Details

  • Movie: Love Bombs
  • Country: Japan
  • Release Date: Feb 2, 2013
  • Duration: 1 hr. 34 min.
  • Rating: 13+ - Teens 13 or older

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  • Score: 7.5 (scored by 1 user)
  • Ranked: #99999
  • Popularity: #99999
  • Watchers: 3

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Love Bombs (2013) poster
7.5
Your Rating: 0/10
Ratings: 7.5/10 from 1 user
# of Watchers: 3
Reviews: 1 user
Ranked #99999
Popularity #99999
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Kiyomi arrives in a small town from the city. There, by chance, she meets an elderly woman named Kinu and a guy named Masaru, who, Kinu views as a grandchild. Kiyomi begins to live with them.
Meanwhile, in the small town, Shinji raises cattle and Tatsuya farms tomatoes. Shinji and Tatsuya are both excited by Kiyomi. Masaru also happens to see her in underclothes and becomes infatuated with her. One day, the elderly woman Kinu collapses. The once peaceful town becomes shaken. Add Synopsis In Portuguese

  • Country: Japan
  • Type: Movie
  • Release Date: Feb 2, 2013
  • Duration: 1 hr. 34 min.
  • Score: 7.5 (scored by 1 user)
  • Ranked: #99999
  • Popularity: #99999
  • Rating: 13+ - Teens 13 or older

Cast & Credits

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Love Bombs (2013) photo

Reviews

Completed
Senpai
0 people found this review helpful
Dec 22, 2017
Completed 0
Overall 7.5
Story 6.0
Acting/Cast 8.0
Music 8.0
Rewatch Value 6.0
"Love  Bombs" a very good movie cinematically but a plot, typical independent  production with a confusedly immediate aesthetic where the low budget  was noticeable more than anything. Technically  flawed in certain points, it is a film that, although bad, stands out  and sustains itself as a whole, the use of the cameras and the use of  the fixed plane works as a way of framing the characters in familiar  spaces and seductive work in the film what makes it passive to finish up the final credits. Regarding  the story, we have Kiyoko, a mysterious woman comes to a village and is  welcomed by a nice old lady who does not ask her many questions. The  small community, which has practically no young women but has many men,  is shaken by the seductive presence of Kiyoko, suddenly becoming a  fatal woman in the eyes of all. One  of the highlights of the film is certainly the revolt against the  underlying sexuality in contact with the other sex and the hypothesis  that not all fatal women are so fatal.

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