1
Watch It on 1.75× or Skip Scenes — You’ll Still won't miss anything
I’ll start with honesty. Did I skip certain parts of the drama? Yes, I did. But does that mean I didn’t understand the story or missed something important? Absolutely not — simply because there isn’t much story going on in the first place. The drama never really builds a compelling narrative or any sense of momentum. It’s not even functioning well as a light-hearted romantic comedy; instead, it just feels plain and bland.Even the flashy elements that seem designed to attract attention — like the countless outfits worn by Jisoo and the over-the-top cameos — fail to save the show. The side characters don’t help either; most of them feel like fillers that add nothing substantial to the story.
Another thing I genuinely don’t understand is why this project was picked up by Netflix. My guess is that the association with #Blackpink tag was enough to guarantee attention and publicity. But relying on popularity instead of focusing on the story and execution is exactly how projects like this end up falling flat.
In the end, the biggest issue is that the drama is simply boring. There’s nothing really happening here — no strong story, no clear direction, no convincing chemistry, and honestly, very little watch value.
Before ending, I really want to talk about Jisoo. I’m not saying this to be unnecessarily harsh, but it needs to be said. When you look at the number of talented actors out there who struggle to even land supporting roles, it’s hard not to question why someone (Jisoo) with such limited acting ability keeps getting lead roles.
Sorry but not sorry — at this point Jisoo seriously needs help. She needs a mentor who can actually teach her what acting is. Her performance feels extremely monotonous. Her dialogue delivery barely changes, and the tone of her voice stays the same even when the emotions and atmosphere of the scene clearly shift.
It often feels like she doesn’t fully understand what her character is trying to convey. And that’s one of the last mistakes any actor would want to make. Not understanding the character you’re playing is exactly where everything starts going wrong.
I genuinely hope she takes constructive criticism seriously and works on improving herself.
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Perfect Crown is costume jewellery in a velvet box.
*Perfect Crown* is honestly one of the biggest letdowns I’ve watched in a while. Almost everything about it felt painfully below average — the acting from the leads, the screenplay, the direction, the chemistry, the romance, and even the character progression. Nothing that actually gives a drama emotional depth or makes viewers genuinely invested was properly handled. But sure, let’s call it a “prestige project.”And the “don’t think too much while watching it” excuse some netizens keep using makes absolutely no sense when the entire drama revolves around politics and power struggles. Because yes, clearly a political drama is meant to be watched like a vibes-only montage. Even by the finale, so many important questions were still left unanswered, but I guess we’re just supposed to smile and enjoy the aesthetics. And honestly, that might have worked if the leads had even basic chemistry — but instead it felt like two actors politely completing their contractual obligations, and all without sincerity. Truly groundbreaking casting decisions.
And before fans start saying “they did the best with what they were given,” I partially agree that the writing and direction were weak — but then how do Gong Seung-yeon, Non Sang-hyun, and several supporting actors still manage to deliver convincing performances in the very same drama with the same script and director? Their extra effort and better understanding of their characters were clearly visible on screen. So clearly, the problem wasn’t just the writing and direction. Some took it seriously, some just didn’t — simple as that, no hard maths.
The chemistry and romance between the leads felt forced throughout the drama too. The female lead just didn’t understand her own character. IU’s performance was either exaggerated or underwhelming, nothing in between, despite having nearly two decades of experience, while the male lead spent half the drama looking like he was shooting a luxury brand campaign in sponsored outfits and the other half daydreaming, . Occasionally, he also gave “Sunjae 2.0,” 🤣, but without the same charm and emotional weight. I get that he became famous because of *Sunjae*, but at this point let him go — obsession over it isn’t a good thing 😅. Instead, maybe try obsessing over improving acting skills; that might actually help.
At the end of the day, this felt less like a genuinely well-made drama and more like an overhyped project carried by fandom power, aggressive marketing, and visual aesthetics.
P.S. The production team of PC were giving serious Lovely Runner fan behavior because why did so many scenes feel straight-up copied from it 🤭.
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“‘Genie, Make a Wish" — drive-thru inside, Michelin outside.
These days, Korean shows feel like abstract art — you experience them, but don’t always know why. I’ve learned to just watch for what they are, without overthinking. The old “it” factor in them that kept people talking for years seems gone; now it’s more like, “Let’s watch this today, maybe something else tomorrow.” I approached "Genie, Make a Wish" with that same mindset. The show is “okay” — nothing extraordinary, but it doesn’t leave a bad taste either.For me, the writing was poor — especially since it came from a renowned writer. The quality felt below average, and the unnecessary fillers kept breaking the flow to the point I ended up skipping parts. The dialogues were either childish or way too dramatic. Personally, I take dialogues very seriously, and here, that was a major letdown. Another thing that threw me off was the weird jumps between scenes and some really questionable camera angles. The CGI and VFX were just okay (that last fight scene was decent), but the sets… some of them looked so cheap and out of place, like school projects done by elementary kids. I kept wondering where all that funding from the Dubai government and advertisers went.
As for acting:
Kim Woo Bin was a joy to watch. The last time I saw him on screen was in Twenty (2015).I hadn’t kept track of him after that — so seeing him healthy and acting again felt genuinely hearty and a little emotional🥹. I honestly forgot to judge his acting properly, but I believe he did well for his role.
Now to Suzy, did she convince me that her character had that disorder? Not really. Did she make the watching experience bad?- Not at all. She did fine — and *extra* fine with her fashion. In her case her fashion stole the show, atleast for me.
As for the chemistry, personally, I didn’t feel any spark between the leads. Also, her beating him felt very off to me. (violence should never be appreciated, whether as part of comedy or in terms of gender dynamics)
Noh Sang Hyuk was another pleasant surprise. I was skeptical since he’s mostly done serious roles, but he handled comedy really well.
And Ahn Eun Jin — she didn’t have much to do here, yet she owned every scene she got. That’s the mark of a truly skilled actor: they don’t need 13 hours of screen time to make an impact 👍 (a skill some seem to miss even with longer careers and endless lead roles)
Honorable mention: the kids in this drama were such gems — absolute naturals! 😍
Now, a lot of people seem upset about the religious aspect in this drama. I have no knowledge in that area, so I won’t comment on it. What "did" bothered me though was how they portrayed “ASPD.” The creators completely conflated antisocial personality disorder with psychopathy, as if they were the same thing. How could anyone think that’s accurate? Did they even bother to research this? These are two entirely different conditions. Yet, as usual, K-drama writers didn’t care — they turned an ASPD character into an outright psychopathic caricature. It was careless, misleading, and frankly, shameless.
Overall, "Genie, Make a Wish" isn’t a must-watch. If you just need something to pass time, it’s a decent pick. This review is just one viewer’s perspective — a small glimpse of what you might expect. At the end of the day, it’s one's call whether to watch it or not.
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