Ask MDL: Romance An old man being treated in a hospital is always clinging to what appears to be a screenplay for a film. When a young nurse, Amane, asks him, “What’s it about?” he bashfully begins to tell the story. “It’s a magical tale of a young man…” 1960. Makino Kenji is an assistant director at a film studio. He dreams of one day becoming a director, but all he does now is run errands. Kenji’s outlet and secret pleasure are watching his favorite old romantic movie at the theater -- an old black and white treasure that only showed for a brief period before being cancelled. But the film’s heroine, a princess named Miyuki, was the love of his life. One day, the director of the movie calls and says he wants to buy the old reel of film. The owner of the theater agrees to sell it, despite Kenji’s protests. “This will be the last showing…” But then something miraculous happens. Following a clap of thunder, the heroine of the movie literally jumps off the screen… in black and white! She’s breathtakingly beautiful and equally strong-willed, just like Princess Miyuki in the film! Miyuki is mesmerized by the colorful world she has landed in, but she causes nothing but trouble for Kenji. “Why did she appear in this world?” Kenji wonders while indulging the princess’ every whim. In time, he does fall in love with the real Miyuki, but she is harboring a secret that she cannot reveal… (Source: MyDramaList) Edit Translation
- English
- Русский
- Español
- Polski
- Native Title: 今夜、ロマンス劇場で
- Also Known As: Color Me True , Konya, Romance Gekijou de , Konya, Romansu Gekijo de , Tonight, At The Movies
- Director: Takeuchi Hideki
- Screenwriter: Uyama Keisuke
- Genres: Romance, Drama, Fantasy
Cast & Credits
- Sakaguchi Kentaro Main Role
- Ayase Haruka Main Role
- Kato GoMakino Kenji [Elderly]Support Role
- Honda TsubasaNaruse TokoSupport Role
- Kitamura KazukiShundo RyunosukeSupport Role
- Nakao AkiyoshiYamanaka ShintaroSupport Role
Reviews
As for the story, it was a nice, clean romance, with a bit of mystery and heartbreaking moments. I watched it twice in a week and I cried in both occasions. However, it could also be because of Ayase Haruka's tears... she almost always manages to move me with her tears. And she looked amazing as a princess. She had a nice chemistry with Sakaguchi Kentaro (she almost always has a good chemistry with whatever actor she works with), BUT as always, she is terrible in love scenes. She is a like an unreachable princess, cold and stiff in regards to hugs and kisses. Thankfully, it wasn't properly show in this movie, so it didn't bothered me so much.
I though at first that the movie had some plotholes. Like, she has to put make-up on her entire self to disguise her black-and-white self. But she remains colorful even under the rain. However, I noticed that it only rained when she was upset or sad, so maybe the rain was magical like her and couldn't affect her. It isn't explained how she comes to this world, but since it is a fantasy, there is no need for that. And as for all her wardrobe, it could be because they are in a movie set, and there are a lot of clothes.
SPOILER...
The ending was very sad. I couldn't live like them at all, without touching the one you love. And when they finally do... :(( so sad. Why??? The final scene was just a way to calm our broken hearts :((
I love her too!
This film hits me in a way that feels very personal. The first TV drama I watched, about ten or twelve years ago, was Byakuyako, starring Haruka Ayase and Takayuki Yamada, which also starred Crying Out Love, in the Center of the World. Although she played the 'villain' in the first one, I really, really fell in love with her. I loved everything about her and fantasized about going to Japan years later and meeting her by fate. It's embarrassing, but I’ve identified with the feeling of Kenji watching Princess Miyuki through the screen. Damn, he even had the chance to be with her, fall in love, and have his love returned as well.The plot might be a bit cliché, but they just don’t make films like this anymore. Although it’s Japanese, the film draws many references and inspirations from Western cinema (Audrey Hepburn herself), even in the way it portrays and understands love. But all in all, I loved it.
I love you, Haruka Ayase. I hope that one day you’ll see through the camera screen the admiration I feel for you. You, or one of your alter egos.



















