While it's certainly scary, it's important to consider the tone of the story. The makers aren't presenting it…
Look, what you're saying sounds fine, but in reality, you're blurring the line between 'fiction' and 'reality.' When we call something 'cute comedy,' it has its own grammar. Win 'creeping out' or feeling uncomfortable in that episode was the 'punchline' of the entire scene. Comedy often arises when a character is caught in an awkward situation. If you remove the 'comedy lens' from that situation, then no comedy film or show in the world will be safe. Even the violence in Tom and Jerry would seem scary, but we see it as a joke because it was created from that perspective. It's easy to judge content by taking it out of its context, but it's unfair to the story. If the author wrote it to make it laugh, then labeling it 'creepy' and making it a serious issue would be overanalyzing. Weighing everything on the scale of social morality would take away the fun of entertainment.
I know this is supposed to be cute comedy but lowkey someone living in your house unknowingly is scary as hell…
While it's certainly scary, it's important to consider the tone of the story. The makers aren't presenting it as a 'psychopath thriller', but as a 'situational comedy'. Here, his stay in the house isn't meant to instill fear, but rather to create funny and bizarre situations. If we view it through the lens of Crime Series, we'll never be able to enjoy a comedy again!"
A great start! This looks like one of the most promising series I've seen in a while. The small moments and glances between the lead couples speak volumes—that's the hallmark of a good GL series. It's only been two episodes, and I'm already nervous and excited for the next ones.❤️😘 Fu*kkk Rating।
This is a really great series. The first 2 episodes kept me hooked, the chemistry is intense and slowly building up, and I liked this 2 episode in week thing even more.❤️
Hmm their new series is coming out soon, it will be out by mid 2026 but before that they will probably give some…
New scripts: She has said in interviews that she is looking at new scripts, but cannot reveal names until the contract is signed. In short: They are working together (in promotions and events), but the name of a "new series" or "film" has yet to be revealed. It has only been told that the new project is scheduled to come this year (2026) and both of them are going to play the lead roles in it.
Hmm their new series is coming out soon, it will be out by mid 2026 but before that they will probably give some updates, I wish Miu character was written a little better this time
I started watching this drama because of Lin Yu Shen, but I couldn't even get through 10 episodes.
The Same Old Formula in Chinese Dramas This has been a major problem in Chinese legal and professional dramas: Prop or Professional? They claim it's a serious legal drama, but in the end, they always resort to "melodrama" and "relationship drama." Lack of originality: If, even in 2026, scriptwriters can't portray a strong female lead without her being entangled in past relationships, then it's truly a failure of writing.
This is unfair to the male lead. If you look at it from the male lead's perspective, he has to wait for the female lead's previous breakup to make his move. This makes him more of a "support system" than a "hero," which often diminishes the dignity of his character. A harsh truth: Dramas like "The Inner Eye" often pretend to be "high-brow," but they rely on these love triangles to boost their ratings because they think viewers will get bored just watching legal proceedings.🤦🤡
24 episodes? Seriously, this story could have been finished in 10 episodes. There are so many pointless scenes thrown in that you'll get tired of pressing the fast-forward button. The screenplay is so slow, it's like a turtle trying to lose a race. Such Weirdo screenwriters should be thrown out of Taiwan.Don't waste your time 💩
Talent is wasted when the story is weak, not when the characters don't match their age. Simply showing an age gap or a 'power play' doesn't make a drama good; true talent lies in elevating an ordinary story through exceptional acting."
Fu*k, reading the summary of this has completely blown my mind. I absolutely hate infidelity, and on top of that, Seo Kang Jun is doing a romance drama after 5 years. Ugh, why couldn't he just do a simple rom-com? I don't know how I'm going to watch this.🤯
I got to know Seo In-guk from Doom at Your Service, and I really like his acting. I hope Jisoo can express herself…
This is only his third major role. Many believe she should have started with smaller or more challenging roles instead of jumping straight into lead roles, so she could gradually hone his craft. Getting such big projects without a solid foundation feels like nepotism, only in this case, it's "idol power."
1 
Win 'creeping out' or feeling uncomfortable in that episode was the 'punchline' of the entire scene. Comedy often arises when a character is caught in an awkward situation. If you remove the 'comedy lens' from that situation, then no comedy film or show in the world will be safe. Even the violence in Tom and Jerry would seem scary, but we see it as a joke because it was created from that perspective.
It's easy to judge content by taking it out of its context, but it's unfair to the story. If the author wrote it to make it laugh, then labeling it 'creepy' and making it a serious issue would be overanalyzing. Weighing everything on the scale of social morality would take away the fun of entertainment.
In short: They are working together (in promotions and events), but the name of a "new series" or "film" has yet to be revealed.
It has only been told that the new project is scheduled to come this year (2026) and both of them are going to play the lead roles in it.
The Same Old Formula in Chinese Dramas
This has been a major problem in Chinese legal and professional dramas:
Prop or Professional? They claim it's a serious legal drama, but in the end, they always resort to "melodrama" and "relationship drama."
Lack of originality: If, even in 2026, scriptwriters can't portray a strong female lead without her being entangled in past relationships, then it's truly a failure of writing.
This is unfair to the male lead.
If you look at it from the male lead's perspective, he has to wait for the female lead's previous breakup to make his move. This makes him more of a "support system" than a "hero," which often diminishes the dignity of his character.
A harsh truth: Dramas like "The Inner Eye" often pretend to be "high-brow," but they rely on these love triangles to boost their ratings because they think viewers will get bored just watching legal proceedings.🤦🤡