rayabend

As long as the story, direction, and acting hold up, it should be able to stand strong on any platform. IU is hugely popular in Asia and BWS is still riding his LR fame, so there will definitely be enough interest — which is probably why Disney picked it up, since they really need a boost in subscribers right now. I also think it’ll be available on Hulu in the US, just like they did with "Will You Marry Me?.”

In 2018, she was just a rookie, so auditions are part of the process — but the interesting thing is, the role she auditioned for in *Parasite* never even had an open call audition. So how did a rookie get that chance when there was hardly any info released about the auditions? Clearly her company was involved, which is fair enough since that’s their job. The problem is when her delusional fans credit all her success to her non-existent craft and skills, when in reality it’s her company doing most of the work (and yes, luck plays a part too).

I also heard she auditioned for *RP* — yet delivered a below-average performance there as well. When is she planning to actually improve her skills? Clearly, she was chosen for hype and face value, because for Koreans, looks outweigh actual acting talent — and clearly, you are the same. That’s why there are so many below-average actors in Korea, and sadly, standards keep dropping day by day. 😔

Anyway, signing off — can’t keep talking to a pea brain like you.

Which “prestigious awards” are you even talking about? She has one Baeksang nomination — for a film, in a year when there were barely any new faces (wait, there were hardly any movie releases that year thanks to COVID impact). She just got a free pass. She was signed for her face by her company, they gave her the role, and her luck gave her the nomination. So did you see the connection — *company*, *beauty*, and *luck*? I hope your bird brain will now get what I was talking about.

As for the Blue Dragon Series award, that category had fan voting — and everyone knows once fans are involved, those awards lose credibility. So sure, be happy she won it. And that ends the list (and please don’t bother talking about those random and non-credible award-giving bodies which hand out trophies these days like some sort of charity).

And yes, plenty of average actors in Korea have been nominated or even won prestigious awards (IYNYK). I won’t name them — no need to trigger more delusional fan wars.

“Apparently you have really low standards for acting if you find her acting good. Anyways let's get started:
"Please what do you even know about gyj??!?”
Yeah and you clearly grew up with her, right?” Try saying something that actually makes sense. 😮‍💨

Her major projects like *AOS 2* and *Moving* were never showcases of her acting — she was simply surrounded by huge productions and seasoned actors who masked her flaws. I waited for *Resident Playbook*, and that sealed it. Her stiff, one-dimensional performance practically dragged the show down.

Critics and viewers worldwide who have watched RP have said the same — so maybe go argue with them too. Sorry to break it to you, but she’s just been an eye candy in every project so far and will be same here. And since korea is visually driven country that "eye candy" tag perfectly works in her favour along with luck and company ties up.

Anyway, I wasn’t here for hate or conversation— just opinions. You don’t have to like them, and I definitely don’t care. This is the last time I’ll bother replying to delusional fans like you.

BTW, both "who you know"" and "what you know" are essential in any industry not just one. One gets you in, the other helps you stay and grow.

Totally agree, connections matter — but that doesn’t give anyone a free pass to do a half-hearted job. And that’s exactly the point — she clearly lacks the skills and doesn’t seem to be putting in any real effort to improve, probably because she knows everything will be handed to her anyway. Apparently, she’s just born with luck. Great for her👍

GYJ’s agency has been managing her career impressively; despite her below-average acting skills and the limited visible effort she puts into improving them, the kind of opportunities and roles they continue to secure for her are truly remarkable

Exactly, it really doesn’t make sense casting 30+ as teens.

After watching the show, I felt the need to share my take on it. Realistically— Jaepil only had a crush on Jong hui, nothing more. It was never love. They barely interacted — it was pure teenage confusion mistaken for depth.

Jong hui, on the other hand, never showed any real interest in Jaepil to begin with. It was Yongre who fed that idea into her head, convincing her that she “might like him” and should “give it a try.” And that clueless girl actually went along with it instead of figuring out her own feelings. And amusingly, even ended the so-called relationship before it ever began.

At least Yongre’s feelings for Jaepil make sense — he saved her, helped her mother, and left an emotional mark. Hyeon’s affection for Yongre also feels natural given their long history. For rest others I don't even have words.

Now, in the present, Jaepil’s growing feelings for Yongre actually come across as authentic. They’ve known each other for years, he’s seen her true character up close, and there’s an emotional logic to his attachment. It’s a far cry from that fleeting teenage crush on Jong hui — which, in hindsight, was just two kids confusing momentary admiration for love.

Let's see where the story goes.

Interesting how you completely misread an *acting comparison* as a *character comparison*. So, let me spell it out — I was comparing **acting**, not debating which character was better, more likable, strong or weak. The point was about who *performed/acted* a similar type of character better. Seo Ye Ji’s portrayal had range, control, and superior execution; Suzy’s simply didn’t.

You mentioned the female lead in *It’s Okay to Not Be Okay* being “rude,” yet conveniently overlook that the female lead in *Genie, Make a Wish* literally resorts to violence and physical aggression. Rudeness is unpleasant; violence, however, is inexcusable. The hypocrisy in your logic is remarkable.

And just for the record, no actor can portray certain personality traits or mental disorders with 100 percent realism — they’re far too complex for that. What matters is how close the performance gets to authenticity. On that front, Seo Ye Ji still wins.

I evaluate performances based on skill, craft, and execution, not personal preference or fandom, so don’t come at me shouting about favoritism or hate.✌️

I watched the show, and I still can’t figure out what ‘uniqueness’ people are talking about. Some comments keep praising its ‘unique story’ — but seriously, when did angels, devils, or genies become unique? The characters aren’t original either. The female lead feels like a weak copy of Seo Ye Ji’s character from *It’s Okay to Not Be Okay*. While the characters are similar, Seo Ye Ji’s portrayal had depth and nuance, making the character compelling, whereas Suzy’s version stayed on the surface, leaving what could have been a standout performance completely flat.

The disorder the female lead supposedly has is completely misrepresented by the writer. Since when did ASPD become the same as being psychotic? Writers need to get their facts straight before throwing sensitive terms around for dramatic flair. These are the issues that truly deserve human attention — but it seems we’re too busy elsewhere to notice.

The whole production feels cheap — not budget-wise, but creatively. The story is childish, the acting is mediocre, and the overall execution is messy. Honestly, the biggest problem isn’t even Netflix or the creators; it’s the audience. As long as viewers keep hyping up half-baked work like this, platforms will keep churning out low-quality shows. The blame squarely lies with the audience that keeps rewarding mediocrity.

It technically don't pick even in last 4 episodes, the last episodes especially the last two are all over the place, atleast in my opinion. But you know what try and watch may be you might differ in opinion. It's totally your call.

It does have comedy and cooking, but definitely no “slow-burn enemies-to-lovers” romance. In fact, there’s barely any romance or chemistry to speak of. The show starts out engaging and genuinely promising, at least through episode 4, but from episodes 5–8, it drags with a lot of unnecessary stuff, though still somewhat watchable. Beyond that, it collapses into pure nonsense and a total trainwreck—like the writer suddenly and finally realized, near the end, that the drama had been running like a wild horse from the start, with no core plot or character development, and just tossed together the most absurd ideas to give it some kind of closure. Overall, it’s fine if you just want something to pass the time (watching at increased speed is a must), but it’s not a must-watch.

I also disagree with you about the male lead “adding substance” to the show—his acting is mediocre at best, and he’s getting far too much praise for it. And for you, maybe learn to read first? If you actually went through what I wrote instead of jumping on a haste train after just glancing at the first line, you’d have understood the context. That way, this extra back-and-forth wouldn’t even be happening.

Those numbers sound more like PR than reality. In this industry, agencies often promote their artists indirectly through media or third parties to create buzz and attract advertisers, so it’s best to take such figures with a grain of salt. That said, his popularity has clearly grown, thanks to strong female support (women do wonders for men, though sadly, the same enthusiasm rarely applies to their own kind). As for his performance, his acting in the show was competent, but the praise feels a bit excessive compared to what he actually delivered.He still has plenty of room to improve, so I hope he stays grounded, keep working on his craft and doesn’t let popularity go to his head. Wishing him luck.

You have some weird obsession with this drama.

Look, I’m okay with you denying that the show is just a mix of recycled tropes and lazy repetition (ignorance can be bliss, good for you). But saying Bon Appétit, Your Majesty ‘doesn’t focus heavily on cooking’ is hands down the most laughable and absurd take I’ve ever come across. Even if you’re a fan blinded by love for the drama, denying its very core focus is blatant delusion. At this point, I’m not even sure what show you’ve been watching.

Eighty percent of this show is just the female lead cooking and the male lead eating—that’s the crux. Don’t expect any real story; the writer got lazy and recycled scenes from older dramas of the same genre. Acting and chemistry are just okayish, nothing phenomenal. Overall, it’s a one-time watch—best consumed at 1.5x speed. If you’re fine with everything mentioned above, you might enjoy it.

Looking forward to this one! The thing with Disney+ is that even when they have quality shows, they just don’t know how to hype them. Netflix, on the other hand, goes all out with promos and marketing, which is why even their shows with zero substance and below average acting end up ranking on global charts—the power of visibility and a massive audience, all part of their genius business model. No matter how good a show is, it needs the right push for people to notice it, especially in today’s world. I really hope this one gets promoted well—unlike Tempest (an absolute gem), which isn’t really getting the attention it deserves.

Heo Nam Joon, what a man you are! Finally, we have an actor who embraces his natural masculine face and physique, instead of relying on the overdone “pretty boy” look with pouted lips, heavy makeup, identical hairstyles, and whitewashed filters. On top of that, this man can act—a refreshing bonus compared to many others.

And let’s not forget my girls—Kim Dami and Shin Hye Eun—both beautiful, talented actresses who bring so much charm to the screen. The drama has been such a fun watch so far, and I’m definitely looking forward to the upcoming episodes!