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Editorials
News
K-Drama
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With a balanced blend of action, comedy, coming-of-age and friendship elements, and some very interesting characters and subplots, this was not another typical school story with all the bullying, studying, competition and camaraderie cliches, but a unique, high octane watching experience.
Binge-able and very entertaining. Time well-spent.
The writing could have been more engaging, some characters better developed and less frustrating, but the dark humor, the witty dialogues and the chemistry between Kim Hye Soo and Jung Sung Il made this drama an interesting watch.
It had some nice office team work, some healing and character development, but most of all it was focused on romance that, it my opinion, came too soon, too strong and too perfect for its own good: I'd like to watch more of the leads' bickering and bantering, more of the single family daily life, more of Byeol and Ji Yun's chemistry and interactions.
An entertaining and feel-good watch nonetheless.
The clever use of black and white versus colored filming, the intriguing time-bending storytelling (that may be confusing and not so original in some cases), as well as the brave performance of young and talented Ito Aoi made this unusual film an interesting watching experience.
A bilingual and bicultural journey to self-discovery, through a wonderful story of an adolescent first love.
Elegantly told through flashbacks and precious memories, beautifully filmed and exceptionally acted, this was an emotional, melancholic and full of nostalgia watching experience.
With a beautiful depiction of the post-war Japan and a nuanced, reserved performance from Matsu Takako, this is an interesting study of the peculiar dynamics of a marriage that balances between devotion and self-destruction.
The story balanced beautifully between comedy and drama, medical cases, hospital politics and character growth, while the team's bantering, bickering and support was a pleasure to watch.
Yoon Gyung Ho stole some spotlights with his quirky persona, his comic and dramatic moments, as well as his exemplary character development.
Time well-spent.
With some funny moments, a few plot-holes and a couple of social commentaries about gender stereotypes, this is an entertaining movie that doesn’t take itself too seriously.
A story of two soulmate besties, misunderstood and misfit in society’s expectations and norms, while they explore life, friendship and love in contemporary Seoul.
This wouldn't have been such an endearing movie if not for the vibrant cinematography, the youthful pacing and, most of all, Kim Go Eun and Steve Noh's exceptional performances and impeccable chemistry.
Better skip it.
Of course all the usual clichés and repetitiveness were there, but done in an angst-free and cringe-free way.
Jung Gyu Woon and Uhm Tae Woong' characters and performances were definitely the highlight, though I wouldn't say so for both the FLs (who weren't the sharpest knives in the drawer), and seeing the young selves of some familiar faces (especially Kang So Ra and Go Jun) felt so nostalgic.
With an unusual toxic bromance, some beautifully orchestrated mind-games and superb performances from Shin Ha Kyun and Kim Young Kwang, whose dynamics and interactions were always the spotlight, this drama is an entertaining addition to the noir genre.
Visually pleasing, with a contemporary vibe, vivid coloring and a hazy lighting, the depiction of their transition from a breezy adolescent life to an obligatory maturity feels painfully real and introspective.
Miyoshi Ayaka and Abe Junko's performances & their chemistry are stunning, making this a solid watch.