A Terminator Dishes Out Revenge ⚔ To The Biting End °7.5° °VG°
They pi$$ed off the wrong kid.KAOTN is part of the popular Kingdom franchise. It is a prequel to S1 and it ties in seamlessly.
The filming is gorgeous, though tense and creepy feeling- exactly as it should be.
We follow Ashin over several years as she plots revenge against the murderers of her family. Members of a secretive and proud tribe, the Pajeowi, were found dead in Joseon. The Josean officials informed the Pajeowi that a tiger killed all 15 of their brothers. Ever skeptical of the Joseon bureaucracy, the Pajeowi don't believe that.
The Pajeowi take their revenge on the first village they encounter, which is Ashin's village. She is left with nothing. She agrees to work (slave) for the Josean officials as long as they help her avenge her father. Kim Shi-ah, as young Ashin, is fantastic. She was around 12 when this was filmed, yet the anger and determination of her character is palpable. Her performance is arresting: She's that good. "I didn't want Asin to look weak," she said in an interview. "I thought the eyes were important to show a strong figure, and I tried to convey that solidity with my eyes." We need to keep an eye on her career. We can expect her to just gobble up her roles.
Ashin works hard as she grows. When she's not serving the Kingdom of Joseon, she is sinking her teeth into perfecting her archery and fighting skills. It will all come in handy later. We watch Ashin close in on her prey like The Terminator, or a zombie. She won't turn to the left or the right. She consumes. She. Won't. Stop.
The creators continue with the same theme started in S1. Having gone into S1 without knowing anything about it, I will refrain from releasing any spoilers about it. The acting and special effects of the 'attackers' are excellent. This crowd was designed to startle the viewer, and they fulfill their purpose.
While KAOTN can stand on its own, it would be better to also watch S1&2 of this mystery/horror saga. Yes, it's classified as horror. The focus is not all blood and guts, however, especially compared to a Hollywood production. The horror is real, but it's constructed in the viewer’s mind as much as it's outwordly performed for the viewer's eyes. Fundamentally, this is just good drama.
The film does incite thought about the concept of mercy. Should Ashin relent and show mercy toward her enemies? Do any of them merit that? You'll have to take the solitary and painful journey with her to sort it out.
We are still in want of a S3. Until then..... Enjoy this snack.
IMHO…
🎬7 🤔7 🎭8 ⚡7 🎨7
Suggested Age 15+
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✒♥️ Is Anything More Nonsensical Than Tennis Scoring? 〰〰〰 ☯ °6.3° °good°
I won't lose. Lu Xia always says that. He's almost always right.PoT is a 2019 release that is rated 8.4 on MDL. It is 1 season consisting of 40 45-minute episodes, and is based on the Japanese manga series written and illustrated by Takeshi Konomi. It's also an anime… A movie… A musical! …It's a HIT.
A Chinese show that is based on a Japanese manga invariably makes a tennis club seem more like a martial arts sect. That's the spirit, the vibe, the plot, and the appeal. The characters are the show’s strongest assets. They are likable, being written and acted out well. Moon ascend volley. Snake ball. Twist serve. The Australian Formation. Celestial Drive. The vibrating Ball (it's an optical illusion). Their signature super-shots have amazing names. Some of these balls don't even bounce up, but spin on the court like they will bore a hole through the clay. One team works so hard to be able to defend the Snake Ball ~🐍~ only to be hit with the /boomerang/ snake ball!
Peng Yu Chang (I Am Nobody) is ML, Lu Xia. His father was a tennis star - a stratospheric one. All he wants is to beat his dad. He's the only freshman to make the starting team. His father appears to be a cheerful goof and their relationship is intermittently competitive (more on Lu Xia's part than dad's) and supportive. Ireine Song (Ever Night, Different Princess) plays a girl, Qi Ying, who's infatuated with him. She is a tiny, adorable thing. He doesn't seem to mind her presence around him at all.
Dong Li (Arsenal Military Academy) is Qiao Chen; Zhang Yi Jie (Scent of Time) portrays Zhuo Zhi; Xie Bin Bin (Please Be My Family, The Code of Siam) is Mu Si Yang; Zhu Zhi Ling (The Sleepless Princess-9.1) portrays Chi Da Yong; Xu Ke (The Last Immortal, A Love So Beautiful)
Plays Tang Jia Le; Wu Xu Dong (The Eternal Love) is Zhang Bai Yang; Herman Li (Detective Samoyeds) portrays Yan Zhi Ming; and Fan Lin Feng (Good Bye, My Princess) plays He Xing Long. Their personalities are all over the place. One is a sweetheart until he picks up a Racket. Some are morose, others dutiful, cheerful, coldly analytical, playful, angry, aggressive… They are a team of distinct individuals. In addition, Xiang Yun Long (My Roommate Is a Detective) makes an impressive appearance as Tian Zi Long, an anger-riddled competitor with dramatically white streaked hair.
TPoT reinforces teamwork and individual achievement. It asks competitors to reflect on their motivations. It incorporates a cycle of mini-dramas set around tennis matches. The soundtrack and soft spoken Mandarin seem to be designed for a peaceful effect. I found the characters likable yet I had trouble focusing as the show went on. Halfway through the show I had involuntarily stopped giving it my full attention. I think if I just watched an episode or two a week I would have been able to stay with it better, but It was leaving Netflix and I had to watch one or two episodes a day. It's lots of cyclical plotlines where each match and story arc looks quite a bit like all the others, so it started feeling redundant.
They ramp up the drama and the players’ special skills. As it's based on manga, that is to be expected. For a team with near super-powers, however, the show still felt slightly pedestrian. Viewers who prefer realism should take their ball to another court. Actually, viewers who prefer realism aren't apt to like nearly anything that China puts out; they may have to avoid the country altogether. Viewers who like manga, sports- tennis in particular, relaxing soft-spoken voices, low drama, and Chinese shows to begin with, will likely enjoy this show.
QUOTES📢
Someone who doesn't want to admit their weakness can only show their evil side to the whole world.
Losing is not a frightening thing. What's terrifying is that we can't learn a lesson from it.
〰🖍 IMHO
📣6 📝7.3 🎭7.5 💓5 🦋3 🎨5 🎵/🔊6 🔚? It goes on… 🤗3 ▪ 🌞5 ⚡4.5 😅3 😭2 😱1 😯2 🤢1 🤔4 💤5
Re-📺? I couldn't give it 100% attention the first time.
Age 9+ Language: d@mn
In order of ~lite & trite~ to ~heavy & serious~ you may also like:
💓 -
C🇨🇳: Accidentally in Love 6.5 ‘18 B-level scripting, acting, and directing, but still fun/strangely relaxing to watch
A Little Thing Called First Love 8.5;
Find Yourself 8.9;
The Romance of Tiger and Rose 9.8;
🔮🐉-
C🇨🇳: Love Between Fairy & Devil 8.9;
Once upon a time in Linglian Mountain 7.5;
Douluo Continent 9.4;
Handsome Siblings 8.7;
Eternal Love 8.3,
Ancient Love Poetry 8.6;
Love and Redemption 10
⚡/😱 -
C🇨🇳: The Kings avatar-7.9
Heavenly Sword and Dragon Slaying Saber 9-Kung-fu!;
K🇰🇷:
K2 8;
Private Lives 8.1;
Sisyphus 8;
Tunnel 8.1;
Signal 8.6;
The Man From Nowhere 8.9
Black 9;
Squid Game 8.4;
Kingdom 8.3;
Sweet Home 8.4
Japanese🇯🇵 lite romcoms: Maid Sama-10, Mischievous Kiss Love in Tokyo-7.8, Love, Chunibyo And Other Delusions-8.4, Toradora-8.5
Taiwan
🔪🇹🇼Age of Rebellion-9.5
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✒✨️ Ji-had Redo: From Drab to Fab ☣OR☣ Protect yourself, don't project yourself. °VG°
The 1-sentence review: 〰This is a pre-packaged, off-the-shelf, watchable romance that has some nice seasoning & truly bright moments for romance fans〰Is it in the top 20 that I would show to a viewer new to Asian programming? Nope, but for a romfan it will pass the time very nicely. I'll stick some toes over the edge of the cliff & say it's worth watching for Song Ha Yoon's performance alone. She EATS her role up. PMY is always worth watching. NIW isn't bad to look at, either.
This drama is actually an advice column. There's plenty of useful truths to be gleaned, such as:
👠Shoes your friends wisely - eh, ‘Choose,’ I mean.
👠We accept the love we think we deserve (from The Perks Of Being A Wallflower).
👠Keep your friends close & your enemies closer (until the battle is over)
👠Statements don't grow up to be cliches b/c they're mostly false.
👠Some people just get used to losing. Some losers don't realize what (big picture) losers they are & will do anything to avoid (small picture) losing. Losing once in awhile is not a bad thing, as pride is always the biggest problem. Humility is good for the soul. Being a doormat, though, will rob your life's essence.
Ouch. Ep1 HURTS. Kang “Ji” Won has led a painful life & now she's close to death: Stage 4 cancer. “I never knew happiness,” she says. Horrible husband. Horrible family. Horrible friends. Her husband & bff cause her death & now they will enjoy the life insurance payout. The End.
But wait! There's more! After the end, Ji gets a reset. She wakes up back in time, year 2013… Meltdown! Is this a dream? If so, is 2023 the dream or 2013.2? Let the Chippies fall where they may… & Ji has a couple snagging Chippies in her life.
To go along w/ MMH one has to be accepting, as there's no acceptable reasoning for the time slip. It's connected to the FL's father, but that's all we know. Our FL learns that fated consequences are FATED and must occur. In her prior life she had a crescent-shaped scar on her arm from a coffee pot burn. She manages to avoid getting burned the 2nd time, but, instead, our ML gets burned w/ a scar /exactly/ like Ji's. Therefore, she proceeds slowly. Methodically. Carefully. She won't break up w/ her bf & future killer until she's certain she's transferred /that/ bad fate onto her frenemy, her killer's aider-and-abetter, her lifetime friend: Soo-Min. They lay down a satisfactory (enough) premise.
It's illogical at times. It's constructed in an almost lazy way, as everything is attributable to fate. Fates can be transferred to others, but not avoided. They use physical objects, like shoes & candy, to reset the scene in order to channel ill fates to bad actors. After a person opens a door s/he never would-or-should have & allows another party to barge in (ep15) - it just wouldn't happen - I then had to stop, reflect, & admit that the whole show is built on an arguably silly premise. But I'd been enjoying it w/o a care-to-logic until then, which is indicative of skill & good execution. Just take the ride & don't think too much. If you can do that, the show is good.
Otikay?
It's 2013. Again. What does Ji do?
🍬Break up w/ the jerk.
🍬Buy stocks.
🍬Stop being a doormat.
Being a doormat is not an easy habit to quit, though. Ji gets help. She's made new friends at work & she, unbeknownst to her, has an angel watching over her. 19 hours of programming gives the show ample time to methodically stroll through the plot. It takes our leads awhile to pair up as they have legitimate concerns: The prior timeline was brutal to Ji. After the break-up, the coffee pot/scar incident occurs, so she decides to soften her stance on her status w/ ex, Min Hwan - just until she leverages the potential outcome.
Park Min Young, a truly special talent, is the FL, Kang “Ji” Won. I've seen her in What's Wrong with Secretary Kim-6.8 (apologies, it's cute, but overrated IMHO) Forecasting Love & Weather-6.8, When the Weather Is Fine-9 (it's brilliant) & Her Private Life-8 (This one deserves the accolades that Sec-Kim gets. It's adorabs).
Na In Woo (Spark-6.4) plays Yoo Ji Hyuk. He's a tad geeky & wears ill fitting suits that look like tents. That's by design, as his character gets a needed upgrade after exposure to our FL. Purely observationally, this actor looks like a giant next to the ladies, & he also has the largest Adam's apple I've ever seen. He's an impressive looking man.
Lee Yi Kyung (Eulachacha Waikiki) portrays the weasel bf, Park Min Hwan. Song Ha Yoon (Intimate Strangers) portrays Jung Soo Min, Ji"s frenemy, & she does It marvelously. The character is yicky-icky, but the actress has a tough job, acting as a near split-personality who does drama better than ElizabethTaylor, & she sticks the landing. In fact, by ep10, I was most impressed w/ her: She's amazing. Other than guest appearances, Choi Gyu-Ri's only other role is in Behind Every Star. In MMH she plays Ji’s new work friend, Yoo Hee-Yeon & she's darling. I hope to see more of her. Director, Park Won Gook also brought us Special Labor Inspector Jo, & Screenwriter Shin Yoo Dam wrote the high IQ show, Awaken-8.7. The worst criticism of MMH is that it's boilerplate stuff, but the execution is above average. It also has worthy themes.
Theme #1: Some people don't know when to stop. “Gosh, I can just never win against you!”, exclaims 1 conniving mean girl after losing at chess. “Well, I could predict your moves b/c you tried to take it all,” is the reply. “A good leader should know how to let go of what is not theirs,” is the follow-up pearl of wisdom.
#2: I am not my mother… Messed up parents leave a massive pile of refuse on top of their kids’ heads. I'm not trying to beat up on anyone. I doubt there is such a thing as parenting w/ zero regrets. The perfect parent has yet to be discovered. We need to try & keep the baggage to a minimum & the 💘 at a maximum. Many kids can't dig out from underneath the mess & go through life at a disadvantage. Ji's mother ran off with another man - in a town so small everyone knows how many ‘spoons are in each house’. The vicious gossip piled pressure on Ji to not be like her Oma. She must look perfect. Act perfect. Cast no shadows. That's why she accepted the love she could “get”. She accepted the scraps that Soo Min & Min Hwan threw at her. There was no real love there. They only used her to bolster their own egos. She was a disposable ladder for them.
#3: We have another theme that is 1 of the harshest & cruelest truths that I know: Weakness is not OK. Weakness invites aggression, & enables evil: In the end, it's not much different than evil. It's easy to have compassion for somebody who's in a weak state, & we're all liable to be weakened at 1 point or another. That's just part of being human. Perhaps people who are weak enjoy the compassion & the attention tossed their way. But, in the long run, it's only going to allow in a bunch of trash. Evil must be opposed. It's like weeds. If you don't stamp them out they'll take over. I know this is brutal, but it happens to be 100% true. Sometimes, running away is the best opposition, sometimes fighting back is. Lying around to be someone else's doormat is never the right course. Never, ever, ever, EVER. And: Wallowing in self-pity is not only pathetic, it's contemptible.
The writer dropped more pearls of wisdom for us. Min Hwan is jealous of the boss b/c of the way Ji's been looking at him & visa-versa. He pulls her aside & unwittingly lets his character show: MH: “ I told you that jerk likes you.” JW: “He has a girlfriend.” MH: “You are so naive. Do you really think that matters to a guy? Do you know what? Every single man is a cheater. So he has a girlfriend? A guy could be married & still like someone else. You know what a man's dream girl is? An unfamiliar lady that he doesn't know yet. That's just how men are…” By the time Ji has this following exchange with Soo-Min she's grown significantly: S: “Why do you hate me?” J: “You're self-centered. Some people have a way of eroding those around them, & you are exactly that type of person…You don't trust easily. And it's only b/c you can't be trusted. You think that everyone is like you, & so you can't trust them.” When people tell you who they are, please believe them & protect yourself accordingly. Protect yourself, don't /project/ yourself.
Acting ✔. Writing ✔. Directing ✔ - all are good. The artistry is also smashing. The wardrobe is outstanding. Both of our leads dress in DRAB, until they decide to do better - to BE better. Then they go from drab to fab. “People are already treating me differently b/c of my outfit.” Ji just gave herself a makeover. She's experiencing 1st-hand how important appearances are in public life. It may not be right, but it is so. Turns out, once Ji Hyuk's in a suit that fits right, all the ladies in the office are checking him out, too. By the beginning of ep6 they look like a matched Ken & Barbie in ⚫ & ⚪ chic. A gorgeous wedding dress adorns one episode. The music is quite good, too, such as The Journey, by Kelley McRae & Wounds of Time, by Kim So Yeon. Half of ep16 is a well executed wrap-up - what has been lacking from too many Kdramas in the past. As long as you enjoy Kromcoms, this one has its savory appeal.
In parting, I'll quote one k!ck@$$, self-actualized woman from The Terminator movies, Sarah Connor: “There is no fate but what we make.” Ji-had enough. Enough to go full Jih@d on her enemies.
QUOTE📢
The mother of success is failure.
You're right. I'm a pushover. That's how I'm most comfortable.
Being considerate has its limits. Bad people don't recognize it when you're being considerate to them.
〰🖍 IMHO
📣7.6 📝7.4 🎭8.3 💓7 🦋5 🎨7 🎵/🔊7.3 🔚7.6 🤗4.5 ▪ 🌞4.5 ⚡5 😅2 😭6.5 😱4.3 😯4 🤢3 🤔4.9 💤0
Age 15+
Limited but present language: $h!+ F💣
Rated TV-15
Re-📺? neutral
In order of ~lite&trite~ to ~heavy&serious~ you may also like:
Workplace Romances:
Crazy Love-7.8,
Touch your heart 8.2,
Romance is a bonus book-7.9,
Her Private Life 8,
Love to Hate You 8.9,
Oh My Ghost 10,
Be Melodramatic-8.7,
Hospital Playlist 9,
Call It Love-8.4,
My Mister 9.5,
C🇨🇳: Find Yourself-8.9,
Boss & Me-7
Modern Day -
Hometown Cha-Cha-Cha-8.2
Crash Landing On You 9.1,
Familiar Wife-8.5,
It's Okay Not To Be Okay 9,
Love Struck in the City 7.3,
Cheese in the Trap-7.7,
Our Blues-8.5,
My Liberation Diary-8.9,
I'll See You When the Weather is Fine 9
Something in the Rain-8.6,
🎎 -
My Only Love Song 8.7 ~ excellent comedy,
Mr. Queen 8.5,
My Sassy Girl 8.5,
Saimdang 8.5,
The King's Affection 8.3,
Mr. Sunshine 9
⚡️/🛸 -
Flex X Cop-8.5,
K2 8,
Private Lives 8.1,
The Golden Spoon-8.1,
Tunnel 8.5,
Why Her?-8,
Romance junkies only -
My Secret Romance-7 (if you ff thru overdone flashbacks),
Boys Over Flowers-8 ~ melodrama to the max,
The Bride of Habaek-7,
Heirs-7.3,
That Winter, The Wind Blows-7,
C🇨🇳: Well-Intended Love-7.5 Rom-porn - extra points for the dopamine,
When I Fly Towards You-7.8,
Wait, My Youth-8.4,
A Little Thing Called First Love-8.5,
Find Yourself-8.9, Hidden Love-7.8
Consider a Chinese 🎎/🔮 romcom: The Romance of Tiger and Rose 9.8, Love Between Fairy and Devil 8.9, Love and Redemption 10 or Japanese romcoms: Maid Sama 10, Mischievous Kiss Love in Tokyo 7.8, Love, Chunibyo And Other Delusions 8.4, or Toradora 8.5
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✒ ♥️ Blood Ties °7° °VG & simple romance°
“Everyone keeps an eye on our every single move. No one thinks we'll have a happy ending. If I'm in love w/ an assistant, it doesn't matter. But I'm in love w/ the big boss.”Shan “Shan” is a small town girl. She's considered to be of average looks, intelligence, & capability. Even still, the whole tiny town saw her off when she left for Shanghai & her new job. She hadn't been a big city girl for long when she got a call in the middle of the night. The Chairman's granddaughter is in the hospital w/ an emergency. She has a rare blood type - the same blood type as Shan's. Very politely, they asked Shan if she would donate blood?
BaM's 34 45-min eps are exactly like a romance novel committed to screen. Though simple, it's not dumbed down - it has an average IQ & is quite intelligent at times, just like Shan. This blood-favor puts her in the sights of the CEO (it was his sister who was ill) as well as the head of the design dept, “Handsome Qi”. It also causes Shan to doubt herself & why she was hired, and she will continue to doubt herself for the balance of the show. The necessary exchange of “thank-yous” & courtesies follow, but for other reasons, Shan keeps running into the CEO, “Feng” Teng. Shan is a cutie, but it's her simple genuine nature & her warmth that catch Feng's attention.
While this is going on, Shan's cousin shows up in Shanghai. Shi An Ni plays Xue LiuLiu. I find her interesting. She holds her neck and shoulders too tightly and looks as if she has a cervical injury. As soon as the actress started talking, the screen lit up. She mimics her overbearing mother and it's hilarious. There are times she seems too stiff, but at all times she's unique, which is refreshing. I am looking forward to seeing more of her because I don't have a handle on her skills yet. Anyway, LiuLiu doesn't stay long. She soon moves in w/ her bf who basically ignores Shan when they meet. He doesn't seem like a good match for her cousin. I love how LiuLiu never has a hair out of place & Shan is constantly a bit disheveled.
Zhao Li Ying is Xue Shan-Shan. How cute is this gurl? Very. She's an absolute delight & makes the show. Hans Zhang is our ML, Feng Teng. He's certainly not my type. Too prickly. He's good w/ numbers but not people. But he does seem to have a good heart. To him, Shan feels like home. Marry a person who feels like home. You don't have to be the smartest, the richest, the brightest or the most beautiful, you just need to feel like home for your spouse.
Huang You Ming plays Zheng “Handsome Qi”. He's Feng’s partner, BFF, & the social one of the 2. Li Cheng Yuan portrays Yuan LiShu. She's fashioned herself in love w/ Feng for years (they grew up together) & she don't wanna go down easy. They make the point several times that she's hyper-competitive, which does pave a nice long road for her bad behavior.
If it's meant to be, the attraction is always mutual. If it's 1-sided, move on & work on yourself. Lishu (finally) chooses self-improvement. "Because of Feng, I found many dark sides of mine in love… I became jealous, calculating, & untruthful in love. The dark LiShu is too frightening to be recognized by myself." That's good thinking. Self-reflection & honesty, w/ a dash of humility, will NEVER render us more unlikable! Quite the opposite.
This is a classic power balance romance. The man appears to have all the power in the beginning, but it's really Shan that comes out on top in the end. All's fair in love & war, & all's well that ends well, right? If a manipulative male is a trigger for any viewers, they may not enjoy this. Feng has no idea how to woo a woman. His intentions are good, it's his method that is sketchy.
As a “thank-you" for her help w/ their health emergency, Feng’s sister starts sending in lunch 🍱 for Shan. Food is the way to Shan's hungry heart, but the whole company knows about this immediately because the secretaries are delivering the 🍱 directly to Shan's desk. Before long, she scuttles off somewhere quiet to eat alone. She's found the perfect place - a little balcony area that nobody ever comes to, w/ a beautiful bench to boot. She eats. She exults In her happiness exercises. She jumps around & throws her arms up & says: “You are a ray of sunshine loaded w/ happiness.” What she doesn't know is that on the other side of the mirrored window is Mr Feng. He's been watching her, enjoying her, & eating right alongside her w/ only a thin pane of glass between them.
Both of Fengs's secretaries are darling, but Long Yi Yi (Love O2O, My Sunshine) as Linda looks as good in a suit as any woman ever. Li Fang Ding (Inside Man) portrays Zhou Xiao Wei, who is a superb worker and an awful human being. Shan forgives her too easily. I'm not against forgiveness, I'm against evil: Xiao Wei should be fired. She will only ever cause strife, misery, and chaos, so the company is better off without her. Jin Guo Dong (My Sunshine) & Gu Man (You Are My Glory-5.9, Love O2O-6.8) are the screenwriters. Liu Chun Chieh (Lighter & Princess, Two Fathers-7.5) is the Director.
“When he called my name just now it felt so intoxicating. Why does my name sound so amazing from his mouth?” The actress sounds like an excited 4 y/o at Disney. But Shan can't handle the stress of all the attention. Feng's behavior is attracting the entire company, not just Shan. He's used to bossing people around & he has never had to chase a woman (especially an employee) so he starts forcing her to be around him. When Shan tries to stop the 🍱, she ends up being invited to eat w/ Feng directly. She still feels like a blood factory. (Does HE know she's a human?)
She ends up faking illness as an excuse to avoid lunchtime altogether. It backfires. We're not even up to ep10, but the next thing that Shan tries is to say that she can't have lunch with him because she needs to study for the CPA exam. She's promptly ensconced in his office at lunchtime with a bunch of CPA exam guides. ‘This is the perfect quiet place for you to study,’ he explains. The truth is, he's tired of the glass between them. His motivations are actually pure underneath his improper forcefulness. (This is just a TV show. IRL, this behavior is usually intended to take advantage of someone sexually & discard them. That's not what's going on here. A controlling man separates & isolates his woman. Feng is a blessing to all who support Shan).
Everybody's abuzz over her relationship w/ Mr Feng. Nevertheless, the steady 🍱 cause Shan to feel like he's a wolf & she's a pig that he's fattening up for slaughter, eh, as a blood bank, rather. It would never enter her mind, at this point, that he might be interested in her personally, even when all of her attempts to avoid him backfire. Well before Feng & Shan get together, her friends were already swooping in to tell her that trying to make it work w/ a rich guy is a MISTAKE. She'll be dumped b/c rich guys have endless options & temptations. Her parents even tell her: "We don't want you to bring home someone wealthy." This is all contrasted w/ cuz LiuLiu, whose mother is the opposite. She tries to force her daughter to stay w/ a horrible man only b/c he's loaded. Another contrast is Shan's roommate, whose parents don't like roomie's new bf b/c he's not successful enough. Opinions. Everybody's got one. The people giving Shan advice know nothing of her relationship w/ Feng.
All this while, Shan fashions herself enamored w/ Handsome Qi! Handsome, friendly, and pretty much a chick magnet, he's the type of guy that everybody's a little bit in love with. Mr Feng is more complex and difficult to love. “When you give up a tree that doesn't belong to you, you'll find that there's a whole forest there waiting for you to explore,” Handsome Qi says to Shan. They've just had a discussion about how they like each other, but like isn't love. They're friends - another reason e'erbody at the company is talking about & watching Shan.
BaM is about adjusting. He declares his love ⅓ into the show. When Feng&Shan finally get together, it's a secret. She's depressed. She doesn't feel secure in the relationship… & /why/ doesn't he want to celebrate Valentine's Day? Everyone else got 💐. As Valentine's Day approaches, He remarks that his grandfather was traditional and they never celebrated any Western holidays. At the same time, Shan's friends are asserting that Feng must not love her. One of the family's close friends is living at his family's house because she's going through a trauma. Shan's friends put unnecessary pressure on her by insisting that Feng's two-timing her. There's a thin line between cautioning someone & arrogance. This segues nicely into the theme of BaM - the destructive force of gossip.
Let's gossip about gossip. Why do people do it? Why does it feel good? Gossip is a function of pride. Pride always compares & competes. We humans gossip to make ourselves feel superior by comparison. We usually have no idea about the real story, the person's challenges, strengths, weaknesses, abilities, flaws, advantages & disadvantages, background… Gossip is basically a vat of lies that we enjoy taking a bath in once in awhile. Not only is it pathetic, but it's cruel & pernicious. Anyone who gossips IS part of the problem. And Shan is feeling the weight of her many problems.
The gossip at work keeps getting worse. When he was bringing her to the office to eat, they weren't dating, but everybody assumed that they were. Once they start dating, they keep a distance, so everybody assumes that she was tossed to the side. Every incident is misinterpreted in the most vile way. She's a pariah, constantly measured & found to be not good enough. As Feng is hard to read, she's always ill-at-ease. When they finally do go public, Shan has to deal w/ a whole different kind of gossiping. She's become a zoo exhibit. Everybody suddenly wants to talk to her, greet her, & suck up to her. Everyone in Feng's sphere thinks the beautiful, composed, & sophisticated LiShu is a better match. Shan is adorable (she wears that tedious bun in her hair most of the show, and it ain't her best look) but she doesn't care about clothes & makeup (just food), so there's constant comments that she's mid. While Feng is under pressure, Shan is the one who really suffers, while Feng remains mostly oblivious to it. As Feng is also hard to read, she's always ill-at-ease. Shan even stresses over her raise, concerned that it will be lower to prove there's no favoritism. When she gets her raise, people comment on how it should have been more, so she isn't /that/ special. There's no winning this contest.
Another common theme in Chinese entertainment is that it's lonely at the top. China excels at showing how none of us are truly free. They often portray CEOs & kings as miserable people in miserable places. The Great Gatsby factors significantly in the show. It's a story about a man going to extraordinary efforts to attract a woman's attention, but in the end, the woman is a shallow person who doesn't deserve the love & effort he invested in her. Shan's the furthest thing from greedy. She prefers a simple life & that's a huge chunk of her charm.
Some of the fashion is painful to look at. Mr Fang actually has a shirt w/ a leopard plushie collar. It's beyond awful. There's a 🚲 trail scene that is very pretty. The soundtrack isn't bad at all. Roll the Dice, by Shan Gao is good.
BaM is a romance for romance junkies, not the general public. This show is the perfect formula for me when I'm exhausted & my brain doesn't want too much stimulation. China actually excels at such prozac-effect entertainment. Where BaM truly does itself proud is that it does have a worthy message. "Don't try to change yourself only for me." Feng loves her as she is. Shan's feelings of inadequacy made both of them uncomfortable. We should all never stop working on ourselves, but her motivation should be /self-improvement/, not to feel that she's /worthy/ of him. (Whatever. She can't eat that 😆).
This ain't Shakespeare. But it has its moments. Shan decides that the only thing to do is to become the best version of herself so that she can stay on proudly next to Feng. That's the answer. 🔔🔔Ding.
QUOTE📢
That's the way marriage is. You can't choose the best one, you can only choose the right one
〰🖍 IMHO
📣7 📝7.5 🎭7.5 💓7 🦋6 🎨6 🎵/🔊6.8 🔚7 🤗6.5 ▪ 🌞5.5 ⚡3 😅3 😭2.5 😱2 😯3.5 🤢1 🤔5 💤0
Age 14+ mild adult situations & sexual content including sex & pregnancy outside of marriage. Language: b!+ch ×1
Re-📺? not as rare a possibility as RH- blood
In order of ~lite & trite~ to ~heavy & serious~ you may also like:
Power Balance Shifts:
Find Yourself 8.9;
The Romance of Tiger and Rose 9.8;
Wait, My Youth-8.4,
A Little Thing Called First Love 8.5;
K🇰🇷 :
Crazy Love-7.8,
A Witch's Love 7.8;
Oh My Venus-7.4,
My Roommate Is a Gumiho-7.9,
Crash Landing On You 9.1;
Oh My Ghost 10;
Call It Love-8.4,
My Mister 9.5;
Taiwan🇹🇼:
The Fierce Wife-8
💓 -
K🇰🇷 :
Another Miss Oh-7.5,
Love Struck in the City 7.3,
Be Melodramatic-8.7
restored
Love To Hate You 8.9;
Touch Your Heart 8.2;
Something in the Rain-8.6,
Romance junkies only: Accidentally in Love-6.5 ‘18 B-level scripting, acting, and directing, but still fun/strangely relaxing to watch,
Well-Intended Love-7.5 Rom-porn - extra points for the dopamine but many object to an outrageous stunt the ML pulls,
When I Fly Towards You-7.8,
You are my destiny-6.8 cute and sweet and 1/2 padding,
Meteor Garden-7.4 - 70% flowing 30% dragging and BOF is better,
Hidden Love-7.8
🔮🐉-
C🇨🇳: Love Between Fairy & Devil 8.9;
The Sleepless Princess 9.1;
Douluo Continent 9.4;
Handsome Siblings 8.7;
Ancient Love Poetry 8.6;
Love and Redemption 10
Japanese🇯🇵 lite romcoms: Maid Sama-10, Mischievous Kiss Love in Tokyo-7.8, Love, Chunibyo And Other Delusions-8.4, Toradora-8.5
Originally 〰️🖋 1/2025
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Catch a Ride Don't Sweep By °7.6° °VG°
‘That haul is worth $500.00.’ That thar haul’s a massive load of metal ~ the size of a medium building ~ and they give him 500 bucks. Space sweepers are scrappers who sell what they find floating out in the expanse. Making a livin ain't easy. They are paid in cash, because people that aren't citizens of the UTS Corporation aren't afforded any credit. Our crew runs into trouble when they're scrapping a wreck and find a little girl in the rubble.There's pictures of this little girl all over the news. Apparently, she's an android with a hydrogen bomb planted inside of her. By the time the crew realizes this, they already have her on the ship. They're terrified, until they realize they could probably make some money off of her. That's how it starts. They keep the action flowing. It goes by fast for the time allotment - there's no dead spots. SS is a 2021 136-minute release that is rated 70/78 on RT, 6.5 on IMDB, 86 on AWiki, and 8.3 on MDL.
Song Joong-ki (Arthdal Chronicles, Descendants of the Sun-8.3, Reborn Rich) is ML, Tae-ho. Kim Tae-ri (Mr. Sunshine, Revenant) plays Captain Jang. Yoo Hai-jin (A Taxi Driver, Exhuma) gives voice to Bubs. Kim Hyang-gi (Along With the Gods: The Two Worlds-7.2, Salon De Nabi) is Bubs' New Body. Jin Sun-kyu (Uprising, Through the Darkness, Revenant) portrays Tiger Park. Richard Armitage (The Hobbit (liked it), North and South(loved it), & Castlevania-8.4) portrays James Sullivan / The CEO of UTS. Kim Moo-yul (Forgotten, Juvenile Justice) plays Kang Hyun-woo, and Oh Ji-yul (The Glory) is Su-ni. The screenwriter/director is Jo Sung Hee of A Werewolf Boy and additional screenwriters are Yoon Seung Min & Yoo Kang Seo Ae. The film is based on original creator/webtoonist Hongjacga's work.
SS is a classic style Sci-fi film. The primary criticism would be that it's formulaic. It follows some familiar flows and patterns, as well as recycled plot devices typical of action films. At this point in entertainment, we can't expect new things all the time, because most human stories actually do follow similar patterns. Human behavior is such. What's good about SS is the acting, the artistry and the sets, which are excellent with their well used, dirty, not pristine state. The plot may feel familiar, but there are a couple departures. There's a little twist at the end which is rather nice, and everybody does not get what they want.
SS doesn't deserve the 6.5 rating that it currently has on IMDB. I arrived at a 7.6 which means it doesn't quite reach an 8, but it is very good. This is for people who enjoy space films. Everything in SS is solidly competent. One has to wonder if people turned away when they realized it wasn't an entirely English-speaking film? It's primarily Korean, but several different nationalities and languages are featured before things settle down with the one K-crew. It has an international feel which is rather nice.
I've been hooked on foreign features for a while, as Hollywood has been so dumbed down it's insulting. With their overabundance of outstanding actors, Asian features are my current favorites - The thespians are definitely there for their merit. I'm a big fan of Korean shows, and the confidence & range of their child actors is always astounding. What's been missing is the high quality special-effects, but SS represents a change. Kdrama and Chinese features are getting more popular and their budgets are booming. So, hop on SS and other foreign features for a great ride.
〰🖍 IMHO
🎬8 🖊️〰7 🎭8.5 🌞8 🎨7.5 ⚡8 😅6 🤔6 🔚9
👁📺again? Not opposed
Recommendations:
⚡/🚀 -
K2 8,
Flex X Cop-8.5,
Private Lives 8.1,
When the Camellia Blooms-8,
Glitch-8,
Vagabond-8,
Uncanny counter season-1 only-S1-8.4 S2-4,
Inspector Koo-8.4,
Sisyphus 8,
Tunnel 8.5,
Signal 8.6,
Revenge of Others-8.6,
Blood Free-8.5,
Moving-8.3,,
D.P.-8.4,
The Cursed 8.3,
Flower of Evil 8.9,
The Man from Nowhere 8.9,
The Wailing-8.8,
Parasite-9,
Mother-8.8,
Black 9,
Squid Game 8.4,
Kingdom 8.3,
Sweet Home 8.4
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This review may contain spoilers
✒THE GRINCH REAPER ~♠️~ Whoa, what just happened to me? °outstanding°
[Spoilers are contained at the end]The red string that stings 💮 The red thread of the dead 💮 The red cord of discord 💮
The red rope without hope ➰💔➰ Red, Red, Redeaux 💮 The red line that binds 💮 At the end of the line
~MY HEAD HURTS~
🅱 is a story about a grim reaper who inhabits a fresh body to conduct an investigation. He ends up uncovering a tragedy of Shakespearean dimensions that's encapsulated in Ha-ram's mother's declaration: "Everything that happened was wrong." While it's altogether 💓-wrenching, it's also cathartic & oddly satisfying. 🅱 is simply profound.
The wham-crammed-jammed final eps gave me palpitations. I'm still trying to sort it out & get back in rhythm. Just b/c a concept is opaque or lofty doesn't mean we should bypass the effort to get to the heart of the matter. So ~ a-digging-I-go ~ Found~~>> Unpopular Opinion: 'Hated Black's Ending? Well, You're Wrong,' by Joelle Halon. She hella-helped lift the veil.
The names & numbers of the main characters were chosen w/ care. Ms Halon mentions the significance of Black's reaper#. 444 stands for death & misfortune, but the alternate meaning is a sign of God's love & protection. Ms Halon digs out Easter 🍳s that the writer tucked into her work. Our protag will embody both the +&- of #444 thru the course of 🅱. Ms Halon's article helps w/ the complexities of the last couple eps. Though 🅱 is challenging, it's worth the effort. The 📝 embedded meaning behind every detail. Once you've seen 🅱, the following is likely to produce chills:
#416 is an optimism stamp. The glass is half full. Look for a + in the broken pieces.
#419 signifies being chosen to unleash true potential & let ☀ shine. Guardian angels are watching.
#420(Prisoner#): 420 is about fulfilling potential, or life purpose.
"Ha-ram" means that, in love, it's best to make decisions w/ the ❤. Refrain from behaving in emotional ways at work.
"Joons" suffer the life challenge to avoid disillusionment.
The name "Soowan" warns that there's a limit to how much a person can influence others. Anticipating one's own emotional changes & vulnerabilities is the challenge.
"Man-soo" augurs how patience can take personal plans a long way.
Pay attention to the ⬆⬆ for a rewarding payoff.
Huck Reaper⛏ When we first meet 🅱 he's loathsome. Cold, rude, dismissive... we could throw the 📖 of Hateful Adjectives at him & give him the maximum sentence. But 🅱 goes from sneering at humans to sacrificing himself for one human. In fairness, he was giving up himself to save ALL the victims of the collective horrors depicted on screen. The transition 🅱 undergoes is similar to that of Mark Twain’s Huck Finn. Unlike 🅱, Huck is a kind person, though he hadn't challenged society's view on Africans who were forcibly captured & enslaved. Like 🅱, the odyssey Huck found himself living out completely transforms him.
Huck's traveling companion is Jim, who is of African descent. At 1st, Huck looks at Jim thru society's eyes & unconsciously presumes his own superiority. As things progress, Huck is confronted w/ the realization that Jim is as human as Huck is. Soon, Huck starts to see Jim as a friend… then a brother… by the end of the book, Huck is ready to /die/ to protect Jim: He valued Jim more than his own life. 🅱's triumph over his prejudicial nature is just one of the positive messages that arise from the ooze in this show.
🅱's primary msg is messianic. Other themes include the dark 🖤 of humanity, self-sacrificial love & painful parent/child relationships. Sadly, most of the parents depicted in 🅱 are deplorable.
2 primary protags are Moo-gang & Joon. Joon has a strong sense of justice. He's a protector. We see it ♻ver & ♻ver. As a child, Moo-gang shows how brave, loyal & protective he is. It's no surprise he becomes a policeman. As the story progresses, we see those commendable qualities are continuously pumped into their consciousnesses. Their good ❤s mature as they mature. Moo-gang's mission is to investigate a tragedy that his family suffered: It will lift the lid on a cesspool of shocking corruption & other muck that seems almost too-2-too vast to neutralize. He has a monstrous task ahead of him.
Many viewers are tripped up by 🅱's deficiencies. Ha-ram is incredibly stupid to go after villain Wang Young-choon (WYC) herself, yet she does w/o communicating anything to the police. So irritating. While Go Ara was amazing at 🕞s, Ha-ram, unfortunately, spent most of the show in a rattled panic attack. Her heavy breathing while gasping out words was overdone by ep4. In addition, 🅱's timeline includes things that aren't possible. While 🅱 takes leaps that lead to logical ⚫holes, the director & 📝 still created a superbly crafted story. Avoiding spoilers prevents sharing of most techniques.
The series is powerful not only b/c the inspired script, but also its skillful construction. We are able to get our romance fix filled to the brim with SK's other offerings, so don't fret that this is not the romance you wanted. 🅱 is something much deeper. It is as thought provoking as it is a bit of a mindrape. Yes, on the pure romance scale, it's mundane. YET - 🅱 is one of the most romantic things EVER.
The stage is set early: 1st, by the name of the series (there's no mistaking what to expect) & also w/ the close-up of a skull as the post-prelude opening shot. They spread out a menagerie of subtleties, grey areas, circle backs (or spirals), as well as visual metaphors, cues, links, & juxtapositions. Like a shadowy blanket, irony covers 🅱. Almost /every/ line poin⬆s ↖somewhere↙or↘somewhen↗ else.
Meet Moo-gang, the cop who, ironically, can't l👀k at a body. He meets Ha-ram, the girl who sees t👀 many bodies. Watch for mℹsℹnformatℹon. Whenever 444, or anybody else, says: "That's n🅾ne of my business/That's has n🅾thing to do w/ me," it's probably n🅾t so. Don't assume that any assertion is correct. There is also irony of scale, or phrases that mean much more than what was 'intended'. "Do you know what I went through so that he could live⁉", queries 1 mother- Trust me, you have 🅾 idea.
🅱eat, 🅱eat, 🅱eat, 🅱 is a drumming debate over fate. Foreshadowing is 1 of its c♻nstant tenets. Cut to Ha-ram, who has a vision of Joon telling her: It's cold; she shouldn't sleep there. This dream will take the viewer below the surface. A 🦋 watch cycles in & out of the spotlight. It's an odd design for a man's ⌚, unless it's a symbol of a 🦋's passage to new life. Repeated w♻rds & c♻ncepts make a showing. In one scene the word "black" is used a dozen or so times within 3ish minutes, as if it was a behind-the-scenes dare.
🅱 mercilessly forces the 🔪 & bleeds out every bit of our ❤s. 444 is warned: Don't make eye contact w/ any person in love, or a horrible tragedy will befall you. Such c⚠utions are meant to be heeded. The filming has Ingmar-Bergmanish redolence of iconic bleakness in the scenes where Ha-ram & Moo-gang discuss what's occurred.
Then we have the H🔥T 🅱lack-🎱n-bl♠ck-💣n-Bl🅰ck shower scene, which is absolutely necessary to move the plot & not the least bit gratuitous, thank you very much. Perhaps I'm being a little gratuitous about that. 🤔Hmm. Anyway, it's a m👀d-lifter.
🅱 is icky at times. When police examine the murder scene of a stabbing victim, Det 444 handles the victim's intestines w/🅾 gloves. Then his lunch arrives▶ "Who the he‼ ordered food⁉", says one cop. 444 eats his dinner of intestine🥘, even the chunk that went in the goo and it is so over the T😱P. So far over. Good stuff. I have an appetite for more.
Strangely, there's lots of laughs. Humor lifts the pressure release valve, thankfully.🤧. Teaming the Joseon GR with a middle-school wannabe rapper is a new twist on The Odd Couple.
Ha-ram calls 444 loser. He calls his ex-partner loser. You'll have to watch to appreciate it. 🅱 gets nostalgic when he's separated from Ha-ram. He recalls every 🕞 Ha-ram kicked or clocked him, or cursed & yelled at him. He drops his head & says that he just wants to hear her voice. It's 🅱lack humor by 🅱, thus it's metaphorically funny too. The police squad is a whole fruit 🍰 of nut jobs. A couple seasons following them around would be full-on fun. Nothing's as special as a 1st💋kiss, right? Seeing a man go bug-out-🦇-crazy over the experience makes it even better. The scene is perfect.
While 444 & Ha-ram are just starting to circle r♻und eachother, she says she'll keep her 👀 on him & make her /own/ conclusion as to his character. He tells her to N🅾T keep her 👀 on him. But just #l👀k at him in that 🅱lack suit! What woman could keep her 👀 averted for long? 🅱 is, well, just adorable when he takes Ha-ram to his doctor to explain his odd behavior as due to the bullet in his head. His expression is priceless.
But for Ha-ram's shrillness, the acting is ✨. WYC, 1 of the bad guys, is used in some twisted ways that dovetail w/ his personality. Not only does he take a beating over the course of the show, but they generate some oddball laughs at his expense. 444 is pressing him for ℹnformatℹon, when WYC bellows: "I didn't kill your brother‼." Kudos to Woo Hyeon for the spot-on acting. He's deranged, but entirely credible. I believed him. Go Ara dispatched some serious acting skill in the last 5 potent minutes as she reviews the staggering entirety of her life. All the cast made the cut. 🅱 is a quality production on every level.
Most of the 'problems' are minor, except for a couple quagmires that remain a big ?mark. Just bypass all that, as 🅱 is colored like no others.
~MY 💔 HURTS~
〰🖍 IMHO
🎬10 🎭8 〰🖋9 💓7 🦋8 🤔10 🌞1 🎨8 🔚9
Age17+ extreme violence
👀📺again? ✅🔂 I'm upset because it hasn't been available for streaming. I went to put it on for family and, to my dismay, it wasn't to be found. I am waiting for it to return so I can get a team watch going.
⛔️SPOILER SECTION⛔️
💮 More humor:
The kiss hit him like a train, not a car. Who's to believe the scene where this totally scrumptious man is checking out guides on how to kiss, or smearing ice cream on his face hoping that Ha-ram will lick it off again?😅 Those b@$t@rd$ didn't even allow him to kiss her much! All that practice went to waste.
Luckily, 🅱 came up with a plan, b/c misfit squad was about to electrocute him! They only wanna help him regain his memory... Shades of Airplane, or Bugs Bunny, smh🤣.
💮 More romance:
Falling for Ha-ram is 🅱's trigger for change. It starts quickly. By ep6 he's already acting a tad jealous, though still one cold, heartless jerk. In one of his many deaths he says: "Why, when I was dying, did /that/ girl pop into my head? That's so annoying."
By ep15, he's thinking of Ha-ram 1st, and even Ha-ram's mother begged 🅱 to stay.. 🅱 decided to find Joon for Ha-ram's sake. In the end, he's selfless even when he's being selfish. He decides he 'deserves' to live a happy human life➡with Ha-ram. That is not the complete story, though. He wants a life with Ha-ram, in part, to protect her from ever finding out what happened. That is why destroying the laptop is a priority, even if it would have exposed the truth of his horrific death & lead to the justice for which he had strived. Knowing the details of that woeful night would eviscerate Ha-ram, and those details are on that laptop.
💮 More filmcraft:
💮 The 1st of the many devices the director used to craft this intricate work is constant foreshadowing: As it turns out, it's not entirely false that Ha-ram brings misfortune. Also, when Ha-ram screams at her stepfather, "How can someone die like that!?" Think: JOON.
💮 Visual cues are employed: After 007 talks about the mall collapse & all the kids that died, his head turns to 416.
💮 There's brilliant juxtaposition: Leo's filming a movie & 🅱 is on live-feed jumping from a moving car to latch onto the window of an also moving bus. It looks like Leo's been upstaged.
💮More irony:
Both 🅱 & Ha-ram comment on suicide early on. 444 refers to the grim reapers who had committed suicide as "these idiotic pathetic ones that used to be human." Who will commit "suicide" later?
Moo-gang & Ha-ram BOTH helped WYC, unwittingly
444 tells 007: "That woman will never be able to save anyone's life. I'll make sure..." Then HE saves multiple lives through his sacrifice.
20 yrs: Mad Dog says he's been making the same hangover soup for 20 years. That means he's needed hangover soup since he lost Clara. The camera pans from Clara dying to a label: "Handle with care."
Speaking of pushing the 🔪 in, heartbreaks are alluded to by the dozens, it seems. Most of the characters die in the course of the show, including Black's 7 deaths (+ the scene: Get out of Moo-gang's body! Now! Bang! Bang! Bang! Bang! Bang❗ is in addition to his other deaths).
The most difficult scene in the show is when 🅱 goes to visit his mother at the restaurant. She thanks him for figuring out who killed Joon. Then she tells him that she went to prison for Joon. Compare that to his adopted mother. "It's too unfair!," he laments. He's like every other "pathetic" dead person: Caught flat-lined.
💮 About the ending:
Ha-ram tells 🅱 that her life doesn't have to be fabulous, but she's going to live to be an old lady. She asked for it & he's listening.
The ultimate penalty is that his existence will be denied. No one will remember him. 🅱 still exists, so it's the memory of him, and likely his existence on earth, that is being revoked. In doing this, he takes on the alternate meaning of 444, and becomes a redeeming messianic figure. The messiah theme is reinforced by a verse in Revelation where it says: "I make all things new," which 444's sacrifice effectively does. As we said in the 90's: Be kind & rewind.
Ms Halon's insights are also worth noting here: Some cultures believe people die three times, the 3rd death being that no one remembers them anymore. "...by exposing the loophole and having #419 remember him for Ha-Ram, a third death did not occur because memories of Joon were preserved."
"What kind of ending is that? That poor GR!," laments Ha-ram.
When Black comes to retrieve her, she lies about having been "very happy." It's on her face. Ha-ram got exactly what she asked for. The fact that her soul emerged as the young Ha-ram signifies which life was the most important to her, per Ms Halon.
The worst logistical prob: How would a Reaperless Leo have known to prevent Ha-ram's father from getting in an accident?
Just bypass the issues, as 🅱 is colored like no other. This is really black.
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✒ ☕️ Just Desserts °6.5° °good°
This is a 2-episode follow-up to the show No Gain, No Love-7.4, which is a medium-low IQ romance made just-for-fun. NGNL is a pre-requisite to this show; there's no “getting it” without watching NGNL first. In SUOL, we dive into the plot of one of Bora's novels. They cut from the novel to the scene where she faints and Bok Gyu Hyun takes her to the hospital. When she wakes up, SHE'S inside of her script as the heroine. She looks great with the long black hair, BTW. This 2ndary couple's is FUN.Her novel's ML is based on her longtime friend (crush) Yeo HaJun, so that is who we see with the heroine in the opening scene. When Bora wakes up, she is inside her FL and the ML is not HaJun - it's that loathsome hate-commenter! They are still enemies at this point in the story. I'm becoming a fan of actor, Lee Sang Yi, and it has nothing to do with looks. He sings for the soundtrack too.
Awesome special effects augment one scene. She's in a bus and is startled to see him on a billboard. His billboard image comes to life and starts talking. It even breaks the 2D plane and leans down towards her, coffee in hand. Later, he flies through the air and catches her when she's in danger, in another scene. When they land, it's with enough force to crumple the pavement. That whole scene is right out of Chinese fantasy, which is arguably the best fantasy entertainment in the world. In fact, the plot is not unlike the absolutely marvelous The Romance of Tiger and Rose-9.8, where the writer falls into her script. In TROTAR, the FL is transferred into a character that gets whacked in ep3, so she must scramble to save her life and then complete the plot so that she can go home. Every move she makes creates a ripple effect, though, and her villain isn't as villainous as she wrote him. In fact he's…. Ha! Just watch the show.
In TROTAR, the FL maintains her autonomy. In SUOL the FL has bouts where she must engage in the plot (one steamy encounter after another), despite her desperate desire to not do so. She LOATHES The ML. Yet she can't push his lips away from hers. And she doesn't loathe what's going on completely. She's fighting against herself.
It's a bit of afterglow fluff. It could have been better, but it's 2 fun little episodes. If you like the main dish, NGNL, there's no reason you won't enjoy dessert.
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There are no accidents ~⚠️~ The Romance Of Turning Red Lights Green. °6.5° °Good°
On many levels, this is a wee bit Hallmarkish and possibly goofy, but it does touch on some difficult issues as well.So often, what others imagine is way worse than the truth. MSB is a reminder that if we aren't honest about our vulnerabilities people will fill in the blanks with some of their darkest thoughts. It's a worthy message.
FL, Ms Chae Ro-won(CRW) and ML, Mr. Eun Hwan-gi(EHG), though completely opposite personalities, are each isolated by broken down families. EHG's father is coldly domineering. EHG and his sister are always grasping for cover to cloak their scars from an unfriendly, unfair, and unfamiliar world. Unfortunately, they end up hiding, which feeds their entrenched isolation. CRW lives in a dead home. Her family died when her sister, Ji-hye (Han Chae Ah from The Bridal Mask), committed suicide.
CRW has always been suspicious about what led to her sister's death 3 years prior. Brain PR, her sister's employer, is hiding the truth behind it. She's #certain. All the signs point directly at Ji-hye's immediate boss, EHG. So CRW, determined to expose the truth and get justice for her sister, obtains a position at the company.
Brain PR was started by said domineering dad, Eun Book-dong (Kim Eung Soo from Because This Is My First Life-7.7). Mr. Eun had stepped down and passed leadership of the company to EHG and Kang Wu-il, his future son i/l, so that he could pursue poli⬆ical📶goals. Mr. Kang and EHG have been friends since childhood. Kang is polished and a veritable savant at making dramatically successful presentations. EHG is shy to the point that it's a debilitating disorder.
While EHG knows the names, details, strengths and weaknesses of every BPR employee, and while he would like to forge relationships with them, his employees only see a privileged rich kid when they look at him. They take quietness for condescension, and averted 👀 for disdain. Most employees are terrified of him. The resplendent Mr. Kang is the leader that they want.
Enter The Can-Opener: Ms Chae. If anything, this singer/actress is too headstrong. She infiltrates Brain PR and rips the lid off, allowing light and air in. Such is the premise. The execution is not bad. Their goal, obviously, was to make a cute r💓mance: Nothing more, nothing less. They succeeded. In typical Kdrama fashion, two people are introduced to viewers that are extremes of themselves. Ms Chae is obnoxiously uber aggressive in the first couple episodes, and young Mr. Eun is agonizingly and exasperatingly recoiled within himself. He is terrified of human interaction.
Some things they do well are the likable characters, the fun PR projects they take on, and an above average first kiss. The actors are amazing at displaying character changes via physical manifestations. Some stand up straighter and become more attractive as they grow, as others start to slouch over with drooped, pale faces from guilt weighing them down. Director, Song Hyun Wook, has gifted us with The King's Affection-8.3, Another Miss Oh-7.5, & the popular The Beauty Inside, but he's also responsible for the underwhelming Revolutionary Love-5.7. He seems to be taking 2 steps forward and a step or half-step back in his career - he's growing. The King's Affection is a masterpiece. Actor Yeon Woo Jin (Queen for Seven Days) is our painfully shy boss who gradually finds courage once he's forced open by the electric actress and magnificent singer, Park Hye Soo (Saimdang, Light’s Diary-8.5). Gong Seung Yeon (Flower Crew: Joseon Marriage Agency-7.4 & the marvelous, outrageously funny My Only Love Song-8.7) displays fragility in MSB as EHG's sister, while Yoon Park (What Happens to My Family?) as Kang, her fiance, begins the show as if he's conquered the world - until things don't go his way. The whole cast is excellent, and the acting is one of the show's strengths.
At other times, there's sloppiness, odd plot points and a bit of wandering around that felt like padding. Ep16 is strange. The last scene was satisfying, but there were many things that didn't happen that might have taken the viewers to deeper insights. MSB chose to remain in the shallows. That isn't the worst criticism. Entertainment should challenge us at times, but other times we need to veg.
Lovers of r💓mance are likely to enjoy taking a mental break at Brain PR, but if 💓 is not your genre, close the door and apply elsewhere.
Quote:
Being under the impression that you know everything is dangerous.
〰🖍 IMHO
🎬7 🤔5 🎭7 💓7 🦋5 😅6 🎨7 🔚3
Age 13+
👀📺again? ⛔
Originally 〰️🖊 10/2021
Other shows that are good viewing for younger audiences are:
9+Trollhunters-9.5 (slightly scary. Worst language is “butt snack”)
10+ C🇨🇳 Accidentally in Love-6.5 B-level scripting, acting, and directing, but still fun/strangely relaxing to watch,
Holes-8,
Howl's Moving Castle-8.9,
K🇰🇷 A Love So Beautiful-7,
My Dog Skip-8,
K🇰🇷 Part Time Idol-5.5 (suicide addressed),
Paulie-7.4,
Saiki-8,
K🇰🇷Spark-6.4,
K🇰🇷 Strongest Delivery Man-6.6
11+ Belle-8.5,
K🇰🇷 Flower Boy Next Door-7,
Girls Und Panzer-8.1 (1 each d@mn, he!!),
Labyrinth-7,
C🇨🇳 A Little Thing Called First Love-8.5,
Love Chunibyo And Other Delusions-8.4,
K🇰🇷 The Miracle-7.7,
One Piece-7.5 there is scattered PG-13 language,
Watership Down-8.5
12+ K🇰🇷 99 Days With the Superstar-7,
Colourcloud Palace-8,
Farming Life in Another World-7.7,
Goonies-8,
Here Comes Miss Modern-7.8,
Hotel del Luna 8.4,
1995 Jumanji-9,
K🇰🇷 My ID is Gangnam Beauty-7.5 ,
C🇨🇳 Love Between Fairy & Devil-8.9,
Piano In The Forest l-8,
K🇰🇷 So I Married My Anti-fan-6.8,
Your Lie In April-9
13+ K🇰🇷 Boys Over Flowers-8.3 ~ melodrama to the max;
K🇰🇷Cinderella and the 4 Knights-5.6,
K🇰🇷 Heirs-7.3,
K🇰🇷 My Shy Boss-6.5,
K🇰🇷 Playful kiss-7.3,
Princess Resurrection-7.6,
Senryu Girl-7.5,
Special A Class-8.2
14+ My Runway-7.5
Princess Principal-8.6,
Toradora-8.5,
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✒⛩️ Phooey on FuYa °4.9° °a real downer°
🎑The princess is to be beheaded. For Pan Yu (FuYa), it's just a Tuesday. She's always under threat of death for one reason or another.TGIC is a 2011 release consisting of 44 45-minute episodes. And it can be pretty rough, at times. The show never grabbed me and it gradually got worse and worse. By the time I was halfway through I had lost interest, almost entirely. I let the episodes continue to play to keep up with the plotline, but I couldn't bring myself to watch attentively. I opted to let it drone on in the background while I was doing other things. The more I kept up with the plot, the more I started to hate the show. For reference point, I love the following titles:
Overlord 8.4,
Under the Power 8.6,
The Rebel Princess 9.1,
The Sword and the Brocade 8.6 (in ancient Chinese opera style),
Ruyi's Royal love in the palace episodes 1 - 49. I abandoned the show at that point because I found out what was coming and I didn't feel like dealing with 30 episodes of steadily encroaching heartbreak. If one stops at episode 49 there's a happy ending and it's sort of perfect.
The Rise of Phoenixes 9,
The Romance of Tiger and Rose 9.8;
The Sleepless Princess 9.1.
Except for the last two entries, which contain fantasy elements, those titles aren't fantasy, and I like Chinese fantasy shows even /more/. I also liked Legend of the Two Sisters in Chaos-7.7, though the ending is bittersweet. While I wasn't able to finish it before it left Netflix, I started Foresighted Liu Bo Wen, which is dated and less sophisticated than what China is putting out
now. I liked it. But I loathe this show.
Ruby Lin (The Victims' Game, Three Kingdoms) plays Ma Fu Ya / Pan Yu / Lady Yuan. She's the princess of Chu. Her uncle usurped the throne and murdered her father - in front of her eyes. Yan Yi Kuan (Burning Flames, Ensanguined Youth) Meng Qi You / Crown Prince of Shu. FuYa runs to Shu and becomes embroiled in the court there. Wallace Huo (Ruyi's Royal Love in the Palace, Battle of Changsha, Suddenly Seventeen) is Liu Lian Cheng, prince of Han. He falls hard for FuYa when they meet while both on the run - I like him way more than the ML. The 3 Kingdoms are in heightened tensions, and FuYa is right in the thick of it.
Meanwhile, back at the palace, Jennifer Hung (Dear Mom,The On1y One) plays Ma Xiang Yun who can't get a break. She's FuYa's cousin, her dad is the new emperor of Chu, she's pretty and talented, but no man will look at her with FuYa around. They must be able to sense how rotten she is - to the core. My favorite character happens to be FuYa's eunuch. He's fabulous. Miao Hao Jun (Are You the One, Douluo Continent-9.1, Stories of the Tourist Agency) plays Hua Zi Qiao. FuYa just calls him “grandpa”. The director is Lin Feng of Crouching Tiger, Hidden Dragon, Three Kingdoms, and Sai Shang Feng Yun Ji, so he's capable. Everyone has an off project every mow and then. The screenwriters are Shao Si Han (Singing All Along, Swords of Legends), and Shao Xiao Yi, who in addition to collaborating on those two works, also scripted Noble Aspirations.
The theme is that it's lonely (and thoroughly deadly) at the top. Don't get attached to many characters because not many will survive.
As I started watching TGIC I was wondering if the ratings were too harsh. It gets off to a strong start despite having an aged feel. Midshow, I started to get it. The show keeps circling the same drains with too much back and forth revisiting the same old retread. It isn't awful (maybe it is, north of episode30), it just never launches off of the ground and soars.
By the time the episode count reached around 30, I hit a roadblock. I didn't like FuYa's romantic choices. She was getting on my nerves a little bit. I found the ML unlikable. His nasally voice was getting on my nerves. The overwhelming number b!+che$ snapping at them was getting on my nerves ~ the show has an over-abundance of mean girls. I got into a cycle of trying to pay attention and then inadvertently starting to do other things. The other shows I was watching on the same days did hold my gaze - including some pretty brainless romances. A brainless romance can still stir the heart. TGIC only stirs up an overload of bile. I recommend you skip it.
〰🖍 IMHO
📣5 📝4 🎭7 💓3 🦋4 🎨6 🎵/🔊6 🔚4 🤗0 ▪ 🌞4⚡4 😅1 😭7 😱3 😯4.5 🤢3 🤔4 💤5
Age 14+ Violence, mild references to rape and prostitution
Language: d@mn, $h!+, he!! - but not very much.
Re-📺? With the benefit of the foreknowledge I now have, I wouldn't opt to watch it for the first time.
In order of ~lite & trite~ to ~heavy & serious~ you may also like:
💓 -
C🇨🇳:
A Little Thing Called First Love 8.5;
Find Yourself 8.9;
The Romance of Tiger and Rose 9.8;
The Sleepless Princess 9.1;
Wait, My Youth-8.4
Romance junkies only: Accidentally in Love-6.5 ‘18 B-level scripting, acting, and directing, but still fun/strangely relaxing to watch,
Well-Intended Love-7.5 Rom-porn - extra points for the dopamine but many object to an outrageous stunt the ML pulls,
When I Fly Towards You-7.8,
You are my destiny-6.8 cute and sweet and 1/2 padding,
Meteor Garden-7.4 - 70% flowing 30% dragging and BOF is better,
Hidden Love-7.8
🎎 -
K🇰🇷:
My Only Love Song 8.7 excellent comedy;
Mr. Queen 8.5;
My Sassy Girl 8.5;
The King's Affection 8.3;
Mr. Sunshine 9
🔮🐉-
C🇨🇳: Love Between Fairy & Devil 8.9;
Douluo Continent 9.4;
Handsome Siblings 8.7;
The Princes Royal
Ancient Love Poetry 8.6;
Love and Redemption 10
⚡/😱 -
C🇨🇳: Heavenly Sword and Dragon Slaying Saber 9-Kung-fu!;
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✒ Vengeance is Theirs ♨️ Serve it Hot °8.1° °excellent°
“Hey, hold on a second..." Chan-mi's brother paused their conversation. She hears some shuffling and then the phone goes dead. She never talked to him again. The police ruled it a suicide. She knows that isn't what happened - and her brother's phone is missing.She decides to transfer to his school for senior year to find out who the killer is. She's a competitive marksman, and she's able to transfer to the school shooting club. She rents a room in Seoul and buys a used scooter.
Soo "Heon" is a HS student and sometimes boxer. What he doesn't know is that he has a brain tumor - it's bad, it's inoperable, and it might cause personality changes. His scooter's been stolen and it's already up for sale. When he gets to the location, there's a girl about to ride away. That's how they meet.
RoO is a 2022 release that is rated 90 on AWiki. It is 1 season consisting of 12 60-minute episodes. I go into these shows cold with no intel; the rating is the only tip (I'm not yet ready to invest my time in something rated under a "6" - I'm late to the Asian programming game and I've got too many top tier titles to catch up on). That leaves me in a state of being open to /actively wanting to/ love it, but wary of disappointment. As RoO went on, I appreciated it more and more. It is ROUGH by Kcountry (or any other) standards. Ep9 stressed me out. It gradually became evident that this is an excellent drama, mystery, and thriller - with an above average romance tossed into the mix. RoO holds its own in the first half and then starts to get quite good in ep7. It is violent. Vicious. And intensely gripping.
Shin Ye Eun (Jeongnyeon: The Star Is Born, More Than Friends-8) plays Ok Chan-mi. She grew up in an orphanage. Her twin brother was adopted around the age of 8, but they've kept up their relationship via the phone for years now. She isn't going to let his death go unanswered. The almost pretty but quite manly Lomon (All of Us Are Dead) portrays ML Heon. He's gotta be a good guy; he's good to cats. Seo Ji Hoon (Flower Crew: Joseon Marriage Agency-7.4, Begins Youth, Solomon's Perjury) portrays Seok Jae Beom, the student who lost his memories because of an accident that he had the year before. He's the son of a chaebol. His mother is overly worried about him and he has a mysterious tormentor.
Chae Sang Woo (The Nokdu Flower) plays Gi Oh Sung, an entitled, condescending jerk who never lifts up the lives of anyone around him. He brings everyone down. Lee Soo Min (Twinkling Watermelon) is Kook Ji Hyun, the female version of Gi Oh Sung. She might even be worse. Jung Soo Bin (Rookie Cops, It's Okay!) Is the erotically white-haired Tae So Yeon who is devoted to Heon because he rescued her from savage bullies. The screenwriter is Lee Hee Myung (Rooftop Prince) and the director is Kim Yoo Jin (Dog Knows Everything). I haven't seen their other works but Ima check 'em out now. As for the music, You And I, by Ha Geun Yeong, is VG. Every element of RoO shines: Acting, directing, art, camera work, writing... RoO is a talent showcase. It hits all its targets.
Chan-mi brother's adopted parents had changed his name, so no one knows she's his sister. She has to walk a fine line between acting merely curious while keeping her relationship with the deceased a secret, lest she get fed lies and become a target herself. She starts asking around, but the answers she gets are far from what she expected. Her encounters with the adopted parents reveal people of the worst self-righteous sort. After reports of her brother's bullying make their way back to Chan-mi, she has to wonder if these people who raised her brother actually ruined him? Chan-mi also discovers that her brother had a secret he did not want others to know, especially in Kcountry.
As she continues to investigate, it stirs up trouble, and she is attacked. Circumstances keep Chan-mi and Heon running into eachother. He helps her, and she returns the favor with a bigger favor. Before long, they have an alliance, of sorts. Chan-mi doesn't reveal her identity or purpose, though, especially since things seem to point to Heon as a possible suspect. There's clearly attraction between the two of them. Chan-mi's turmoil is visceral.
Revenge is the theme. There are multiple parties seeking revenge, even when they have no justification for it. Justice is always proper, but revenge can destroy the one who seeks it. Often there is a fine line - some bleeding over. Everyone wants revenge, but sometimes people take revenge against an innocent party: Chan-mi is on the brink of making some dubious decisions and horrible mistakes. In the meantime, the show features a minor who stabbed a girl brutally because she wouldn't date him. He had no fear because he's a minor, and Kcountry's laws are soft on the under-aged. A couple of students decide to fill the gaps left by the law and administer revenge... eh, justice ~> Harsh justice. Chan-mi is not the only character in RoO with a score to settle. It gets very tangled: Teachers, bullies, victims, police, siblings, crushes, plots, connected parents, political parents, the wealthiest parents, /gangsters/ and so many kids trying to cope.
At one point, one of the gang is thrown into a van and driven off by bad guys. They decide to wait until the morning to tell the police, which makes no sense. This person is an imminent danger. The way it played out is exciting, so we can forgive them, right? In the end, when the killer is revealed, it is a touch underwhelming, but it is good enough... ✋Hold on! I wrote that too soon. That's just the /beginning/ of the end. The very end is very, very good! So stick with it.
RoO delves into the fact that we trust the police and government less and less in modern society. Ask someone under 25. The entire student body enters into a tacit agreement as RoO closes. They won't be talking to the cops. The bigger the group, the more likely there will be a weasel who spoils it for love of attention. So, the viewer is asked to accept a premise that would be extraordinary IRL. You'll have to watch to know what I mean. If one can roll with it, the emotional satisfaction is the reward. For the most part, RoO deftly manages impressive twists and turns. I'm not saying that no one can figure them out (I, myself, happen to be terrible at that😞). The writing is simply very skillful and brilliantly executed. RoO is a top-notch thriller, all-around. Get it while it's hot!
〰🖍 IMHO
📣8.5 📝8 🎭8.7 💓6.6 🦋5 🎨6.7 🎵/🔊7.5 🔚9 🤗5.2 ▪ 🌞4⚡6.3 😅2 😭5 😱3.3 😯5 🤢7 🤔5 💤0
Age 16+
Language: R-rated - $h!+, b@$+@rd, F💣s; This is surprisingly violent for a Kdrama. Sexual assault alluded to and other adult topics. Rated TV-MA: Mature Audience Only.
Re-📺? Would
In order of ~lite&trite~ to ~heavy&serious~ you may also like:
Modern Day -
Crazy Love-7.8,
A Witch's Love 7.8,
Love to Hate You 8.9,
Her Private Life 8,
Touch your heart 8.2,
Crash Landing On You 9.1,
Oh My Ghost 10,
It's Okay Not To Be Okay 9,
Love Struck in the City 7.3,
Be Melodramatic-8.7,
Why Her?-8,
Misaeng-9.1,
More Than Friends-8,
Hospital Playlist 9,
Cheese in the Trap-7.7,
My Mister 9.5,
I'll See You When the Weather is Fine 9
Wonderful World-7.8
🎎 -
My Only Love Song 8.7 ~ excellent comedy,
Mr. Queen 8.5,
My Sassy Girl 8.5,
Saimdang 8.5,
The King's Affection 8.3,
Mr. Sunshine 9
⚡/🚀 -
Flex X Cop-8.5,
Glitch-8,
The Golden Spoon-8.1,
Inspector Koo-8.4,
Law School -8,
K2 8,
Private Lives 8.1,
Uncanny counter season-1 only °S1-8.4 S2-4,
When the Camellia Blooms-8,
Sisyphus 8,
Tunnel 8.5,
Signal 8.6, Blood Free-8.5,
Mine-8,
D. P.-8.4,
Parasite-9
The Cursed 8.3,
Flower of Evil 8.9,
Mother-8.8
The Man from Nowhere 8.9,
Black 9,
Squid Game 8.4,
Kingdom 8.3,
Sweet Home 8.4
Romance junkies only -
My Secret Romance-7 (if you ff thru overdone flashbacks),
Boys Over Flowers-8 ~ melodrama to the max,
The Bride of Habaek-7,
Heirs-7.3,
That Winter, The Wind Blows-7,
Something in them Rain-9,
C🇨🇳: Well-Intended Love-7.5 Rom-porn - extra points for the dopamine,
When I Fly Towards You-7.8,
Wait, My Youth-8.4,
A Little Thing Called First Love-8.5,
Find Yourself-8.9, Hidden Love-7.8
Consider a Chinese 🎎/🔮 romcom: The Romance of Tiger and Rose 9.8, Love Between Fairy and Devil 8.9, Love and Redemption 10 or Japanese romcoms: Maid Sama 10, Mischievous Kiss Love in Tokyo 7.8, Love, Chunibyo And Other Delusions 8.4, or Toradora 8.5.
Originally 〰️🖋 12/2024
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✒ ⛓Dynasty Meets Hitchcock @ Girl Power Hour⛓ °8.1° °excellent°
Ⓜ is about one of the poshest prisons on earth - A chairman's compound, eh… home. This is a family shackled by the proverbial golden handcuffs. If we scrape off the gilded trappings, it reveals that this family's hearts are what's shackled.Is this not for everyone? Sure.
Is it well done? Absolutely.
Ⓜ was skillfully crafted. If one can watch until the end, the message is powerful. Truly outstanding craftsmanship went into this series. Everything in Ⓜ is deliberate & methodical work. The pace augments the slow burn effect. The soundtrack portends doom. The dialogue and acting sustain the tension. While Ⓜ's not exactly subtle, it appears to be designed that way. The truth is in front of everyone. It's not running away - It's escaping them, because they refuse to see it. It's not subtle. It bludgeons the audience. Ⓜ is a slow burn style show with a weighty feel to it.
The quest for more and more elusive power may leave one's soul powerLESS. Trapped. Snared. Hooked. Captured. That's the feel. Love, or the lack of it, is the true power in Ⓜ. We see the power of love is snuffed out by pride, and nearly every person in Ⓜ is damaged over the want of love. Jin-ho and Jin-hee were marred by a dearth of affection & (emotional) support because their parents are thoroughly self-centered. However, even /they/ were provided with more (emotionally) than Ji-yoon.
Metaphors, both visual and verbal, are utilized to add layers of depth. One character has a literal and metaphoric wake up. This person, though late to do so, makes an effort to encourage those around h/h to alter their destructive courses & improve themselves. Han Soo-hyuk's heart sweater represents his character. Kang's visual signals and wardrobe change as she adapts to the situation. Mother is always eating meat, always consuming.
Cadenza and Rubato are metaphors. Neither is a beautiful mansion. Cadenza is institutional, like an asylum. There is imagery of bars and cells everywhere. The beautiful painting at the top of the stairs features black, sturdy looking columns that aren't as strong as they first appear, vaporizing into the persistent wind. There are narrow hallways with ceilings that look like they reach the sky. Cheerless, they look like big inescapable cubes. Another hallway even has painted bars on the walls. Many of Rubato and Cadenza's rooms and hallways look like segments or cells lined up. That, again, brings to mind prisons and mental words. Could this represent compartmentalization? The focus constantly drifts back to the stairs in the foyer. Kim Yu-yeon is always polishing that stair railing.
CADENZA: The main house, Cadenza, is a major player. It's more than a metaphor: Cadenza is a character in the show. Its feel is creepy & imposing, which reflects its denizens. Remember what the one detective says about it? "The house wasn't that great. It was big, but drafty." (ie. cold, chilly winds & devoid of warmth). It's institutional, with the repeating imagery reflecting confinement. Hi-soo refers to escaping it as if it's an asylum, or prison. The focus constantly drifts back to the stairs. The staircase is an open mouth-when looking straight on, and the observer is INSIDE of the mouth. The stairs are the teeth. The bunker has the arches and segments in separated sections, almost as if they are RIBS. We've been consumed. They think they are consumers, but they are being consumed. Are they inside a beast? If they are, the big window in Seo's office is its eye. The inside pattern is an eye, or perhaps, an eye in a spider web. The window clearly is a metaphor as the occupant of that office is the all-seeing eye of the family and the compound.
The director/writer consistently uses repetition to hammer a point and build tension. “MINE” “MINE” “MINE” Is ubiquitous in the series. One of the characters says: "I've never had a thing that was truly mine. Now, everything is mine," exposing replete self-deception. As Mother Emma will point out, we are all deluded about what we consider to be "mine." In high irony, "I feel sorry for them," is said twice or thrice. Jin-ho being the first to voice that sentiment. He adds: "Everyone in the family is lonely." They've abandoned contentment for an illusion. They are blind to their own "stuff," shredding their hearts as they plunge to meet their own hard truths. Yet, they still try to enforce their way of life on Soo-hyuk.
Foreshadowing is prevalent. There's a heavy, weighty feel to Ⓜ w/ a sense of impending doom. “Lie,” “spy,” “die,” is how they fly. Everyone has secrets. They spy to get fuel for their designs. They blackmail and threaten as easily as they breathe.
Arrogance infects all interactions. Ji-yoon is “chairdad‘s” illegitimate child, who was brought home to be raised along with his half-siblings. Ji-yoon tells his son, Ha-joon, that 'God always takes something from special people like us." His declaration that he's special may be coming from a place of pain. He was not made to feel special or loved, growing up, so he's grasping at anything that will feed his starving self-image.
The humor - it's funny at times. Nobody's funnier than clueless mother and her kids. She says stuff like: "Nobody's more stressed out than I am." (Tsk tsk!). Mother Emma is held up as a comparison to the family. She's the one that's truly living a fulfilling life.
Ⓜ echoes the excellent movie, Gosford Park. A predecessor to Downtown Abbey, there is not one scene where the servants are not present. They play their whole torrid lives out in front of the servants without hardly noticing anyone is there. Another character starts to channel an inner Rev Dimmesdale from The Scarlet Letter. This person becomes consumed with anxiety and guilt over the situation. These last few episodes are downright Hitchcockian, with Hi-soo as a Grace Kelly type (if Grace Kelly could flip a switch and dress a person down with Oscar-worthy verve). It's not perfect. Toward the end, they made one of the 'baddies' too easy to kill. The person was being too honest about h/h intentions, which wasn't realistic. No doubt some viewers will think it's too heavy handed. I'm of the opinion that it all works together well.
The narrator says in the intro that "she" caused the caste system at Cadenza to collapse. Wouldn't you like to know who that is? Is it, perhaps, a generic "she?" Ep16 is entitled: "Glorious WOMEN." We see some satisfying "girl power" moments in the last episode. I hope that some of this will help to underscore what is going on beneath the surface. I wasn't dying to watch it, but I think I'll probably drop in for another visit sometime.
Quote🗣:
"Think about what's truly yours. {She lists a bunch of possessions and points out that everything they own will be passed on to someone else, so things aren't truly yours.} The things you've said, the things you've done, and the values that you strived to keep throughout your life, or what you'll bring with you when you die. Let's drive to find what's truly ours during our time in this world. ~Mother Emma~
⛔️ SPOILER SECTION ⛔️
The following is an addendum to my non-spoiler review, expanding on the skillful work that went into this production. Ⓜ shows what happens when a family is trapped in despair for a long time. Sometimes death is the only escape.
Trapped; Snared; Hooked; Captured➡ That's the feel. The quest for more & more elusive power may leave one's soul powerLESS, we see. The power of love starts to shake the shackles. None of the feckless men in the family were permitted to marry whom they loved. This created a schism that allowed despair to creep in. The fallout is mistresses, illegitimacy, isolation & family succumbing to the cold draft. Jin-ho+Jin-hee is exhibit #1, while Soo-hyuk is the first man to break the cycle - This kid's fallen for the new maid, Yu-yeon, & he intends to treat her right.
Repetition: Kang tells Ji-yoon that he makes her skin crawl. Next, Hi-soo says the whole family makes her skin crawl. It's a small link between the two & an early sign that they are starting to think alike. Does almost everyone in the show lose what {they believe} is theirs? The words “kill,” “murder,” & “dead” are constantly mentioned. This group isn't a family: They are a death cult with corrupted beliefs. Womb & Tomb - Twice, a family member asks someone to murder a relative. Ji-yoon, Kang, and His-soo all make actual death threats. Hi-soo has the miscarriage, underscoring her now moribund connection to the family. The repetition supports the pound-pound-pound of the soundtrack.
Foreshadowing: Ⓜ has a heavy, suffocating feel to it w/ a sense of impending disaster. Seo-hyun even tells Ji-yoon to be quiet as the "dead." He replies that she should be scared of him, and if she keeps provoking him, he's not sure what he'll do. He's looking more and more like a sociopath. “Plunge,” "Fall,” & “Descent” are all concepts explored in the show, both verbally and visually. Soo-hyuk sees it all for what it is. The ominous soundtrack thrums MINE MINE MINE: Doomsday is roiled and on the move, hunting. Dread builds.
Bitter Regrets: Regret dashes the family to pieces. Everyone is affected except Soo-hyuk, who had donned a breathing mask to shield himself from their toxins. Mother, who seemed the most callous, is the most sincere in expressing regret. Ji-yoon's death arrests her focus. It rankles her. Father's overtures toward his family, after waking up, show he regrets his previous actions - cut to him mourning Ji-yoon as the son of the woman he truly loved. Their refusal to allow love into their lives left them rotting from the core out.
The legitimate kids, Jin-ho & Jin-hee, win the contest for whom I want to party with out of this group. Jin-hee will make it a night to remember (bring bail $), and frankly, Jin-ho could benefit from a little fun. Jin-ho is the most honest. He is too weak to do something about the prison he's in, so he self-medicates & droops. He never gets what he needs. He freely admits he's lonely. Jin-hee's story is great amusement. She is pure Rage-Against-The-Machine, most of the show. By the time of the hospital scene, I was exclaiming: "Jin-hee, girl! You've grown!" 😁 Ok, it fell apart later😕. She manages to at least delay her tantrum. She's 100% solid in her demands for penance. Baby steps👍🏽.
Metaphors: They're plotted throughout the series. 🐣Free No-deok!!! No-deok, the peacock, is a living metaphor. /His/ cage is near the center of the compound. Residents (other inmates) circle round this resplendent detainee but draw no inferences pertaining to themselves. No-deok comes back, accepting his defeat: Mother had hobbled No-deok, just as she & Father hobbled their kids. Oma changes after Ji-yoon's death. (Ji-yoon is the mistress's kid. Chairdad brought him home long ago. He's married to moviestar Hi-soo & their son is Ha-joon, but Kang is Ha-joon's birth-mother. In ep1, while in disguise, Kang is hired as the governess). Mom sees that No-deok has a stray chick in his cage, so she asks if he'll raise somebody else's baby? If he will, she tells him to "DO IT RIGHT!"
Stuck: If No-deok is the metaphor#1, the painting called The Narrow Gate is #2. An 🐘 has his trunk and half of his head through the gate, but he's stuck & in tears. The gate is too narrow. He can't pass. Jung Seo-hyun asks the autistic artist to demonstrate how the 🐘 could get past the gate, & it leads to an epiphany. The artist returns, accompanied by his mother. He trotts the 🐘 behind the gate, past the wall line and to the outside. The 🐘 didn't realize there was NO wall! He had never been stuck, he had just /believed/ he was. It's the jolt that helps JSH strip her life down to the simplest construct: She had over complicated things. In front of her is a special needs child with his mother. They have respect, trust, & love for e/o. She doesn't have /everything/. She's not even close.
Hi-soo is always eating 🍎. Is she Eve? Ji-yoon is the 🐍. *A* snake, rather. He's not the only one. The whole compound is a snake pit.
Kang: Visuals such as wardrobe, and transformation are her thread that's woven into the tapestry. In the early episodes her dress is lean & long, with a high neck: She has her armor on. The other notable outfit Kang wore was in ep8, when she did her harbinger-of-death thing. Her wardrobe gradually loosens over time. By ep14, Kang's in a relaxed dress, her face has softened, and she has a peaceful look in her eyes. Her transformation is complete. She's drained out the poison with the help of His-soo and Ha-joon. She's a human being now.
As things unravel - Ji-yoon says he was alone and hurt b/c he was powerless. He obtains what he sees as power, but he ends up more alone than ever. Mother acts like the grandmother in Flannery O'Connor's 'A Good Man Is Hard To Find.' ➡Sincere for the 1st time ever, she is truly broken up over Ji-yoon's death. She can't eat.
She. Can't. Eat.
She was consuming something in nearly every scene up until then. She offers her dinner to Mrs Joo as "Chef Jung worked hard to prepare it." She was both generous & thoughtful in one sentence. It's so absurdly out of character; it seems like a dream sequence. After Ji-yoon goes over the railing to his final reconciliation, they all agree that Ha-joon is part of the family, it proves they have made progress. They chose openness over exclusivity. They chose generosity over greed, and they chose love over hate.
RUBATO: The 2nd house is much like the big-house. Ji-yoon's office & the upstairs hallway look like lined-up cells. Compartmentalization? To see Yu-yeon moving into Rubato is unsettling. I'd feel better for her if she had said she's going to remodel. She discharges the maid; she notices the servants. Here's hoping the message is that they must be vigilant to keep the poison out. She's definitely intending to protect what's hers. Another message could be that she's Seo-hyun's disciple.
The last few episodes are Hitchcockian. Hi-soo is even in the rocking chair, looking like Grace Kelly, but echoing Norman Bates mother. In the end, Ⓜ is a total Girl-Power show. Ep16 is entitled: "Glorious WOMEN." Even Mother and Jin-hee make significant improvements by the close. Jin-hee is going to be just fine. The narrator says in the intro that "she" caused the caste system at Cadenza to collapse. As the camera is on Kang, the viewer might think it was just Kang that did this. While Kang certainly pulled her weight, the "she' in that statement is a generic, or collective she:
~ Hi-soo challenges the structure throughout the series. She's also the one that rescued Kim Yu-yeon, brought her to the house, and encouraged Kim Yu-yeon and Soo-hyuk's relationship.
~ Kim Yu-yeon also challenged and prevailed over the caste structure at the compound. She rescued the next generation without compromising who she is.
~ We have as happy an ending as we could wish for: Jung Seo-hyun becomes queen. A good queen. Long may she reign.
🐘Add It Up: Power+Dour+Sour × Cage+Rage+Wage × Hate+Weight+Bait × Profligate+Manipulate+Tribulate × Thrill+Will+Kill × Pride+Lied+Snide -Cried -Collide ÷ Died. Hopefully, now they can thrive.
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✒⏳The Long Game ↪️↔️↩️ 2 May Enter ↩️↔️↪️ 1 Leaves ⌛8.5,Excellent
Tunnel is a show about Police Detective, Park Gwang-ho/GHO (Choi Jin-Hyuk from The Heirs-7.3 & Mr. Queen-8.5) who has 10 years on the force in the violent crimes unit in the year 1986.GHO is an old school seasoned detective. His well developed instincts enable him to think like the criminals and anticipate their next move. Beating up suspects? It's a given. Fists fly frequently. He is, at times, the very definition of a misogynist, but he is also loving and utterly devoted to his wife. He's a good guy. He's just a little boorish.
He's currently mentoring Sung-sik (Jo Hee-Bong from My Sassy Girl-8.5) who dreams of being the chief one day, but has quite a distance to cover prior to merely reaching competence as a detective. They investigate a string of murders that appear to be by the same perpetrator. In 1986, though, profiling wasn't developed yet. Serial killers had not been studied sufficiently enough to be helpful with the investigation, either. GHO is deeply frustrated as the investigation is dragging with no leads. He decides to revisit the crime scenes near the times of the corresponding deaths. The first stop is The Tunnel. GHO immediately notices a suspicious character and commences chase. He exits the tunnel 30 years in the future.
At first, he doesn't know he's in the future. It's dark. He has a headache. He's frustrated. He's focusing on how he failed to catch the suspect (Where did that guy disappear to?). He returns to the station. It looks different inside, but all he notices is a stranger in his area. They argue, each claims to be a cop. GHO doesn't want to hear it. He handcuffs the guy to the cell and ends up falling asleep at his desk. He wakes up in a different world.
Writer, Lee Eun-Mi (Navillera), has so much fun dropping this veritable neanderthal into the PC climate of 2017. The station believes he's a new transfer, but... He doesn't know what DNA is, or what CCTV or dashcams are. He tells the criminal psychologist (in front of everyone) that it's all mumbo-jumbo and besides… (in an incredulous tone) .... She's a /WOMAN!/. He doesn't know to use gloves at the crime scene (yikes, they really ran with that one. We need an intervention). Computers? What for? The other cops can't understand how strange he is, or how he's making so many “lucky guesses" as a newbie detective. It adds up to lots of laughs and a fair amount of wincing. In the end, it adds up to growth for GHO. He does grow in the course of the show.
They partner him up with the most coldly detached, methodical, intelligent and antisocial detective at the station, Kim Seon-jae (SJAE). SJAE gives a chilly glance and saunters off while ignoring any overtures or questions. This enrages GHO to the point that he eventually starts a fist fight with SJAE. Will they work it out, so they can work together to catch the killer who is still at large?
That's the premise. Now we'll investigate what they did well, and also what didn't work. In short, they excelled in most of what they put into the show. There are no weaknesses in the acting, soundtrack, dialogue, plot, or character development. The needs improvement list is short and largely forgettable.
The show opens up in 1986. The colors are a washed out yellow/greenish, low contrast palate that looks like an old photo or movie. Coloring the past in such a way shows impressive thought and effort. The directors, Shin Yong-Hwi (Bad Guys) & Nam Ki-Hoon (Voice 3) often use color to send a message to the audience. The creators threw plenty of metaphors in the mix. SJAE plays chess regularly with Prof Mok (Kim Min-Sang from Private Lives-8.1 & Rookie Historian Goo Hae-Ryung-7.6). It represents strategy, moves, counter-moves, gaming, competition, rematches, winners, and losers. They are in a chess game with the killer. We see GHO's wife, Yeon-suk, stuck alone in the past doing laundry. She's made a hole in what she's washing. It's the first hole in her hope that she will see her husband again.
They use misdirection by introducing characters that appear one way, and then quite differently later. Elaboration isn't possible w/o spoilers, so we'll leave it there. Even when it's not difficult to see some of the twists that are coming, it doesn't mean that they weren't done well. The exposition of those surprises was riveting. More important than delivering surprises, the director is chasing the theme of FATE through the tunnel.
We also see some impressive character arcs for several people in the show. Whaaaa?? After a couple weeks with GHO, we see the never-a-hair-out-of-place SJAE, phalanges naked & free, go armpit deep in the trash and pull out a bloody weapon. That's the least of it. The audience's dessert is when he acts out in a way that's too much for GHO. It doesn't happen often, but what tasty morsel it is when it's tossed our way. Professor Shin, the criminal psychologist (Lee Yoo-Young from Dare to Love Me), goes through a transformation as well. Once she's able to face some truths, her makeup is done, her hair is silkier and polished looking, and her clothes are stylish. She's looking hot, actually.
The show is brightened a little by the hint of romance. Or was that a BRO-mance? A 30-year one. Anyway, there's some "mance" happening. {BTW, Is there some Bro-code that when men are fighting, they never knee each other in the dumplings? Even the most sadistic and depraved sociopaths seem to adhere to it both on the big and small screen.} Romance or not, as some people draw closer to eachother, they may start to mirror each other, or their clothes might start to look coordinated. The show sends many visual messages.
Now for some negatives.
At one point Prof Shin decides to act as a decoy, or bait, for the killer. Her attempt is so feeble and ill planned that it's exasperatingly out of character. She's smart, so how could she be that dumb? She had been put under pressure and guilted, so that may have prompted her to act foolishly, but it didn't play well. Given how he acted in their first encounter, GHO will have to mature in his interactions with women to which he's not married. Watch and see. It's arresting.
As I watched, I tried to block out how gorgeous SJAE is (Yoon Hyun-min from My Holo Love) so I could pay attention to the show, but it was a challenge. Is that even a negative, I wonder? Perhaps it belongs in both categories. The biggest letdown is that, while we get a filled out view of the past, we don't get any information about how things play out in the future. That seriously shocked and disappointed me. It almost affected my rating.
In the end, this is too good to rate a "7". The last episode is beautiful and moving. If you decide to give it a try, make sure you watch through episode 5; it's an awesome episode. You should know then whether to continue or not.
QUOTES📢
Sometimes memories can gobble up a person.
If everything that happened in the past was gone, and we lived a new life every day, we could learn nothing from past mistakes. We are who we are today because of the past. (Prof Shin).
〰🖍 IMHO
🎬8 🤔7 🎭8.5 ⚡7 💓7 🎨7 🌞 6.
Age 14+
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Action/Sci-fi/fantasy -
The school nurse files7.6
Glitch8
K2 8,
Private Lives 8.1
Uncanny counter season 1 only °S1-8.4 S2-4
Sisyphus 8,
Tunnel 8.5,
Signal 8.6,Train to Busan-7.8 D.P. 8.4
The Cursed 8.3,
Flower of Evil 8.9,
The Man from Nowhere 8.9,
Black 9,
Squid Game 8.4,
Kingdom 8.3,
Sweet Home 8.4
Dramas -
Love to Hate You 8.9,
Descendants Of The Sun 8.3,
Our Blues 8.7,
Inspector Koo 8.4,
When the Camellia Blooms 8,
Law School 8,
Anna 8.1,
My Mister 9.5,
Mr. Sunshine 9,
Mother 8.8,
The King's Affection 8.3,
Parasite-9
Originally 📝 9/2021
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Soaring Swordsmen Sweeping Saga Stalwart Support Singular Sorrow & Longing Surpassed 8.7
The Untamed is wonderful and exciting. At times it's warm and at times it is so beautifully sad. We follow Wei Wu Xian over many years, particularly his exploits with Lan Wan Ji. They are the most promising youth - two of the best fighters and strongest opponents around.Stick with it. It's confusing. We get a condensed intro in ep1 and then jump 16 years back to the beginning of the tale. The story meanders forward from there. TU has a couple of time jumps backward and forward. I went back later (approaching mid-show) and rewatched the first 20 minutes or so, which helped tremendously.
At the very beginning, Wu Xian(“WeiX”) is mischievous and ebullient, and always getting into trouble. Wan Ji (“LanZ” - Wei Wu Xian calls him “Lan Zahn”) and WeiX meet at Cloud Recesses. LanZ, as one of the Lan Clan, resides there and on site they have a finishing school, of sorts, for young men.
These two are complete opposites. WeiX keeps making friendly overtures to LanZ, which irritates the solitary LanZ greatly. WeiX is a fun, friendly joker and an overall class clown. LanZ rarely talks. Always drinking, WeiX has an easy affability about him. LanZ is serious, studious, never breaks the rules, and NEVER drinks, as prohibition is one of the Lan Clan's 3000 decrees. Yes, three-thousand. WeiX knows all about them. He's had to copy them 💯×💯s of times and he's often being punished. Never-a-hair-out-of-place LanZ was never punished, until he met WeiX.
A threat from the Wen Clan arises. All the other clans are concerned, resulting in WeiX and LanZ going on a quest together. One thing leads to another and they end up in many scrapes along the way. They eventually form a bond that's closer than brothers, though we have to wait until nearly the end to see the depths of the impassive LanZ's devotion to his friend. Still waters run deep, so frozen waters might have a torrent underneath their icy surface.
Tragedy occurs while the clans are fighting and WeiX is blamed. Thus starts his unraveling of the mystery surrounding events that lead up to the "current day."
{The show is based on author Mo Xiang Tong Xiu's novel, Mo Dao Zu Sho. The two protagonists become lovers in his book, but that was stripped from the TV series. (🇨🇳 isn't the only country with censorship 'issues,' btw. Most of the world is censored.) This, understandably, upset the gay community. Said "Oligarchy" is what it intends to be. They don't care a whiff about feelings or individual rights. We are hypocritical to be "ho-hum" about that ruling Party's steamrolling, censorship monolith when Google, or the NBA want to get in bed with them, or when Nike or Apple want to slice mfg costs by employing near-free manpower to compile their uber pricey items at the establishment's no-impromptu-inspection-allowed factories. That hierarchy controls everything - most of all information. This allows them free reign to eradicate human rights: It's well documented. They don't tolerate religions either, and the rumors of what happens to prisoners makes many horror pics look TAME. (If you're still with me, the reason I don't use the name of this country is because I will be censored.) Just sayin, if we are missing something the censorship machine took away, we should empathize with our fellow humans, stand up for the rights of all, and not tolerate any bully censors. It's all permanently interlocked, and not a pick-and-choose situation. Censorship will always be more damaging than freedom of expression. Let the (respectful) dialogue flow. Commercial over.}
There's a heavy fantasy element to the show. The swordsmen fly through the air. They cast magic spells, make talismans, and musical instruments are used for magic as well. Some of the fantasy elements are key to the story. It is much like Flying Tiger Crouching Dragon. The fantasy is cool, but the feel is of a sweeping saga, not simply a fantasy piece.
The characters are well developed. Their humanity, and otherwise, is the centerpiece of the story. Despite the changes enforced on the storyline, the union between the two protagonists and their respect for each other is what endures once the final episode's credits scroll by. It's easy to infer that their bond goes beyond mere friendship. Even the hetero relationships in UT are virtually platonic by Western standards. There is no closer relationship depicted in the show, and it is breathtaking.
Every element shines (except for a couple of the special effects. One monster was very poorly done). There's 50 episodes. It's alot; too much for me to binge watch. Eventually I went to watching a couple of episodes a week, which was perfect.
However you choose to watch, just choose to watch this stunning piece of art. It is truly magnificent.
IMHO...
🎬9 🤔7 🎭9 ⚡8 🌞 7
Age 13+
Written 9/2/21
ps. 5/28/24 ~>>
Asia remains extremely conservative when it comes to sexuality across the board. But, I've recently seen 5 or 6 🇨🇳shows that depict either a gay man, a gay romance, lighthearted “gay” joking between men, or other gay-related content that is evidence of a major attitude shift.
“Today, the 🇨🇳government's approach to LGBT rights has been described as "ambivalent", "fickle", and as being "no approval; no disapproval; no promotion". There is much resistance from conservative elements of the government, as various LGBT events have been banned in recent years. Since the late 2010s, authorities have avoided showing homosexual relationships on public television, as well as showing effeminate men in general.” Wiki. Their record on human rights, in general, is even worse.
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Love Between Fairy & Devil 8.9;
Once upon a time in Linglian Mountain 7.5;
Overlord 8.4,
Douluo Continent 9.4;
Handsome Siblings 8.7;
Heavenly Sword and Dragon Slaying Saber 9-Kung-fu!;
Eternal Love 8.3,
Ancient Love Poetry 8.6;
Under the Power 8.6,
The Rebel Princess 9.1,
The Sword and the Brocade 8.6 (in ancient Chinese opera style),
Love and Redemption 10,
The Rise of Phoenixes 9
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Close Encounters with the 3rd Kind °7.7° °VG°
He'll /try/ his /best/ to be faithful to her, he says. “There's only 2 kinds of men: Those who cheat and those who want to,” he qualifies, just so she knows how noble he is and how very, very difficult it will be to follow through on this intention. That's one prospective boyfriend's pitch for her affections. Zixin is looking for the “3rd kind”.DGBMH is a 2011 125-minute Hong Kong release that is rated 91 on AWiki. It's an engaging and tasty little morsel that decries the concept of false-choices in relationships. Don't only follow your heart - give a listen to your head as well.
So far, Zixin hasn't used her head enough. “Here, take my seat,” Zixin says to the pregnant lady on the bus. When their eyes meet, they realize who they are; who /SHE/ is. Zixin is the ex. Preggers is the current gf of Zixin's ex-bf. Mr. Ex catches up with them on the bus. When he sees Zixin, his mouth starts flapping: ‘Hold onto my liquor and my other items, and take care of my frog. I will pick them up soon…’ Zixin's ex has no shame. She should have known that already, long before she ever shacked up with him.
Preggers has a meltdown.
Ex asks ZIXIN to leave the bus. His gf is too upset, and /she's/ pregnant, afterall…
After storming off of the bus, Zixin almost gets run over. A bum just manages to snatch her out of the way, saving her life. So she's still alive (physically), but Zixin is not living her best life right about now.
S'all gud, though. At work she's window-flirting with the hottie-in-a-suit across the road. He's been waving, putting up flowers made of post-its, doing magic tricks, and today he asked her out - all by way of sign language from the office building across the way. They are finally gonna meet for coffee.
What Zixin doesn't realize is that the woman in the office under her has also been signaling to hottie dude. Which one of them has he been asking out?
On the way for coffee, Zixin runs into her savior-bum. As a way of ‘Thank you’ she offers to give him all the stuff her ex-bf left at her place. Frog n’ all. This leads to an epic date. It's not a date, officially… But it /IS/ a date. It happens a couple nights later. He approaches her with a wad of cash. Apparently, he sold most of the stuff. He says she can't take the money home. They have to spend it. First, he takes her for a haircut. (‘How long have you had that hairdo?” Did /he/ like your hair long?) Next, it's: “Do you have to wear dark clothes at work?” New wardrobe! Then it's good food. Zixin learns that this bum is an award winning architect who has been trying to dig out of a pile of life's rubble with a shot glass.
She walks Into work the next day with a spring in her step. She's flowing. Everyone & everything else stops. Zixin is a totally new person, overnight. She's officially a hottie. (Never underestimate the power of a good hairdo, and don't neglect your physical self & health). Things go lopsided when half of her firm loses their jobs in the aftermath of the Lehman Bros 2008 collapse. Their new boss is someone from across the street.
Daniel Wu (Go Away Mr. Tumor!, New Police Story) plays Kevin Fong. He was a brilliant architect. Now he's a drunk. Louis Koo Anita (The Road Less Traveled) portrays Zhang Shen Ran. He's a red blooded man, and he likes women. Zixin is extremely attracted to him, but must ask him, based on his description of the two kinds of men, will he become a Martian after they marry? Gao Yuan Yuan (The Qin Empire, City of Life and Death) is the girl, Cheng Zixin. They were all upstaged by Froggy, though.
At the helm we have a team. Wai Ka Fai (Looking Back in Anger, Fat Choi Spirit) is screenwriter/director. Johnnie To, of Running Out of Time, co-directed, and there's two more screenwriters: Ryker Chan (Blind Detective) & Jevons Au (Distinction).
The theme is choosing the right one, not the one you /want/ to be the right one. The right one will naturally have a positive effect on us. The confidence that stems from a positive love relationship will always spur us on to better things. Zixin already did change the right one. And he changed her. And that was all without trying. The wrong one was never going to change.
I used to say that one shouldn't marry unless one feels s/he can't live without the other person. That is not untrue, but it's not a good enough litmus test. Marry the person who feels most like home. That's what you'll be trying to build with the person - a home.
〰🖍 IMHO
📣7.9 📝7 🎭8 💓6.5 🦋4 🎨6 🎵/🔊6.8 🔚7.3 🤗7 ▪ 🌞4.8 ⚡2 😅3 😭2 😱1 😯2 🤢0 🤔5 💤0
AAge15+ sexual content
Language: @$$h0le
Rated TV-PG-13: Parents Cautioned
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Beautiful Love Makes a Beautiful Life °7.4° °VG°
Alert!Beautiful girl.
Alone.
DRUNK.
Black slinky dress and red platform shoes.
/Someone/ should look out for her.
She stumbles onto Fang, but another dude arrives to assist her, so Fang walks away. But Fang made an impression, so while he's walking home, she's ba-aack! And she jumps on /his/ back.
“I'll buy you coffee sometime,” was how the night ended. They soon run into eachother a couple more times. Yes, she remembers him; she wasn't /that/ drunk. She gives him her card and makes more promises about future coffee. Next, she sees him in the grocery store and /demands/ his help in making dumplings. He complies. When her sig-other comes home, however, she acts like Fang's the plumber.
Ouch.
She seems to think she's a cat that can sit on anyone's lap and be loved. Look at how cute she is, afterall! Due to the success of the dumplings, she's now in the habit of calling Fang for all kinds of help. We soon learn that her sig-other has a much /more significant/ other of his own. She's going to need lots of help.
ABL is a 2011 124-minute release that is rated 92 on AWiki. It is a beautiful story, and it is completely different from a typical Chinese modern-day feature. That's probably because it's a collaboration with Hong Kong. It feels like we're watching real people from a camera in the corner of the room.
Liu Ye (First Night Nerves) plays ML Fang Zhengdong. He lives with his brother, who has communication struggles and needs looking after. Fang seems to be a natural nurturer. Shu Qi (Good Autumn, Mommy) portrays FL Li Peiru. Everyone in her life is selfish. Once she meets Fang, she just keeps comin back round to him because he is something entirely strange and new. It's mutual. They are obviously drawn to eachother. Over time, a bond forms and continues to get stronger. In the beginning, it's him helping her, but she gets a chance to return the favor.
ABL is just lovely. It is a romance that would please more than romance-junkies. These are two lonely people, and as opposite personalities, they each handle loneliness in their own ways. As a policeman, Fang handles it in an orderly manner by keeping his head down and fulfilling responsibilities. Li acts out in a disorderly fashion. She's often drunk and disorderly. One cop took notice, and 2 lonely lives became one beautiful life together.
〰🖍 IMHO
📣7.6 📝7.4 🎭8 💓7 🦋5.5 🎨6.5 🎵/🔊7.2 🔚8 🤗8 ▪ 🌞6.5 ⚡3.5 😅2 😭4 😱2 😯3 🤢3.5 🤔4.5 💤0
Age 13+ adult situations and mild sexual content
Rated TV-PG-13: Parents Cautioned
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