S.O.S (2015)

Both of these productions feature short stories centered around a main character undergoing some sort of character crisis. While not necessarily grand in scale, these story conflicts are key to the leads' opinions of themselves and their relationships.

Both productions also feature prominent and reoccurring color symbolism and other metaphoric elements. They also both use non-literal intermissions where we see the main character in a setting effectively crying out for help.

In both of these productions, a young lady is forced to reckon with her sexuality after getting a boyfriend who doesn't inspire the happiness that should come with such a relationship.