This episode took a huge turn, The funny lighthearted theme went down the ditch. But still a great series. I really…
Yeah, it’s still an awesome series.And Peak’s jealousy? Ugh, such a huge red flag! It’s so frustrating to see him acting out like that. Here’s hoping he gets it together soon.
Does Atom's motorcycle have GPS or something? He keeps bumping into Zen's grandma and stumbling upon Zen getting kidnapped. That's way too convenient! Even the writers must be pushing him into the plot.
It's clear the author is determined to shoehorn Atom into Zen's life as the third wheel, forcing Ryu to step up. This way, Ryu will finally open up and chase after Zen. Fans are dying for this ship to sail!
And Lin having a thing for Ryu? No chance. But she's asking the real questions: what happened during that year Ryu disappeared? Was it some family drama or a wild adventure?
I'm super curious why Ryu ended up on the streets and why Que took him in. Plot twist: Ryu and Que aren't even blood brothers! Is Ryu's debt to Que his ball and chain? And does Que have feelings for Ryu? That line, "Do you like him (Zen)?" makes me think Que might be into Ryu! This show is dropping so many cliffhangers, and I hope we get some big reveals soon.
Only four episodes in, and I'm already off the ship of Que and his gangster boss. The boss is a total cold-blooded villain!
Speaking of the coach, I've never been on a basketball team, but I know training isn't just about physical fitness! I love the coach's character, but if I were a player, I'd be giving him some serious side-eye. Physical fitness is key, but so are strategy, teamwork, and mental toughness. Hopefully, the next episode's retreat gets everyone back on track.
Can't wait to see these mysteries unravel and watch the characters level up.
This morning, I kicked off with Knock Knock Boys thinking it’d be lighter and funnier than The Rebound.
Boy, was I wrong!
Peak, sarcasm is a big red flag, dude! Jealousy made you misread Thanwa, then you went all sarcastic with, “You’re an adult now, decide if you want to leave.” You need therapy, man!
Hiding your vulnerability and not admitting your feelings—how’s Thanwa supposed to get on board with that? And your unresolved engagement? Major screw-up!
I didn’t expect Latte’s childhood to be such a tear-jerker. That heart-to-heart on the beach with Almond? Total feels trip!
Latte, snap out of it and figure out your feelings for Almond. Stop teaching him flirting, or you’ll end up like Peak.
And your “Watch and Melt His Heart” move? Not catchy. In high school, we called it “Lock and Sizzle” or “Gaze and Amaze”! But seriously, someone as clueless as Almond? Don’t mess him up!
I think the problem with ep4 is not so much the annoying behavior of Mook but because the series vibe was cut…
Oh, dear, I checked out Rak's place, and I really don’t like it. His loneliness and even depression are evident from his home's setup, especially his room. It doesn't seem like he enjoys life at all.
Rak and Mut have a lot to work on before they can get closer, but some challenges are realistic and make sense.
If I, a woman, fell for a guy on vacation and decided to bring him back to my city and let him stay at my place, would I really be completely unguarded and open?
So, I get why Mame set up the plot this way, even if I'm not her biggest fan.
I’m not here to defend Mook’s character, and I get why some people can’t stand her.
In real life, I don’t have friends like her! She’s probably just a fictional creation! Childish, loud, and always trying to act cute—honestly, I can’t relate to her at all.
I saw someone comment, puzzled that an adult woman like her is too scared to buy men’s underwear. I laughed! She’s a fictional character, after all. In my previous comment, I shared why I think Rak needs her in the story.
As for the STD issue, anyone in a serious relationship should be responsible for their own and their partner’s health, so check-ups are crucial. But when Mook “hinted” that Mut might have an STD, she was trying to protect Rak.
Yes, her insinuation was disrespectful to Mut and even discriminatory, but that doesn’t mean Mut will never be respected. I think it’s just part of the plot! Mut getting tested and proving he’s clean doesn’t mean Rak should skip his check-up. If they want safe sex, Rak should get tested too.
I remember when I first started driving at 16, my mom always warned me to be careful because some people drink and drive irresponsibly. That didn’t mean she only cared about others’ drinking and driving and not whether I was driving responsibly.
Sometimes characters don’t need to spell everything out. As the plot develops, many ideas become clear naturally.
If by the end of the story, Mut is still being discriminated against and treated poorly, then Mame, as the author, might have some explaining to do.
But for now? Everything is still unfolding. Characters are developing, and the story is playing out.
This BL series has me buzzing for future roles with Winny and Satang, and of course, Aou and Boom in the lead.
Remember Winny’s cameo in “Still 2gether”? He had that memorable showdown with Sarawat at the music competition. Fast forward to “We Are,” and he’s finally the leading man. In the insanely competitive Thai BL scene, landing a lead role with a great script is like hitting the jackpot.
But the real twist is that my favorite, Poon, with his ridiculously good-looking face, still doesn’t get enough screen time. Even with a love interest, it’s like they’re keeping him in the background.
I started watching this comedy BL series for laughs, but the non-consensual (NC) scenes really threw me off. No matter if you’re Gen X or Gen Z, consent is non-negotiable. Terms like bodily autonomy and respect for boundaries are key in any story.
It seems the vampire world’s love restrictions are a metaphor for societal oppression, trying to reflect issues like systemic control and personal freedom.
The show also idealizes human society, positioning it above the vampire world. This highlights the contrast between oppressive systems and idealized freedoms but downplays the severity of NC.
Joe and Patrick, as vampires, might lack the concept of consent, even though they navigate the human world. This raises questions about cultural norms and ethical standards across different societies.
While we express our disdain for NC scenes, it’s crucial to keep advocating for consent and respectful representation in media. Let’s champion stories that prioritize consent and mutual respect.
Kohei’s mom’s hangover means no bento, giving him an excuse to dodge Taichi.
Kohei tries to avoid Taichi by keeping his head down, even when Taichi greets him. Taichi, knowing Kohei can’t hear from behind, runs ahead to block his path.
This BL series nails the details. The basketball scene with Kohei and Taichi is smooth, with no choppy edits, and the actors genuinely playing ball.
The basketball transition perfectly symbolizes Kohei moving toward Taichi, which is the best metaphor in the show.
I can’t imagine any haters coming here to nitpick, right?!
Episode 3 totally had me hooked from start to finish. No cheesy sound effects, no overdone filters, no fake instrument playing. The character development, plot progression, and cinematography are top-notch for a BL series.
Zen and Ryu’s playful fake passes, dribbling, and shots on the rooftop were unforgettable. Ping’s acting has leveled up big time. OMG, so impressive!
My fave scene? When they’re under the bridge, leaning against the scooter, munching on skewers Ryu grabbed from a street vendor. This moment really showcased Ping’s acting glow-up.
So far, no characters have gotten on my nerves. Even Atom, who’s set up to be the potential third wheel between Zen and Ryu, is surprisingly not annoying (at least for now).
The only thing on my mind is the potential couple among the basketball players. If they become a thing, I hope their storyline doesn’t drag. Sometimes, having too many couples in a BL series can be a hot mess if they don’t get enough screen time or if they steal the spotlight from the main plot. Total bummer, right?
Is Mook annoying? Oh, totally! Is she a pain in the neck? Absolutely! She might not be a top-tier personal assistant, but Rak keeps her around, nestled into his tiny circle of trust.
Rak needs Mook. In his dark, brooding world, he craves her raw honesty, her nonstop chatter, her persistent nagging, and her patient reminders. She’s the comic relief in his serious drama.
Rak knows that despite Mook’s impatience and amateur skills, she’s like a loyal golden retriever bringing him peace of mind. Picture this: Rak’s standing on the stairs, watching Mook and Mut squabble, and he smiles. Why? Because there are two people out there who’d go to bat for him.
Rak is all about logic, restoring order in his post-trauma life. Vivi, on the other hand, speaks his language. They share the same status, wealth, and personality. Conversations with Vivi are a breeze; it’s like he’s in a smooth film noir—minimal words, lots of understanding looks. Even though Vivi gets him, she can’t crack his emotional vault. She knows the line and stays behind it.
But Mook? Oh, she bulldozes past that line with her endless talk and childlike affection, which Rak secretly needs like a surprise plot twist.
Growing up lonely, Rak became the knight in shining armor, always ready to defend the women in his family. You see this when his father approaches his granddaughter. Rak, exuding alpha vibes, reassures his sister, “Call me if anything happens.”
When faced with Mook’s nervous energy and anxiety, Rak sees her unwavering loyalty. Mook brings out a different side of him, one that feels warmth and steps up like a leading man. We see him accept Mook’s help, only to push her away and tell Mut they need separate rooms. Basically, Mook is his baseline; her presence reassures Rak he can be himself.
For example, when Rak impulsively wants to stay on the island and avoid going back to Bangkok, Mook’s firm stance makes him realize he needs to handle his business in Bangkok. So, he decides to take Mut back with him.
As Mut slowly captures his heart, Mook remains his loyal dog—loud, grating, and always barking until the master steps in.
We might hate the barking, whether it’s a tiny yappy Chihuahua or a big menacing Doberman. But no matter how loud they are, the master needs them, and only the master can quiet them down.
So, why is Dee dragging his feet about getting into a relationship with Yak? His hesitation, even shying away from a kiss, might drive some viewers up the wall, but if you dig deeper, his psychological landscape is fascinating.
Dee spent a whopping eight years pining for Ter without ever confessing. Eight years, people! Sure, medical school and being an intern are no cakewalk, but that doesn’t explain why he stayed in limbo for so long.
When Dee finally bit the bullet and confessed, Ter shut him down with, “You’re too vanilla!” Dee’s response? He couldn’t swallow that and went on a flirting spree at a bar to prove he’s not as bland as Ter made him out to be.
Why the over-the-top reaction from Dee? Willing to stay in an ambiguous relationship for eight years, but getting triggered by one comment to seek casual sex? Dee’s psychological world deserves a deep dive.
After entering a four-month love contract with Yak, Dee’s grandma, who seems to be his only family, knows about it. The show hints that Yak’s parents are no longer around. Dee’s grandma doesn’t meddle in his decisions, understanding he needs time and offering silent support without any moral judgments.
In just a few months with Yak, Dee realizes he likes Yak because he feels at ease with him. He figures out that his past infatuation with Ter blinded him to their mismatched compatibility. But these new revelations still don’t let him jump into a committed relationship with Yak.
I think Dee has some unresolved issues, possibly stemming from his family. Like Yak, who’s haunted by nightmares, Dee could use some couch time with a therapist. Is he dodging intimate relationships? Is he trying to prove something to feel secure?
If we’re just waiting for him to go all lovey-dovey with Yak, are we ignoring the fact that everyone has their own rhythm when it comes to love and relationships?
Dee choosing casual sex is, in a way, liberating. He’s an independent, mature individual with autonomy over his body and mind, but it also shows his jitters about commitment and his need for more time.
Being rejected by Ter with a dismissive “You’re too vanilla!” comment can be deeply scarring. Such rejections can lead to a crisis of self-esteem and self-worth, causing Dee to question his desirability and identity. This kind of emotional wound can make him wary of diving headfirst into another potential heartbreak, hence his hesitation with Yak.
Dee’s hesitancy isn’t just about Yak; it’s about his own unresolved fears and traumas from the past.
By choosing casual sex, Dee maintains a sense of control over his life and emotions. Commitment requires vulnerability and the possibility of getting hurt again, something Dee might not be ready to face. Casual relationships offer the intimacy without the emotional investment, allowing Dee to feel connected while keeping his heart guarded.
Dee’s story reminds us that everyone has their own pace when it comes to love. Pushing him into a lovey-dovey relationship with Yak might overlook his personal journey and the time he needs to heal and grow.
Four months vs. eight years is a massive gap. Even if Dee really likes Yak, the issues he’s grappling with can’t be resolved by a simple plot twist. Dee is marching to the beat of his own drum, and that’s okay. Everyone’s got their own tempo when it comes to love, and Dee’s just finding his groove.
In the fourth episode, we don’t get any steamy scenes between Rak and Mut. Instead, they go back to Bangkok…
Let’s not forget that Rak confided in his assistant, saying, "No matter what, Mut always finds a way into my room." It’s like Rak’s trying to keep up this tough act, but even he knows deep down that Mut's got him wrapped around his finger. Mut’s just too irresistible and sneaky, slipping past Rak’s defenses and straight into his heart. Rak might act like he’s got control, but we all know who’s really calling the shots here. This whole cat-and-mouse game is just getting juicier by the minute! 😏❤️
It's clear the author is determined to shoehorn Atom into Zen's life as the third wheel, forcing Ryu to step up. This way, Ryu will finally open up and chase after Zen. Fans are dying for this ship to sail!
And Lin having a thing for Ryu? No chance. But she's asking the real questions: what happened during that year Ryu disappeared? Was it some family drama or a wild adventure?
I'm super curious why Ryu ended up on the streets and why Que took him in. Plot twist: Ryu and Que aren't even blood brothers! Is Ryu's debt to Que his ball and chain? And does Que have feelings for Ryu? That line, "Do you like him (Zen)?" makes me think Que might be into Ryu! This show is dropping so many cliffhangers, and I hope we get some big reveals soon.
Only four episodes in, and I'm already off the ship of Que and his gangster boss. The boss is a total cold-blooded villain!
Speaking of the coach, I've never been on a basketball team, but I know training isn't just about physical fitness! I love the coach's character, but if I were a player, I'd be giving him some serious side-eye. Physical fitness is key, but so are strategy, teamwork, and mental toughness. Hopefully, the next episode's retreat gets everyone back on track.
Can't wait to see these mysteries unravel and watch the characters level up.
Boy, was I wrong!
Peak, sarcasm is a big red flag, dude! Jealousy made you misread Thanwa, then you went all sarcastic with, “You’re an adult now, decide if you want to leave.” You need therapy, man!
Hiding your vulnerability and not admitting your feelings—how’s Thanwa supposed to get on board with that? And your unresolved engagement? Major screw-up!
I didn’t expect Latte’s childhood to be such a tear-jerker. That heart-to-heart on the beach with Almond? Total feels trip!
Latte, snap out of it and figure out your feelings for Almond. Stop teaching him flirting, or you’ll end up like Peak.
And your “Watch and Melt His Heart” move? Not catchy. In high school, we called it “Lock and Sizzle” or “Gaze and Amaze”! But seriously, someone as clueless as Almond? Don’t mess him up!
Rak and Mut have a lot to work on before they can get closer, but some challenges are realistic and make sense.
If I, a woman, fell for a guy on vacation and decided to bring him back to my city and let him stay at my place, would I really be completely unguarded and open?
So, I get why Mame set up the plot this way, even if I'm not her biggest fan.
In real life, I don’t have friends like her! She’s probably just a fictional creation! Childish, loud, and always trying to act cute—honestly, I can’t relate to her at all.
I saw someone comment, puzzled that an adult woman like her is too scared to buy men’s underwear. I laughed! She’s a fictional character, after all. In my previous comment, I shared why I think Rak needs her in the story.
As for the STD issue, anyone in a serious relationship should be responsible for their own and their partner’s health, so check-ups are crucial. But when Mook “hinted” that Mut might have an STD, she was trying to protect Rak.
Yes, her insinuation was disrespectful to Mut and even discriminatory, but that doesn’t mean Mut will never be respected. I think it’s just part of the plot! Mut getting tested and proving he’s clean doesn’t mean Rak should skip his check-up. If they want safe sex, Rak should get tested too.
I remember when I first started driving at 16, my mom always warned me to be careful because some people drink and drive irresponsibly. That didn’t mean she only cared about others’ drinking and driving and not whether I was driving responsibly.
Sometimes characters don’t need to spell everything out. As the plot develops, many ideas become clear naturally.
If by the end of the story, Mut is still being discriminated against and treated poorly, then Mame, as the author, might have some explaining to do.
But for now? Everything is still unfolding. Characters are developing, and the story is playing out.
Remember Winny’s cameo in “Still 2gether”? He had that memorable showdown with Sarawat at the music competition. Fast forward to “We Are,” and he’s finally the leading man. In the insanely competitive Thai BL scene, landing a lead role with a great script is like hitting the jackpot.
But the real twist is that my favorite, Poon, with his ridiculously good-looking face, still doesn’t get enough screen time. Even with a love interest, it’s like they’re keeping him in the background.
It seems the vampire world’s love restrictions are a metaphor for societal oppression, trying to reflect issues like systemic control and personal freedom.
The show also idealizes human society, positioning it above the vampire world. This highlights the contrast between oppressive systems and idealized freedoms but downplays the severity of NC.
Joe and Patrick, as vampires, might lack the concept of consent, even though they navigate the human world. This raises questions about cultural norms and ethical standards across different societies.
While we express our disdain for NC scenes, it’s crucial to keep advocating for consent and respectful representation in media. Let’s champion stories that prioritize consent and mutual respect.
Kohei’s mom’s hangover means no bento, giving him an excuse to dodge Taichi.
Kohei tries to avoid Taichi by keeping his head down, even when Taichi greets him. Taichi, knowing Kohei can’t hear from behind, runs ahead to block his path.
This BL series nails the details. The basketball scene with Kohei and Taichi is smooth, with no choppy edits, and the actors genuinely playing ball.
The basketball transition perfectly symbolizes Kohei moving toward Taichi, which is the best metaphor in the show.
And yeah, Zen’s hostage photo is pretty rough (but hey, hostage photos are never flattering) 🤣
1. Tan swings open the bathroom door, totally naked, and casually chats with his four stunned friends. Priceless!
2. Fai grinning like a fangirl, soaking up the cuteness of Tan and Fang being all lovey-dovey.
3. Chain offering to hug Pun to keep his hunger at bay, then softly patting his stomach. Adorable!
Episode 3 totally had me hooked from start to finish. No cheesy sound effects, no overdone filters, no fake instrument playing. The character development, plot progression, and cinematography are top-notch for a BL series.
Zen and Ryu’s playful fake passes, dribbling, and shots on the rooftop were unforgettable. Ping’s acting has leveled up big time. OMG, so impressive!
My fave scene? When they’re under the bridge, leaning against the scooter, munching on skewers Ryu grabbed from a street vendor. This moment really showcased Ping’s acting glow-up.
So far, no characters have gotten on my nerves. Even Atom, who’s set up to be the potential third wheel between Zen and Ryu, is surprisingly not annoying (at least for now).
The only thing on my mind is the potential couple among the basketball players. If they become a thing, I hope their storyline doesn’t drag. Sometimes, having too many couples in a BL series can be a hot mess if they don’t get enough screen time or if they steal the spotlight from the main plot. Total bummer, right?
Rak needs Mook. In his dark, brooding world, he craves her raw honesty, her nonstop chatter, her persistent nagging, and her patient reminders. She’s the comic relief in his serious drama.
Rak knows that despite Mook’s impatience and amateur skills, she’s like a loyal golden retriever bringing him peace of mind. Picture this: Rak’s standing on the stairs, watching Mook and Mut squabble, and he smiles. Why? Because there are two people out there who’d go to bat for him.
Rak is all about logic, restoring order in his post-trauma life. Vivi, on the other hand, speaks his language. They share the same status, wealth, and personality. Conversations with Vivi are a breeze; it’s like he’s in a smooth film noir—minimal words, lots of understanding looks. Even though Vivi gets him, she can’t crack his emotional vault. She knows the line and stays behind it.
But Mook? Oh, she bulldozes past that line with her endless talk and childlike affection, which Rak secretly needs like a surprise plot twist.
Growing up lonely, Rak became the knight in shining armor, always ready to defend the women in his family. You see this when his father approaches his granddaughter. Rak, exuding alpha vibes, reassures his sister, “Call me if anything happens.”
When faced with Mook’s nervous energy and anxiety, Rak sees her unwavering loyalty. Mook brings out a different side of him, one that feels warmth and steps up like a leading man. We see him accept Mook’s help, only to push her away and tell Mut they need separate rooms. Basically, Mook is his baseline; her presence reassures Rak he can be himself.
For example, when Rak impulsively wants to stay on the island and avoid going back to Bangkok, Mook’s firm stance makes him realize he needs to handle his business in Bangkok. So, he decides to take Mut back with him.
As Mut slowly captures his heart, Mook remains his loyal dog—loud, grating, and always barking until the master steps in.
We might hate the barking, whether it’s a tiny yappy Chihuahua or a big menacing Doberman. But no matter how loud they are, the master needs them, and only the master can quiet them down.
Dee spent a whopping eight years pining for Ter without ever confessing. Eight years, people! Sure, medical school and being an intern are no cakewalk, but that doesn’t explain why he stayed in limbo for so long.
When Dee finally bit the bullet and confessed, Ter shut him down with, “You’re too vanilla!” Dee’s response? He couldn’t swallow that and went on a flirting spree at a bar to prove he’s not as bland as Ter made him out to be.
Why the over-the-top reaction from Dee? Willing to stay in an ambiguous relationship for eight years, but getting triggered by one comment to seek casual sex? Dee’s psychological world deserves a deep dive.
After entering a four-month love contract with Yak, Dee’s grandma, who seems to be his only family, knows about it. The show hints that Yak’s parents are no longer around. Dee’s grandma doesn’t meddle in his decisions, understanding he needs time and offering silent support without any moral judgments.
In just a few months with Yak, Dee realizes he likes Yak because he feels at ease with him. He figures out that his past infatuation with Ter blinded him to their mismatched compatibility. But these new revelations still don’t let him jump into a committed relationship with Yak.
I think Dee has some unresolved issues, possibly stemming from his family. Like Yak, who’s haunted by nightmares, Dee could use some couch time with a therapist. Is he dodging intimate relationships? Is he trying to prove something to feel secure?
If we’re just waiting for him to go all lovey-dovey with Yak, are we ignoring the fact that everyone has their own rhythm when it comes to love and relationships?
Dee choosing casual sex is, in a way, liberating. He’s an independent, mature individual with autonomy over his body and mind, but it also shows his jitters about commitment and his need for more time.
Being rejected by Ter with a dismissive “You’re too vanilla!” comment can be deeply scarring. Such rejections can lead to a crisis of self-esteem and self-worth, causing Dee to question his desirability and identity. This kind of emotional wound can make him wary of diving headfirst into another potential heartbreak, hence his hesitation with Yak.
Dee’s hesitancy isn’t just about Yak; it’s about his own unresolved fears and traumas from the past.
By choosing casual sex, Dee maintains a sense of control over his life and emotions. Commitment requires vulnerability and the possibility of getting hurt again, something Dee might not be ready to face. Casual relationships offer the intimacy without the emotional investment, allowing Dee to feel connected while keeping his heart guarded.
Dee’s story reminds us that everyone has their own pace when it comes to love. Pushing him into a lovey-dovey relationship with Yak might overlook his personal journey and the time he needs to heal and grow.
Four months vs. eight years is a massive gap. Even if Dee really likes Yak, the issues he’s grappling with can’t be resolved by a simple plot twist. Dee is marching to the beat of his own drum, and that’s okay. Everyone’s got their own tempo when it comes to love, and Dee’s just finding his groove.
"I want to be close to you, hear your voice, even touch you." This line hit me right in the feels.
Amidst the hanabubuki (flower snowstorm), the moment Takara appears in Taishin's view is super dramatic and oh-so-romantic.
The first episode is absolutely captivating!