Rurouni Kenshin: The Beginning is the fifth and final instalment of the live action adaptation of the Rurouni Kenshin manga series by Nobuhiro Watsuki. This film series finally ended after nearly a decade, having begun in 2012 when the first film was released.

This finale features the origin story of Himura Kenshin aka Battosai set during the Bakumatsu - from just before the Hamaguri Gate Rebellion to the end of the Boshin War. Notwithstanding the rather spoilery film poster, fans of both the live action and manga series would have already been made aware of the momentous event that had taken place in Kenshin’s past which went on to shape his future, culminating in his present state as depicted in the preceding four films. However, the true account of what actually transpired has finally been chronicled and presented in this film.

At its very heart, this is a tale of love and redemption between the two main characters, Himura Kenshin and his first love, Yukishiro Tomoe. Personally, I do believe that one major benefit of knowing the outcome prior to watching the story unfold is that rather than anticipating the conclusion and/ or fearing the potential for an impending tragedy, viewers are able to focus on the subtleties of the storytelling while appreciating the development of the characters and nuances of the portrayals.

Among all the films in the series, this instalment is perhaps the most serious and compelling. It plays out more like an actual historical than a manga adaptation and explores much emotional depth and character evolution of its two leads. There is hardly any moment of levity and lightheartedness, in contrast to the earlier films. Even the action sequences for which the film series is famed, is very much subdued where significant portions of the swordplay is presented in the style of a vignette, complete with evocative instrumentals. Although there are two boss fights, they are not as thrilling as those in the other instalments.

Production wise, the quality levels remain consistent as one would expect of the same production team led by screenwriter-director Otomo Keishi. The cinematography is exquisite, showcasing the beauty of the seasons where autumn transitions to winter in the countryside, as well as the framing of poignant scenes shared between the leads in their humble abode. Camerawork and editing for the numerous sword fights and stunts remain exceptional, as has been the case throughout the series.

In terms of the acting, both Sato Takeru and Arimura Kasumi are perfect in their portrayals of Himura Kenshin and Yukishiro Tomoe. No one else can play Kenshin at this point and I can’t imagine someone else in the role of Tomoe. As much as I enjoy seeing Kenshin and Kamiya Kaoru (Takei Emi) together, the connection between Kenshin and Tomoe feels more absorbing. Theirs is a delicate love borne of turmoil and conflict that eventually nurtures and heals the soul. I was honestly blown away by their scenes together, especially towards the heartbreaking ending.

Rounding off the supporting cast, Eguchi Yosuke is back as Saito Hajime but with long flowing hair and without the cigarette dangling from his mouth (for the most part). Araki Towa has a bit part, playing the younger version of Yukishiro Enishi while Takahashi Issei provides an intriguing depiction of Katsura Kogoro.

I would rate this film as my second favourite of the series, with Rurouni Kenshin: The Legend Ends as my top favourite. It may not be as action packed, fun-filled or give off steampunk vibes as the others, but I’ve thoroughly enjoyed the character-driven emphasis and nuanced approach to the performances and storytelling, where viewers finally get to see how Battosai evolves from the killer to the pacifist. There is a tinge of melancholy now that the live-action series has come to an end, but what an eventful ride it has been.