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Yuki Rio, the daughter of an old, prestigious family in Kyoto with over 1,000 years of history, enters into an arranged marriage at the age of 16 with a man she’s never met. Her husband is Takamine Masatomo, a handsome CEO in the IT industry. Every year on her birthday, she would receive 50 million yen, making their relationship one based solely on money. One day, after ten years had passed with no contact, Rio decided to move to Tokyo. She asks her husband, whom she’s meeting for the first time, for a divorce. On the other hand, Takamine finds himself unexpectedly attracted to Rio and doesn’t want a divorce. Thus begins a romantic battle between a wife who wants a divorce and a husband who refuses to let her go.

Yuki Rio, the daughter of an old, prestigious family in Kyoto with over 1,000 years of history, enters into an arranged marriage at the age of 16 with a man she’s never met. Her husband is Takamine Masatomo, a handsome CEO in the IT industry. Every year on her birthday, she would receive 50 million yen, making their relationship one based solely on money. One day, after ten years had passed with no contact, Rio decided to move to Tokyo. She asks her husband, whom she’s meeting for the first time, for a divorce. On the other hand, Takamine finds himself unexpectedly attracted to Rio and doesn’t want a divorce. Thus begins a romantic battle between a wife who wants a divorce and a husband who refuses to let her go.

Yuki Rio, the daughter of an old, prestigious family in Kyoto with over 1,000 years of history, enters into an arranged marriage at the age of 16 with a man she’s never met. Her husband is Takamine Masatomo, a handsome CEO in the IT industry. Every year on her birthday, she would receive 50 million yen, making their relationship one based solely on money. One day, after ten years had passed with no contact, Rio decided to move to Tokyo. She asks her husband, whom she’s meeting for the first time, for a divorce. On the other hand, Takamine finds himself unexpectedly attracted to Rio and doesn’t want a divorce. Thus begins a romantic battle between a wife who wants a divorce and a husband who refuses to let her go.

Yuki Rio, the daughter of an old, prestigious family in Kyoto with over 1,000 years of history, enters into an arranged marriage at the age of 16 with a man she’s never met. Her husband is Takamine Masatomo, a handsome CEO in the IT industry. Every year on her birthday, she would receive 50 million yen, making their relationship one based solely on money. One day, after ten years had passed with no contact, Rio decided to move to Tokyo. She asks her husband, whom she’s meeting for the first time, for a divorce. On the other hand, Takamine finds himself unexpectedly attracted to Rio and doesn’t want a divorce. Thus begins a romantic battle between a wife who wants a divorce and a husband who refuses to let her go.

This is a non-stop crisis suspense drama about a couple who are swept away by temporary emotions and end up having an affair with each other, and are cornered by their respective partners.

The main character, Kosaka Machiko, is a good wife who supports her husband and passionate about her work, but when she discovers that her husband is having an affair, she also ends up having an affair with her junior colleague at the company.

This is a non-stop crisis suspense drama about a couple who are swept away by temporary emotions and end up having an affair with each other, and are cornered by their respective partners.

The main character, Kosaka Machiko, is a good wife who supports her husband and passionate about her work, but when she discovers that her husband is having an affair, she also ends up having an affair with her junior colleague at the company.

While LLTG does not have an enemy-to-lover trope like LoN, but everything else is almost the same.

-Both ML had to take on different identities (or disguises) growing up in the imperial court in order to investigate the truth about their past family's murder/injustices
-Both ML are screwed and scheming minister/military positions
-Both ML lies and manipulates the FL in their plots and quest for revenge

-Both FL are normal but very smart, witty girls who yearns for a carefree life with freedom.
-Both FL are their own character and person and has a very clear understanding of priority between love, family and responsibility. Meaning they don't go crazy over guys, are rational thinkers, strong and independent.

-Both dramas are slow burn romance
-Theres about a 10 years age gap between ML and FL in both dramas. Both FL are quite young, its like their coming of age story where they get embroil in the MLs' worlds.

The fl in both dramas are career oriented, good at their job, broke up with her boyfriend and hook up with ml. Ml share many similar qualities, both are ruthless in business, cold to everyone but the fl. Fl also have a good relationship with her family, and treat her friends well. Both dramas focus on the growth of the fl and ml.

Both What Comes after Love and Alone/Together depict couples, contrasting their college/young adult idealistic lives in contrast to wondering about their "what ifs" and meeting again as older professionals about 5 years after they break up. The main couples seem to have other people they are either dating/considering dating but they still deeply love each other and thus a meeting 5 years later as career professionals made them question about their life's decisions in the past.

The friendly and judgmental but honest neighborhood, women's friendships, kids' lives, and conservative thinking of the 1992 era make this drama similar to Reply 1988. The cinematography and background music also reminds me of this Korean drama.

Main character is King Yeonho, son of the same King Sukjong ( played by Yoo Ah in ), & then proceeds as how his sons become the next kings & the rest of the story.

Features the same King Sukjong ( played by Yoo Ah in ), the next king son of Jang Ok jung and King Yeongjo , his other son

Both works depict challenges with being gay in South Korean society as well as experiences of familial relationships for gay people, and both works do so with a rather literary approach to writing (focusing on arranging words in a beautiful and profound way); a somewhat melancholic but also hopeful ending and overall emotional tone; and an achingly beautiful instrumental score for the soundtrack. The writing similarities are strongest with episodes 3-4 of "Love in the Big City", which (like "So Long, See You Tomorrow") makes heavy use of universe-related imagery.

Similar to The First Responders, in Jirisan there are rangers who rescue people and work in difficult conditions (fire, flood, avalanche). There is also a murder case, which is being investigated by the main characters. Jirisan is so good, watch it guys!!

Both have a lesbian romance that has a lot of mystery and deception involved. They both have a many twists and some darker themes. They are both based on novels. They are both based on novels. They are both pretty sexual.