I Give It to You (2026)

si eres fan de hwang in youp te asombrará

realmente como dijo el actor tuvieron bastantes besos y la verdad no me incomodó al contrario me gustó, ya que, si es de amor en la vida real se demuestra de alguna manera, claro hay veces que se puede inducir a que hay amor pero seamos sinceros siempre debe haber besos. Además me sorprendió cierta escena del actor que para la que lo fuimos a ver en persona sabemos que es algo tímido y eso fue como la sorpresa y lo bueno que puede ser para avanzar en sus papeles. Ahora para la historia me gustó hubo de todo, sobre todo esos giros inesperados que dio y me hizo mantener el interés en la serie y no dejarla. Solo que me hubiera gustado saber que le pasó al final al papá, de tan malo que era como quedó después del divorcio, que pasó con el hospital, pudo seguir trabajando cosas así pero son detalles. Espero seguir viendo a los actores en otros papeles y que sigan creciendo

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Came for the plot, stayed for directing - indie heart in a mainstream body.

Writing wise it’s a cliches overload. Successful male lead with initially egocentric attitude, haunted by his mandatory past trauma. Poor female lead struggling in her daily life, with mandatory past trauma. The plot was painfully predictable, but smooth sailing. I predicted the majority of plot points around episode 3 - ending included. I did not really mind, I watched it for vibes, not for the thrills.

The leads were fine. As a local pinning enthusiast I was both well fed, but also robbed. The first few episodes delivered such a good low-key angst with Su Bin pinning over Ju I Jae as she pushed him away, I just wanted more and more of it. But then they moved on from it so fast. That one time you wished the misunderstanding was not actually resolved in a mature manner…

There was depth on paper, but not in the delivery. I think they dealt with issues too fast. Less conflicts, but better explored please. Out of both leads, I for sure liked Ju I Jae arc more - from surviving to living and chasing her lost dream. Ready to face her fears to improve.

On the other hand, while I liked what they tried to present with Su Bin, it never truly hit the mark for me. Personally I loved how flawed he was. How desperate and misguided he acted at times. This makes for a compelling character. Yet again, similarly to external conflicts, his internal struggles were also not explored enough. He thought he was brave enough to stop running away, but the truth is, he just decided to hide behind Ju I Jae instead of learning how to be emotionally independent and healthy. This would be such an interesting internal journey if they cared to dive deeper into it.

I think the chemistry between Hwang In Youp and Lee Hye Ri was good, but not outstanding. A lot of heavy lifting was done by the editing. That silhouette kissing scene? Cinema!

Luckily, in terms of romance, everyone can find something for themselves since we get 3 separate couples with different flavors. Leads deliver the youthful romance, second couple sprints from bickering to friends to lovers tropes and the third just jumps straight into bed with initially no strings attached.

Of course no kdrama can happen without abuse plotlines, so be prepared for that - it goes both emotional and physical. Some of the abusers did not face enough karma if you ask me - forgive and forget should not be that easy to achieve.

For the acting, I was content, but not impressed. You know what's funny. Usually actors do decent in every day mundane scenes, but struggle with more emotionally heavy. But I actually liked Hwang In Youp's acting in these more heavy scenes more than the daily stuff. Not that he did a bad job per se, but it was just fine. Sidenote - Lee Sang Yeob was as hot as always.

Truth to be told, what I loved the most about this title was the directing. The indie vibe with mainstream quality just worked so well. There were many little filming techniques and editing choices I loved. Slow close ups from medium-full/full shots that hold the camera on the reaction of the character longer than usually. I also liked how “slow paced” the editing was - rather than creating dynamic shots by cutting to different angles, they used one shots with zooms in/out and camera movement.

It's not like the whole drama is some masterpiece of unique editing and directing, but it always had moments that I especially enjoyed. Fun transitions between scenes, POV you would not expect to see, mixing romance with comedy by showing different people’s reactions in the same wider shot. Changing the person in focus in one shot, instead of cutting the scenes between the two characters. So many little things that just worked for me.

Overall, it was a fine watch. Around half way through I caught myself being more excited to see what kind of fun filming/directing/editing choices they make, and not the plot progression itself. It feels like there was a lot of heart and thought put into all aspects of the production, but the writing itself.

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