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Hear Me: Our Summer korean drama review
Completed
Hear Me: Our Summer
1 people found this review helpful
by BLOB_BR
6 days ago
Completed
Overall 10
Story 10.0
Acting/Cast 10.0
Music 9.0
Rewatch Value 10.0

A feel good, comfort movie


If you're looking for a movie that feels like a comforting hug, Hear Me: Our Summer is the perfect pick. Directed by Cho Sun-ho, this 2024 South Korean romantic drama gently pulls you into its world with a quiet, heartfelt story and characters who’ll stay with you long after the credits roll. It’s a remake of the Taiwanese classic Hear Me, but it’s got a charm that’s all its own.

The story revolves around Lee Yong-jun (played by Hong Kyung), a 26-year-old delivery guy working for his parents’ snack shop. Yong-jun doesn’t exactly have his life figured out yet—he’s drifting, not sure what his next step should be. But everything changes when he crosses paths with Seo Yeo-reum (played by Roh Yoon-seo) during a delivery to a group of deaf swimmers.

Yeo-reum is a fiercely supportive sister to Ga-eul, an aspiring Olympic swimmer who is hearing-impaired. From the moment Yong-jun meets Yeo-reum, he’s captivated—not just by her beauty but by her warmth and resilience. And here's where the film deviates from the usual tropes: Yong-jun already knows sign language. There’s no dramatic “learning to communicate for love” arc because he’s been using sign language in his everyday life, and this feels refreshingly natural. It allows their connection to develop organically, without any heavy-handed gestures or over-the-top romantic clichés.

What makes Hear Me: Our Summer truly special is its atmosphere. It’s a warm, feel-good movie that doesn’t rush or try too hard to tug at your heartstrings. Instead, it lets the small, quiet moments do the work. A lingering glance, a shared laugh, or a simple gesture speaks volumes. The chemistry between Hong Kyung and Roh Yoon-seo is understated yet electric—they don’t need dramatic proclamations or grand gestures to make you believe in their story.

Roh Yoon-seo is especially captivating as Yeo-reum. She has this effortless way of pulling you into her world, making you feel her joys, struggles, and quiet determination. Hong Kyung, as Yong-jun, is equally endearing. He perfectly captures that aimless, slightly lost feeling so many people in their twenties can relate to, and his journey toward finding purpose through love and connection is deeply satisfying to watch.

The film also deserves credit for its respectful portrayal of the deaf community. It’s clear that a lot of thought went into ensuring the representation feels authentic and meaningful. The use of sign language isn’t treated as a novelty or a gimmick—it’s just a natural part of the characters’ lives, seamlessly integrated into the story. This authenticity adds a layer of depth and sincerity that sets the movie apart.

Of course, no film is perfect, and Hear Me: Our Summer has its flaws. The pacing in the second half slows down a bit, and some viewers might find themselves wishing for a little more drama or tension. But for others, that’s precisely the point. This isn’t a movie about big, sweeping moments; it’s about finding beauty in the everyday, in the little things that make life—and love—worthwhile.

Visually, the film is stunning. The cinematography leans into soft, natural tones that perfectly complement the story’s gentle, comforting vibe. Scenes of summer days by the pool, quiet evenings lit by golden-hour sunlight, and simple yet meaningful settings like Yong-jun’s family shop add to the film’s intimate charm.

If you’re in the mood for a heartwarming, feel-good movie that doesn’t demand too much of you but still leaves you with a full heart, Hear Me: Our Summer is a lovely choice. It’s the kind of film that reminds you of the simple joys of human connection and the power of just being present with someone.

By the time the credits roll, you might not feel like you’ve watched a life-changing masterpiece, but you’ll feel like you’ve spent two hours wrapped in a cozy blanket of warmth and understanding. And really, isn’t that exactly what we need sometimes?
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