solyen

CGI e figurinos são encantadores. O elenco é um deleite para os olhos e as atuações são boas.
O roteiro foi um pouco arrastado, em algumas partes, desinteressante. O personagem Ye Yun tem a história mais comovente. Baili Dong Jun é o retrato de quem segue o coração. O príncipe Lang Ya é um personagem que decepciona muito, pois parecia ter senso de justiça e sabedoria, mas ao entregar o trono ao irmão perdeu a chance de reparar os muitos erros cometidos pelo pai (para quem assistiu TBOY, sabe o tamanho da imbecilidade que foi esse fato). A personagem Yi Wen Jun é aquela personagem em que nada se aproveita, pensou em tirar sua vida para não casar com o príncipe, mas acabou aceitando o casamento. Não queria o filho do príncipe, mas deixou a criança nascer. Não hesitou em abandonar o marido e o filho para viver ao lado do homem que amava, mas, também, não hesitou em abandonar o filho que teve com seu amado e deixar uma mísera carta para Ye Yun. Concordo com a fala de Baili Dong Jun: "O irmão Yun não lhe culpa, mas eu sim."
As cenas de ação são boas, mas muitas cenas que seriam interessantes, ficaram somente em nas legendas e nos desenhos. A própria formação dos quatro guardiões, foi apenas citada.
A trilha sonora é agradável.

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O roteiro é bom, faltou continuar até a vitória para ser melhor. Dramas da era republicana são sempre carregados de emoção e tristeza. Por mais que os roteiros sejam fictícios, muitos dos fatos são verdadeiros, isto traz uma carga emocional maior para quem conhece um pouco daquele período. O que acalenta minha alma é saber, que mesmo depois de tantas injustiças e dor desse período, um grupo de pessoas que queria mudar o rumo de um país e construir um lugar para abrigar todos os cidadãos, venceu e, ao longo dos anos, criou um país próspero e grandioso.
O elenco é espetacular, pois desde o início, os atores conseguiram dar vida aos personagens, fazendo com que amemos ou odiemos de forma visceral. O ator Wang Yi Bo superou todas as minhas expectativas. Não há coadjuvantes invisíveis, todos contribuem de forma magistral para o drama.
A parte difícil do drama foi suportar o personagem Lin Qiao Song durante os 38 capítulos, isso mostra que o ator soube achar o tom para viver um personagem tão asqueroso. O personagem Shen Tu Nan divide momentos de torcida com outros de raiva, ele demorou demais para perceber que estava do lado errado, ajudando a oprimir o povo e favorecer um comando corrompido. A finalização foi abaixo da expectativa, pois gostaria de ver uma nova fase de Wei Ruo Lai e, preferencialmente, vê-lo com idade avançada vivenciando a vitória e vendo o fim daquele governo opressor. A esposa e a filha de Shen Tu Nan ficam esquecidas na finalização, deixando a ideia de que elas foram para o exterior e não mais se viram.
A direção é boa, o figurino adequado e a música agradável.

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O roteiro é interessante e bem amarrado, em alguns momentos da trama o enredo fica meio sem nexo, mas depois o roteirista retoma o sequenciamento. Não há romances, mas a interação entre os dois protagonistas é agradável e deixa dúvida se a relação é uma grande amizade ou algo mais. Os personagens foram construídos de modo a deixar dúvidas, pois, em vários momentos, todos aparentam ser suspeitos e, mesmo, os protagonistas não escapam de dúvidas no decorrer da trama.
As atuações do elenco são boas.
A direção conduziu o drama de forma satisfatória, não houve cenas de preenchimentos sem que nada de novo acontecesse no decorrer do drama e nem correria na finalização. Poucos erros na edição.
A trilha sonora é agradável e foi usada de forma adequada nas cenas.

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É um drama leve, bem gostoso de assistir. O roteiro é simples, não tem tramas engenhosas, mas é bem arrematado e o elenco fez um bom trabalho, tornando um enredo comum em algo bastante agradável.
O ator Li Hong Yi, aos poucos vem me conquistando, pois observo que há uma consistência em suas atuações, ele deu o tom exato para compor o personagem e, contracenou muito bem com atriz Huang Ri Ying (é a primeira vez que vejo um trabalho dela), e as cenas dele com o ator Zhu Zan Jin (que sempre mostra um trabalho impecável, porém, é a primeira vez que o vejo não sendo o vilão e ele me surpreendeu muito), eram muito redondas.
A direção foi pontual, um exagero aqui e ali nas coreografias das cenas de ação, mas aceitável para uma peça de comédia. Não cometeu erros na edição que comprometa o trabalho e soube finalizar de forma graciosa.
Os figurinos são muito bonitos e a trilha sonora agradável.

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Although this drama was said to have only one female writer, when watching it it seemed that there were multiple writers and that they didn't know what the other had written. The plot is not good, but the development is very flawed. The errors in the narrative are too many and the characters poorly written. The finish is ridiculous.
The direction was lost right at the beginning and, it couldn't find itself until the end. Scenes of very forced fights that fail to convince, badly elaborated comic scenes (in some the actors were almost laughing, but they couldn't make me laugh). The best scene (the death of Chen Yu's master) seemed to be a hit, mainly, in Zhang Bin Bin's performance, but had as sequencing, the exchange of positions of the two dead. The director was not attentive.
The performances are not enchanting, as the characters are poorly written and the scenes poorly directed. The actors tried their best.
The costumes are beautiful and the soundtrack is not bad.

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The script is focused on the formation and performance of a special group, the action scenes are good, although not many. Personal dramas are relatively developed during the drama. Classifying this drama as a romance is a mistake, there are only hints of possible romances, as this drama is a military action script. The characters are likeable despite their quirky personalities.
The cast is good and the performances meet the requirements of the drama.
The direction handled the drama well, there are some errors in editing, as well as some costume errors in the sequencing. Some exaggeration in certain scenes, but acceptable.
The soundtrack isn't bad.

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The screenwriter has already done excellent work, but in this script he made a mistake, the story is not well told, in many moments the facts are blocked and the characters are not very interesting. This is a drama that to be a comedy lacked funny, to be dramatic it lacked emotion and to be romance it lacked romance.
The direction also sinned, because the edition was very strange. The ending, with the use of previous scenes, further impoverished the drama.
The performances were a little below what actors usually present.
The costumes were very beautiful and the soundtrack was very pleasant.

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When I read some negative comments, before I started watching the drama, I imagined it to be much worse than it is.
The script has many flaws in the coherence of the narrative. The characters are not well built and, in many moments, the story is tiring. The first female protagonist alternates between annoying, stubborn, naive and of dubious intelligence. The second female lead is smarter and more interesting. The first and second male protagonists are cute, however, for the first protagonist, the character is weak, as he is easily deceived and does not suspect the traps set by people close to him. The emperor's character is manipulated all the time, lacking intelligence but much authoritary. The villains are unbearable, everyone wants to kill the protagonist, but the foundations are shallow and, when defeated, they take action to redeem themselves and accept their fate with resignation because they know they made a mistake.
The manipulative uncle who had so much information, never sought the truth about the mother? How does a writer, and also a director, make a scene as nonsensical as the lightning bolt? What is the logic of a poison, which has no antidote, not causing harm? If the protective mesh was the protection, why the blood from the wound?
The cast performed satisfactorily within what the characters required, as composing such poorly written characters is heroic work.
The steering slipped at the start and went downhill towards the end. The mistakes are countless, both in editing and in the creation of scenes. The notion of time is quite impaired. The ending isn't even bad, but it focused only on the protagonist couple. Art allows writers and directors to create the impossible, but when the characters do not belong to the fantastic world (gods, demons or immortals), it is necessary to have logic and respect the limits of physics and biology.
The costume is appropriate and beautiful.
The soundtrack is pleasant.

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Getting to the end of this show wasn't easy. The script is very uninteresting, the drama's characters are irritating and difficult to captivate, the plot is a sequence of possibilities for mistakes by young people and the perpetuation of mistakes in older ones. When a character starts to captivate, he soon does something that doesn't match his previous attitudes. The female lead is a nasty, spoiled girl with very annoying attitudes. The male protagonist has skills in the business world, but as a person he is stuck, distracted and slow in taking actions, which takes away all the charm of the character. The romance are miserable and the business part is superficial.
The acting isn't bad, but it leaves a lot to be desired.
The direction was not zealous in editing the drama and, therefore, the number of errors is quite expressive. Emotional scenes are two or three, the scenes comics are so forced that it is impossible to laugh. Some characters, like Kong Hao's parents, disappear throughout the drama. The ending isn't even the worst.
The soundtrack isn't bad.

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The script is focused only on the peculiarities faced by professionals who work in hospital emergencies. The stories of the characters are poorly developed, not even the protagonists had their stories told satisfactorily. There are no novels, the characters are just doctors discovering a multitude of diseases (mostly rare), their personal stories were lost between an uninteresting script and unberable direction.
The actors' work was decent, but there was no script and the direction was lost from start to finish. After a slow and tiring development, the finalization was rushed and without closing the poorly told story of the characters. I didn't abandon the drama solely for the performances of Yang Mi, Bai Yu and Fu Bo Han (Fu Bo Han's character was the only glimmer of hope in the drama, but he had few scenes).
It's the first time I've watched a drama by this writer, as well as this director, by the way, both have entered my list of names to reject watching a drama in which they are a part.
The soundtrack isn't bad.

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Despite the script having some flaws, the dynamics in which it was conducted made it interesting. The characters in the plot are not the most likeable, but the actors who played them brought each of them to life magnificently. The writers spared no trouble for their good characters and no punishment for the bad ones. The finale matches the small moments of happiness wrapped in a sea of sadness and uncertainty of a long life.
In terms of romance, it's not the best drama I've watched, but perhaps it's one of the best dramas in terms of 'intrigues'. Rarely in a drama is it possible to find so many hateful characters as in this one.
I chose to watch this drama, which is already quite old, exclusively because of the presence of Zhao Li Ying, and she did not disappoint. The actors' performances were spectacular, all the actors involved did a very, very good job.
The costumes were very well designed, at each stage of the protagonist's life the clothes were changed.
The soundtrack was underwhelming, because in this type of drama the soundtrack is usually an unforgettable complement, but in this drama, nothing very special.
The direction produced good scenes, the cinematography was good, it carried the drama without missing a beat, but the editing had many flaws. In the final scene, post-production made the scene not very visually pleasing.

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The theme of the script is not innovative, but it was developed in a pleasant way, with captivating characters, without the presence of 'villains' who set up all the time. It managed to show the family dramas, the difficulties encountered in some professions and a light and contagious romance.
The cast embodied their characters very well. Liang Jie and Zhang Xin Cheng interacted gracefully, providing an entertaining show with hints of pure emotion.
The direction led the drama with a satisfactory rhythm, the errors in the editing are few and it finished in a pleasant way, despite being perceptible a certain haste in the end.
The soundtrack is not bad, but the sound team was not very attentive, as there is a significant gap between the dialogue and the presence of the songs.

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The script had an interesting element or another, but the writer created characters that weren't captivating. At first the female protagonist is irritating and the male protagonist does not arouse any empathy. The 'villains' are characters without a defined history, little is said about them. The supporting characters, for the most part, do not captivate, as they are irritating or bordering on idiocy. The open ending wouldn't even be the worst thing if it was well-crafted.
The cast is made up of good actors, but the performances in this drama are far below what they usually present. The only really convincing performance is by guest star Leon Lai, by the way, it's not the first time that his work has caught my attention, even though he's a supporting actor like in Ancienty love poetry, Legend of Fu Yao, The flame's daughter or Love in flames of war your work is exceptional.
Regarding the protagonist couple, I have doubts if there was a lack of 'chemistry' between the actors or if they just did their best to compose such insipid characters.
Voice capture is a separate issue, as the voice was not always consistent with the actors' expressions. Some felt like they were just reading the text without any emotion. The Santa Negra character's laugh was ridiculous, as it didn't fit at all with the actress's expression.
The soundtrack is very harmonious, the costumes are well designed and the effects used are pleasant to look at.
Regarding the direction, I think the director missed the chance to take advantage of excellent actors, even though the script is not spectacular, a good direction can correct some deficiencies in the text and create a memorable work. The direction took the drama very slowly, took care of the visual editing and got distracted in the gaps left by the plot, as well as in the care of the editing with the voices.
This is a drama I watched and I couldn't either laugh or cry from start to finish.

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The script initially felt more of the same, but over the course of the drama it proved clever. It is difficult to define who is who at the beginning, there are many who appear to be the 'villain', but he has remained well hidden during many chapters. In terms of ending, it may not be what you want, but it's adequate within the plot. There is no romance and, the only couple in the drama, they fail to show any feelings in their scenes. There are more feelings involved in the relationship between the characters Wu Zhen Feng and Chen Yu than between Chen Yu and Yang Ling.
The cast delivered superb performances. Wang Yi Bo and Chen Xiao dressed the character spectacularly, making their characters captivating. In the final scene, actor Wang Yi Bo managed to convey all the feeling in his eyes, although the scene was speechless, his face said it all.
The direction produced good scenes, good photography, knew how to take advantage of the scenery and the cast's ability to act, but makes a somewhat confusing editing.
Costume fits the theme and the soundtrack is pleasant.

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