Gyeongseong Creature (2023)

Love.. Sacrifice.. Courage.. And Endurance: The Pulse of Gyeongseong Creature..

This is not your typical damsel in distress or ML saves the FL and then they had a happy ending drama.. Even though he saves her several times by risking his life, she does the same for him.. Itss also not your usual fight for the love of your country or hero saves the world narrative.. While the story is heavily influenced by a falling regime and its hold on the country.. Patriotism, in my view, is not the drama's core...

Its the journey of Jang Tae Sang who is thrust into a world he is not familiar with.. Facing trials that test his resolve and character.. And Yoon Chae Ok who in desperate search for her mother enters a dangerous world from which no one escapes.. Together they form a bond of love that only fate could forge..

The screenplay, acting and cinematic visuals were standout elements of the drama.. The opening title sequence was beautifully crafted.. With paintings and illustrations that set the tone for the drama and drew me in from the very start..

Claudia Kim's performance as Lady Maeda was outstanding.. I really would love to see her as the FL in a drama soon.. Han So Hee handled her role with ease.. Especially the action scenes .. And Park Seo Joon was nothing short of extraordinary.. Showcasing his incredible talent and range as an actor.. I would expect nothing less from him.. Given his remarkable ability to bring characters to life with such authenticity.. Kudos to Park Seo Joon for taking the time to choose the right script for his comeback..

The sequence where Jang Tae Sang enters the patriots hideout and the scene seamlessly transitioning to Yoon Chae Ok as she shoots Dr. Ichiro and then shifts to Maeda before returning to Yoon Chae Ok.. All set against a dramatic rain backdrop.. This three minute sequence was peak cinematography..

`Sā, futari tomo koko de shindekudasai' / 「さあ、二人ともここで死んでください」 / Now, i ask you both to die here.

The climax fighting scene was well choreographed, Han so hee was just perfect.. She sacrificed herself to bring an end to her pain as well as her mother's.. And to protect the person she loves..

One thing I didn’t understand was why she chose to kill Ichiro.. Killing him wouldn’t change anything, and she was smart enough to know that.. I was expecting her to sneak into the hospital and try to kill Kato because he was the brain for the whole project.. Wouldn't that have been the wiser move??

And the ending.. How did she end up in water with her mother ( shenshin )?? Was that how they wanted us to visualize the scene?? Because there is no way Jang Tae Sang would have deserted her dead body or let her mother take it.. May be the second season will answer that..

In conclusion.. Gyeongseong Creature serves a rich textured story and a refreshing departure from conventional narratives.. Blending Love.. Sacrifice and courage.. And It’s clear that the journey of Jang Tae Sang and Yoon Chae Ok will continue..

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In its monstrosity hardly dealt with war crime pulled off the dusty shelf in vividly stylized mode

The Netflix production “Gyeongseong Creature” turns out to be quite an idiosyncratic mix. Studio Dragon had the opportunity to experiment and make full use of an illustrious cast. Despite some clichés, "Gyeongseong Creature" is not a banal K-drama that you quickly forget.

Basically it's another hero´s quest of some hero against his will, discovering unexpected sides of himself. It´s another ´mission impossible´ right into the lion's den - in this case: the military hospital of the Japanese colonial army base in the middle of the capital of the Chōsen colony in 1945. It is not the fair maiden who is to be saved, but the kidnapped, impregnated courtesan of the chief of the Japanese police. It turns out that a 'dragon' - in this case an artificially created monster - also has to be overcome along the way. The hero is flanked by a motley crew of long-standing and spontaneous companions...

Now this old wine comes in a freshly spiced-up Korean-style bottle. The personal touch of "Gyeongseong Creature" is precisely that Gyeongseong in those final months of the Pacific War, when Seoul bore that name. The historical setting as well as the historically and socially significant issues of Japanese colonial rule give the plot its selectivity and a quite serious foundation, so that "Gyeongseong Creature" does not simply offer interchangeable run-of-the-mill entertainment. Here, a painful chapter of South Korean suffering is intertwined with personal fates in the form of loosely interspersed critical events during colonial rule that is officially (by Japan) to this day preferable neglected, not to mention rehabilitated. With this Netflix production it has been nonchalantly thrown onto the World Channel to be proclaimed and acknowledged in HD.
This involves in general: the arbitrary racist violence and oppression against the Koreans as well as the systematic torture and execution of suspected resistance fighters in Sodaemun Prison; the forced military conscription and bullying of Korean soldiers within Japanese units; the forced recruitment or abduction of comfort women for (mass rape for the pleasure of) frontline soldiers... And specifically in the case of this story: the monstrous machinations of Unit 731 as part of the Imperial Japanese Army, which went down in history for its inhumane experiments on human subjects. Although these experiments actually took place mainly in Harbin in Manchuria (see side note below), they were for this KDrama also imported to Gyeongseong for a compact narrative stringency.

Against this background, "Gyeongseong Creature" tells its fictional story with artistic license. In some scenes you may get the impression that you have lost your way in a parody. Despite of such incomprehensible human menace and distress, the story presents itself at times completely unimpressed by any seriousness. There is room for humor and coolness, (which sometimes made me think of a parody of 'James Bond' or alike production). There is this reluctant hero who sometimes appears naive, sometimes quite cheeky and self-confident. He´s someone who has learned to achieve his goals, but who prefers to stay out of any trouble, wearing a stylish suit. And then, out of nowhere, he can withstand torture and injuries as if it were nothing at all. You can't really take this seriously. And yet...
In contrast, there is plenty of objective seriousness and expertise from the two foreign travelers on their detective mission. Pleasant extra: a clever, self-confident FL who is quick-witted in every respect.
In contrast, there is also the extremely dark world of medical experiments (and their artistic documentation) – underground on the military site.
In contrast, there are also the monsters, the army and the imprisoned test subjects.
And in the middle of the perfidious chase, the great feelings of humanity shine through: familial bonds and solidarity as well as wounded pride and jealousy act as driving forces, flanked by patriotic resistance and questionable scientific ambition. It's hardly surprising that Cupid also shoots his arrow in passing.

Not only do the individual characters at times feel like caricatures of themselves, Gyeongseong's production, choreographed in light and colors, also seems to come from an unreal fairytale world. While the pawnshop shimmers in all colors, the Japanese research laboratory is stylized as a dark dungeon beneath the military prison. And then there is the Moonlight Bar on the one hand and the police chief's property on the other - each of them control centers with a certain (political) impact. All of this is impressively aestheticized again and again in hand-picked scenes and settings. Sometimes you can feel like you're in the theater and then again like you're in the high-resolution digital world of a computer game.

So is the KDrama worth watching? On the one hand, "Gyeongseong Creature" takes itself very seriously with regard to its historical contemporary themes, but on the other hand, in the clichéd exaggeration of the individual characters, it apparently doesn't. This KDrama mix chosen for "Gyeongseong Creature" is, in my opinion, quite daring. However, I mean this in a benevolently positive way, in the sense of 'feeling free to experiment'. You might have to get used to it - but easily so. The (let´s say) rather 'banal' entertainment element - the Mission Impossible in view of the numerically superior Japanese military and the monster creation - is effectively intertwined with painful historical reality in a strikingly piquant and catchy manner. During the action-packed and visually stunning ride through the episodes, the KDrama subtly but consequently throws its barbs of memory at the audience.

The KDrama surely is offering cinematically solid entertainment with a star cast, but at the same time, based on the different personal backgrounds of the main and supporting characters, it demands acknowledgement of how the Japanese dealt with Koreans at that time. By stylizing the manifestation of Unit 731's monstrous experiments and research in the form of a concrete monster with superpowers, "Gyeongseong Creature" symbolically brings the unsatisfactorily dealt with war crime off the dusty history shelves in an unmistakable monstrosity.


...
Well, a second season has already been announced.
This will obviously be set in contemporary Seoul, though. We´ll see...























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SIDE NOTE: --- Unit 731 of the Kwantung Army of the Imperial Japanese Army ---

From 1932 onwards, Unit 731 of the Kwantung Army of the Imperial Japanese Army under the leadership of Ishii Shirō was stationed in Harbin, the largest city of the puppet state of Manchukuo in northern Manchuria. Around 3,000 mostly bacteriologists carried out experiments on living people there. The test subjects imprisoned and tortured there were predominantly Korean and Chinese civilians as well as Soviet prisoners of war. Later, including American prisoners of war, too.
Unit 731 of the Kwantung Army of the Imperial Japanese Army was disguised as the “Main Branch of the Epidemic Prevention and Water Supply Department.” In fact, Unit 731 in Harbin is responsible for the most cruel experiments on living humans. Later, field research was also carried out using the biological weapons developed in Harbin. The victims based on this research alone were mostly civilians - tens of thousands came together over the course of the war years.
I would like to ad that the main perpetrators of these war crimes by Unit 731, who had the full support of the later Japanese prime ministers and the Japanese imperial family, remained unpunished in exchange for the research results that they handed over to the USA...


PS:
There was no offshoot of Unit 731 in the fictional Onseong Hospital in Geyeongseong. That's fictional.
There was no Onseong Hospital in Gyeongseong either.
However...


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SIDE NOTE: --- Gyeongseong Japanese Military Hospital ---

The main KDrama setting is a colorful look and feel of Gyeongsong (Seoul at that time). The focus is on the architecture of the Republic's former Defense Security Command Center. On the area between the palace and the old town of Bukcho a military hospital was built by the Japanese in 1928. The Onseong named Hospital in "Gyeongseong Creature" is fictional, but the architecture that takes center stage is in fact related to a real Japanese military hospital before later actually becoming part of the Republic's Defense Security Command Center.
Until about two decades ago, this area was an urban area closed to the public and with bad memories for the people - not only of the activities of the colonial rulers, but also of their own military, which staged a coup against the people here in the 1970s. Furthermore, many South Koreans were tortured and mistreated there (by the security officers of South Korea's dictatorial regime). Until recently, human rights was an unknown concept behind those walls.
The ensemble could have been demolished, but the people decided to preserve the building as a memorial. The historical witness is now part of the National Museum of Modern and Contemporary Art. The bloody past is thus being countered with something positive: the imagination and emotional power of modern art.

Here, with the KDrama "Gyeongsong Creature", the dark past of this military area bearing a bloody and painful past, which began with Japanese colonial rule and was later continued by South Korean government officials, comes to life again with artistic license, too - as representative contemporary witness in HD.

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