20
34
7
WandereR
Borneo
Whodunit
Despite the rather unimaginative title, Who is the Murderer tells you exactly what this drama is about without the need to check the genres, tags or even read the synopsis. The thing with whodunits is the less you know heading into it, the better for your overall viewing enjoyment. In fact, I would suggest that you skip the synopsis entirely to avoid being spoilered.
What I did know beforehand though was that this drama is the third entry to iQiyi Mist Theatre’s Light On series for 2021. For the uninitiated, the Mist Theatre Light On series which was launched in 2020 focuses on high quality thrillers (typically crime) presented in short format (around 16 episodes or less). At least, that is the planning intent by the Chinese OTT provider. Unfortunately the first two offerings of the year, The Pavilion and Wisher, IMHO, didn’t live up to the high standards set as far as the quality of the screenplay is concerned and in comparison with some of last year’s higher-rated productions. The good news, however, is that Who is the Murderer finally broke that trend and turned out to be the best yet, of this year's batch. How the fourth drama in the series, Gold Panning, compares when it airs later this week remains to be seen.
Principal photography for the drama began in August 2020 with Wuxi serving as the primary filming location and the setting for Haizhou City, both of which are located in Jiangsu province. The director helming this production needs no introduction for he is none other than Sun Hao, who famously directed the much-loved Joy of Life. The plot is based on an original screenplay by Chen Wei Han and Kong You You.
A neo noir psychological crime thriller focusing on the mystery of unsolved serial murders that span a period of 17 years, from 2000 to 2017. The plot revolves around three main characters - Leng Xiao Ping, the hardboiled Violent Crimes detective who is haunted by the past; Xia Mu, the promising young police recruit with demons of his own; and finally Shen Yu, the enigmatic psychologist with her own hidden motivations. All three somehow discover an inextricable connection to the unsolved murders.
What I Liked
This drama is slow burn yet gripping where the suspense never truly lets up once it grabs a hold of you. The pilot episode starts off very strongly with frantic action and extreme urgency that establishes the background of the mystery. From the second episode on, it eases into an engaging tempo where the story transitions into the present day. The plot features a number of unexpected twists that are smartly written and delicately revealed. Utterly surprising yet makes total sense, with neither the fanfare nor suspension of disbelief. I especially enjoyed the subtle cat and mouse games that ensues between the three characters.
The roles are very well crafted, where each of the three main characters is given much depth and complexity. Merely stating that they are extremely grey with many dimensions doesn’t do justice to the elaborate characterization. The same can be said of the other characters, whether in a supporting capacity or simply guest appearance. Not a single character appears out of place in this drama.
The acting well and truly breathes life into the characters without compromising the ingenuity of the design. In Zhao Li Ying’s second appearance this year since Legend of Fei and after the birth of her son in 2019, her portrayal of Shen Yu is perhaps one of the finest in her career. Nuanced, sophisticated, calculated, and profoundly complicated. This drama wouldn’t be the same without her masterful performance.
Likewise Xiao Yang who plays the detective, Leng Xiao Bing. Aside from the brief instances of levity, the level of street smarts that he infuses into his character is convincingly smooth. His version of hardboiled isn’t overly gritty and actually comes across as quite affable. My first time seeing Dong Zi Jian and his depiction of Xia Mu is quite interesting, to say the least. He manages to convey the necessary emotions in face of challenges that his character gradually goes through, in the course of the story.
The production design is top notch, in terms of the cinematography technique and framing of the visuals, as well as the art direction. I love the application of softer colour grading, as opposed to the typical edgy darker schemes of noir productions. Additionally, the flow of the storytelling is not interrupted by the infusion of flashback sequences and references to the earlier timeline.
As far as the music is concerned, I enjoyed Beethoven’s Moonlight Sonata during the stylish title sequence and the outro theme by Jin Minqi. Full listing as follows:
Moonlight Sonata
藏 Hide - 金玟岐 Jin Minqi
藏 Hide - 徐明浩 Xu Minghao
你看 Look - 金志文 Jin Zhiwen
What Could Have Been Better
In terms of the technical execution, the editing is somewhat inconsistent where certain scene transitions do not appear as seamless as it should to match the general quality of the camerawork.
The conceptual vibe of the storytelling is quite pronounced throughout the drama, which may compel viewers to strain their concentration in making the connection to certain plot points. This appears to be a stylistic choice rather than a deliberate attempt to dramatize the depiction of events. Sometimes it works and at other times, it becomes somewhat confusing.
As much as I have enjoyed Dong Zi Jian’s performance, I feel that his appearance does not suitably match his characterization at times. He looks more like a college kid than a promising police recruit or probationary detective. His mannerism as well as propensity to disregard authority and instructions are somewhat jarring compared to the other characters who appear more believable in their roles.
Finally, the ending. It did feel somewhat underwhelming. I honestly anticipated a more mind-blowing conclusion to the whole overarching mystery...
Overall
Notwithstanding the criticisms, Who is the Murderer represents a return to relative form of iQiyi’s Light On series and is one of the stronger C-drama thrillers to be released this year. It may not be flawless and while it doesn't end as strongly as it starts, I do appreciate the intricacies of the storytelling and the compelling performances of the leads, particularly that of Zhao Li Ying.
What I did know beforehand though was that this drama is the third entry to iQiyi Mist Theatre’s Light On series for 2021. For the uninitiated, the Mist Theatre Light On series which was launched in 2020 focuses on high quality thrillers (typically crime) presented in short format (around 16 episodes or less). At least, that is the planning intent by the Chinese OTT provider. Unfortunately the first two offerings of the year, The Pavilion and Wisher, IMHO, didn’t live up to the high standards set as far as the quality of the screenplay is concerned and in comparison with some of last year’s higher-rated productions. The good news, however, is that Who is the Murderer finally broke that trend and turned out to be the best yet, of this year's batch. How the fourth drama in the series, Gold Panning, compares when it airs later this week remains to be seen.
Principal photography for the drama began in August 2020 with Wuxi serving as the primary filming location and the setting for Haizhou City, both of which are located in Jiangsu province. The director helming this production needs no introduction for he is none other than Sun Hao, who famously directed the much-loved Joy of Life. The plot is based on an original screenplay by Chen Wei Han and Kong You You.
A neo noir psychological crime thriller focusing on the mystery of unsolved serial murders that span a period of 17 years, from 2000 to 2017. The plot revolves around three main characters - Leng Xiao Ping, the hardboiled Violent Crimes detective who is haunted by the past; Xia Mu, the promising young police recruit with demons of his own; and finally Shen Yu, the enigmatic psychologist with her own hidden motivations. All three somehow discover an inextricable connection to the unsolved murders.
What I Liked
This drama is slow burn yet gripping where the suspense never truly lets up once it grabs a hold of you. The pilot episode starts off very strongly with frantic action and extreme urgency that establishes the background of the mystery. From the second episode on, it eases into an engaging tempo where the story transitions into the present day. The plot features a number of unexpected twists that are smartly written and delicately revealed. Utterly surprising yet makes total sense, with neither the fanfare nor suspension of disbelief. I especially enjoyed the subtle cat and mouse games that ensues between the three characters.
The roles are very well crafted, where each of the three main characters is given much depth and complexity. Merely stating that they are extremely grey with many dimensions doesn’t do justice to the elaborate characterization. The same can be said of the other characters, whether in a supporting capacity or simply guest appearance. Not a single character appears out of place in this drama.
The acting well and truly breathes life into the characters without compromising the ingenuity of the design. In Zhao Li Ying’s second appearance this year since Legend of Fei and after the birth of her son in 2019, her portrayal of Shen Yu is perhaps one of the finest in her career. Nuanced, sophisticated, calculated, and profoundly complicated. This drama wouldn’t be the same without her masterful performance.
Likewise Xiao Yang who plays the detective, Leng Xiao Bing. Aside from the brief instances of levity, the level of street smarts that he infuses into his character is convincingly smooth. His version of hardboiled isn’t overly gritty and actually comes across as quite affable. My first time seeing Dong Zi Jian and his depiction of Xia Mu is quite interesting, to say the least. He manages to convey the necessary emotions in face of challenges that his character gradually goes through, in the course of the story.
The production design is top notch, in terms of the cinematography technique and framing of the visuals, as well as the art direction. I love the application of softer colour grading, as opposed to the typical edgy darker schemes of noir productions. Additionally, the flow of the storytelling is not interrupted by the infusion of flashback sequences and references to the earlier timeline.
As far as the music is concerned, I enjoyed Beethoven’s Moonlight Sonata during the stylish title sequence and the outro theme by Jin Minqi. Full listing as follows:
Moonlight Sonata
藏 Hide - 金玟岐 Jin Minqi
藏 Hide - 徐明浩 Xu Minghao
你看 Look - 金志文 Jin Zhiwen
What Could Have Been Better
In terms of the technical execution, the editing is somewhat inconsistent where certain scene transitions do not appear as seamless as it should to match the general quality of the camerawork.
The conceptual vibe of the storytelling is quite pronounced throughout the drama, which may compel viewers to strain their concentration in making the connection to certain plot points. This appears to be a stylistic choice rather than a deliberate attempt to dramatize the depiction of events. Sometimes it works and at other times, it becomes somewhat confusing.
As much as I have enjoyed Dong Zi Jian’s performance, I feel that his appearance does not suitably match his characterization at times. He looks more like a college kid than a promising police recruit or probationary detective. His mannerism as well as propensity to disregard authority and instructions are somewhat jarring compared to the other characters who appear more believable in their roles.
Finally, the ending. It did feel somewhat underwhelming. I honestly anticipated a more mind-blowing conclusion to the whole overarching mystery...
Overall
Notwithstanding the criticisms, Who is the Murderer represents a return to relative form of iQiyi’s Light On series and is one of the stronger C-drama thrillers to be released this year. It may not be flawless and while it doesn't end as strongly as it starts, I do appreciate the intricacies of the storytelling and the compelling performances of the leads, particularly that of Zhao Li Ying.
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