Despite its popularity, ‘Love Next Door’ feels like a failed attempt at narrating an already messy plot, lacking in many aspects that make a show captivating and overall underwhelming in terms of production. I found the series unmemorable, and was especially disappointed by the lacklustre chemistry between leads, slow-moving storylines, and jokes that felt uncomfortable from being misplaced. As a result of these flaws, the romance the main leads shared felt bland, and its comedic scenes would most-likely only appeal to those with an eccentric sense of humour. Its comedy and romance were insufficient to carry the series from its start to its end, which is why it makes sense as to why it progressively leaned more and more into melodrama territory rather than the rom-com that it had promised viewers ahead of its release.

The many tropes that have come together to bring the characters’ stories to life—such as childhood friends to lovers, the discovery of oneself, reconciliation between family, the annoying banter and quarrelling of siblings, and obviously, as the title suggests; a lover next door—are carried by a unique mix of emotion that highlights the series’ authenticity. Although it often shifts between the lives of different characters, the lead’s pure affection towards one-another threads the episodes with a consistent warmth, stopping viewers from getting lost in these constant changes. Their ever-deepening relationship blossomed slowly over time, navigating them through the incessant waves of trial and error faced by young adults while going through their period of self-discovery. This enabled the series to deliver a slow-burnesque type of love story with its leads, taking away from all the other aspects of their relationship, such as its simplicity, softness, and juvenile innocence. Not only did the romance fail in bringing a smile to my face mostly because of its painfully slow progress, but so did the comedic moments, heavy from the serious matters brought to light. Though the series's depth brought meaning to even the most lighthearted interactions shared between characters, it ultimately stole the show from its playful and humorous nature. If anything, the only good this did was bring out their rawest sides by presenting them using an approach that highlighted their faults and flaws. This tactic gave a realistic and emotional face to the characters, but also contributed to my disliking towards them.

The characters have each endured countless struggles, of which the worst have been Dong-jin’s early heart surgery, Mi-suk’s childhood in poverty, Seok-ryu’s cancer and depression, Seung-hyo’s near death experience and past car accident, and Dan-ho’s loss of family members. These dark times that have been presented shows that the series relies on tragedy to highlight the fragility of life as well as the preciousness of love. This deepens the bond shared between characters, and gives room for forgiveness and reconciliation. The technique used in bringing the story to life with strong emotions also worked in accordance to the viewers’ desires, because not only did it fortify the bonds between the families presented, but it also helped bloom the flawed but precious relationship that Seok-ryu and Seung-hyo shared in the last episodes of the series. Through living and reminiscing encounters that each held the possibility of a sad fate, the characters realised the importance of these relationships that may seem trivial, but of which are a necessity in overcoming trauma and accepting oneself. This vulnerability from fear and uncertainty, combined with exasperating hope for fulfilment of dreams, blurred the line between hidden secrets and spoken words. This combination of emotion created intimate scenes of verbal communication where love danced and pent-up emotion spilled.

From the very beginning, the series started on a rather serious note, rendering its advertising misleading, especially with the poster’s fun and colourful vibes. Its viewership ratings, of which have dropped exponentially since the airing of the first few episodes, only serve as confirmation to this claim. The concept photos put an emphasis on hopefulness, and contentment, though these themes are only truly present in the last episodes of the series. It introduced viewers to its main message with the first emotional moment shared between the main leads, which is the importance of having a shoulder to lean on. After this emotionally heavy moment came a pause in the unfolding of secrets. The series circled around the series’ main event—which was Seok-ryu’s stomach cancer—with little bits of comedy and metaphorical insight before cutting through the main storyline with angst, denial, loss, and other strong emotions that contradict the series’ overall image of light-heartedness.

Because of its heavy themes, the entirety of the show’s lightness seemed to revolve around its aspect of comedy, and yet, even the laughing matters were arguably put in inappropriate context, leaving some viewers uncomfortable with their watch. Moments like these included Seok-ryu’s Mom, whose physical actions such as hitting to express her anger and displeasure were overused and could be seen as abuse. Secondly, they tried to make out comedy of an awkward moment between Seung-hyo’s parents where the couple was together with one of the wife’s higher-ups, who was forced into his confession of being gay. The series brings attention to this moment being the first time he openly stated his sexuality to an individual he wasn’t close with because of the homophobia present in South Korea. There were also a few times where Seok-ryu and Seung-hyo’s fathers were out for a drink, both talking about how they felt miserable and hopeless for their lives, and yet each time ended up turning into a laughing matter because of their particular drinking habits. So, overall, the series’ comedic aspect was a let-down, save for Seung-hyo’s Dad’s hidden hilarious personality that overshadowed the series’ other comedic moments that landed flat in failed attempts at being funny.

The plot development was overall mediocre, with significant parts lacking between the journey Seok-ryu and Seung-hyo took to get from being friends, to lovers. Though its structure was evidently present due to the outcome of their relationship, the plot itself was messy and hid behind characters that distracted all else with their unserious dialogue, consistent personalities, and strong feelings. The series’ flow wasn’t very structured, and the episodes delved into different ideas that branched off without intersecting or building on each other and of which didn’t end up anywhere or support any of the series’ main ideas. For example, it didn't delve into an exploration of the pressure to become successful and start families in South Korea, like the first few episodes suggested it would. Instead, it skimmed the side with a mere generalisation and brought it to life using the toxicity of Moms that loved to brag of their childs and childs that competed against each other.

As for the acting, although Jung So-min and Jung Hae-in succeeded in bringing the story to life, their facial expressions were unvaried and at times lifeless. With chemistry that fell short and the lack of focus on the female lead’s backstory in falling in love with her partner, their relationship seemed forced. Despite this, something I was able to appreciate in the development of their relationship was Seung-hyo’s confession of love. It was nothing grand, and took place in a familiar setting, which mirrored his feelings that were hiding subtly in their almost-30-year-old friendship. These hidden feelings of his simply yet slowly installed themselves in his heart, allowing him to accept them and let them grow before being certain in his action to confess to her. The lead couple was accompanied with a second romance that, although wholesome, got messed up by the confusing relationship between Dan-ho and Yeon-du, and insensitivity on Mo-eum’s side. When viewers learn of Dan-ho’s ‘daughter’ in the beginning, it is assumed he has a wife, so the scenes he shares with Mo-eum before the revelation of his relation with Yeon-du seem inappropriate. There also could have been reconsideration on Mo-eum’s side regarding the way she chose to act in Dan-ho’s presence. For example, her questionable choice to kiss him during a conversation they shared where Dan-ho expressed his sadness for the loss of Yeon-du’s Mom, and her persistence in making her feelings for him known even though they made him uncomfortable.

Another notable aspect of the show worth mentioning is the abundant amount of product placement. ‘Love Next Door’ advertised a wide variety of brands, dedicating multiple scenes per episode to product advertising. Its constant habit of veering off into commercial territory was distracting, and combined with its poor-production qualities and mediocre acting, it really decreased my level of appreciation for the show.