Details

  • Movie: Vampire Clay
  • Country: Japan
  • Release Date: Apr 20, 2018
  • Duration: 1 hr. 21 min.
  • Rating: Not Yet Rated

Statistics

  • Score: 5.5 (scored by 17 users)
  • Ranked: #99999
  • Popularity: #99999
  • Watchers: 25

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Vampire Clay (2018) poster
5.5
Your Rating: 0/10
Ratings: 5.5/10 from 17 users
# of Watchers: 25
Reviews: 1 user
Ranked #99999
Popularity #99999
Watchers 17

From Japanese special effects master Soichi Umezawa comes a singular horror experience in a wildly hilarious marriage of The Blob and The Evil Dead. After studying in Tokyo, Kaori returns to Aina Academy to finish her prep classes for art school. Quickly outshining her jealous classmates, she soon becomes the star of the class when she discovers a bag of old, mysterious clay and uses it for sculpting assignments. Things begin to get strange, however, when students' projects are destroyed and one of Kaori's classroom rivals disappears. As the students uncover that the clay is possessed by an artist who previously owned the building and died tragically in his workshop, the school finds itself attacked by a gang of murderous, bloodthirsty clay "vampires." The monsters begin to impersonate--and subsequently devour--the students, thus answering the age-old question: can art be so bad that it kills? Rest assured: you've never experienced a movie like Vampire Clay.

( Source: Rotten Tomatoes )
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  • Country: Japan
  • Type: Movie
  • Release Date: Apr 20, 2018
  • Duration: 1 hr. 21 min.
  • Score: 5.5 (scored by 17 users)
  • Ranked: #99999
  • Popularity: #99999
  • Rating: Not Yet Rated

Cast & Credits

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Vampire Clay (2018) photo

Reviews

Completed
Senpai
1 people found this review helpful
Oct 10, 2018
Completed 0
Overall 5.5
Story 5.5
Acting/Cast 7.0
Music 6.5
Rewatch Value 1.5
With the director of "Vampire Clay", Sôichi Umezawa staged a ridiculous horror film. As a metaphor for splat on the art world and all that populate it, the film unites a stylistic reference to the enlightened blues of the 80's emotions (without ever being "retro" complacent), wonderful effects and disgusting masks and sometimes moments extremely funny. This must be interpreted as a parody of horror, as an absurd cabinet, which makes much fun in its obvious strangeness. Narrative that is not very dramaturgically exciting. At the same time though, this is so honest with your media that the fun of the movie is conveyed fluidly to the audience.

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