen Woo Ping were among the many familiar names.
The Duel was an entertaining, if slightly different, film for the genre. The action rarely slowed down and the double crosses and revelations kept going until the end. Ti Lung and David Chiang displayed the special rapport that saw them through 20 films together. If you are a fan of old martial arts movies, this is one to try.
9/14/23
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