MisMidz
I cried when I watched the series
As a fan of both actors, I was excited to see the series. However, once the trailer was released, I questioned this excitement. The truth is, I wasn't a big fan of Bedfriends (its predecessor) for two main reasons: the acting and the editing. Today, it is these very aspects that bother me.
I believe the director of this series has significant issues in directing the performances of his main actors. I realized this after analyzing that the character Jade in Bedfriends—despite being peculiar—had a much more focused, stable, and profound personality, which is not present in this continuation.
In Middleman’s Love, we see how the Jade we knew disappeared (not to mention the one from the novel). I know that Yim can act because the Jade he portrayed in Bedfriends was a good character (and the same with Syn in CutiePie). Jade (Bedfriends), Jade (Middleman’s Love), and Syn (Cutie Pie) share the commonality of being strange, awkward, and even a bit weird characters. However, Jade in Middleman’s Love is the only one who doesn't achieve those characteristics because he ends up being absurd, foolish, and almost like a five-year-old child.
On the other hand, Tutor had the easiest job since his character hardly speaks in the series (he does, but every time he does, they overlay him with unbearable music). This is a point I want to make clear. Whoever edits at Domundi (excluding Cutie Pie) doesn't know how to do it. Anyone who knows a bit about shots understands that for a fast-forward or flashback, you shouldn't use the same shots in a row, or the effect won't work (and if you're going to do it, you must know how to do it, or it ends up being a failure). They abuse this in the first episode.
In addition to that, there is a problem with the editing. The music is excessive on many occasions (not to say all), they cling to this resource and don't let go because there is not a single second where you can hear the characters simply talking. The music is always there. This is compounded by the maximalist style of editing, leaving the audience exhausted after a few seconds.
I could go on because they clearly lowered the quality from Bedfriends (the only good point in that series), but honestly, it gives me enormous sorrow to see what Domundi turned the series, its plot, and characters into. The favoritism towards certain actors is evident, and it's clear that their directors have no idea how to make a series work. Outside of shows where their favorites appear, they don't make even the slightest effort.
I believe the director of this series has significant issues in directing the performances of his main actors. I realized this after analyzing that the character Jade in Bedfriends—despite being peculiar—had a much more focused, stable, and profound personality, which is not present in this continuation.
In Middleman’s Love, we see how the Jade we knew disappeared (not to mention the one from the novel). I know that Yim can act because the Jade he portrayed in Bedfriends was a good character (and the same with Syn in CutiePie). Jade (Bedfriends), Jade (Middleman’s Love), and Syn (Cutie Pie) share the commonality of being strange, awkward, and even a bit weird characters. However, Jade in Middleman’s Love is the only one who doesn't achieve those characteristics because he ends up being absurd, foolish, and almost like a five-year-old child.
On the other hand, Tutor had the easiest job since his character hardly speaks in the series (he does, but every time he does, they overlay him with unbearable music). This is a point I want to make clear. Whoever edits at Domundi (excluding Cutie Pie) doesn't know how to do it. Anyone who knows a bit about shots understands that for a fast-forward or flashback, you shouldn't use the same shots in a row, or the effect won't work (and if you're going to do it, you must know how to do it, or it ends up being a failure). They abuse this in the first episode.
In addition to that, there is a problem with the editing. The music is excessive on many occasions (not to say all), they cling to this resource and don't let go because there is not a single second where you can hear the characters simply talking. The music is always there. This is compounded by the maximalist style of editing, leaving the audience exhausted after a few seconds.
I could go on because they clearly lowered the quality from Bedfriends (the only good point in that series), but honestly, it gives me enormous sorrow to see what Domundi turned the series, its plot, and characters into. The favoritism towards certain actors is evident, and it's clear that their directors have no idea how to make a series work. Outside of shows where their favorites appear, they don't make even the slightest effort.
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