A ''product life cycle graph" drama -_-

So basically this kind of graph picks up a lil low but suddenly rises up, goes on stably for a lil while and then again suddenly declines to it's lowest point just to keep up at the same level until the data is over.

The first and foremost reason I came to ONE THE WOMAN was Lee Ha Nee. I have loved her acting for a long time and the plot saying the drama is a female centric got me even more excited. I don't watch anything ongoing so what got my attention later was the overwhelming response to this show in Korea for an internationally less talked Kdrama. But I came here to only be disappointed and frustrated.

Lee Ha Nee got a double role character in here playing both Prosecutor Cho Yeon Ju and a conglomerate DIL Kang Mi Na of Hanju, who are lookalikes. Mi Na suddenly disappears from an event on an usual day but in her stead Yeon Ju was found severely injured at the same venue. She loses her memory due to amnesia and everyone takes her as Mi Na. Confused by everything happening around her, Yeon Ju tries to adjust into the completely new environment but unable to control her rough & outspoken behaviour. Han Seung Wook (Lee Sang Yoon), Mi Na's in-law cousin and heir to the largest share at Yumin, comes forward to Mina and tries to protect her bcs she was her first love. Together, they try to resolve the issues in both Yumin & Hanju and also dig into the mysteries of both past & present while unveiling astonishing truths about themselves.

There are in fact many familiar faces in here which is another reason to look forward to this drama though it failed to a great extent. Kim Chang Wan ahjussi as Noh Hak Tae, Hanju's legal head yet great supporters of lead couple, Kim Won Hae as Ryu Seung Duk, the chief prosecutor at Seoul Central District Prosecution, Jun Gook Hwan as Han Young Sik, Hanju's chairman and Mina's FIL, Ye Soo Jung as Dir. Kim, the house manager for Han family, Lee Won Keun as Ahn Yu Jun, Yeon Ju's only friend at prosecution and Mina's older SIL are some major roles. Sorry couldn't help but mention all these names bcs in fact they're good actors.

In other minor characters were, Jung In Ki as Kang Myung Guk, Yeon Ju's father ,Na Young Hee as Seo Young Won, Mina's annoying MIL, Song Won Suk as Han Seung Woon, Mina's husband, Jin Seo Yun as Han Sung Hye, Song Seung Ha as Han Sung Mi, Mina's younger SIL. The 1st 2 are very good but are minor roles here. I am particularly disappointed with Song Won Suk's acting though his outfits were all aesthetically beautiful.

It's visible that the writer is a rookie. I mean there are few jakka who at least deliver a good piece without much to complain about but there are some others who fail from many angels, that's the case here. Even for the most major character of Lee Ha Nee turns one dimensional after first few episodes and started exaggerating her role . She would have been doing more while bearing 2 identities at the same time but rather she sticked to one thing and absurdly ignored the other in an entire sense tsk tsk tsk. I will never complain about the ML's passive character because I always think both ML and FL should have the same essence in a story, but I don't think Lee Sang Yoon's character wasn't at all futile. They made fun of neuroscience in many ways and not to forget, of psychiatric and psychological treatment methods. The middle portion was infact full of illogical elements which can be laughed upon.

The basic plotline isn't anything new; it felt like the writer took inspiration from 80s-2010s Indian movies bcs the storyline is exactly the same as many Indian movies with a taste of Kdramas to it. The plot development is extremely awful in the 2nd half of the show. The first 2 introductory episodes were a bit uninteresting tbh but I hoped they'll do better, which actually happened. The show picked up the perfect acceleration from ep3 and made me look forward to the next. However, it again became slow & boring from the 2nd half of the 7th episode. I was hoping that'd be temporary but it stayed the same till the very end. Now read my first paragraph and you'll realize what I wanted to explain. Well, I got very bored from 8th episode but forced myself into it till 11th and then fast forwarded it at 2x till the end.

There's no consistency in setting up the scenarios in the drama either; the director did a poor job in that regard despite their experience. For first 7 episode it was full of family drama (not on the makjang level tho) then till 11th it was an investigative melo and for last 5 episodes it became a power trip between the chaebols. I would have been a lil more pleased if it were evenly distributed throughout.

The best thing about this drama was the comedy elements and 1st-7th episode is full of that only; may be that's why I wanted to continue with the drama despite the 'not at all new' storyline. Especially, it was Ha Nee and her responses & expressions, my goodness; I enjoyed it so so much, like she could carry the entire drama on her own. I wish it could last till the very end, but alas. In fact Kim Chang Wan ahjussi and his annoyed self was soooo cute plus funny. The family melodrama scenes had me laughing crazy, I swear.

The romance storyline for the drama started off really well. It was interesting and the revelations, tho cliché, were well executed. The gradual development ended somewhere around the interval and I as expecting something nice but it wasn't of any use, other than momentary tease party and kisses. Somehow, it can be an unique way if you see but for a drama meant for entertainment I couldn't find anything out of it.

One thing I can't deny is that the last part issue of revealing all the truth behind the 14yo incident involving all the major characters, were quite well written though the execution could have been better.

Overally, One The Woman can be either a n one time watch with fast forwarding the 2nd half or used for trash watch. I wonder why it was breaking records in Korea but it's not even anywhere near the average ratings for cable dramas, i.e. 7-8% (?). Thankfully there isn't much hype among the international fans and I am not gonna recommend this to anyone. I didn't have much expectation or whatever but given that the possible potential was wasted collectively by thw cast & crew, I have to express my utter disappointment.

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All about second chances.

Even with my excitement for Lee Joon Gi's comeback, due to recent trend in dramas, I wasn't really expecting too much and came here to only check out, thanking at least an average drama will be resulted. However, by the interval of the show, I found myself captivated and occupied by the entire thing and the pace with which everything was going on. It was difficult to get bored in any single instance and I was constantly absorbed by the quality of the show.

Created by 'Studio S' & 'Viu' and produced by 'Samhwa Networks' & 'Kross Pictures', "Again My Life (어게인 마이 라이프)" is the 16 episodes live-action adaptation of the Kakao web novel with the same title authored by Lee Hae Nal, which was also turned into a webtoon, as well. Both written and directed by 2 pool persons each, the show is 5% fantasy, 80% politico-legal and 15% action thriller, which was originally broadcasted on SBS.

Kim Hee Woo (Lee Joon Gi), a rightful & passionate prosecutor gets murdered for trying to bring down a popular yet corrupted assemblyman, Cho Tae Sub (Lee Kyung Young), who with the facade of being a stain-free personality, controls the entire nation. Miraculously, Hee Woo gets resurrected into his past life with a second chance to prepare himself well in order to showcase the power of truth and laws to those who abuse it for their gains. The story follows the journey of him strategizing a revenge for years, along with people who have come to believe him in the course of time.

I must inform you that the show is not an "one man army" plot-device, rather, a "together we can" spirit, that makes it unique. There are plenty of supporting characters, each given a fair share of emphasis in the story with perfect screen share. The other familiar faces in the drama playing major characters are Kim Ji Eun, Kim Jae Kyung Jung Sang Hoon, Choi Kwang Il, Hong Bi Ra, Kim Hyung Mook, Kim Jin Woo, Ji Chan, Cha Joo Young, etc. Lee Soon Jae, Jeon Gook Hwan, Yoo Dong Geun, Lee Kyung Min, Kim Chul Ki, Kim Young Jo, Hyun Bong Sik, Hyun Woo Sang, Joo Woo, Park Chul Min, Kim Hee Chul, etc.are more like guest characters but appeared frequently in the show.

Not like the first time Lee Joon Gi went for a legal thriller but what makes this particular drama stand out is better performance, the revenge plot, the execution and not to forget his action scenes and sense of humour.

Plot development was amazing. The pilot episode wasn't very impressive and felt like it'll be another politico-legal thriller with cliché elements. However the next few episodes turned out to ve good, as the writer attempts to incorporate base-level strategy making skilla into the character. The accumulation of power and will by Hee Woo was constantly alleviating to watch. His initial efforts to save things dear to him, followed by his endeavour to prepare himself bettee with a goal in mind, everything was awfully alleviating. As the real fight begins from the 2nd quarter of the show, it starts to become ingesting. Every time, the viewers feel like Hee Woo would go for his main target, he surprises by trying to weaken another angle of the villain, thus moving one step closer towards his quarry. It became even more compelling in the last 6 episodes as we knew what's coming soon. The last 2 episodes were the real game and the ending sequences was as enthralling, however, that's where they messed up. It definitely became rushed towards the ending of 15th episode and the entire 16th episode was on some other level, which was the biggest flaw. I must admit the very ending left us confused hinting the possibility of another season, but I guess we can assume the aftermath and let it go. Finally, I didn't like the sacrifice part bcs that's what I had correctly guess and I think that could have been easily avoided by the writer.

Lee Byung Hun jakkanim with the experience of working as both the director and screenwriter in both K movies and dramas is assisted by two debutant writers J & Kim Yool, for this drama. Focusing on the national politics, the show has been a constant reminder that, no matter how crazy the headlines might seem, things could always get worse, especially beyond the surface. The utilization of elements like, corruption, bribery, power struggle, etc. throughout was congenial and appealing. The base establishment, the furtherance, the unveiling of facts, the flashback to future (you know why 'future' ?), the character arcs and most importantly the way of making strategy have been very well drawn.

Han Chul Jin PDnim with more than 2 decades experience and the number of contemporary hits works here the debutant Kim Young Min PDnim, and the both have been able to pull off such a stupendous urban thriller story with nonexistent flaws. The direction radiates the scope for several subplots and maintains the quality of the show throughout. The art of criticizing politics directly is overt in influence and the messages and takeaway notes are more palatable through the lens of entertainment. The screenplay management, scenario setup, screen-editing, choice of location, etc. have been well handled. With less utilization of vfx and editing, the modern urban vistas of Seoul are mostly eye-pleasing and maintains dark era for most of the parts.

Composed by Kim Jong Chun (Philstring), the drama has a total of 7 OSTs, but honestly, some are good and proved suitable for the show's essence, while others weren't. "What the Ggang?" By Yoon Do Hyun ia a impulsive hardcore track depicting open challenge to the evil. "Bring It On" is an adrenaline-inducing track reminding one of it's strength, fiercely sung by Sonnet and has an amazing chorus. "Burn" by Park Do Joon is a jolly track aspiring for a better day and a good life through self-determination. In the mesmerizing vocals of Yu Sang Eun, is "Till The End" which is a quest for truth. Other tracks were "Alone" by GB9, "Shadow" by Hanhae & Kissxs and "Tragedy" by Sondia; I didn't really like these.

What I liked...

# The plot development is beyond likable. The viewers receive intrigue, excitement, action and danger, all wrapped in, and intertwined with, a political plot, accompanied with legal components.

# Performance from all the casts, particularly from Joon Gi and Kyung Young-nim has been highly pleasing. KY-nim's dialogue delivery and way of phrasing sentences is always amazing but here we get to watch a more refined vocabs of him; his character was intriguing despite being the antagonist, ngl.

# Action scenes, mostly involving modern self-defense as well as professional ring techniques were quite agreeable, particular the ones when Hee Woo clashed with Doctor K.

# Even though the drama feels like an "one man army" show, it's a matter of time to realise that Hee Woo is always at the centre of everything, controlling, regulating and manipulating the scenarios, but he had to benefit from a number of people, whom he loved, cherished and cared for, and was the recieved the same from others as well.

# Pacing and progression of the show is worthy of your time as it doesn't really have a mysterious plotz rather goal towards bringing down a particular being, and elimination of their strength one by one in the due course. It's again isn't a head-to-head clash between the prota- and anta- gonist, rather a mind game. Personally, I wasn't able to skip or fast forward at all and was constantly engaged.

# I am so happy there was no romance, really. From the beginning, it felt like the ML will have to go through the push & pull among multiple girls and possible admirations were hinted off initially as well, but everything boiled down to friendship though there is an indication of coupling at the end, as the original work.

# There is no definite bromance either, but Hee was admired by many men in the show, from old to young, because of his kindness and deeds, which was also good to see.

# Finally, i must inform that there is no ML FL here, there are only main characters, supported by others, that's it.

What I didn't like...
Not just the writer, everyone in the team of makers are at equal fault. Even if there were no original novel, this show actually had to be of 20 episodes or at least 2 more episodes were a must. But for the sake of meeting the standard 16 episode quota, they messed up things a bit. So, for the drama writer, it would have been wise to develope plot in a way that the events from the beginning were a lil faster hence minimizing the rush that we saw in the last episode.

Final Remarks... What a show! What a show! What a show about legal battle between the righteous and the corrupted plus powerful. The show was able to give away insights about one's greed and it's impact on the powerless and common man.The show is highly entertaining, engaging and enjoyable which allows you to stick to it throughout the end. I am not able to find a particular flaw tbh. So my overall ratings are based on the levels of uniqueness, execution and the final experiences about the outcomes, which has led me to give it a fair 8.0. We all must realize it was not the best or something very mind-blowing, but very good per se with high production and entertainment value. Must recommended, please watch.

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A lunar apocalypse.

Silence is not empty, it's full of answers. It's upon us to find them out and unless there is an effort, it remains in nothingness. The sea that is full of beings, has the capability to engulf the entire world in it's womb, yet it knows it's limits. But what about the sea that's sleeping silently somewhere out there in the universe and knows no way of self-control? That's what we are here to discover.

THE SILENT SEA (고요의 바다) is a mixture of sci-fi, thriller and apocalypse; it has no romance elements and unlike most Netflix Korea shows, it's not gore and creepy, which means even for a thriller, it's not a heavy watch. The story is presumably an adaptation of "The Sea of Tranquility (2014), created by the director of this show. The drama is set up in far future (probably 100 years ahead). The world has changed a lot and the climate change has brought forward severe issues. Simultaneously, the development in case of aeroscience has sky-rocketed, resulting in easier travel to different planets and facile communication with earth.

A team of 11 has been formed to recover important samples from the moon, before they could shut down a station that faced a tragic accident 5 years ago, killing all the inmates. The team travels their on the spaceship 'Nuri 11' and sets out to 'Balhae Space Station' located on the lunar land. On their mission of retrieving the sample, they discover unusual activities and come to find out mysterious facts about the station that had happened 5 years back.

Song Ji An (Bae Doo Na) is a scientist who previously served as an astrobiologist but had to switch after a tragic incident to her sister. She was convinced to go on the mission. Han Yoon Jae (Gong Yoo) is a soldier for the space agency, who joins the team as it's captain. Dr. Jian's knowledge and Capt. Yoon Jae's leadership, are what drives the entire show.

Dr. Hong (Kim Sun Young) is a doctor who joined the team to provide medical assistance. Chief. Gong Soo Hyuk (Lee Moo Saeng) is also a space soldier who joins the team along with his space engineer brother Gong Soo Chan (Jung Soon Won). Lieutenant Ryu Tae Suk (Lee Joon), Chief Kim Jae Sun (Heo Sung Tae) are some other major characters.

The plot development is nice. The first 2 episodes that were expected to lay an introductory foundation, did a good job in establishing a good impression, except that they were slow paced. The space scenarios and the lunar premise were pretty intriguing to witness, for it also created a good amount of curiosity about what is next. I can't say that the entire story is immensely intriguing, because it had problems with pacing and storytelling. I expected some more back stories and for all of the characters, but it's understandable given the limited runtime. The gradual unfolding of mysterious facts and intentionally hidden secrets, were indeed intriguing. The ending, ummm, not something fabulous, that I was expecting but I liked how simple and meaningful it was.

Netflix Korea seems to be giving chances to previously failed or lesser experienced directors, writers and makers but it must try providing them with resources to nurture their skills. Just like Squid Game's, the director of this drama lacks profundity, though the show is not mediocre like SG. The pacing is inconsistent, not slow or rushed constantly that makes it boring or uninteresting of some sort, but a little noticeable.

The sound production is apt bcs it's Netflix, haha. The screen-editing is quite good; the connecting plots, revelations of elements and the suspense build up is up to par. CGI, well, Netflix is surely trying to improve thia area after serious criticisms; it was visible through this show. Even so, the CGI was actually poor in first 2 episodes, I can't lie about it though it improved with episode.

Writer Park Eun Kyo is an underutilized talent. She might seem a rookie to the audience, but she's the co-writer of the critically acclaimed Bong Joon Ho directed movie, "Mother (2009)". The basic concept of this show, though taken from another movie, had to rely on a well-written script, as the short movie was turned into a 360 minutes webseries. In that regard, jakka-nim has done a pretty good job. The overal story and screenwriting might not be something amazing, but overally as a show, it's a nice piece. Few things about the spaceship that went wary in the first episode could have been easily avoided but duh..

The drama addresses future world problems that we now only assume and predict with theoretical studies. The world has undergone enormous transformation due to severe climatic changes over years. Because of desertification, there is a scarcity of water as the water bodies including the sea dries down. All these are the concerns of future societies. The drama also narrates the possibilities that the future beholds in the area of space and planetary researches.

The pseudo-science created for the drama is compelling for sure. It is less of space science and more of a creative or fictional astro-biology. The lunar premise and the technological advancements are what we are gonna see in far future. Space show, in all aspects, is a new premise in the K-drama industry and it's good to see that it didn't entirely go phut. This is to a great extent an experimental drama. Just keep in mind that, the basic idea of the drama relies on astro-biology and not aero or lunar science.

There is a clear message of how greed and over-ambitious anticipations can bring destruction to mankind, even when it gives greater scope of research in science. Regret, responsibility and guilt are some other major elements incorporated in the characters. Good news is that, unlike many other Netflix Korea shows, The Silent Sea doesn't end with a cliffhanger. It didn't leave any single thing open or showcase any possibility of another season.

Overally, "The Silent Sea" is a good and interesting one time watch. The sci-fi elements and the actors are the prior reasons to watch this drama. I wasn't expecting anything excellent outta it since it's after all a Netflix Korea original show which is famous for creating 6/10 stupid shows. But anyways, this was good and moderately likable judging from all the points; be it technical and cinematic aspects or the message it wanted to convey. It's not very nice, still a decent watch, for sure.

P. S. Can't cite it bad just because of the poor CGI and faulty space facts used solely. There are plenty of aspects in a drama to be judged.

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"Melancholy is the happiness of being sad."

Edgar Allan Poe in one of his anthologies says, "And so, being young and dipt in folly, I fell in love with melancholy." Knowledge of the soul boundlessly make s us gloomy if the pros of feelings fail to keep us cheerful and vigilant. Melancholy leads to doubt which in turn results in despair and ultimates cultivates wickedness.

"Melancholia (멜랑꼴리아)" is a journey of desolation, dejection and despondency with fruitful meanings and worthwhile outcomes but what's different? It's mathematics. Yes, the most hated subject in the world, haha. The drama uses a different approach to promote the mathematical perspective of life through the characters who are devotedly peruse mathematics.

The drama have more than a dozen of flaws, even to be called good. It's purely an average piece and can be easily skipped though I can't exactly say it's bad and deserve to be treated as a complete trash, and I have many reasonings for it as well.

Note: There is no paedophilia or cheating involving the leads of the drama. It's just stupid perceptions of some narrow-minded people who jumped into conclusions without watching the drama.

Based on 2 different time periods with a gap of 4 years, the story is almost equally divided into 2 parts; a past story of 2017 and a present narration of 2021. Ji Yoon Soo (Im Soo Jung) and her most favourite student Paik Seung Yoo (Lee Do Hyun) falls victim to a conspiracy of intentionally set up scandal that frames them of having unsound relationship. Owing to the constraints, both of them fail to prove their innocence and fall apart, just to find themselves in misery. 4 years past the tragedy, both of them cross paths and unite to bring to surface, the corruption, conspiracies and the big faces behind it, in the school, of the past and the present.

Yoon Soo, morally upright and endearing woman, is a highschool math teacher, who is aware of the art of steadfastly making someone fall in love with the subject. She's all the qualities to be a perfect teacher but her sense of righteousness gets her in trouble. Paik Seung Yoo, born genius and immensely attracted towards math, is a highschool student after dropping from MIT which he joined at very young age. After a tragic experience, he shows no interest in studies, tho he has all the capabilities to conquer.

Im Soo Jung is an amazing actress and a movie person, rarely opting for dramas and very selective in that regard. She must have seen some potential in this though the execution went shabby. Lee Do Hyun is definitely the best in acting, among the rising Korean actors and his performance was good as well. Other than the leads, there are in fact many familiar and good actors in the drama and I will refrain from mentioning them to keep it short. But special applause for Jin Kyung who played Noh Jung Ah, the Principal of Asung High though she's the main antagonist in here. She definitely created an impression with her character dynamics and we are aware of her acting skills.

Plot development.....umm..... It's inconsistent and unremarkable though it had scopes and rooms for improvement with the episodes; like given the basic plotline and the mixture of 4 genres (romance, highschool, slice of life and corruption reveal), it could have been a lot lot better to finally come forward as a decent melodrama but, alas! I wasn't really that bothered while watching the initial episodes with the slow pacing, but the later half consequences made me realize that that the speed was totally inaccurate to begin with.

As a story, it isn't actually a trash as some people will tell you, or even below average. I would say it's just ordinarily average and the ratings can lie somewhere around 6.5 bcs Well, talking about episodic progression, From ep1 to ep8, i.e exact till the first half, it's a fair watch and didn't feel like skipping or fast-forwarding. The show starts going downhill from the beginning of 2nd half with the repetition of some events and constant push & pull between the characters over one thing. To reach the ultimate goal, i.e. bringing forward the truth, they particularly start dragging from the 13th episode and that's clearly visible. Tbh, I started fast-forwarding from 9th ep at 1.5× and kept the same till the end.

The script could have been squeezed into 12 episodes or even 10 by increasing the pacing and removing all the dragging they did in the last 4 episodes. However, I must admit that the ending sequences in the last 2 episodes were good.

Kim Sang Hyub is a producer of extremely popular yet qualitatively mediocre dramas. His dramas blow up bcs of good-looking cast and the story he adopts are usually typical cheesy romcoms. But this was a different approach, i. e. not a romcom and cast ain't dominated by good-looking young mass. Moreover, the slice-of-life elements along with mathematical pov; all these things are not his forte and he couldn't even execute them experimentally, which is quite visible. The direction was poor, the pacing is unnecessarily slow for a corruption-reveal drama. The slow screenplay could have been manageable only if it were a warm pure romance genre but that's not the case.

Kim Ji Won is known for only one of her scripts, that's Doctor John, which was in fact a good drama. I haven't followed other 2 dramas of her so can't really tell about her skills though I can assure whatever she had to offer for Melancholia, that didn't work to a great extent. Can't cite the script a total failure but it surely had the potential to be a good and likable one-time watch. I have already talked about the plot development above, so let's move on.

OSTs are very good indeed. Park Se Jun is quite a talented composer with the experience of working in uncountable numbers of dramas and the 4 OSTs of this show are the proof. I loved all of them. 2 of them are in English and other 2 are in Korean.
"All I Need" by Jemma is a ballad of comfort. More than love, it depicts solace, relief and assurance. The vocals of one of my fav singers Sunwoojunga in the soulful and longing song "Darling" questions one's faith in love. "Lilly of the Valley" by Band Nah, a popular indie trio is actually a cover of the song with the same title by Daniel. It's simply a beautiful melody that expresses gratitude to the essence of love. "Let Me Know" by Cheeze is a melancholic call in true sense; it has the feels of an authentic Kdrama OST.

The most notable thing about the drama is mathematics. I am a bio major and wasn't that fond of mathematical practises but I, for sure, knew that it's an interesting subject and studying it can be enjoyed though not everyone can accomplish it with utter amusement. The writer has tried to connect mathematics with life, love and living in a beautiful way. Mathematics here is not just a mere subject of academia and profession, it's much more than the mystery of the universe and one's pleasurable experiences.

There is very short-lived romance or you may take it as almost little to no romance, but sure there is development of chemistry, there ie comfort and there is undisplayable emotions that constantly blooms despite all the odds they have to pass through. This is not romcom and you should skip it, if you're actually expecting some romance. Even so, this buildup is worth it, in my opinion.

Bullying in highschool, corruption in admission process, unfair and unequal treatment to students in the same school, illegal & phoney favors, creation of unnecessary competition among students, parents negligence to children as well as leading children towards wrong paths, etc. are the factors used in the drama. I love how the writer has put emphasis on the ways of nurturing a child and their future, both in home and school along with the mistakes in the process that can ruin them. It also addresses the ways in which children are wronged by adults.

In short, the drama had too much potential with a good plotline, good actors and good premisea but what ruined it are choppy script, poor character dynamics, shoddy plot development, superfluous pacing and expendable characters of no significance. But personally, it was watchable for reasons like: mathematical interpretations of life, resolute leads, acting of the major characters, up to par basic plotline and so on.

I don't believe in completely discrediting something for flaws in some parts of it. If something specific has convinced me, I should def be fair with mentioning them. On that note, Melancholia, overally, is not a bad drama though it has a lot of flaws which could have been easily avoided. The major reason to watch the show is the mathematical frame of reference and utilization of that outlook in the drama. I came here, as expected, for LDH and ISJ and several other actors whom I like, and yeah, I loved their performances even though the drama didn't interest me to a great extent. So on a final remark, you can either skip the drama entirely or watch it in leisure when you have nothing to watch.

P. S. All of these in my review are very personal. I loved the drama but I didn't; i would like to describe it like that. For me, this drama was actually very difficult to judge; it'a not really very bad and not very good as 2 different groups will claim but I guess 7.0 is fair enough considering all the aspects. I thought it's important to put a unbiased, fair and balanced review. Some might agree and disagree with both my contents and ratings but I'm okay with constructive arguments.

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The fear of death follows from the fear of life.

Reminded me of a quote from Harry Potter, "To the well-organized mind, death is but the next great adventure". Indeed, HELLBOUND is the adventure on the way to death and a survival game against the angle of quietus.

TW: Dystopia, Violence, Killing, Cult beliefs, Brainwashing, Superstitions.

Hellbound, written and directed by the acclaimed director Yeon Sang Ho, the PD or some famous apocalypse thriller movies like "Train to Busan" and "Psychokinesis", has been able to deliver another mind-blowing piece with his experience and skills. Can't really say that it's a groundbreaking show but surely a good one that keeps you entertained throughout and evokes all kinda feelings.

Basically, the story is set up in a dystopian world along with supernatural elements. Some people see predications of their death as a decree of being bound to hell for the sins they've committed and no matter how much they try, they can't prevent it. Some unknown monster-like giant creatures appear from nowhere and execute them and send them to hell. Jung Jin Su (Yoo Ah In), is the founder of the religious group "Saejinrihwae" (literally The Truth), tells the world that this is God's work and make people follow the group. They name the monsters "Angle of Death".

"Hwasalchok" (literally arrowhead) are the radical follwers of the religion who are very dangerous. They punish anyone who questions the existence of their God. Min Hye Jin (Kim Hyun Joo) is a lawyer at Sodo Law Firm, trying to find out about the truth of this religion. Jin Kyung Hoon (Yang Ik Jun) is a detective whose daughter Jin Hee Jung (Lee Re) somehow gets involved with the cult.

The plot development isn't steady, rather the story is divided into 2 parts; the first 3 episodes showing about the rise of the cult group and the latter half showcasing it's consequences and got a solid plotline about Bae Young Jae (Park Jung Min) and Song So Hyun (Won Jin Ah) who are married couple with a newborn baby. The execution of these 2 seemingly different storylines set up in the same scenario is very well done by the PDnim.

Personally, I couldn't find anything great in the first episode to feel the urge of continuing the show but I had to do it anyways. The 2nd episode did interest me a bit, ngl. The 3rd episode is what makes you hooked because of the intriguing elements that will definitely raise your curiosity level. There is a leap when the 4th episode starts and whatever follows, is very crazy and insane; enough to make your blood boil. I've already mentioned it's a dystopia so be careful in case you're sensitive because this ain't for the light-hearted.

The back story of the entire show isn't completely explained, just like many other Netflix Korea Original shows, in order to keep the suspense for another season and this clearly is the case here. Some might cite things happening in here illogical, but do keep in mind that it's dystopia.

Acting as an overall, is pretty good. Skillful ones like Yoo Ah In, Kim Hyun Joo, Park Jung Min, Won Ji Ah, Yang Ik Jun, etc have done a good job as usual. Also, the supporting plus minor characters have delivered a decent job. Not to forget, Kim Hyun Joo's action skills were nice, though wasn't shown for long and well, I loved that part. Wish they made her do some extra stunts hehe.

The CGI could have been better bcs tbh, the monsters weren't even scary. I admit the story is mot just about the monsters, rather the story about wrong beliefs plus some sort hidden power, who's doing all these, but still; the monsters looked like somky hulks and least scary... However, as always the sound production is apt which enthralls and enrages you and makes you anxious.

Many important factors, shown in here are: false sense of justice and righteousness, crime and criminal minds, victim and their families, bloodlust, superstition, wrong beliefs, brainwashing, radicalism, abuse, parental love & care, death & it's essence, desires to live or survive, relentless fear, agony, vengeance, sadism, etc.

My most favourite line from Hellbound is from the finale episode where this random person says, "I don't know about Gods, neither do I care. But what I know is, this world belongs to people. And we should deal our matters by ourselves."

Again, Netflix Korea has done a bad job in regards of English translation, idk what has happened to them since Squid Game. No one is asking for literal translations but for goodness's sake don't divert the context of a conversation by translating sentences in a sense that doesn't even match the essence of it.

In fact the very ending of the finale episode indicates the beginning of another tragedy, hence implying about a second season. But well, I am disappointed that Netflix Korea keep doing it on a regular basis and go silent about the clarification for a 2nd season. Then they come back after a long while saying they will make it but by that time, a major portion of the cast gives up the drama, wth. Do better, Netflix Korea.

I must admit, the ending consequences have made me cry. Given the storyline, it was bound to be a sad and tragic ending but I don't expect they'll put forth some essence about death, relationship and beliefs, which actually made me see the entire thing in a good light by the end of the drama. The finale episode is the best one out of the 6. I was totally enthrilled by the entire episode.

By the end, from What, How and Why, one thing that wasn't explained was the "What" aspect and the root cause of the entire happening. Wish they would make a full-length drama out of the webtoon so that we could rate it a whole, or a movie could have been better. Anyways, the overall development was good, if not excellent. I would have given a 8.0 but honestly not that impressed.

Overally, Hellbound is a very good one time watch and worth the binge. I enjoyed most of the parts of the show, though I am not really awed or taken aback by this. I haven't read the original wentoon so can't say what alterations they've made or whether it meets the standard or not. I suggest you watch with a strong hold on your heart. Even if you're not that interested, please do it for the one and only Yoo Ah In bcs his visuals are top notch, oof.

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"You're not dead until you die"; an ode to death and demise.

"The fear of death follows from the fear of life. Someone who lives fully is prepared to die at any time." The quote from Mark Twin might be too philosophical for some but it is equally meaningful. This also reminds me a quote from Harry Potter that says that death is like an adventure for the well-organised mind. On that context, death only ends a life, not the relationships, so knowing that you're gonna die soon is more hurtful when you think about the ones who'll be left behind.

Every single day of life is moving forward towards your death and the drama beautifully brings out the essence of one's life, no matter they're on the verge of death or have a long to live. Death might be an enemy for the living but embracing it with grace when there's a call for you to bid goodbye, is considered an act of wise, thereby making their lives meaningful.

Produced by KeyEast and broadcasted on JTBC, "The One and Only" is written by Moon Jung Min and directed by Oh Hyun Jong. The production had to halt filming thrice because of staff members testing covid19 positive at different times, but they could wrap up well despite the delay.

"The One and Only" is a story about a woman in her late twenties getting admitted to a hospice for receiving care after being diagnosed with a terminal illnesses, having only few months to live. There, she shares the room with two other, with contrasting natures. Their lives get entangled with a contract serial killer who ends up falling for the first woman and the story is all about the investigative murder case, the individual lives of the three women and at their days at the hospice as they await death.

Pyo In Sook (Ahn Eun Ji) who has been brought up by her grandma, works as a scrubber and is mostly expressionless. At a young age she turns terminally ill and chooses to stay at a hospice. There she meets Kang Se Yeon (Kang Se Won), an ordinary housewife who has never lived for herself and Sung Mi Do (JOY), a social media influencer, deprived of love and a lonely young girl. All three on an usual day encounter Min Woo Chan (Kim Kyung Nam), a hitman, following which these 4 people get intertwined with a mysterious serial killing incident. All these people delivered amazing performances in their respective roles.

Yook Sung Ja (Go Doo Shim) and Pyo Kang Sun (Jang Hyun Sung) are experienced actors who played In Sook's Grandma and Father respectively. The Regional Investigation Unit comprises of team leader Hwang Ma Jin (Lee Bo Ryun), lieutenant Cho Shi Young (Do Sang Woo) and Detective Oh Jin Gyu (Jang In Sub). Gu Ji Pyo (Han Gyu Won) played Mido's boyfriend and LE group's hier.

Other familiar faces are So Hee Jung, Sung Byung Suk, Han Kyu Won, Ahn Chang Hwan, Choi Young Woo, Lee So Mi, Yoon Bora, Lee Hang Na and Joo In Young. The 2 child actress Seo Yoon Woo and Kim Soo Hyung were good too.

About plot development... I've mixed feelings about this and this is the only thing to complain about this drama. The overall story reminded me about "You are my Spring" and "When the Camellia Blooms"; obviously the vibes are different but the overall story felt similar: a feel good romance with plenty of slice of life elements accompanied with a murder mystery plot. Well, the difference is that this drama indulges a coherent investigative plot, unlike the other two where there were lots of other things; the entire script works around one single murder leading to others. Personally, I loved the progression for most of the parts (1-11th); the introductory episodes were perfectly impressive, though it might take some time to get acquainted to the mood. The furtherance was nice.

The life at hospice of people awaiting death was a beautifully emotional journey. It also includes scenes of Insook halmieone and her povs as a family to someone who is fighting death, and I would give a plus point for that. About the investigation plot, it started off really really good but somewhere around 10th, they started dragging it which became plainly visible from the 11th episode. The murder mystery thingy didn't have any pothole but it could have been wrapped up very easily way before than the finale. And the rest of the drama could have been about the hospice and other beautiful elements that made the drama unique (just saying if the case was that they thought the script will have nothing interesting left bcs everything other than that were better, i loved them). It was stretched till the finale week to an extent and I can't ignore it.

Despite all that, I ended up loving the ending sequence. The drama wasn't supposed to be realistic to being with even though it's a slice of life genre for most of its parts, but there were few things I didn't like or thought could've been better not done. The ending was full of life, agony, misery and sadness; I found myself crying and choking multiple times. Even so the script ran out of substance, making the script draggy for a while, it was a matter of relief getting back to track in the finale week. The intended messages were perfectly delivered.

Oh Hyun Jong PD is quite experienced having some hugely acclaimed dramas im his resume and it was reflected in this drama as well. The pacing of the drama, in my opinion, was very apt; the drama is basically slice of life genre and warm pure romance and hence needed the pacing to be slow and steady. The screenplay management and execution is up to par. The cinematography with the pale hue and yellow pallettes were very beautiful.

Moon Jung Min PDnim is quite a rookie and has had 2 qualitatively flop scripts before this drama but I see a great jump in her skills here which made me satisfied. I can't say it's something great but judging from her previous dramas, she's improved more than expected. The screenwriting is incorporated with many essence of life, death and struggle for survival, making it very meaningful. The mystery thriller plot which is equally emphasized had a very good basic outline though the execution of it went a lil draggy, but I think it was not that bad, in fact manageable. The character dynamics are well painted with some potential of improvement for few like Min Woo Chan and Ko Ji Pyo, which I think could have been better. The narrative and messages the story wanted to deliver has been accomplished, totally!

Composed by Lee Joon Suk, the OST album has total 4 number of tracks all aptly suiting the mood and vibes of the drama. There was no need of extensive background editing, neither with OSTs nor with different scores; it was a wise choice. "STAY" by SLAY & Avin is my most favorite among all which is about possibilities in life. "Happy Ending" by Yangpa is a song with beautifully written lyrics about cessation of pain and beginning afresh. "The One and Only" by msftz and "Your Name" by JOY (ReVe) are other 2 tracks.

The pacing felt perfect to me given the narrative and method of storytelling. The flux of conversations and shift in moods were aesthetically pretty. The way the characters were learning to love what they were becoming, was a pleasurable treat. It wasn't exaggerated at least.

There are numerous povs (about 10?) to look forward to. Although the story mostly revolves around the major characters as usual, the writer has tried to subsume perspectives of seemingly minor characters at parts of the story, thereby helping the viewers to relate on a larger range and understand their feelings in a deeper sense.

The trio friendship of Insook, Seyeon and Mido is another thing to anticipate about in the drama. They came from different backgrounds and had difference in their mindsets, yet the way they blended with each other and consolidated their friendship on a robust base, was an overwhelming watch.

The long conversations were my most favourite thing about this drama and let me tell you, you'd encounter that quite a lot in here. The simple yet very important topics discussed were heartening enough to jerk tears. The way the characters express their emotions was wholesomely gratifying.

The bucketful romance is surely satisfying if not something very new and has some cliché tropes. I am sure warm pure romance is not everyone's cup of tea but I wish people become fond of it. In Sook and Woo Chan as couples were both adorable and fierce; their chemistry was up to par though not very extensively portrayed, and I think it was intentional and also feel it was of appropriate amount.

Final Remarks... "The One and Only" is a drama of unique mood. It's hugely a story for those who are admirer of quiddity lf life, slow pacing, long conversations and warm romance. I absolutely loved it but given that I can't ignore the technical aspects I would have to reflect the shortcomings in my ratings too. I would definitely recommend you to give it a try.

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Eww! What is this?

This will be a short one.
You don't have to watch this drama, I mean it's always wise not to waste time. Not bcs it's not even slightly average, it's one of the worst that's ever been produced. I am describing the reasons throughout (without spoilers ofc), though only those who have watched will be able relate. But for several reasons, if you haven't started, drop this off, for it's not even worth.

Produced by IWill Media and created by Studio Dragon, "A Superior Day (우월한 하루) [2022]" is an OCN original drama (though it didn't feel like one at all). Written by Lee Ji Hyun and directed by Jo Nam Hyung, the show is a live-action adaptation of the popular webtoon of the same title, authored by Team Getname that include Kim Carnby (Sweet Home) and Aurani (Meloholic).

The story follows Lee Ho Chul (Jin Goo), a responsible fire fighter, who lives with his small family of wife and a daughter. One day his daughter gets kidnapped and soon follows the order from a stranger who wants Ho Chul to investigate and find out out the culprit of a serial killer. The chase leads him to unforeseen situations where he finds himself and his family entangled between the stranger and the culprit.

Detective Choi Jung Hye (Im Hwa Young) plays Ho Chul's wife while Lee Soo A (Cho Yu Ha) is their daughter. Ha Do Kwon plays Bae Tae Jin, an ex-convict whereas Kwon Shi Woo (Lee Wo Keun) is the family's next door neighbour. Some other familiar faces in the show are: Park Min Jung, Song Young Kyu, Na Chul and Lee Seo Joon.

I don't wanna talk about the plot development, for its of no use, but let me bcs everybody needs to know. This could have been a decent chase thriller but the plotline given, however, the screenplay writing was choppy and not up to scratch. It's so bad I can't even cite it as an average show. The introduction didn't create any firm impression but by the end of the 2nd episode, I was looking forward, but then, came the 3rd episode. It suddenly became off, which I took, as momentary inconsistency. However, it never improved further. The kidnapping and taking hostage stuff was so funny lmao, it felt like two table tennis players were tossing the ball against their opponents (I will start crying). It gets extremely frustrating by the 5th episode and then everything just feels duh. I finished it just for the sake of having a closure, ngl, I can't leave anything unfinished, even so I have to watch them at 3x. For this, I watched the 2nd half (5th-8th) at 2x and finished them in one go.

I have always emphasized that it's not always an easy task to turn a book/webtoon into live-action adaptation and it's been many debutants doing an amazing job has been evidenced. However, Kim Ji Hyun jakkanim failed to do so, quite miserably. There are more than dozen of flaws which are unarguably too many for a 8 episode show. The responses to the drama should be a lesson to them for bettering themselves.

Director Jo Nam Hyung PDnim, as well, needs to work more on his skills. The direction was shoddy and substandard for most of the parts. There seemed no space for improvement, nor the efforts to fix what was already been ruined in the initial demo.

What I liked...
There is not a single that that's likeable, so this is it.

What I didn't like...

# The biggest turn off about the show is it's plot development. What didn't feel any impressive in the pilot episode, does pick up interest in the next, but again, it immediately goes downhill midway through the ep 3, and there is no going back; it keeps getting worse worse with each further episode.

# A firefighter, a serial killer, a contract killer, police investigation, full-time chase: all these that might excite you, are elements often seen Kdramas, nevertheless, proper utilisation is what matters, which the show could not do at all.

# The reasoning and the deals made on it were laughable and stupid. The number of times people change their sides makes it nothing less than a dumpping bin.

# There is very little context to the story, telling which, the show should have been a decent 2 hours movie, provided how it turned crap just after 2 episodes. All that they do for the rest of the show is unasked exaggeration and uncontrollable dragging of the tiny plotline.

# The latter half is miserable as a story; the number of times they repeat 2 or 3 events indeed frustrates the viewers and the show ultimately feels useless.

# The acting was bad per se. Obviously, there are actors who are hugely talented, but what nourishes and shapes the acting they do for a particular character, is the direction and the understanding for the roled they are gonna play. I feel it's hugely the direction and editing that reflects in the under-standard acting of the actors. Jingoo has disappointed, and so has Lee Woo Keun (he couldn't play a proper...... not spoiling).

# The police investigation was as useless as a ruptured protection. I mean why make it a part of the show when there was zero significance. I admit, not all show has to have extensive investigation and stuffs but the cops over here were committing absurd deeds and have been portrayed as completely incapable. The team leader, the chief detective & the partner and the new detective aka Jung Hye who was expected to play a major role as thd ML's wife, all of them had zero contribution to the show.

# Why would they indicate another season at the end of the finale? I guess the webtoon has more but provided that this one is awful, another season should be avoided at any cost.

# Lastly, this doesn't even qualify as a chase thriller. I would rather sit at one place than running around idly, like the ML does here.

Final Remarks... Overally, A Superior Day is one of the worst Korean shows ever made with not a single factor to look forward to. So don't watch. Okay bye.

P. S. Was so frustrated after finishing, ended up writing it in 10 mins -_-

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“The best revenge is to be unlike him who performed the injury.”

MY NAME, as the name suggests is indeed a game of names. Reminds me a quote by Homer that said, "How vain, without the merit, is the name". The impact, influence and inemancy that a single name can bring in the world, is quite evident in the history and the present itself.

The mini series by Netflix Korea is undoubtedly the 3rd best action thriller Kdrama of the year after Taxi Driver and The Veil, in terms of action of course. Revenge thriller plots and female fighter element is not something new for us, however, "My Name" stands out because of putting only a single girl at the center of the story who seeks vengeance at any cost.

Yoon Ji Woo is highschool girl who's bullied bcs of her father's deed and right on her birthday, see witnesses Yoon Dong Hoon, her father and only family, being killed through the peephole of the door. Despite resenting her father, she tries to give him justice but ends up at Dongcheon, the biggest drug ring of Korea, where she knew Dong Hoon worked. With the help of Choi Mu Jin, the leader of Dongcheon and Dong Hoon's closest friend, she prepares herself to avenge her father. Later she joins the police force and subsequently to Narcotics Control team on Mu Jin's conspiracy where she's partnered with Jeon Pil Do, a righteous and hardworking detective. The team is led by Cha Gi Ho, an old enemy of Mu Jin and can do anything to catch him. Jung Tae Ju is the most loyal subordinate of Mu Jin who controls everything in Dongcheon.

Talking about the story, it wasn't something wow for me. Can't say it's predictable bcs despite a common basic revenge story plotline, the screenplay and multiple chaptered elements of the script is actually well put. But again, avid thriller fans can point out or at least assume the main culprit of the story and that was my case too so I wasn't very surprised at the major revelations either, hahaha. Considering the entire thing, I am not very pleased. It started nice and expectedly kept the thrill up till the halfway of 5th episode but after a peak scenario that happens around it, the story started going a lil down and became somewhat uninteresting (?), yes! The ending? I'm very disgusted with how they shitted on the last episode. Well, the turning point at the beginning of the finale can be accepted considering some people actually change their stances under the influence of virtue but then they had to ruin it again in the same episode. Very disappointed bcs it could have been a lot better with the original plan but the writer seemed to have struggled to make it extraordinary, just to mess it up in the end, oof.

Well, will give brownie points for acting though the characters are not that wowish except for Han So Hee whose character also took a bad turn in the finale.. She as the central character did a very good job. I don't think she has struggled much in the industry with the number of dramas she's done but this sure should be a booster in her career. Kinda felt absurd when the character gave in to the ML in later episodes, when she had been the strongest being all her life. Ahn Bo Hyun finally getting attention? Yes! Well, glad seeing his improvement over years. His character was poorly written for someone as a ML and didn't leave any impact for me but fine. Park Hee Soon ahjussi, the master actor, surely won over with his performance & charms, plus his fighting skills. Lee Hak Joo has done his job just perfect all these years and it's evident from this as well. Do I really need to say about Kim Sang Hoo ahjussi? His existence is what we assures about the drama's quality haha.

Overally, the drama is dominated by Han So Hee and Park Hee Soon who are the most major character. The story greatly revolves around their relationship, trust build-up, loyalty, care, hate and finally to a downfall.

The direction is pretty amazing and it had to be bcs the person behind it is Kim Jin Min PDnim with a record of good and familiar titles. Cinematography work is notable too which is the signature mark of typical dark and shady Netflix Korea original series of it's kind. Background score setting and screenplay editing was on point along without the sound production. There aren't many OSTs in it but all of them are in English and quite catchy with a touch of modern pop that also fit with the mood of the drama and it's development. The lyrics wasn't on rhythm but at least made sense and was kinda enthralling to the ears.

Please note that comedy and romance are not the elements of this story so be prepared to be thrilled continuously throughout the drama. There are slight dark comedy adjusted here and there. And at first the partnership between Han So Hee and Ahn Bo Hyun felt like a subtle romance but what happened in the last ep was very absurd to me. That was unnecessary for the build-up. Also the ML's fate at the end was very stupid.

Finally, let's talk about the best thing about this drama, i. e. ACTION. YESSSSSS! This drama is entirely a power-packed thriller full of action and violence, even to the point of drastic bloodshed. In fact, the story is set up in the dark underworld universe of drugs business and mafia culture where fight for power, wealth and position is very common and a required element. You'll witness dreadful fights throughout; sometimes gangsters fighting in groups, one to one face-off, several beings ganging up on one or vice versa. The fights are not just the show-off of physical power and fighting techniques, they involve dangerous weapons, power-arms and sometimes, drugs. The one who dominated everyone else in the drama was Yoon Ji Woo (Han So Hee) who survived every single fight, proving herself the strongest in the race though that was not very realistic. Then it was Park Hee Soon (Choi Mu Jin) who was very good at fighting and was almost undefeatable. Watch it with a major TW if you're sensitive to brutality bcs there are a plenty of it, especially the group fights where people get killed in numbers like insects.

Han So Hee obviously needs a standing ovation for her performance. Her acting was nice but what makes everyone notice is how she she managed to good job in learning and showcasing her fighting skills throughout the entire thing, proving her determination.

OKAY! Overally, MY NAME is not something very fabulous but it surely is an interesting and enthralling watch which successfully keeps up the interest till the end even with an inconsistent graph. Only if the final outcome were a lil better and unnecessary events wouldn't have took place, I'd gladly mark it at 8.5/10. Ain't gonna discredit the entire work because of the ending, but yeah, I am displeased with it. Anyways, it's worth the one time watch, go ahead!

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As good & thrilling as the main drama.

Moebius: The Veil, also carries the same message as the main season, The Veil. Human's own conviction of truth and righteousness is something that can either raise them high or destroy them for good. And when it comes to to loyalty, what harbours, nurtures and strengthens it is trust upon each other. The 2 episode short spin-off, had these things to convey.

Plot is nothing but the back story of the main series, keeping Seo Soo Yeon (Park Ha Sun) at the centre. How & why she ended up in the NIS and during his mission he discovers astonishing facts about the agency and at the same time gets involved with Chang Chun Woo (Jang Moon Sung), the black agent who has been cornered by his own agency years ago. They develop a close bonding between them and the story ends with a mission and it's subsequent results.

This also is a proof of how personal greed, power trip and high ambitions ruin an organization, putting the life of people working in it, in danger. Lies, conspiracies, greed for wealth and power, etc. bring hazard to intelligence agencies like this.

The production value is again very high. The direction and screenplay are intriguing. The short yet intricate & exciting development within 2 episodes with awe-inspiring twists and revelations, truly amazed me. Action scenes and the characters' skills and performance has been delivered well, which is worth looking forward to. The writer didn't forget to showcase human emotions and psychological behaviours this time either. The melancholic elements with the shady tracks and bg scores will melt your heart.

We all craved for more because the main series has only 12 episode but thanks to this pre-planned spin-off episodes that was on the productions' mind all along, we got another treat of a superb action thriller, yet again.

Also, some were mad about Seo Soo Yoon's insignificant role in the story, but lil did we know about how significant her character was, that laid the foundation of the entire thing years before. Her character makes so much sense now. This was much needed.

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Not the KBS School series I know of.

It's good but it also bad; it'd pretty average. I have things to complain and I got things to praise about. To sum it up, the cons of this drama outweigh the pros and I couldn't avoid to notice them. Let's go.

School 2021 is the latest drama of the KBS School franchise which was meant to be School 2020 but covid19 caused the production to delay and they had to postpone. Although there were uncertainties about starting it in 2021 even but thankfully, they aired it, even so it now ends in 2022.

There is no solid plotline. It's simply is a mixture of many subplotsz keeping the romance plot at the center. Corruption reveal, friendship, bromance line, love triangle, family relationship, etc. are a part of the story. They probably wanted to make the highschool corruption the central plot but it was inconsistent and didn't work at all.

The key difference between previous dramas of the KBS School series and this one is that, the school isn't an ordinary one, rather a specialized skill-based school where students are trained in particular vocational curriculum. It actually could have been a better show if they had made a script about different aspects of such schools, but duh! The thing is, this script could have been any other highschool drama but it didn't fit the concept of the KBS franchise, it didn't have anything that we see in the School series.

Again, no solid plot and hence no steady development; the mixture of different element, makes the overall story messy. The first 2 episodes didn't make any impact as introductory pieces, it wasn't bad but not something to keep you on it. The next few episodes were smooth and gave off an impression of an average show, and I, somehow, wanted the show to retain the same quality till the end but even that was inconsistent. I admit, I somehow got myself emotionally attached till 6th just to get myself disappointed after that. I pushed myself to finish till the end, only because I am bad at giving up , otherwise I could not find a single reason to motivate me to keep watching. It went downhill in the 2nd half and the blame goes to the writers for getting lost within their own script.

Gong Ki Joon (Kim Yo Han) is basically a looser but got character development and his acting improves with episode though it stayed pretty average till the end. Jin Ji Won (Jo Yi Hyun) is a determined and hardworking girl but very typical and outdated of a classical Kdrama FL though her acting is up to par. Jung Young Joo (Choo Young Woo) is a terrible actor and he never improves, adding to it, his character in the drama was such needless and stupid one; he deserves minor roles and not SML.

Special mention to the SFL Kang Seo Young (Hwang Bo Reum Byul) who despite the least experience did the best among the younger cast. Not just her character was was a potential strong FL, she did a splendid role in playing it.

Ji Ho Sung (Kim Kang Min) and Go Eun Bi (Seo Hee Sun) are the 3rd couple with shoddy backgrounds and stupid plots.

Lee Kang Hoon, Park In Hwan, Kim Gyu Sun, Lee Ji Ha, Kim Min Sang, Jo Seung Yun, Kim Soo Jin... are some of the very good actors in this drama but it's such a waste of their talent and time as they didn't have the scope to showcase their skills. The overall acting department, hence, is a big turn off and another reason to drop this.

Kim Min Tae PD a comparatively lesser experienced director but the only 2 dramas he produced before this were actually moderately good shows, Idk what went wrong with the direction here. The screenplay and it's organization were one of the major disadvantages. The pacing is equally messed; both unnecessarily slow and fast at times. I didn't know about Dong Hee Sun jakkanim and I can't really judge from her previous work since I haven't seen any of the 3 movies created by her. But judging the script of this drama, I am sure she had a difficult time writing a drama script, which is a lot different from a movie script.

There are plots of many types which needed a lot better execution but those rather ended up being puzzled. The distribution of plots and elements should have been fairly distributed but they're rather dispersed unmannerly. They either concentrate one subplot too much or forget about that completely. Same goes for the characters, who, in fact, have no solid dynamics to back their personalities. There is no impressive character development either. Simply put, so many unnecessary subplots and so many unnecessary characters.

OSTs are moderately good but not really memorable. I liked "Way to you" by Rosanna the most of all, followed by "Recently" by uri Yohan. "Dream on" by Na Go Eun is the only track that matched the drama, others are mostly romantic songs, and very unrelated to the drama. "Absently" by SWAN and "Can't help loving you" by OMG Mimi are tracks with the vibes of classic Kdrama OSTs.

Things I liked...
# The 2nd Female lead's acting... She was the only one among the younger cast who could act and not just acted, but did very well. In fact her character was the only one with amazingly painted arches; the only reason I went through the ending.

# The love triangle here isn't a mess. It doesn't last long, or turn into a toxic pull and push game between the main cast.

# The first Male lead wasn't very flashy unlike other highschool Kdramas where the FFL is some sorta genius who can do everything; the one here was a loser and we saw a character development for him with each episode though it wasn't really impressive.

Things I disliked...
I have a long list :3

# the 1st Female lead needed more exposure bcs she was supposed to lead the show. I didn't completely dislike the character but it needed some background and a character development method.

# There were relatively less school scenes for a "School" series drama and that too the school scenes were very unappealing.

# There are way too many characters than needed. Not just in School series, also in almost all highschool dramas, there are many students in the supporting characters, but here, there were less than 10 students directly involved whereas others were absolute fillers with 0 contribution to the story.

# Honestly, no romance could have been okay given the genre but I don't really complain about it's existence. The thing that made me off was the overal plot of both the couples. In terms of chemistry, the 2nd lead couples were better but neither of them were really good.

# The mixture of lots of plotlines was a bad decision and in the end, they were missing out on the development of each of the plots on a great deal.

# The not so cool "boys let's punch and make it up" kinda bromance did cut off some points.

#The stupid and entirely unnecessary plot for the 3rd lead couple s, which absurdly funny and could have been avoided.

I came here for Yohan as he's a sweetheart to me. Plus I was excited to watch a drama of School series after 3 (4) years. Another reason that had my anticipations up was the fact that it was delayed a lot. But all my expectations have been crushed and I am left disappointed by the results. I don't at all mind average dramas and okay with a drama not having typical stuffs but it should be a decent watch, which School 2021 wasn't. Even if you don't compare it to previous dramas of the series, this one as a light drama by itself is a failure. I have seen better light themed shows to give this a pass.

Overally, it's pretty average, in fact below average in terms of production values, acting and more importantly, the the entire outcome. I wonder why this show was even made. They should have skipped the entire script or made another highschool drama bcs KBS School franchise is a different thing in whole together and it's a shame this drama let the essence down. I am disappointed and I will suggest you to drop it without even starting.

P. S. Gave it 6.0 only because it's not very bad and I think I am being generous.

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Age is an work of art.

Created by Lotte Cultureworks and distributed by JTBC, "Thirty-Nine (서른, 아홉)" is a 12 episode long Kdrama directed by Kim Sang Ho, produced by Yoo Young Ah. It started filming in August, 2021 and was also broadcasted on Netflix, which is Son Ye Jin's comeback to JTBC after 3 years following "Something in the Rain".

The story revolves around a trio of 3 best friends who are on the verge of turning 40, but have stayed together for decades through thicks and thins of life, while nurturing their bonds and establishing a relationship on the basis of mutual love. So what the story offers? Of course, there's is a particular goal, but uttering that will serve as the most important spoiler, so watch it for yourself. This is a purely slice of life drama and hugely character driven, that is not essentially in the venture of a solid plotline with twists and development. Isn't that a perfect scenario for a slow-paced, coming of age, warm Korean drama? Well, this is that only.

Cha Mi Jo (Son Ye Jin) is a dermatologist with her own clinic; an established professional having a loving family of parents and a sister. She's the most rationale of the trio. Jung Chan Young (Jeon Mi Do) is an acting coach with a small studio and parents living in suburbs. She's the most sincere despite being outspoken. Jang Jo Hee (Kim Ji Hyun), being the softest and cutest, is a cosmetic store manager at a departmental store and lives with her mother.

Yeon Woo Jin, Lee Moo Saeng and Lee Tae Hwan are the male counterparts though story primarily focuses on the female leads. In minor roles we have many familiar and qualitatively acclaimed actors like: Kang Mal Geum, Nam Ki Ae, Seo Hyun Chul, Lee Jin Hyun, Seo Ji Young, Lee Kan Hee and Kang Ae Shim.

Plot development... Again, there is no definitive plot for this drama, however, it sets forward a goal in the very first scene, and you'll know what it is instantly. The narrative of the show is intended towards life and its unprecedented events, that test us to the extremes, making us grow and bringing the best out of us. The pacing is perfect for a sliece of life Kdrama, at least to me, it was, I don't wanna lie. Someone into long conversations, meaningful metaphors and depictive appreciations would find it their cup full of tea. Storytelling method is touchy; accompanied with monologue notes, emotional recitals and creation of alleviating scenarios.

The introduction appeared to be engaging and pacifying, enough to make you look forward to the furthering with substantial interest. The progression stays moderate for next few episodes and it does pass by the interval successfully, but around 8th episode, the flow turns mediocre. I don't think there was any lack of context and content but why few things were made repetitive and certain elements became stretchy unnecessarily. Even so, there was a casual improvement in the finale week; 11 episode being a lil rushed and 12th having back to back tear-jerking moments.

Kim Sang Ho PD with a fair share of experience of working in the slice of life dramas, as both PD and asst. PD, was able to give a satisfactory delivery with his skills. Although there were flaws, which was substantial, I am at least not disappointed. The dynamics of initial exhibitionism was smooth, gratifying and worthy of looking forward to. However, in the later half of the story, the essential integrands and some particular facets went flat, which wasn't really uninteresting but many viewers will definitely find uncomfortable.

Yoo Young Ah jakka-nim, a very familiar name in K-movie industry, with plenty of modern coming-of-age movies in her bio, over a decade of career, has always delivered on point. However, it appears that she still struggles fundamentally when it comes to Kdramas and that could be somewhat obvious at points of her episodic writings. This was the case for "Encounter" and this is the case for "Thirty-Nine" as well. Nevertheless, it was a decent delivery, which started out great, became bog-standard somewhere in the middle and ended with a passable note. The biggest flaw it bears is the inequitable screentime distribution; obviously the central character gets the most, then the supporting ones, followed by minor actors, but the disappointment comes from expectations and prenotions. But yeah! It was unjust given the popularity and skills of many factors featured in here. Regardless the flaws, I personally feel, it was able to provide a meaningful conveyance, throughout.

What I liked...
# the slice of life elements... Definitely! That's what this show was about. The numerous shades of life, portrayed through characters, their stories and emotions and the depth and essence of various relationships have been perfectly brought forward.

# The trio friendship... Though the writer failed to make it entirely about the trio, as expected from 99% of the viewers, but the amount of crux provided, accurately defined the kind of friendship that we all crave for. It was fun and healthy and most importantly, admirable.

# The character dynamics... the archs as an average for the entire main cast, was abstemious. Although not remarkable, it was enough to make your heart warm and understand the perspective of each. There could have been definitive improvements, but well.

# The flow of the story... Make sure you have it in mind that, the story has no plot, rather a goal, more like a destination, to where? To achieved eternity, to entirety and to euphoria.

# Adult romance... The romance was basically for only one couple, Son Ye Jin and Yeon Woo Jin; while it wasn't the primary focus, theirs being the only love line, felt very beautiful with subtle depths to a relationship and it's factors.

# The orphan adoption angles... I won't say who and how but just know that it has put emphasis on scenarios associated with adoptions, various aftermaths, the inner stories of the adopted ones and the ways you can deal with the odds that has possibilities of arising from it. I don't think any other Kdrama has gone to such extents.

# The aspects of death... Life has to end, love doesn't. The most beautiful goodbyes are the ones that are never said and never explained. The drama shows, how it's not important to live forever but to create something that will.

What I didn't like...
# Son ye jin getting all the spotlight was the most annoying. It was to be made clear from the makers side in the beginning, that the drama is from the perspective only one character, even so not entirely. It felt like Mi Jo's diary, rather than a character driven story. It shouldn't have been like that.

# Jeon Mido is no longer an average artist, she's a popular star and she deserves to be at the centre and can beat every single actor out there. She not getting sufficient did piss me off, even the goal of the drama was something related to this drama.

# Johee getting substantially neglected bothered me to a great deal. I understand, her experience and considered negligible in comparison to others but she could have bewn placed in the supporting cast. The writer could have totally forgotten about her existence and the potential development of loveline between her and her partner.

# Improper utilization of supporting cast... The poster could be faulty. Just like Ye Jin, Woo Jin gets the major screentime as the former's partner, while Lee Moo Saeng's share is reduced and Tae Hwan is totally neglected just like his counterpart, Jo Hee.

Final Remarks... Thirty-Nine in overall could not be a dramq that it was expected to be and the outcomes were not hugely satisfying per se, nevertheless, the motives of the drama bloomed in an awfully beautiful ways, leaving impressions about everlasting love and relationships. There were room for improvement that could not be well utilized, which was a shame. I was more than willing to give it a 8.5 but provided the significant shortcomings, I choose to be fair. I hope people realize, the drama is not deserving of the idiotic judgements attempting to let down it's essence.

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Very beautiful drama with a disappointing fact.

This is a very beautiful drama with different povs of life and worth a ONE TIME WATCH. Before I review the drama, I am citing reasons why you should definitely watch "At a Distance, Spring is Green" :

1. The very rare trio chemistry between Park Ji Hoon, Bae In Hyuk and Kang Min Ah
2. Warm & slow romance between Park Ji Hoon and Kang Min Ah
3. Beautiful and unique brotherly relationship between Park Ji Hoon and Bae In Hyuk, that you see in no other Kdrama
4. Deep and meaningful storyline with plenty of things to learn from and analyze about
5. This is more of a healing friendship story where the lead characters despite of their type of relationships and personalities, help each other in growing up as persons

LET'S REVIEW-->
STORY:
The drama is a coming of age campus storyline just as it's synopsis says, based in Myung-il University and mainly involves 3 characters in their early 20s who in spite of their age stratification become close due to circumstances and uplift each other while moving forward in life. The lead trio consists of 2 MLs and 1 FL among which one ML is paired up with the FL while the other ML has a subtle or we can say minor love line in the drama. But the drama primarily focus on the chemistry of the lead trio, life values and realistic problems in personal as well as university life. It is deep, beautiful and meaningful from so many aspects that it makes you cry at many instances; not just for the sad events and heart-touching moments, also for the way the characters value life and love. The story also focuses on the youth related problems that students in their early 20s face, such as poverty, mental health, academics, etc. but disappointed how another major problem of young people, i.e. LGBTQIA+ issues has been subverted from the original story and ignored as if it never existed.

As most of us know this is a webtoon adaptation of "Campus Life" which originally has 3 seasons; 1st being focused on the campus life plus lead couple chemistry development development, 2nd being the love story between one of the 2 MLs and another ML's older brother and 3rd being the unlikely warm brotherly relationship between the 2 male leads. The 3 seasons of the original webtoon has been summed up into a single season drama though the story is primarily focused on the season 1 and a major change has been done with the webtoon's 2nd season BL storyline. They introduced an extra female character in the drama to couple with the 2nd ML excluding the minor BL part of the original story. It's a bit disappointing tbh but understandable since they had to make it a cable drama and we all know South Korea's stance on homosexuality and the limits of the industry to produce BL dramas or even feature gay characters in mainstream dramas.

PLOT:
Let's be honest that this drama doesn't have a very extraordinary storyline. I mean to say that most of the things are the old usual events that we have already seen in a lots of campus kdramas. But what matters is how they execute & represent them old stuffs and how the cast performs. And I think this dramas has been able to do a very good job in that regard.

I AM very happy with how they've focused on the trio chemistry throughout the drama which is very rare in Kdramas. All 3 of them went from being strangers to department mates to very close friends who love, care and respect each other while trying to motivate each other from every aspect.

The lead couple chemistry is warm as well where Yeo Jun and So Bin fall in love under unlikely circumstances. Although it happened at an unexpected pace but I guess it's because they've only 12 episodes in total. But overally, romance in this drama is something interesting. I mean to say that this drama could have ben entirely okay off the romance part. What I also read somewhere is that So Bin and Yeo Jun are not even couples in the original webtoon.

What's more intriguing in this drama is the very amazing brotherly relationship between Yeo Jun & Soo Hyun which stands out as a rare kind of friendship you'll ever witness between 2 male characters in any Kdrama out there. It is portrayed on the same level as the lead couple, rather I would say that it dominates the lead couple's storyline but nevertheless, as I have already mentioned the major focus is on the Trio relationship.

HOWEVER, Soo Hyun's love story is a very stupid thing in the drama. Considering how female characters have been created to get him a girl, the writer has done a poor job in writing their characters as well the plot development involving these 3 characters. Also, the mean lady professor who didn't treat his students and peers well, changed overnight and started giving relationship advices to her students, wth!

CAST & CHARACTERS:
This is not a very high cast drama as most of the actors are in actual rookies, even the lead characters are somewhat less experienced considering the number of dramas they've done and it has also has many new faces. YET, I would say everyone has done their jobs appropriately here, even the minor characters has done well with whatever they were given.

Special mention to the lead trio ofc for they had proper character development and growth in personality which obviously happened because they helped each other in the due course. Park Ji Hoon has been doing good in his acting careers for years and this role of Yeo Jun has been well played by him. Bae In Hyuk, though not that new to the industry did a nice job but honestly I didn't expect him at first to be doing a good job in playing a cold yet sorted senior character. Kang Min Ah's previous characters have been somewhat similar, this drama also brought forward a different side to which she reciprocated well with whatever acting skills she has acquired so far.

HOWEVER, I feel the major characters other than the lead trio were of less essence. I mean that's a given since they're supporting roles but still I think it could have been better. Not knowing how the characters have been penned in the original story, I think the drama screenwriter kind of did a poor job in drawing them. Hong Chan Ki's character is at ok level but Young Ran being the closest friend to Soo Hyun didn't have much to do. Mi Joo, the extra character created for the drama to pair up with Soo Hyun, is totally useless. I am not at all enraged because Soo Hyun's BL storyline with Yeo Jun Wan was changed but I honestly think Mi Joo's character went to drain with nothing to offer. They should have rather kep soo Hyun's character single in the story and that'd have been better tbh.

DIRECTION AND SCREENPLAY:
Direction is actually good being directed by a somewhat young director, thus giving out fruitful results. Execution of the script with a moderately paced screenplay editing makes it even more pleasing and catchy to watch. Arrangement of events as well as organising the OSTs and background scores have also been done properly.

OSTs:
The OSTs are actually very beautiful which add extra essence to a drama which is so deep and so meaningful. "BOM BOM BOM" by Punch, "Talk To Me" by Park Ji Hoon himself and "Way" by Chancellor are some jolly & catchy numbers whereas, "Then & Now" by Huski and "We will be not all Together" by Rothy & Han seung Yoon are heart touching and soft tracks... I love the later 2 so much.

UNIQUENESS:
The best reason you should watch this drama is the unique brotherly relationship between Yeo Jun (Park Ji Hoon) and Nam Soo Hyun (Bae In Hyuk). It's not the usual bromance you see in other kdramas where they're either fighting or clinging to each other. The 2 characters literally went from being strangers to senior-junior to best brothers. The way the development of the warm as well as beautiful bonding between them has been shown is rare to find. Even though they found each other annoying, they eventually warmed up to each other despite a huge difference in their personalities. It was as if they were seeking each other's presence in their lives. Yeo Jun who has always been deprived of love from family and looked for affection all his life AND Soo Hyun who has always been strong yet secretly looking for someone to lean on; finally find each other to rely on and end up proving how well they deserve to be good brothers. I am always gonna remember their affectionate relationship.

DISAPPOINTMENTS:
But let me also express my utter disappointment about this drama too. Apart from the poor side characters and the stupid extra female characters, I am still in denial about how the BL storyline was completely dumped into the trashbin. It's somewhat understandable that the Kdrama industry has it's limits because of the Orthodox Korean society but many other Kdramas has put efforts and tried to bring change by featuring LGBT+ characters too. Then why not a university campus drama which has 90% young characters in their early 20s as well their youth problems have been portrayed? Not just in the society, LGBT+ issues are also one of the major problems in modern day campuses. Even though the BL storyline involved one of the MLs, they could have kept it that way in order to bring a positive change and set an example for others. If they thought that no prominent actor would want to play a gay characrer, they should have looked for someone who would do this with an open mind, even if they were less popular. After all that was a minor storyline and it would have been easier to execute but still!? But they totally failed in that regard rather decided to completely remove that part. In another way, it's fine if you did but why would you create a stupid character to compensate that and get the male character a partner? I mean it's not a big deal for a character to end up single by the ending of drama. Firstly, subverting the homosexual characters then altering someone's sexuality from gay to straight; both of these facts enrage me a lot. This is another example why I think Korean netizens as a society and community is just pretending to be progressive in some aspect while they ignore and reject other major ideas which are actually important for someone's rights and happiness, due to their narrow-minded thinkings. I am both angry and sad at the same time though I will always simp for the lead trio chemistry.

So to conclude, overally, this drama and it's story are really beautiful and you should try watching. If you don't care about the original story and okay with the negative change in it's storyline, it's okay and you can go ahead ad watch this. Even I have not read the webtoon but as someone who admires the originality and also someone who himself identifies as homosexual, I am equally disappointed with the change as much as I love it for the warm vibes. I might come back to this sometimes because of the warm scenes and cry watching them, especially the scenes of Yeo Jun (Ji Hoon) and Soo Hyun (In Hyuk). It has many things to learn from which will make you relate and think about your own life, your personality, your lifestyle, your relationship with others and your way of loving ang giving away affection.

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Fantastic throughout but slipped in the finale

There could have been no better project than this for Lee Jong Suk to make a comeback through. I wanted to anticipate a lot but I had also in my mind that this could be another regular thriller drama with typical elements and development. However, by the interval (better late than never), I came to realize that this is way above the standard and is actually unique of a script. It might not be a masterpiece but it is admittedly is an excellent piece of thriller.

Developed by ‘Studio Dragon’ and Produced by ‘AStory’ & ‘A-Man Project’, “Big Mouth (빅마우스)” is a hardboiled crime cum legal drama. Directed by Oh Choong Hwan and broadcasted on MBC, the drama was written by debutant writer Kim Ha Ram under the guidance of ace scriptwriters Jang Young Chul and Jung Kyung Soon. Made with 30bn won budget, it was also distributed by Disney+.

The drama keeps at center, Park Chang Ho (Lee Jung Suk), an infamous attorney with low success rate, who is known to distribute huge & empty promises, but fails to do anything, hence being named, ‘Big Mouth’ from his school days. Despite being an orphan, he has been lucky enough to have Ko Mi Ho (Im Yoon Ah) in his life, who is a skilled nurse at a famous hospital. One day, he gets a proposal from the Gucheon city mayor Choi Do Ha (Kim Joo Hun) to handle a mysterious murder case, solely because of his incompetence.
However, during his attempt to unveil the truth, he finds himself being framed as the notorious conman ‘Big Mouth’ who has been uncaught after scamming thousands of billion won sum. As every wind turns against him and his life changes overnight, he prepares himself within the Gucheon Penitentiary to fight his best to get out of it, while Miho too pulls strings to help solve the mystery surrounding the case and get to the root of it.

Other familiar actors in the drama playing major roles are: Lee Gi Young, Kwak Dong Yeon, Oh Ui Shik, Yang Kyung Won, Jeon Guk Hwan, Yang Hyung Wook, Ok Ja Yeon, Kim Jung Hyun, Jung Jae Sung, Jang Hyuk Jin, Kim Sun Hwa, Lee Yoo Joon, Oh Ryoong, Yoon Suk Hyun, Park Hoon, Kim Dong Won, Hong Ji Hee, Song Kyung Chul and Yoo Tae Joo.

Plot development is top-notch and the progression is definitely untypical of what ypu usually see in Kdrama thrillers. The pilot episode did a good job in establishing a background of both the story and the protagonist’s history, describing as to why he was called ‘big mouth’. The follow-up was steady and smooth showing how the protagonist tries to convince a mass of people as a part of his grand plan. Introduction of various elements and untwisting many knots further develops and builds immense interest of the show and I guess the ratings and popularity were hiked. There are several twists and peaks in each episode to hold the suspense and there was not a single sequence of events that lost its way. More than once, the show has such turning events that changes the entire dimension of the then situation of the show. The finale sequence would have been a pleasure and if you see it’s not really messed up but there were things that could have been avoided and there were things that could have been done better.

The two creators are pro-gamers in the industry and undoubtedly their tips have worked but in spite, it amazes me to discover that the main writer is a debutant, and this is not even an adaptation from where one can refer to for screenwriting. In short, the new jakka-nim has hit the spot proving their skills. From setting the stage, to enabling smooth and well-paced flow and from nurturing the characters to producing exciting outcomes, the show was thoroughly entertaining. Different plot elements served as a great deal of engagement. The dialogues and the momentary monologue narrations, particularly for the male protagonist, were very striking.

Making his comeback after 2 years, the maker of many popular modern dramas, Oh Choong Hwan PDnim has again been successful in implanting the entertainment factor within the audience. Owing to his directorial talent, this drama was excellent from every aspect. The very execution of screenplay has done wonders in a way that this will definitely be something the Kdrama stans will remember for long. The scenario of the Gucheon Penitentiary was well-planned and the setup meant to give off noir and shady vibes with a sense of darkness suited very well. The screen-editing with different types of sequence organization plus the sound production, made the experience even more thrilling and exhilarating.

Composed by Park Se Joon and written & sung by Justhis, “Brand New” is the one and only OST in this drama which is a rap song that was introduced at the end of the 8th episode, i. e. exactly at the interval, where a major twist takes place. I swear the vibes of the scene with the initial rap-lines were so gripping and rip-roaring that it instantly gave me goosebumps.

A case of mistaken identity escalating to a fight for survival is not new for Kdramas but what makes the drama to stand out is a unique storyline and stupendous execution. To be very honest, the theme and the overall mood of the drama are not that shabby and dark for the noir genre, instead the script is also decorated with lighter elements, which comes as a must for Korean dramas, that includes the individual arcs as well as various relationships between two and among two. I was particularly touched by the bonding between Chang Ho and his father-in law Ko Ki Kwang (Lee Ki Young), who were also co-worker at Changho’s own law firm. We can say that among all the chaos and misery he had to experience inside the prison, those moments worked like strength for him to prepare the road ahead.

Lee Jong Suk has taken up this chance of playing a character than his usual taste to challenge, learn and nurture his skills and he has visibly aced it. The range of dynamics he covers actually takes a lot to carry out: from a witless lawyer and fulsome family-man to a savage leader and wise survivor, who has to choose between life and death. Whereas the drama serves as a vehicle prepared for his comeback and he was not really exceptional, it was still appealing as a whole.

Contrastingly, Miho is lovingly yet perceptive lady who knows her strength and limits and acts with a calculative mind. Yoona is already a splendid actress and she carried out Miho very well. The medical conspiracy subplot that was portrayed through illegal and inhumane research projects done in secret and indulging Miho as the key-rider in unveiling it, was surely interesting but it somehow felt like the medium of giving Yoona more screentime, when it didn’t really relate with the main plot at times and lacked plausibility.

Kim Joo Heon as a main character is an exciting news for me, he has been a favorite actor and once again, he’s proved how fantastic skills he possesses. His firm facial expressions are the best aspect about him and the way he has utilized it throughout the show was compelling.

Yang Kyung Won’s performance as an antagonist was entertaining for sure though I had issues with accepting and adjusting with it in the initial episodes, but he improved quickly. I guess we have been so used to seeing him in the comic roles that it resulted in the awkwardness albeit his fierce negative role in a recent drama.

Romance is limited so expect the least if some of the initial sequences give you the idea that there is a lot of it in the drama. In a way, this fact serves as a strength for the overall development and quality. The love between the leads is limitless though, for the way they communicate and exchange emotions even though they don’t share much time onscreen together.

The antagonist side unlike others is very strong in the sense that, they are not very radical and know their limits and how to work with that. The hierarchy among them has been portrayed accurately with a prey-predator concept, as they are constantly pushed to pursue the leases of one another. The order of unveiling the evil was likable ngl, and then, the shift in influence was quite interesting.

The makers should be applauded for the plot elements, development and execution; all these resulted in building up a good amount of suspense. Given the usual trend in such thriller dramas, the chapter by chapter progression has been sketched in a way that, it was not at all easy to guess few things even by throwing stones into the dark. The kind of myriad twists and turn of events in the latter half of the show, especially the last four episodes, had me at awe; there were times it gave me goosebumps and had my eyes opened.

It was interesting how the drama has adapted innovative approaches in order to tackle simple subjects, by completely turning it around for which the outcomes always look much refined. A lot happened in the first episode, in the finale and in between, as well. The story and the premises entirely grip you before you realize it and the slow & steady transformation in Changho, i. e. his character development is beguiling for sure.

I am particularly upset with the ending because I was manifesting a lot. The elements there were actually caused and rooted in previous episode so we were assuming something like that might happen but when it actually did, I think it did feel a little off. the sequence of events felt rushed for sure and then the huge blow I was expecting didn’t happen at all and the manner in which things took turn were a little underwhelming. I am sure the writer must have thought it through before adding this particular event for a major character but I wish it didn’t happen.

Final Remarks… Big Mouth offers a wide range of ingredients of entertainment ad enjoyment and is actually a good thriller that should be tagged in the must watch list. With high production values and amazing performance, it results into appealing and satisfying outcomes even though there were aspects that could have been avoided from a critical pov. Please go ahead and watch it and you will realize that it has everything that pulls you in and holds you back. It was a easy 9.0 until the finale happened, so yeah!

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Drag drag and drag...

I think the writer of the drama wanted to make a daily soap out of the script but then they faced some production issues and for the sake of just making it they had to squeeze the whole thing into a 20 episode drama, even when they didn't want to.

Let me get to my point straight, I didn't like it. Not like I hate it, but I hust couldn't bring myself to like it. On that note, my review will be short as well, which is more like a rant.

"The King's Affection", originally titled as "연모" (Affection) fictional sageuk drama which is primarily based on the typical gender-bender concept where the female lead disguises herself as a male and the male lead anyways falls in love with a man, just to realize in the end that he had been loving a woman. Well, I don't hate that concept but it's already been outdated and also experimented in historical dramas before. Moreover, given the basic plotline the execution is not up to the par; I mean it could have been a decent price if they had not Incorporated all kind of typical sageuk elements into the script.

Let's get a simple plot. The Crown Prince's Consort gives birth to an identical boy-girl twins but citing it an ominous sign, the King orders the girl child's death, since only the boy can climb up to the throne. The consort however sends the baby far away who somehow ends up in the palace as a maid after a decade. The siblings come across each other and adms the Prince one day is in the girl's disguise to sneak out of the palace, is mistakenly gets killed. At the same time, the girl in the Prince's disguise remains in the palace and to hide the late Princes demise, she continues to grow up as the Crown Prince, upon her mother's advice.

She shuts all the door to her heart in order to become strong but her starts to waver as she meets her childhood first love whom she had met in the palace as a maid and had a beautiful encounter. The person not knowing the king-to-be is actually a girl and in fact his first love, grow fond of her with time. The story is about their journey of love, affection and struggles on their way to togetherness. It also involves the usual period politics, conspiracies, secret revelations, fightings, unusual deaths, etc.

Park Eun Bin plays the girl Dam-i/Yeon Seon who is in the disguise of her late brother, Crown Prince Lee Hwi. Rowoon plays Jung Ji Woon, a great scholar & Royal Inspector General's Son, who is also Dam-i's first love. Nam Yoon Su plays Lee Hyun, Prince's cousin and son of the previous king. Lee Pil Mo plays King Hyejong, Dam-i's father. Yoon Jae Moon plays Left State Councillor Han Ki Je, Prince's Grandfather. These are the major characters who are also known for good acting; Pil Mo and Jae Moon ahjussi infact the veterans. I (have) loved Park Eun Bin's acting and Rowoon has still a lot to do though his performance was up to par. Nam Yoon Su is amazing as a rookie actor. Lee Il Hwa is also there as the Queen Dowager, the Prince's Grandmother. There are in fact many good and familiar actors in playing key characters of the story.

Special mention to 3 actors...Baek Hyun Joo playing Court Lady Kim Sang Gung whose delivery was nice and her firm voice :0; Go Gyu Pil playing Eunuch Hong Bok Dong whose expressions were very funny; and Choi Byung Chan playing Prince's Bodyguard Kim Ga On, ofc for his visuals.

The thing about this drama I loved the most is the childhood love story of Dam-i and Ji Woon. The way they encountered each other and became friends gave off immense romantic vibes. Them spending time in Hanyang and gradually growing fond of each other in just those 2 episodes, really melted my heart. In fact when they met each other after a decade as The Prince and the tutor, their longing hearts trying to find each other made me cry so much. It was difficult seeing the ML struggling with his sexuality but also mesmerizing the way he was falling for the King-to-be not knowing his real identity.

The old Korean poetic verses, philosophy and the characters deciphering those is another thing I loved about the drama. Obviously yes, all the historical Korean dramas have this element but I particularly liked the way the writer in here has accurately used and related to life and their situations.

The problem with the drama is it's plot development, content and the thorough execution. The first 2 introductory episodes are good enough to keep you hooked, in fact the best episodes of the drama though you'll have to cry every now and then. After 2 leaps of 10 years each, when the characters appear in their final stage, it becomes more interesting. The premise is gradually set up by intriguing screenplay methods and the romance between the leads begins with initial tease-party. Simultaneously the politics sector of the drama develops steadily. Despite all that, the drama seems to be lacking a specific destination with which it is supposed to end; it becomes unclear where exactly the drama is heading to.

However, everything goes smooth for a while. Somewhere around the 9th episode, the drama starts to be uninteresting with the beginning of crude romance between the leads, which is very typical and don't spark any good chemistry any longer. Events happening for the romance plot of the drama becomes repetitive and unnecessarily dragged to a great extent. Also, the love triangle of the story doesn't create any firm impression on the viewers; like I don't get why was it even there in thr script? Great waste of Nam Yoon Su's skills, ngl.

Starting from the 2nd half, i.e. the 11th episode, the drama becomes a greatly typical sageukk with the cliché elements like power struggle conspiracies, Ming Envoy visits, corruption among ministers, revenge game among families, etc. Given that the drama has 20 episodes and it already runs out of substances right at the interval, It didn't interest me at all to even finish it and I was forced to watch the rest at 2x speed. They try to send the plot to peak several times by incorporating twists here and there but it was clear, they were trying their best to drag it to make it a 20 episode drama. The script didn't even deseve 16 episodes to being with, forget about 20. Simply, it could have been a decent drama at least, if they had planned for a 12 episode set.

Writer Han Hee Jung seems to have not improved over these years. Among her works, the only thing I liked was "Gunman in Joseon". "Clean with Passion" was a wasted potential too. She was the reason I didn't have high expectations from this but I was hoping she might have bettered than before... well, meh! Given the basic plot, the script is totally exaggerated in the 2nd half and the main problem is with the lenthy writing and many unnecessary plots as well as characters. I wish it were a 12 eps drama.

Director Song Hyun Wook is actually experienced and have produced many good dramas but I guess for the reason that it's his first sageuk (historical) drama, he couldn't prevent the flawed outcome of the drama. Screenplay is average given how it runs out of substance sooner than expected. Cinematography is quite well handled, I should admit. The natural elements as well as architectural aspects were taken care of properly. Screen-editing is also good but the dragged script makes it uninteresting and difficult ti keep up with.

I loved almost all of the OSTs. The composition by Tae Keun is very good and he's been able to produce such beautiful tracks, perfectly fitting to the mood of the drama. My most favourite is "Shadow of You" by SuJu K. R. Y; it's soulful and gladdening. They're my favourite trio in the world of Kdrama OSTs. "One and Only" in heart-wrenching vocals of Lyn is another favourite. Baek Ji Young's high notes in "IF I" are very emotional. An Da Eun's "I Believe" felt like a classical sageukk OST. "Hide and Seek" by VROMANCE is a jolly track TT. "Full of You" by Hae Yoon is a modern romantic song and very likable; it's also covered by Vromance. Loved Rowoon's smooth vocals in "No Goodbye In Love" which also makes me cry so much.

In overal, The King's Affection felt like an exaggerated version of Lovers of the Red Sky. I can't help but compare these 2 because they are produced around the same time period. The former is obviously a lot better than the latter but still the amount of dragging the script to produce more episode is the same. Also, the ratings of both the dramas are hugely influenced by the cast and not the quality, everyone is aware of that.

I still wanna insist that I love the basic plot line but the script is pretty mediocre and around the average. Yes, I am disappointed even though I didn't have very high expectations. The cast was obviously the reason I had anticipations but the flaws of the drama amounts to my disappointments, hence I won't recommend this drama to anyone, even for an one time watch, unless you want to give it a try for the visuals.

P. S. I ended up writing a lot anyways haha.

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Just how much I craved for a normal romcom kdrama!

Dali and the Cocky Prince indeed is a fresh romcom drama that we have had in while. Not like it's the only drama to have a normal romcom story this year, but it surely is the best of the kind and I shall explain why throughout. By normal romcom I meant,a romcom storyline with no supernatural or thriller elements, which has become common these days.

Kim Da Li (Park Gyu Young) is the daughter of Chungsung, the most prestigious family of South Korea, known for their contribution to art & culture. She works as a curator in a Dutch Gallery in Amsterdam. Jin Moo Hak (Kim Min Jae) is a director of Dan Dan F & B, a large gamjatang restaurant chain business company, who is uneducated yet has immense contribution in the success of his business. Dali comes back to Korea after his father's sudden demise to take over the gallery as it's director. But the gallery is already in debt and about to close down. Moo Hak and Dali with a previous encounter as good friends turn into debtor-creditor and end up working together.

The story mainly revolves around the gallery and the hurdles it face while organizing exhibits and maintaining it's dignity which also involves the developing chemistry between Dali & Moo Hak. Among other characters, there are Jang Tae Jin (Kwon Yul) as Dali's ex-fiancee and Korea's biggest family SEGI's Chairman, Joo Won Tak (Hwang Hee) as Dali's childhood friend, Kim Nak Chun (Jang Gwang), as Dali's late father and ex-director of ChungSung, Jin Baek Won (Ahn Kil Kang) as Moo Hak's father and Chairman of Dan Dan F&B, etc in major roles.

The seemingly uninteresting storyline doesn't really indicate the actual direction and mood of the story even if the genre tags say it's a romcom. The beginning of the story (first 2 eps) might not be that promising in order to decide whether to stay on this or not but I suggest you to give it a try till 4th or even 6th because after the introductory foundation of the drama, it actually becomes appealing. The ending is also well sorted. In fact, there was no point in the drama towards which felt slow or rushed and it wasn't messed up from any angle.

Honestly, the basic plotline is nothing new; its simple and typical with the classical romcom Kdramas. I loved the entire thing only for the fact that it's a normal romcom story and the chemistry between lead couples are worth remembering. Despite everything, the screenplay technique, dialogues, character development, romance progression and comedy has their own ways of representation for this drama which definitely intrests the audience. The amount of cliché elements are very less as well. It has that vibes of the old romcom stories. Adding to the main romance plot, there is another major plot involving both the leads, their families and the gallery and it goes on simultaneously and ends in the finale after all revelations are made.

Dali is talented girl with immense interest in art. She's strong yet softspoken, kind-hearted, rationale, reasonable and caring. On the contrary, Moo Hak is a rude, arrogant, outspoken guy who does talk loud all the time. He doesn't think before talking and tend to make many grammatical mistakes. All that matters to him is money, in fact he knows the real value of money. Despite all that, he's caring and considerate deep down his heart. I loved the fact how healthy Moo Hak as a male character is, no toxicity, no problem tease games and no ego. It indeed is a pleasurable thing to witness the two strangers with contrasting characters coming together to work and gradually falling in love. Not to forget, the chemistry buildup between them is sooo enticing, you'll wish more.

What I liked the most about the drama is how straightforward both Dali and Moo Hak are. Not only their personalities are crystal clear but their mindset towards their developing relationship is also firm and comprehensible. Their feelings plus expression are so transparent, you can't help but admire these two lovebirds and root for them real hard. At least they don't beat around the bush and made sure their is no confusion left. The actual romance starts in the 2nd half of the story (more like in the 2nd half of the 2nd half, haha) but what matters is the gradual buildup that was shown in a very beautiful way. Ofc, there was mutual interest and liking before that but it takes a while for the flower to bloom. Haven't really seen many such limpid chemistry development between lead couples in long while.

Both Moo Hak and Dali's outfits were aesthetically pleasing and the add-on of their visuals with those clothes, were chef's kiss, oof. Moo Hak initially was a thug-like guy and wore those floral print mosaic slim fit formals, plus his hairstyle; everything about him looked heavenly TT. Dali's sense of fashion and hair grooming styles with the bob cut short hair, my goodness, she looked gorgeous throughout. The stylist/costume designer deserves a bonus.

After the interval, I was worried a bit; even though everything was going fine I hoped the production value and writing quality won't drop low as it occurs in most of the new romcom dramas. But, thankfully, it worked out fine and till the end, they were able to put forth a reasonable and sorted outcome; such a decent story and good execution.

Lee Jung Sub PDnim surely is experienced and skilled, most of his dramas are both popular and good. The direction and management of the entire thing have been well executed. There ain't much to do with cinematography but the camera works of some instances were really nice and I loved the way they represented the gallery art museum. Screen editing is good as well, with several flashback scenes incorporated to showcase connections and revelations. OSTs and background scores are appropriately used and make the screenplay even more appealing.

Idk if it's weird but I loved the entire OST album for this drama; each and every single OST is so beautifully written. They're soothing, romantic and heart touching, they gave off suitably perfect moods throughout the drama. Imma mention all of them.

"Moon Crater" by Kim Yeji is my most fav of all. The harmony here gives me goosebumps, every time I listen to it. It's very very well composed.
"U Hoo Hoo" by KLANG is next in the list. This is sooo soothing and KLANG's vocals are always very heartfelt.
"GIFT" by CHAI has meaningful lyrics that we can all relate to, more or less.
"With You" by Ha Hyunsang is a comforting piece which well written and the vocalists high notes are gratifying.
"The Sweetest Love" by Ham Yonji is such a jolly track that can cheer you up. It has that charm to make your heart flutter uwu.
"That's Ordinary Love" by Seoho is gladdening romantic song and gives out the urge to love and be loved, truly.
"One Day It Will Be" is a duet by Ian Hug & Seoho, in which the harmony and synchronization makes it such fulfilling song, it is enough to melt your heart.

"Can't You Love Me" by Fromm and "Straight" by DINDIN are also good tracks, the former being a soulful soft song and the latter is a rap composition. "The Kiss" by Hodge is a short track with English retro vibes.

DALI & THE COCKY PRINCE, is definitely one of my favorite drama this year and undoubtedly the best classical romcom drama of the year 2021. The simplicity of the drama is what makes it beautiful and watch worthy. The simple yet, compelling chemistry buildup is worth looking forward to and deserves admiration. The overal plot, the acting, the aesthetics, the dialogues and the execution, everything are good and together make this drama a veryyy good watch. I came here not expecting much, for Min Jae, Gyu Young and Kwon Yul but didn't know I would actually like it to this point. Definitely coming back to this some times.

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