I have been waiting for this pairing of Leo Luo and Bai Lu ever since I watched them in “Love Is Sweet,” and their on-screen chemistry was off-the-charts. I am glad this time it’s a historical drama that brought them together, as both were formidable in their past projects, “Ashes of Love” and “One and Only.”

“Till the End of the Moon” lives up to its title, as it tells of the searing saga and intertwined fates of the Demon Lord Tantai Jin and the Immortal goddess Li Su Su, going through several lifetimes and reincarnations until eternity. Here lies my contradictory feeling about the concept of “everlasting” love: while it’s commendable that these two managed to “resolve” their conflicts or despite their opposite goals, and still love each other years and years later; how many times should I see them cycle through different lives in various identities, without getting bored with it?

Back to the story, granted that it’s a complex one, but here we see Tantai Jin as the anti-hero. Was he really born evil or just a product of his cruel environment? Sure that he had the “evil bone” or whatyoumacallit planted inside of him by the spirit of Evil, making him more devil than the evil itself with his evilness. They had to make sure that we know he’s the devil, despite his insistence on the contrary.

But hey, look who’s here: the fairy goddess turning mortal to save the day, like she fell down from the sky, literally. Not only that, Li Su Su is arguably the most beautiful human being that graced the heavens, but apparently, she’s the only one who possesses the power to stop the Devil from destroying the world. Maybe by seducing him with her flawless white skin and virginal attire, will make the almighty Devil shake in his knees.

Throw in five or a hundred supporting characters, then you complete this saga. First, you must always have the jelly-bitch of a step-sister, ala Cinderella. Then you must also have a trusty side-kick or two. Don’t also forget to include the meanie mother, in this case, father, who destroys everything like your hopes and dreams. A comedic-relief character is also necessary in any story, so you have that. Add in an army of villains to do your bidding, and Voila! You have a cast list that is longer than the roll of tissue in your bathroom.

What really made me (or probably you) overlook all the craziness of time- or life- warping back and forth, not sure what is in whose memory of where it takes place is the beautiful cinematography that razzles and dazzles, so you just go with the logic and forget that you stepped into plot holes that you magically come out of. You won’t wonder: did that just happen, because no, it didn’t? It’s just in your dream, in your mind, and you are not supposed to see that rip in the fabric of time.

Aiding in this mesmerization are the two key actors whose job is mainly to act like their lives depend on it. Bai Lu expertly balances between the innocent yet formidable; soft in her expressions, yet firm in her direction while making sure that her hair and make-up is not out of place. For his part, Luo Yun Xi employs micro-expressions to portray his role as the Demon God. In this drama, Leo’s eyebrows made a strong appearance to make sure that you know they mean business. Leo’s lips did a lot of the work too, especially when he coughed up so much blood and making it look as normal as brushing his teeth.

Despite its flaws, I enjoyed this drama. It had its strength and weaknesses. I would follow the pairing of Leo Luo and Bai Lu till the end of the moon, if only the moon isn’t too far and requires three lifetimes of dreams.