Ayaka-chan wa Hiroko-senpai ni Koishiteru (2024)

slow, sweet, silly, sapphic.... superb!

Opened this one on a whim scrolling the Gaga homepage, and had such a lovely time. Tonally a workplace romcom, Ayaka is in Love with Hiroko encompasses an impressive breadth of lesbian community for such a short and simple series. Ayaka's seduction of her older, competent, and charming boss is so much fun to watch, while Hiroko's bittersweet experiences as a working, lesbian woman in a different generation provide an emotional foundation for the conflict. The acting is bright and lively, but never fails to deliver on softer story beats. It's really a gem of a show that I very much enjoyed.

-The Full Review-
STORY:
This story is a little bit cliche--a young, optimistic, and open lesbian pursues an older woman who has guarded her heart as a result of homophobia and sexism faced in the workplace. Despite this, I think the story delivers very well on it's premise. Ayaka and Hiroko change each other and inspire each other to live courageously and freely. I particularly like how much it is emphasized that it is Hiroko's own work to create an inviting and encouraging workplace for her employees that allows the culture to move beyond traditional values.
One of the strongest elements of this story is the inclusion of a wider lesbian community. Akira's lesbian bar and the friendships and safety it offers provides an outlet for Ayaka's aggressive pursuit and Hiroko's reluctance to be open. I loved getting to see Hiroko in a different light with her brash and goofy friends. Likewise, I loved Ayaka and her friend's shared experience with discovering your sexuality and finding a confidence in your identity.
While some people will disagree with a coming out/stop being so cautious narrative, I think it was presented quite neutrally. Characters who choose to remain closeted (for any length of time) are given grace and understanding, and the resulting issues from conflicting desires is treated with proper weight. I understand being tired of this narrative, but I don't think it is done poorly at all. And I really enjoy these character's journeys.

ACTING:
I loved this cast. The choice to pursue an expressive and exaggerated acting style worked very well for these lively characters and their colorful world. As the series progressed and settled, the leads were allowed several long scenes of a more natural, emotional nature that raised the stakes of the story in a very satisfying way.
Kato Shiho's bright and bubbly personality pulled me into Ayaka's quest right away, and always kept her balanced on the correct side of pursuit over pushy. She was very good at pulling off the charming, innocent, and mischievous that made it so easy to understand why Hiroko liked her.
Mori Kanna's elastic expressions were likewise infectious. While they could potentially come off as "too much," I found her style contributed to the humor of the piece perfectly--especially when Ayaka leaves the room and her blank, boss expression morphs into pure lesbian panic and despair. I loved getting to see her flashbacks to a younger and more vulnerable time in her life as well.
For standout ensembles, I have to go with Naka Bambi and Seto Kazuya because, oh my god. I am but one little lesbian. But truly, everyone here worked well together and had such a joyful chemistry between them. I have a great fondness for every character in this show.

PRODUCTION:
I loved the color! I tend to think of JQL as having rather bleak, brutalist color grading but Ayaka's world is full of personality and color. I particularly loved the way different office spaces were used to capture Hiroko's reluctance--always drawing away in tradition, cold meeting rooms and finding common ground in the open-plan teamwork-centric main room (particularly when her scenes with Chinatsu were the opposite).
Of course, Ayaka's wardrobe is an absolute masterpiece and so, so cute! The progression from the clothing she is wearing for attention to clothing that sits more comfortably in her personal style is likewise very important to the story. I thought her finale outfit was particularly good at bridging the gap between her extremes.

INTIMACY:
There's always a production when they don't kiss until the end, but I really liked the body language happening between these characters. The use of space and casual touch was really curated throughout the story. When Ayaka moves in, you really feel how close and overwhelming her presence is, and her way of melting into Hiroko is very sweet. On Hiroko's side, the tension in her body tells stories and it's so wonderful to see in progress. I loved their chemistry.

In all, I really, really enjoyed this piece. Without discounting the weariness/wariness of some of the comments on this show, I think it has done a lot of work to go beyond the basic and deliver a more thoughtful and rounded story. To do that without losing the humor and joy of a romcom is quite special. I hope to rewatch this again soon.

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