was it worth it? yes
I wasn’t interested in this drama for a long time. the graphics of the cast for the title picture said to me ‘this one isn’t my cup of tea’. BUT one day Itaewon Class OST #6 came up on my Apple Music feed and I fell in love with that song. I don’t speak Korean but without knowing the words, that song grabbed me like few other songs have. I sensed it wasn’t love song but couldn’t find the words anywhere because I don’t know the actual song’s title. this is what made me watch it, to find out if it was a love song or not.I liked the first 2 episodes but the vibe didn’t grab me - just as I had suspected. I stopped watching around episode 11. A couple months later I decided to finish it and am glad I did.
PSJ as PSY was great.
I know this sounds silly, but the ML and FL hairstyles were a turnoff for me. I was okay with PSJ’s hair cut as a youth and early years out of prison, but I think it would have been more realistic if his character’s aging arc to 2020 included a change of hair style. I’ll just leave it at that.
I was touched throughout the drama by PSY’s sensitive but determined spirit. the chemistry between PSY and JYS was realistic to their characters. PSY had zero romantic skills and PSJ played that well.
the music was excellent, especially #6 which I found out is entitled Someday Boy / with great lyrics - and no, it is not a love song. the ‘boy’ is yearning for something better for his life. it seems he is pleading for time and hope. Kim Feel sings this song so beautifully, he is one my favorite Korean singers.
I probably will watch select scenes again but not the entire drama again.
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You will want to watch it again
To me, this lighthearted comedy K-drama is a perfect 10 from the beginning quite literally through the last episode’s end credits. It was so clever and so much fun to watch that, even if I tried, I couldn’t come up with a single criticism. I honestly believe there are very few people who wouldn’t enjoy The Legend of Kitchen Soldier, regardless of their preferred genres or favorite tropes.Park Ji Hoon, as Private First Class Kang Seong Jae (shouting here with a salute), was absolutely perfect for this role. He nailed every scene. I haven’t read the webtoon, but judging from the images I’ve seen, Park Ji Hoon looks remarkably similar to Seong Jae’s original character design. For those in America who remember—or still enjoy watching—The Andy Griffith Show from the 1960s, the scripting of The Legend of Kitchen Soldier feels surprisingly similar in its construction. The humor is warm, character-driven, and genuinely hysterical, often reaching that same timeless level of comedy.
Bravo to the screen writer(s) and director of this most enjoyable drama!!
WARNING: Spoilers from this point forward.
I especially enjoyed watching Seong Jae’s character arc evolve. He shows up at Kanglim Outpost as a lost, depressed, fearful young man, an outcast of sorts. But he gradually blossoms into someone far more confident, eager to serve his platoon, eager to learn, and determined to accomplish more. His sensitivity toward his peers, his immediate obedience to his leaders, his earnest desire to please Sgt. Yun in the kitchen, and his uncompromising loyalty to his responsibilities as a soldier first and kitchen assistant second all make him deeply endearing. Unlike many others in his platoon, he doesn’t have it in himself to complain about his circumstances. He has no choice but to accept where he is and make the most of it.
His sudden introduction to the Army Cook Quest voice—and later its screen interface—was an absolute delight to watch. Park Ji Hoon was completely convincing as he pantomimed his interactions while navigating the system. And whenever Seong Jae achieved a goal, earned points, or added another comrade to his cache, his smile practically lit up my screen. I couldn’t help but smile right along with him every single time.
Seeing him deflate, nearly reverting back to his old self at the cooking competition was heartbreaking. But then watching him realize he had not lost his skills and he could still do his best even if he didn’t win the one-on-one round was actually inspiring. I think it was one of the central themes of TLOKS; your mentors and teachers can take you only so far. If you have prepared well, trust yourself - your knowledge and your skills even if the circumstances seem to be against you. Do your best with no regrets.
I think we were all rooting for Seong Jae when military reporter intern and hometown ?girl?friend Jun Min (Jeon So Young) came running into his arms in front of both his peers and his superiors. Even though he was mortified by the attention, he needed that moment, not only for himself, but for everyone else to see that he was more than what they had assumed him to be: not a loser, but worthy of some level of respect. What a pleasant and fitting surprise to see them together in the end.
The rest of the cast was equally perfect in their roles, making this a truly unforgettable first watch. Lee Hong Nae’s lazy, incompetent, intimidating, yet ultimately loyal Sgt. Yun Dong Hyeon; Han Dong Hee’s deadpan, serious, but generously warm Platoon Leader Cho Ye Rin; Lee Sang Yi’s serious-but-maybe-not-quite trustworthy Company Commander Hwang Seok Ho who had his very funny moments; and Yoon Kyung Ho’s brash yet loving Major Sgt. Park Jae Yeong all delivered outstanding performances. Along with a stellar supporting cast, they created an ensemble that was impossible not to love. It was especially hilarious to watch these talented actors fully commit to the over-the-top music video sequences.
I enjoyed a fully satisfying ending including all the suspenseful buildup from episode 11 into 12. Everybody got their just reward, if you know what I mean, including the Outpost itself. I’m excited they left TLOKS open for a second season to find out what’s in store for Kang Seong Jae next.
I liked the Quest’s voice and felt the voice actress was perfectly cast. OST was just right for this drama and complemented every scene beautifully. This drama has already earned a permanent spot on my rewatch list.
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hard to take seriously
I tried to like this drama but had a hard time taking anything about it seriously. To be fair to other viewers who liked it, dramas that are about shamans do not appeal to me. I guess I don’t fully understand the whole shaman ‘lore’ - whenever I watch a drama that heavily relies on shamans, their meaning and purpose have very weak roots to begin with. I know it involves the spirit world, but it seems to me that, depending on the writer, anything goes in this genre, that’s why I can’t take shaman genre’s story line seriously.I watched Head over Heels because of the very talented Choo Young Woo. This is the 5th drama of his I’ve watched and it very nicely showcases his wide range and I was not disappointed with his acting here. He was able to shift characters smoothly making it easy to know when he was Gueyon U (with a depressed flat affect) or Bong Su (who was mean, murderous, and abrasive for most of his arc).
My favorite character CYW has played so far is the carefree storyteller, Chen Seung Hwi, in The Tale of Lady Ok, followed by Dr Yang Jae Won in Trauma Code - both excellent dramas…, but I digress.
Back to HOH -
Cho Yi-hyun’s Sung-ah as a High Schooler by day - Shaman by night was very likable and truly well acted. Cha Kang Yoon’s Ju Hu, the loyal friend (with a late and misplaced confession to Sung-ah) to both Sung-ah and Gueyon U was great even if a little cringy a time or two.
The other Shamans - I can’t critique them because I was confused half the time.
I do agree with another reviewer, the lack of accountability for grevious acts was disappointing. Maybe that’s part of the Shaman ‘lore’.
I try my best to take a story as it’s presented and rarely rate a drama poorly just because I didn’t like it. I’m writing a review this time because, beyond the shaman theme, I just could not follow the story. I wonder how many other viewers felt the same way. It seemed there were too many elements and motives of the various characters to follow that the story of the two main leads kept getting lost- so much so that it made the drama was too long.
I did like the budding romance, and I’m aware they needed to figure out issues but, again, a lot of the sub-stories at times were unnecessary interruptions to its progression.
I’m neutral on the music, it neither added or subtracted from the story itself. Nothing stood out to me. 75% of the time I’ll download and listen to OSTs at least once, but don’t feel compelled this time.
I personally would not recommend this drama.
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10 - because It speaks to the heart, that’s why.
Queen of Tears is being re-released marathon-style this weekend (6/3-5/26) in Korea. This feels like the perfect opportunity to revisit and review one of my favorite dramas and also respond to some of the criticism I’ve seen out there.To those who have thoughtfully articulated their criticisms on various sites, I respect you for clearly explaining your perspectives. However, to those who gave this drama a low rating after dropping it within the first three episodes, to keep ratings fair, I would respectfully suggest placing those early impressions in the comments section rather than the review section.
—The Acting
I believe the director of Queen of Tears intentionally employed a restrained style of acting between Kim Soo-Hyun and Kim Ji-Won for Baek Hyun-woo’s and Hong Hae-in’s characters. Meaning there was more silence and less dialogue, with much of the communication happening through eyes, facial expressions, delayed reactions, and unspoken emotions. This approach drew viewers into the characters’ thoughts and feelings, allowing us to experience their emotional journeys alongside them.
For me, much of the drama’s suspense came from these moments rather than from cliffhangers at the end of episodes. Both Kim Ji-won and Kim Soo-hyun portrayed their characters with remarkable refinement and skill. Each displayed the wide acting range necessary to create truly multidimensional characters.
Not only can Kim Soo-hyun portray profound sorrow, but he also excels at restraint. He masterfully utilizes subtle gestures and micro-expressions, communicating volumes without words. I’ve seen many of his dramas and films. Never have I seen him display more varied gestures, facial expressions, or dimensions within a single character than he did with Baek Hyun-woo. As Baek Hyun-woo, he convincingly portrayed boyish innocence, explosive anger, intense longing, devastating heartbreak, emotional collapse, and everything in between.
To the critics, how is that not great acting?
Kim Soo-hyun needs no defense from me. He proved his ability years ago. Part of South Korea’s finest assembly of actors, he became his country’s highest-paid K-drama actor and one of its most awarded actors through consistent excellence. One does not reach that status by being flat or mediocre.
Kim Ji-won has likewise evolved into an exceptionally dynamic actress. I first enjoyed her performance in Descendants of the Sun, but there is a night-and-day difference between her acting range then and what she delivered in Queen of Tears.
She gave us a subtly layered Hong Hae-in: a strong, uncompromising Type-A personality who is fiercely defiant but too proud to openly express emotions that might be perceived as weakness. Some of her funniest moments came through her indirect expressions of affection—asking leading questions, offering backhanded compliments, or scolding Hyun-woo before admitting he made her heart flutter. These moments, in my view, highlighted just how difficult it was for her to communicate genuine romantic feelings.
As Hae-in’s journey progressed, Kim Ji-won revealed her character’s deepest vulnerabilities at precisely the right moments and in exactly the right measure, making her both believable and relatable.
Queen of Tears would not have been the same story without both Kim Soo-hyun and Kim Ji-won. They were equals as actors, just as their characters were equals within the story. To say they had little or no chemistry is, in my opinion, to have missed much of what the drama intended to convey.
—The Character Development
Kim Soo-hyun once remarked in an interview that Baek Hyun-woo begins the story as a loser. In some respects, he was right.
Hyun-woo was passive, submissive, and immature in his understanding of love. He believed enduring mistreatment without protest was an expression of devotion. Eventually, being constantly wounded by the Hong family—including his wife—became unbearable.
He convinced himself that he hated her.
Not surprisingly, with that mindset, divorce appeared to be his only escape. Then came the shocking realization that his wife’s impending death might conveniently solve his problems for him.
What a cowardly way of thinking.
Hae-in sounded as though she understood what love was when she spoke to Eun-sung. In reality, she was every bit as immature as her husband. She seemed to believe that as long as Hyun-woo remained “by her side,” they would be alright. He said he would always be there, didn’t he?
At the beginning of the story, we see how thoroughly she has adopted her family’s arrogant sense of superiority, which justifies mistreating those of lower status for personal gain—even when that person is her husband. As we saw in the nursery scene, she hid behind that arrogance as a way of coping with the miscarriage.
While utterly foolish, Yang-gi’s suggestion that Hyun-woo pretend to love Hae-in in order to secure a place in her will became a blessing in disguise. Or…, perhaps it was a calculated move by Yang-gi to help his best friend see the truth beneath all the hurt.
Luckily, Hyun-woo cannot truly pull off hating Hae-in. As her condition deteriorates, his resolve gradually crumbles. His love for her reignites.
In reality, he never hated her at all.
The pivotal moment comes in Germany. Completely defeated, he deliberately provokes a divorce battle from Hae-in, not because he wants to leave her, but because he desperately wants her to live. He gives her something to fight for, even if it is not with him.
This is where Baek Hyun-woo fully embraces what love truly is—not merely a feeling, but a choice and a commitment expressed through action.
In helping the Hong family escape to Yongdu-ri, Hyun-woo proves that love by devoting himself completely to protecting Hae-in and her family. We later learn that he contacted hundreds of cancer centers around the world in search of treatment options for her.
Likewise, Hae-in’s growth begins when she finally “wins” the divorce. Only then does she begin to examine herself honestly and see Hyun-woo for who he truly is, the only man she could ever love. She realizes that he gives her a reason to live and that she cannot bear the thought of a future without him—whether in life or in death.
For a fiercely independent and emotionally guarded woman, this was enormous character development.
When she found herself separated from the pressures of her corporate life in Yongdu-ri, Hae-in revealed a softer side she may never have known existed. The ultimate expression of her selfless love for Hyun-woo came during the press conference, where she exposed Eun-sung in order to protect him.
The overall family relationships ultimately reinforced one of the drama’s central themes: that love outweighs money, status, and power. When they lost it all, they could finally see and appreciate each other.
Beom-ja, although initially too eccentric to be taken seriously, became a scene-stealer who consistently provided much-needed comic relief.
Yang-gi also stole nearly every scene he appeared in. In fact, I think his final scene with Hyun-woo was one of the most memorable moments involving any supporting character in the entire drama.
Ironically, Eun-sung did nothing to weaken the Baek-Hong relationship. If anything, he strengthened it. Despite all their resentment and misunderstandings, neither Hyun-woo nor Hae-in seriously looked elsewhere. Eun-sung, wonderfully portrayed by Park Sung-hoon, never truly had a chance.
—The Story and Valid Criticisms
Queen of Tears was approximately two years in the making, including about a year of filming. Across its roughly 23-hour runtime, Studio Dragon delivered a beautiful story about two people who had forgotten how deeply they loved each other and who rediscovered that buried love after a life-threatening tragedy nearly ended their relationship forever.
It’s worth remembering that the drama was reportedly inspired in part by the real-life story of a Samsung heiress who married a regular employee.
Stories, fables, and even biblical narratives often use extreme or unrealistic circumstances to communicate deeper truths. I view many K-dramas through a similar lens. Not every detail needs to be realistic if the emotional truth resonates.
This is why I can accept some of the more exaggerated elements of Queen of Tears. One could dismiss parts of the story as unrealistic, yet real life often proves stranger than fiction.
That said, even as someone who loved the drama, I can acknowledge its flaws.
Too much screen time may have been devoted to the mechanics of the conspiracy against the Hong family. The writer and director likely felt it necessary to illustrate the lengths psychopaths will go to in pursuit of power and wealth, but I was not heavily invested in all of the related side characters and their storylines. Some of that time could have been spent further developing the Baek-Hong relationship.
The Hong family—excluding Hae-in—sometimes came across as overly naive in their trust of people who clearly sought to exploit them. At first, I found it difficult to believe that Hae-in’s mother remained trapped in grief over her son’s death for so many years, but unfortunately some people never fully recover from such losses.
Grandfather, who trusted every word Baek Hyun-woo said, suddenly placed his faith in a complete stranger and eventually removed Hyun-woo from the board. That transition felt abrupt.
Eun-sung’s character arc never truly evolved beyond his obsession with possessing Hae-in and controlling Queens Group. Despite the writers’ efforts, viewers never developed meaningful sympathy for him or for his mother, Moh Seul-hee. We were repeatedly reminded how terrible a mother she was, often more times than necessary.
—The Second Half
The collapse of Queens Group and the destruction of Baek Hyun-woo’s life is where some viewers felt the drama lost focus. With so many moving parts, keeping track of everything could be challenging. Grace’s role as a double agent often felt like a wrench thrown into the machinery of the plot.
The exile to Yongdu-ri introduced numerous additional storylines, some of which felt unnecessary. Yet the central focus remained the Baek-Hong relationship. Every major event either contributed to or reflected their gradual surrender to the love they had spent years suppressing.
These moments may seem like plot diversions, but most of them serve a deeper purpose: they forced the building of a new relationship between two people who thought they knew each other but actually didn’t.
—The Illness and the Plot Extremes
Critics who argue that Hae-in’s illness lacked realism make a fair point. The drama could have done more to show its physical effects and the reality of her recovery.
Likewise, Hae-in’s post-surgery recovery was far more glamorous than reality would allow. Still, those shortcomings were not deal-breakers for me.
The arrest in Germany, the kidnapping, the hit-and-run, Hyun-woo somehow leaving the emergency room in one piece, and the winter gunshot sequence all pushed the boundaries of plausibility. But these were narrative devices designed to intensify the emotional climax between Baek Hyun-woo and Hong Hae-in.
Alchemy of Souls was pure fantasy, yet audiences embraced it because they connected emotionally with the characters. The same principle applies here.
—Why I Still Rate It So Highly
Even someone who loves Queen of Tears can acknowledge its flaws and still give it a 9 or 10.
Why?
Because, taken as a whole, the drama speaks to the heart.
I have never been wealthy, nor did I marry into a chaebol family. Yet the relationship between Baek Hyun-woo and Hong Hae-in reminded me of my own marriage.
My love was immature in the beginning. Like many couples, we experienced our share of dramatic and difficult moments. Then, in our sixth year together, my husband began suffering life-altering medical episodes while still appearing healthy on the outside.
I had to grow up. I had to choose to love him, not simply rely on the fluctuating feelings associated with being in love.
An emergency room doctor’s quick thinking over the phone taught me how to respond during his episodes. What I learned helped save his life at least a dozen times.
A year later, the end came suddenly and tragically. There was no opportunity to go back and correct my mistakes. No chance to revisit the moments when I had been immature or selfish.
After spending enough time blaming myself, I eventually realized something important: he never held those mistakes against me. He had made plenty of his own. We always understood that about each other, even during our worst arguments.
That realization changed how I viewed Queen of Tears. Forgiveness is one of the highest forms of love in action.
I love the song “Way Home,” but because of my own experiences, it is still difficult for me to listen to the final soundtrack without becoming emotional.
—Why is Queen of Tears a treasured story for many
I am certain I am not the only viewer who found pieces of their own life reflected in this drama.
Queen of Tears may contain over-the-top moments, but many viewers accept them because extraordinary moments exist in ordinary lives. We just don’t read about them every day.
In the end, despite its plot holes, detours, and occasional excesses, Queen of Tears succeeds where it matters most.
It reminds us that love is not merely something we feel.
Love is a choice. And it is not for the faint of heart.
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Do you recall the story of how William and Kate got together?
I’m not disappointed in this drama but so far it’s difficult to rate it beyond an 8. We need more plot structure. Also their Chsracter arcs have yet to be developed. it’s a fairytale romance for sure and if the story is strong and the acting supports the story I will have watched a very satisfying drama.Constitutional Monarchies do still exist. But for Korea, this is just fun fiction. As I started watching it, for some reason I was reminded of Willuam and Kate’s real-life romance - starting with their college days. Just like in a good K-drama, they each have their own interesting backstory, especially Will. IMO, their’s has been nothing short of a fairytale - and 15 +/- years later, in spite of all the palace intrigue, they are still madly in love. With that in mind I look forward to watching Perfect Crown unfold.
Correction: this review was written after the first 2 episodes (not 12). the edit feature will not let me correct the number of episodes watched.
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This review may contain spoilers
Three Years Later!?!?!?
For the most part, this was a nicely executed drama. The medical part gives you a lot to think about. The romance was slow and depicted realistically. Ji Sung (one of my favorite actors) and Lee Se Young had very good chemistry. I did enjoy watching their relationship develop.I was disappointed in the “3-years later” direction the story took in the last episode. So much time was spent in this drama telling quality stories of each person’s pain or end of life issues. The writer failed to fairly deal with 1) the real struggles Yo Han was facing at the Cleveland clinic and 2) the emotional consequences Yo Han should have faced from So Young. Shutting her out for 3.5 years didn’t protect her. He robbed her of her desire to be by his side (to love him) through the difficulties he was going through. He robbed himself of the healing power of her love and presence during that time. Yo Han was the one who said without pain there is no life. The writer made this honorable, mature, reasonably realistic man out to be a liar. As much Si Young loved him, he gave her every reason not to trust him with her heart after that. I was pretty angry after investing 15.5 hours of a pretty great drama for the last 35 minutes to do this to me! I was going to give this drama a 9.5 but, frankly, the last 35 minutes were an insult to my intelligence not to mention my emotions.
The OST complimented the drama very well. I added Way Back and Look At to my playlist I liked them so much.
I will recommend this drama to anyone who likes medical dramas.
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Were was the attraction, exactly?
I watched this 2016 drama in June 2026. In many ways, it felt like two separate seasons rather than one continuous story. With that in mind, I don’t necessarily agree with reviewers who felt the first half was significantly better than the second. Instead, I saw it as two fairly distinct stories connected by the ADT/GS/SJS love triangle.We meet Gong Shim at around age twenty-five, and I have to admit that I wasn’t immediately drawn to her character. At the beginning, nothing about her projects confidence. From her wig, which covers a temporary bald spot, to her wardrobe, which feels stuck in her high school years, to her overall physical posture, she comes across as someone who has never truly found her footing. These traits are supposedly the result of a stifling upbringing: parents who failed to nurture either her life skills or her genuine artistic talent. On top of that, she has an older sister who is outwardly beautiful but inwardly insecure, and who dominates and gaslights Gong Shim at every turn. Although Gong Shim wants to become independent, she lacks the guidance and confidence needed to navigate adulthood. She dreams of learning Italian and moving to Italy to pursue art, but as we see, that goal is easily derailed by life’s circumstances.
What disappointed me most was that I saw very little growth in Bong Shim's character throughout the drama. Her arc should have become more noticeable from around Episode 8 onward. Incremental changes to her wardrobe alone could have visually reflected growing confidence and maturity. Even if the wig remained, a different style could have symbolized development. Neither An Dan Tae nor Jun Su contributed much to her personal growth, which made her journey feel frustratingly static.
An Dan Tae, in his early thirties, is a happy-go-lucky, street-smart lawyer by day and driver-for-hire by night. Despite enduring his share of hardship, he has risen above it and dedicated himself to helping marginalized people, often for little or no compensation. He isn’t concerned with what others think of him—at least not until later in the story. He possesses a unique gift that allows him to perceive certain events in slow motion, enabling him to react to threats with remarkable precision. Regardless of his difficult past, he has made a conscious decision to embrace life and treat people with kindness—unless circumstances force his hand otherwise. I truly loved this character. This was my first time watching Namkoong Min, and I immediately found myself looking for more of his dramas and films.
Jun Su, twenty-seven, is the presumptive heir to Star Group, a large conglomerate chaired by his aging grandmother. He is a kind and introspective soul whose life path was determined for him from birth. Although he is loved by his parents, he was never given the freedom to explore his own interests or define his own future. Even though he constantly strives to earn his grandmother’s approval, he never truly receives her affection. Through no fault of his own, he recognizes the writing on the wall: he may never become Star Group’s successor. I appreciated that he sought independence by pursuing the possibility of building something of his own. I liked his character very much.
Fun fact: Ohn Joo-wan (Jun Su) and the adorable Bang Min-ah (Gong Shim) married in 2025.
As I watched the drama unfold, however, I began to view Gong Shim as something of a red flag. Comparing her to An Dan Tae, I simply didn’t see them as equals. We learn that they are only four years apart in age, yet their levels of maturity, emotional intelligence, and overall competence seem worlds apart. I honestly never understood the romantic attraction between them. Where exactly was it?
Their dynamic often felt like the classic “knight in shining armor rescues the pitiful damsel in distress” trope. They shared a wonderful friendship, but I never sensed strong romantic chemistry. Likewise, I didn’t detect much physical attraction from Jun Su toward Gong Shim either. In other words, the writer and director never convinced me why either An Dan Tae or Jun Su would become romantically interested in someone portrayed as almost juvenile in comparison. Nevertheless, if I had to choose, I actually thought Gong Shim and Jun Su were the better match.
Beyond my affection for An Dan Tae, the real reason I stayed invested in this drama was the relationship between Dan Tae and Jun Su. I loved watching their friendship develop. It felt natural and sincere. They respected one another, got along easily, and remained honest with each other until the Jun Pyo mystery took center stage. Even then, neither man truly wanted to oppose the other. Once Dan Tae’s true identity was revealed, I found it genuinely heartwarming when he expressed his desire for their relationship to return to what it had originally been. I ultimately became invested in Dan Tae’s efforts to uncover the truth behind Jun Pyo’s abduction and the revelation that he was, in fact, Seok Jun Pyo. I enjoy a good mystery, but if I’m being critical, the drama revealed too much too early to sustain genuine suspense.
The ending, unfortunately, was a major disappointment.
Sending Jun Pyo to the United States almost immediately after his identity was revealed felt abrupt and emotionally unsatisfying. If I were Grandmother, I would have wanted him nearby for quite some time. Surely there could have been a way for this highly resourceful lawyer-grandson to study business management in Seoul while reconnecting with his family.
Then came the final fifteen minutes and the “one year later” time jump. For me, it undermined much of the emotional investment I had built over the course of the series. In real life, there is simply no excuse for An Dan Tae and Gong Shim to have had absolutely no communication for an entire year. None. Likewise, there is no believable reason for Dan Tae and Jun Su to have had zero contact. Unless Dan Tae had been in a coma or had died, it made no sense.
Hiding an engagement ring inside a plant and never checking to see whether she found it—or how she felt about it—was just absurd. It’s late as I write this review, and I’ve run out of descriptors. I also couldn’t take Gong Mi’s last-minute confession to Jun Su seriously. Sorry.
The music, however, was quite good. I’ll definitely be revisiting the OST to add a few favorites to my playlist.
Overall, I don’t think I would rewatch this drama, nor would I recommend it.
Rating: 7/10
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What a ride it was!
I can’t critically review this one effectively. I agree with them, so can’t add any more to the other well written 9 & 10 star reviews.All I can say is, for someone who shies away from horror and zombie movies, I loved Train to Busan! I highly recommend it to anybody who likes this genre.
The acting was perfect but honestly, the Zombies were the best. I believe the reviewers who said this is the best Zombie movie anywhere.
As a side note:
I cracked up during Episode 7 of Guardian: The Lonely and Great God (Goblin) where Kim Sin and Eun Tak go to the movies to see Train to Busan. Kim Sin cannot contain his fright at watching Seok Woo trying to protect his daughter from the zombies.
I read where that scene was an inside joke by the writers. For those who are unaware, Kim Sin and Seok Woo are both played by Gong Yoo. The behind the scenes of that scene in Goblin are even more hysterical to watch.
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This review may contain spoilers
Dramatic with Dark Comedy undertones
Review Date 6/8/2026I truly enjoyed watching Doctor Stranger. 8/10
While the story felt heavy at times, a number of scenes and plot twists were so over-the-top that, viewed as a whole, they gave the drama unexpected and enjoyable dark-comedy undertones. For example:
1. Wait… what? She’s alive after being shot, dangling from a ledge for what feels like forever, somehow managing to pry which should by now be Park Hun’s slippery hand off hers so she can fall to her death, right? into the river below? never mind the bridge’s side wall was too high to begin with.
2. This is Episode 14+…, is she or isn’t she Song Jae Hee?
3. How does Song Jae Hee end up with no gunshot scar on her right shoulder, and why does she suddenly have two kidneys when she’s supposed to have only one?
4. The Prime Minister’s (comedic style) expressions of disgust at being “Number Two.” Every time he had to bow, show respect, or answer to the President, his facial expressions were priceless, or how he laughed or snickered at his stupidity.
5. The scene where the Prime Minister convinces himself the President is in a coma, confidently unleashes his pent-up resentment, and then watches in horror as the President’s eyes suddenly open.
6. Cha Jin Soo somehow manages to spy on PH and SJH everywhere. He’s disguised as a hospital employee, part of the Prime Minister’s security detail, or lurking nearby—and no one ever notices him.
7. Cha Jin Soo’s resurrection from the dead in Episode 18, and shoots PH and the both fall of over the edge into, wait for it, the river - and a year later there were still no bodies.
8. The endless back-and-forth from different angles over who would operate on the Prime Minister - who wasn’t even sick.
9. Dr. Oh (“Quack”) and Han Seung Hee lovingly debating which woman Park Hun should end up with.
There were more moments like these that cracked me up, but I’ll stop there.
Park Hun’s emotional scene describing what he was forced to do as a doctor in NK was gripping. I could feel his absolute feelings of shame, anger, and horror at what he did, mixed with inescapable grief. The story shows us how much he valued life at any cost he could give.
The story’s crazy momentum kept me fully engaged, and I found myself rooting for Park Hun to reunite with his first love. Dr. Han Jae Joon wasn’t truly evil, and one of the drama’s strongest moments was when he realized that revenge did not bring the satisfaction or closure he had expected.
There was no look-alike after all—it was Song Jae Hee the entire time. While the mystery surrounding her identity created effective suspense early on, I think the drama would have benefited from revealing sooner that Han Seung Hee was, in fact, Song Jae Hee. Some of the many flashback scenes could have been used to tell her story: what happened after she was taken away, how she became a North Korean operative, and how she convinced North Korea that she was not Song Jae Hee. That would have added much-needed depth to her character. As presented, it was often difficult to understand her true agenda and motivations. As it was it was difficult trusting her; whoever she was, was she there as a spy to destroy Park Hun or was she his true love whom she came to protect?
I liked Cha Jin Soo as Jae Hee’s North Korean partner. he just had the look of a comedic villain. However, as mentioned earlier, bringing him back during the final episodes stretched credibility too far for me. For a true drama, I think it would have been more convincing to introduce a new North Korean operative to take his place. The Prime Minister’s “lollipop” bodyguard certainly should have known better than to leave a body unrecovered after shooting someone and dumping them into a river. But then again, it’s a K-drama.
I liked the bodyguard.
I didn’t mind the various political and personal agendas surrounding whether Park Hun or Han Jae Joon should operate on the Prime Minister, but the decision changed so many times that it became exhausting (a dark comedy effect).
I also liked Dr. Oh. She was a sensitive soul and quite sweet. Park Hun sent her so many mixed signals that it was no surprise she began developing feelings for him. Han Jae Joon, on the other hand, provided mature stability, who was honest with her about himself and his mistakes with her. He knew her, and could see what was happening with PH. Although he didn’t like their banter, (and it was refreshing to see this) he gave her space to sort out her feelings without pressuring or dismissing her. He genuinely loved her. As she finally realized, he was a better match for her than Park Hun.
As for her father and brother, they deserved a good Korean slap several times throughout the series.
At times, it felt as though the writers threw absolutely everything at Park Hun except the kitchen sink—another source of the drama’s accidental dark-comedy vibe.
Park Hun endured an extraordinary amount of trauma throughout his life, yet he remained fundamentally optimistic. That resilience was essential to his survival. His father was a remarkable man who taught him how to live despite his circumstances rather than be defined by them.
I feel most everyone did a great job in this drama. The three standout performances for me were from Lee Jong-suk (Park Hun), Cheon Ho-jin (Prime Minister - dark comedy villain), and Kim Sang-joong (Park Cheol).
The soundtrack was good, though not great. At times the music was mixed so loudly that it became distracting during emotional scenes.
Overall, Doctor Stranger was an entertaining watch. if I hadn’t pick up the dark comedy vibe from the occasional descents into outright absurdity, I wouldn’t have enjoyed it so much. It truly kept me invested from beginning to end. I can see myself revisiting some episodes in the future.
8/10
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not for the faint at heart
This drama is not for the faint at heart and not one I suggest watching close to bedtime. it was highly violent and whenever PJH came out with a pen and used it, I gasped LOUDLY like I was standing right there.the story did lack depth, though. we needed more story to be truly invested in the lives of these boys. Nevertheless, I was hooked to the point of wanting a positive resolution/ending. But I needed more to emphasize with their choices and actions - with all the flashbacks I don’t think I fully understood why Baek Jin chose that path.
I hate to pick dramas apart too much, but the idea that such a level of bullying along with all that violence could continually occur in a highschool in a fully developed country, especially one with such high academic standards, without the teachers, and other adults on campus (let alone the parents) not knowing is mind boggling. does this really happen to this degree in Korea? where were the police?
I have to say the acting was excellent. EVERYONE did a great job especially Park Ji Hoon, Ryeo Un, and Bae Na Ra, our main villain.
The music added to the overall tone and did not distract. I personally won’t be rewatching this one because of the excessive violence. having said that, the fight scenes were so realistic (props to the choreographer) I felt some of those boys should have ended up with brain damage or worse. I won’t wait with baited breath but if/when Class 3 comes out, I will watch it…., once.😉
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This review may contain spoilers
Park Ji Hoon is ahead of his time
I’m not into heavy violence but made an exception this time. i don’t very often watch highschool dramas but also made an exception this time. this is a really good story - the characters are fleshed out and the actors really brought life to them. PJH is ahead of his time. I think he is 22 or 23 in Season 1 - and his acting chops are like that of someone in their mid to upper 30’s. I love his character so much so that I wished happiness for him but I’m afraid he’ll have to graduate HS before he finds it because HS is definitely not going to be remembered as the good old days for him.hats off to the whole cast and crew!!!
the fight scenes are very realistic - too realistic for me, but like I said I made an exception. I doubt that I will rewatch this one for that reason.
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Instantly hooked - you will be too!
For those who are conflicted about watching this (so far) excellently executed Comedy /Drama…., don’t be. THERE IS NO ROMANCE. **Eight episodes in and all I can say is WOW! Lee Jun Young is perfect as 72 year-old Chairman Kang in Hwang Jun Hyeon’s 20-something body. There is no question that we are watching old Chairman Kang in action. LJU is just that convincing embodying Kang’s entire personae right down to his furrowed brow, incredulous stares, outbursts of anger, aand raspy, older man’s voice. The supporting cast is equally great, especially the main villain who is supported by other equally great villains. The way the story is going, I’m expecting a fully satisfying, suspenseful remaining four episodes.
This drama is hilarious and at the same time intense and suspenseful - all while showcasing the consequences of the decisions one makes in their three score and ten (+/-) years on this earth. Among other questions Reborn Rookie asks: What is the true definition of success and What is the true measure of a person?
** The chairman’s youngest daughter, Kang Bang Geul, is understandably confused about her feelings over this young, handsome, smart, fearless intern, but the infolding events and her overall goals keep her from focusing in that direction for too long at a time. And along the way, Chairman Kang, who underestimated the daughter he loves, gives her plenty to dislike about Intern Hwang.
I can’t give it a 10 rating yet as there are 4 more episode to go. But if it ends as well as it has been going so far, I’ll up my rating.
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This review may contain spoilers
Na Hwa Jin is Joe Clark on Steroids
in 1989 Morgan Freeman stared in Lean On Me as real-life Joe Clark who becomes the principal of completely failed, out of control Eastside High School in Patterson, New Jersey (USA). To quote one reviewer on IMDB, "He is loud, abrasive, arrogant, and effective. He didn't see pleasantries as a means of getting what he wanted, he only saw force and intimidation as the most effective method. He made friends and he made enemies and he made a difference."Na Hwa Jin, with his team of Deputy Director Bong Geum Dan, and Im Han Rim, all under Ministry of Education Director Choi Gang Seok, was all that, only amped up several notches.
TYAL was gripping, jaw dropping, intense, and heartbreaking, balanced by laugh-out-loud hysterical humor. Our main cast was perfect in my opinion. Each Lead presented a unique and relatable character.
The relationship beteen Hwa Jin and Gang Seok was touchingly beautiful. I ached for both of them but was also inspired by their support for each other and their mutual determination to make their lives count in honor of Gang Seok's daughter and Hwa Jin's fiancé, Choi Ga Yun.
Geum Dan was adorable. His kind but reluctant, nervous nature coupled with his wit, wisdom, and computer savy were a pleasure to watch.
It was no wonder the humorous Han Rim, with her explosive but sensitive nature, was attracted to him. Their chemistry was so cute and so funny. I was rooting for them.
Each member of ERPB, sensitive to both students and teachers, were sincere and dedicated to their mission to make school a safe and happy place for everyone. Humor lightened their loads and, I believe, helped the viewer recover from the intensity of some of the hard to watch scenes.
While quite violent, I recommend this drama to anyone who is interested what should be a fun time in a young person's life and the teachers who sign up to educate and even mentor them. It would be a good watch for students teetering on the brink of making the wrong decisions before their life has even gotten started. Actions have consequences.
This story was compelling given the serious nature of each episode. We in the US share much with Korea in this area of school violence. I admit, our school violence is on a grander scale. Having said that, I wanted to know how much of TYAL was realistic to Korea and how much was not. So I asked Chat GPT for some help. Here's the Q & A for anyone interested. I ask anyone with direct knowledge to correct anything below since I am well aware that Chat GPT is just a BOT.
Where did the original creators get their ideas?
1. The collapse of teacher authority in South Korea
Beginning in the 2010s, South Korea saw increasing public concern over:
• Teachers being unable to discipline disruptive students.
• Parents filing complaints against teachers.
• Rising reports of classroom violence.
• Teacher burnout and resignations.
Many teachers felt that laws designed to protect students had unintentionally left educators powerless.
The issue reached a breaking point in 2023, after the death of an elementary school teacher in Seoul led to massive teacher demonstrations demanding stronger protections and reforms.
2. Real cases of school violence
The webtoon incorporated situations inspired by news stories involving:
• Bullying,
• Student gangs,
• Parents abusing their influence,
• Administrative cover-ups,
• Teachers being threatened by students or families.
The creators essentially asked: “What if there were an agency that could do what ordinary teachers legally cannot?”
That question became the fictional Educational Rights Protection Bureau (ERPB).
3. Wish-fulfillment fantasy
This is perhaps the most important influence.
The series is not meant to be realistic procedure. Instead, it taps into a fantasy many frustrated adults have had:
“What if someone could finally step in and stop the bullies immediately?”
Na Hwa-jin isn’t written like a normal educator. He’s closer to an action hero or vigilante operating inside the school system.
Many Korean readers described the webtoon as cathartic because it punished wrongdoers swiftly in ways real institutions often cannot.
4. Influences from Korean revenge fiction
You can also see DNA from other Korean stories:
• Juvenile Justice — frustration with youth crime and legal limitations.
• The Glory — school violence and revenge.
• Taxi Driver — vigilante justice when institutions fail.
• Older Korean action manhwa where corrupt systems are corrected by extraordinary individuals.
Why did it become controversial?
The webtoon eventually crossed from “social commentary” into territory many readers found problematic.
Critics argued that some story arcs:
• endorsed corporal punishment,
• relied on stereotypes,
• oversimplified complex social issues,
• and promoted authoritarian solutions.
One particular arc involving racial stereotypes generated significant backlash, leading Naver to remove the English version of the webtoon.
So what is the true source material for Teach you a Lesson?
If you strip away the punches and action scenes, the real source material was:
• South Korea’s crisis over teacher authority,
• public anger about school violence,
• news reports of institutional failure,
• and a very Korean genre tradition of imagining a powerful outsider who restores justice when the system cannot.**
That combination is what gave Get Schooled/Teach You a Lesson its unusual mix of social realism and comic-book fantasy. It explains why some viewers find it deeply satisfying while others find it unsettling.
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loved the brotherhood of friends
it was a good drama overall. the 4 friends since high school was a pleasure to watch - including the snippets or flashbacks at the beginning of each episode of the specific moments of their lives over the years.my favorite character was Tae San. he was an intentional man. he chose to love Se-ra and committed himself to her - while he struggled over the marriage issue he still wanted her.
Do Jin - difficult to watch him try to win Yi Soo over. but between Do Jin attempts and YI Soo’s seemingly immature responses/rejections, both of them left much to be desired in the first half.
Lee Jung Rok - what an idiot to cheat on his wife. I don’t have words for his kind. mi seek was just as weak - she actually enabled him by threatening to but never following through with the divorce
Choi Yoon - he always had a pained look on his face regarding Mi Ra. you never got to see him as a successful competent lawyer. mi ra’s many childish ways were annoying, especially her crying. Yoon and Mi Ra’s story arc was the least compelling evincing.
the show got better and ended well.
this drama offered som good insights guys and plenty of truly funny moments.
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An excellent, excellent Drama!!!!
the perfectly cast Kim Soo Hyun, Seo Yae Ji, and Oh Jung Se literally became Moon Gang Tae, Ko Min Young, and Moon Sang Tae respectively. The brother relationship between MGT and MST is the best I’ve seen after watching 150 +/- K-dramas. The tender moments and the fight scenes were worth every minute. KSH and SYJ had excellent chemistry. What began as Eye Candy to KMY and repulsiveness to MGT bloomed - through craziness - into a lovely romance. KMY did not have disassociative personality disorder. She needed to know what it felt like to be cared for, and loved for who she really was inside. MGT needed the same as he was slowly burning out emotionally.I loved the way they all three became family. The three actors blended exceptionally well in every scene they were in together. it’s a toss up who dominated the screen between SYJ and OJS. they were equally great. It was KSH, though, who carried the whole drama from beginning to end so beautifully! His MGT character arc was critical to the arcs of KMY and MST and he nailed it. the breakdown scene in Episode 9 was a jaw dropper. I felt his emotions deep in my heart. all the supporting cast added depth and emotion to the entire drama.
The story itself was cleverly told; an unlikely romance told with the use of fairy tales in a mental health hospital - with great sensitivity in telling each person’s story.. The well earned ending for MGT, KMY, and MST was delightful and bittersweet at the same time. I didn’t want them to leave. I even teared up watching the last few minutes. the story did start to go over the top with the revelation of the villain which is why I rated the story itself a 9.
The art work and cinematography were excellent. the fields and colors were beautiful. the ocean view at the hospital was so peaceful. the cursed castle was creepy - as it was supposed to be. the OST was perfect. I’ve played it many times while working.
it’s rewatch value is a definite 10 - I’ve watched it probably 4 times already.
I loved this drama. it was probably my 10th K-drama.
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