You will watch it for the hype, but is it worthy?
Coming from 2016 Train to Busan and its 2020 sequel Peninsula, 2018 Rampant, 2019 Kingdom, and 2020 Alive, K-Zombie variety undeniably is a top-tier. Molding a story that synthesizes actuality and thrill, K-Zombie films and series are definitely no-skip.
All of Us Are Dead gives you a notion of being trapped in your school amidst an apocalypse and that's it, we are, once again, to take the same route of emotions, human nature, and morale.
In this perspective, multiple altitudes of development and headway await in its potential, but you will end up looking for the main course.
This is what the show offers: nothing is drawn for one purpose, each connects, each counts, each is just a part of a whole another madness.
Its 12-hour sail provides crammed and lengthy subplots, but amazingly delivers a visual harmony and topnotch performances by the actors.
Imagine a teen-oriented popular afternoon show, but there are zombies in it; this is what All of Us Are Dead brings to the flourishing violent and gore, but socially aware and genuine category of Korean Dramas.
All of Us Are Dead gives you a notion of being trapped in your school amidst an apocalypse and that's it, we are, once again, to take the same route of emotions, human nature, and morale.
In this perspective, multiple altitudes of development and headway await in its potential, but you will end up looking for the main course.
This is what the show offers: nothing is drawn for one purpose, each connects, each counts, each is just a part of a whole another madness.
Its 12-hour sail provides crammed and lengthy subplots, but amazingly delivers a visual harmony and topnotch performances by the actors.
Imagine a teen-oriented popular afternoon show, but there are zombies in it; this is what All of Us Are Dead brings to the flourishing violent and gore, but socially aware and genuine category of Korean Dramas.
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