In the present world, Sand, a young cosplayer fascinated by the coolness of "Thotsakan" (The Demon King), sees a Tokusatsu-style heroism in the art of Khon. He dreams of revolutionising the Khon club to be more contemporary, leading him to clash with Lucky, the beautiful-faced club president. Lucky is the grandson of a National Artist in Khon and fiercely adheres to tradition. An inexplicable attraction pulling them together may trace back to a bond from a past life that has never faded. During the reign of King Rama VI, a good-humoured commoner Saen followed his master to the Phra Luang School to train in Khon with dreams of playing the role of Thotsakan. He secretly loves Khun Rak, the young nobleman playing Rama, who is high-born and beautiful as a deity. Once bound by a forbidden love between master and servant, in this life, it's hatred at first sight. When fate bring the two eras to converge, where will fortune lead them? (Source: FINAL DRAFT CREATION YouTube; edited by MyDramaList) ~~ Adapted from the web novel "Nai Khon" (นายโขน) by NooDangzz (หนูแดง; หนูแดงตัวน้อย). Edit Translation
- English
- Français
- Español
- Português (Brasil)
- Native Title: นายโขน
- Also Known As: Nai Khon , The Masked Hearts the Series
- Screenwriter: Poy Orachat Brahmasreni
- Director: Trooper Arinchai Rattanavijit
- Genres: Historical, Romance, Drama
Cast & Credits
- Fone Tanakorn Chuen-aromSaen | SandyMain Role
- Tar Vacharathorn WongyaiRak | LuckyMain Role
- Frank Worachai AreewongTan | ThankSupport Role
- Ae Weerachai HattakovitPhraya BanlengSupport Role
Reviews
Nicely Surprised
This is a okay piece of work. The perception that without known actors and a large budget it would not be enjoyable is false. The shift between past and present was handled well. From mdl's profiles they appear to not have much experience, but they did well, bringing both time jumps to life.I like period pieces as it operates within boundaries to create a believable story. The costuming and dance sequences were nice. The acting was good enough. Fone a little more at ease than Tar. Tar/Rak's autocratic biased father to the point that a few slaps was needed but not given. A bit too much, but the authoritative indignation fitting for the period. It's a pity, that death always brings wisdom.
There are some flaws with the script.
It could have been better without expected moments eg the great escape, the bitter intended bride, the banished son living in the same town but the father doesn't care to know. Some unrealistic as Tan, of low birth, is allowed to keep casting spiteful words towards Rak of high nobility, without serious repercussions. Still, it was used as a tool to create conflict in a world that didn’t have any other. They could have cut down on the shrieking. Too much at times from Rak's father and Sandy. Lastly, they are in love but vow to stay by each other's side until death without the physical aspects. Their love for the art is enough. Hmmmm
The changes that occurred were rushed in the last episode but needed to bring it to an end. I would have preferred a more realistic ending but it is what it is. Thankfully they didn't rush Lucky and Sandy's relationship to make it cute.
Despite all the irregularities, this it was okay.
Khon - of Ramakien, in the past and to the future
I really liked this - and I'm genuinely excited to be telling everyone why. The Masked Hearts was a perfect blend of story, romance and culture, and the perfect way for a drama to find a place in my heart.The series was produced along with the Thai Ministry of Culture and is about Khon, a traditional dance from Thailand, based on the Ramakien and is part of the UNESCO List of Intangible Cultural Heritage (let me be, I'm nerding out a little). And though the story doesn't focus on the intricacies of Khon itself, the narrative is beautifully weaved between past and present, situating the importance of Khon in each landscape.
In the past, we witness the struggle of the leads Saen and Rak as they attempt to establish themselves as part of the Royal troupe, amongst the very few people who could practice the art. But besides being artists who dance together, Saen works for Rak's family, and ever since their first meeting, they've quickly and quietly been falling in love. Unfortunately, the time they live in does not reward love, passion or dreams - making them face all kinds of obstacles to protect their love - both Khon and each other.
In the present, we're introduced to Sandy and Lucky, two students who love Khon but have very opposing views on how it should be performed. One of them argues that the tradition must be kept in all aspects, while the other wants to modernize the performance for newer audiences. When one such argument is filmed and posted on the internet, they have to work together to create content and ensure the Khon club is not shut down.
I adored both the timelines, not only because I'm a nerd who enjoyed situating a traditional art form in ancient and modern societies, but because the story was very well executed. All throughout, we get the sense that both timelines are very connected - it's an apparent reincarnation story, and the past is full of angst and tragedy, while the present is more light hearted. And immediately it works because it's a reincarnation plot done right.
Every aspect of the series felt grounded, all of them got equal importance in the flow of the story. The romance wasn't forgone to give us a history lesson, the story wasn't ignored just to give us a happy ending. It was beautifully done and you constantly want to figure out how the past is connected to the present, what exactly happened, and you look forward to it, even if it may be the most predictable plot ever.
I will say, I wanted to see more of them in the present (because I love enemies to lovers, and this was a genuine enemies to lovers setup) and towards the end of the series, I would've liked a lot more answers than we got. But for the most part, this short series was a very enjoyable watch that I'm quite impressed with.






